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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34BD53 it is the complementary color #CB42AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34BD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34BD53 shade: #39BD4E, #4ACF61, #5BE174, #6CF387 and #7DFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34BD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34BD53 shade: #34BD53, #23AB40, #12992D, #01871A and #007507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34BD53 shade: #34BC52, #39BC34, #5EBC34, #83BC34 and #A8BC34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34BD53 shade: #34BC52, #34BC77, #34BC9C, #34B7BC and #3492BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34BD53 shade matches the following richer shades: #34BC52, #20D048 and #0DE33D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34BD53 shade: #34BC52, #47A95D, #5A9568, #6E8272 and #816F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34BD53 shade: #5FBC34, #3ABC34, #34BC51, #34BC76 and #34BC9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34BD53 shade: #227B36, #2B9C44, #34BC52, #4BCE69 and #6CD784

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34BD53 shade: #34BD53, #3483BC and #BC344D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34BD53 shade: #34BD53, #5134BC and #BC5134

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34BD53 shade: #34BD53, #3483BC, #BC349F and #BC6C34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34BD53 shade: #34BD53, #345ABC, #BC349F and #BC9534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

Complementary color

CMYK 0 / 67 / 15 / 20

HEX #CB42AC

RGB 203 66 172

HSL 313.58, 0.57%, 0.53%

LAB 51.35, 64.72, -28.32

 

CMYK 70 / 0 / 59 / 26

HEX #39BD4E

RGB 57 189 78

HSL 129.55, 0.54%, 0.48%

LAB 67.88, -58.06, 45.18

 

CMYK 64 / 0 / 53 / 19

HEX #4ACF61

RGB 74 207 97

HSL 130.38, 0.58%, 0.55%

LAB 74.15, -58.72, 43.81

 

CMYK 60 / 0 / 48 / 12

HEX #5BE174

RGB 91 225 116

HSL 131.19, 0.69%, 0.62%

LAB 80.37, -59.08, 42.43

 

CMYK 56 / 0 / 44 / 5

HEX #6CF387

RGB 108 243 135

HSL 132, 0.85%, 0.69%

LAB 86.52, -59.24, 41.08

 

CMYK 51 / 0 / 40 / 0

HEX #7DFF9A

RGB 125 255 154

HSL 133.38, 1%, 0.75%

LAB 90.88, -56.91, 37.5

 

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

CMYK 80 / 0 / 63 / 33

HEX #23AB40

RGB 35 171 64

HSL 132.79, 0.66%, 0.4%

LAB 61.53, -57.05, 44.16

 

CMYK 88 / 0 / 71 / 40

HEX #12992D

RGB 18 153 45

HSL 132, 0.79%, 0.34%

LAB 55.18, -55.17, 45.35

 

CMYK 99 / 0 / 81 / 47

HEX #01871A

RGB 1 135 26

HSL 131.19, 0.99%, 0.27%

LAB 48.77, -52.45, 45.91

 

CMYK 100 / 0 / 94 / 54

HEX #007507

RGB 0 117 7

HSL 123.59, 1%, 0.23%

LAB 42.37, -48.16, 45.17

 

CMYK 72 / 0 / 56 / 26

HEX #34BC52

RGB 52 188 82

HSL 133.24, 0.57%, 0.47%

LAB 67.51, -58.04, 42.84

 

CMYK 70 / 0 / 72 / 26

HEX #39BC34

RGB 57 188 52

HSL 117.79, 0.57%, 0.47%

LAB 67.34, -60.4, 55.49

 

CMYK 50 / 0 / 72 / 26

HEX #5EBC34

RGB 94 188 52

HSL 101.47, 0.57%, 0.47%

LAB 68.46, -51.47, 56.99

 

CMYK 30 / 0 / 72 / 26

HEX #83BC34

RGB 131 188 52

HSL 85.15, 0.57%, 0.47%

LAB 70.2, -39.02, 59.31

 

CMYK 11 / 0 / 72 / 26

HEX #A8BC34

RGB 168 188 52

HSL 68.82, 0.57%, 0.47%

LAB 72.59, -24.31, 62.46

 

CMYK 72 / 0 / 56 / 26

HEX #34BC52

RGB 52 188 82

HSL 133.24, 0.57%, 0.47%

LAB 67.51, -58.04, 42.84

 

CMYK 72 / 0 / 37 / 26

HEX #34BC77

RGB 52 188 119

HSL 149.56, 0.57%, 0.47%

LAB 68.04, -51.9, 24.77

 

CMYK 72 / 0 / 17 / 26

HEX #34BC9C

RGB 52 188 156

HSL 165.88, 0.57%, 0.47%

LAB 68.82, -43.55, 5.85

 

CMYK 72 / 3 / 0 / 26

HEX #34B7BC

RGB 52 183 188

HSL 182.21, 0.57%, 0.47%

LAB 68.19, -32.47, -12.68

 

CMYK 72 / 22 / 0 / 26

HEX #3492BC

RGB 52 146 188

HSL 198.53, 0.57%, 0.47%

LAB 57, -13.46, -29.76

 

CMYK 72 / 0 / 56 / 26

HEX #34BC52

RGB 52 188 82

HSL 133.24, 0.57%, 0.47%

LAB 67.51, -58.04, 42.84

 

CMYK 85 / 0 / 65 / 18

HEX #20D048

RGB 32 208 72

HSL 133.64, 0.73%, 0.47%

LAB 73.47, -68.22, 54.03

 

CMYK 94 / 0 / 73 / 11

HEX #0DE33D

RGB 13 227 61

HSL 133.46, 0.89%, 0.47%

LAB 79.25, -75.98, 64.25

 

CMYK 72 / 0 / 56 / 26

HEX #34BC52

RGB 52 188 82

HSL 133.24, 0.57%, 0.47%

LAB 67.51, -58.04, 42.84

 

CMYK 58 / 0 / 45 / 34

HEX #47A95D

RGB 71 169 93

HSL 133.47, 0.41%, 0.47%

LAB 62.09, -45.46, 30.76

 

CMYK 40 / 0 / 30 / 42

HEX #5A9568

RGB 90 149 104

HSL 134.24, 0.25%, 0.47%

LAB 56.75, -29.33, 17.87

 

CMYK 15 / 0 / 12 / 49

HEX #6E8272

RGB 110 130 114

HSL 132, 0.08%, 0.47%

LAB 52.39, -10.62, 6.24

 

CMYK 0 / 14 / 3 / 49

HEX #816F7D

RGB 129 111 125

HSL 313.33, 0.08%, 0.47%

LAB 48.9, 9.69, -5.12

 

CMYK 49 / 0 / 72 / 26

HEX #5FBC34

RGB 95 188 52

HSL 101.03, 0.57%, 0.47%

LAB 68.49, -51.18, 57.04

 

CMYK 69 / 0 / 72 / 26

HEX #3ABC34

RGB 58 188 52

HSL 117.35, 0.57%, 0.47%

LAB 67.36, -60.21, 55.52

 

CMYK 72 / 0 / 57 / 26

HEX #34BC51

RGB 52 188 81

HSL 132.79, 0.57%, 0.47%

LAB 67.49, -58.17, 43.3

 

CMYK 72 / 0 / 37 / 26

HEX #34BC76

RGB 52 188 118

HSL 149.12, 0.57%, 0.47%

LAB 68.02, -52.09, 25.28

 

CMYK 72 / 0 / 18 / 26

HEX #34BC9A

RGB 52 188 154

HSL 165, 0.57%, 0.47%

LAB 68.77, -44.05, 6.88

 

CMYK 72 / 0 / 56 / 52

HEX #227B36

RGB 34 123 54

HSL 133.48, 0.57%, 0.31%

LAB 45.32, -41.52, 30.05

 

CMYK 72 / 0 / 56 / 39

HEX #2B9C44

RGB 43 156 68

HSL 133.27, 0.57%, 0.39%

LAB 56.79, -50.14, 36.78

 

CMYK 72 / 0 / 56 / 26

HEX #34BC52

RGB 52 188 82

HSL 133.24, 0.57%, 0.47%

LAB 67.51, -58.04, 42.84

 

CMYK 64 / 0 / 49 / 19

HEX #4BCE69

RGB 75 206 105

HSL 133.74, 0.57%, 0.55%

LAB 73.97, -57.01, 39.72

 

CMYK 50 / 0 / 39 / 16

HEX #6CD784

RGB 108 215 132

HSL 133.46, 0.57%, 0.63%

LAB 78.14, -48.61, 31.71

 

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

CMYK 72 / 30 / 0 / 26

HEX #3483BC

RGB 52 131 188

HSL 205.15, 0.57%, 0.47%

LAB 52.5, -4.93, -36.78

 

CMYK 0 / 72 / 59 / 26

HEX #BC344D

RGB 188 52 77

HSL 348.97, 0.57%, 0.47%

LAB 43.78, 55.3, 17.81

 

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

CMYK 57 / 72 / 0 / 26

HEX #5134BC

RGB 81 52 188

HSL 252.79, 0.57%, 0.47%

LAB 33.64, 48.19, -67.02

 

CMYK 0 / 57 / 72 / 26

HEX #BC5134

RGB 188 81 52

HSL 12.79, 0.57%, 0.47%

LAB 48.04, 41.32, 37.78

 

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

CMYK 72 / 30 / 0 / 26

HEX #3483BC

RGB 52 131 188

HSL 205.15, 0.57%, 0.47%

LAB 52.5, -4.93, -36.78

 

CMYK 0 / 72 / 15 / 26

HEX #BC349F

RGB 188 52 159

HSL 312.79, 0.57%, 0.47%

LAB 46.51, 64.13, -28.35

 

CMYK 0 / 43 / 72 / 26

HEX #BC6C34

RGB 188 108 52

HSL 24.71, 0.57%, 0.47%

LAB 53.67, 27.25, 43.92

 

CMYK 72 / 0 / 56 / 26

HEX #34BD53

RGB 52 189 83

HSL 133.58, 0.57%, 0.47%

LAB 67.84, -58.25, 42.76

 

CMYK 72 / 52 / 0 / 26

HEX #345ABC

RGB 52 90 188

HSL 223.24, 0.57%, 0.47%

LAB 40.69, 20.63, -55.61

 

CMYK 0 / 72 / 15 / 26

HEX #BC349F

RGB 188 52 159

HSL 312.79, 0.57%, 0.47%

LAB 46.51, 64.13, -28.35

 

CMYK 0 / 21 / 72 / 26

HEX #BC9534

RGB 188 149 52

HSL 42.79, 0.57%, 0.47%

LAB 63.7, 4.69, 54.29

 

Description

Color code: HEX #34BD53 | qconv.com Color code: HEX #34BD53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 189 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 189 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 56 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 56% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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