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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34BB1B it is the complementary color #CB44E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34BB1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34BB1B shade: #39BB16, #4ACD29, #5BDF3C, #6CF14F and #7DFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34BB1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34BB1B shade: #34BB1B, #23A908, #129700, #018500 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34BB1B shade: #34BB1B, #5FBB1B, #8BBB1B, #B6BB1B and #BB961B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34BB1B shade: #34BB1B, #1BBB2D, #1BBB58, #1BBB84 and #1BBBAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34BB1B shade matches the following richer shades: #34BB1B and #28CD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34BB1B shade: #34BB1B, #40AA2C, #4C993D, #58874F and #647660

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34BB1B shade: #8BBB1B, #60BB1B, #36BB1B, #1BBB2B and #1BBB56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34BB1B shade: #207310, #2A9716, #34BB1B, #3EDF20 and #5DE444

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34BB1B shade: #34BB1B, #1BB6BB and #BB1B76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34BB1B shade: #34BB1B, #1B36BB and #BB1B36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34BB1B shade: #34BB1B, #1BB6BB, #A11BBB and #BB201B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34BB1B shade: #34BB1B, #1B86BB, #A11BBB and #BB501B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

Complementary color

CMYK 11 / 70 / 0 / 11

HEX #CB44E4

RGB 203 68 228

HSL 290.63, 0.75%, 0.58%

LAB 54.48, 73.06, -55.56

 

CMYK 70 / 0 / 88 / 27

HEX #39BB16

RGB 57 187 22

HSL 107.27, 0.79%, 0.41%

LAB 66.88, -61.81, 63.68

 

CMYK 64 / 0 / 80 / 20

HEX #4ACD29

RGB 74 205 41

HSL 107.93, 0.67%, 0.48%

LAB 73.07, -63.35, 64.82

 

CMYK 59 / 0 / 73 / 13

HEX #5BDF3C

RGB 91 223 60

HSL 108.59, 0.72%, 0.55%

LAB 79.23, -64.39, 64.97

 

CMYK 55 / 0 / 67 / 5

HEX #6CF14F

RGB 108 241 79

HSL 109.26, 0.85%, 0.63%

LAB 85.33, -65.08, 64.53

 

CMYK 51 / 0 / 62 / 0

HEX #7DFF62

RGB 125 255 98

HSL 109.68, 1%, 0.69%

LAB 90.21, -64.05, 62.44

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 79 / 0 / 95 / 34

HEX #23A908

RGB 35 169 8

HSL 109.94, 0.91%, 0.35%

LAB 60.56, -60.25, 60.42

 

CMYK 88 / 0 / 100 / 41

HEX #129700

RGB 18 151 0

HSL 112.85, 1%, 0.3%

LAB 54.3, -57.06, 56.43

 

CMYK 99 / 0 / 100 / 48

HEX #018500

RGB 1 133 0

HSL 119.55, 1%, 0.26%

LAB 47.98, -53.08, 51.31

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 49 / 0 / 86 / 27

HEX #5FBB1B

RGB 95 187 27

HSL 94.5, 0.75%, 0.42%

LAB 68.06, -52.17, 64.11

 

CMYK 26 / 0 / 86 / 27

HEX #8BBB1B

RGB 139 187 27

HSL 78, 0.75%, 0.42%

LAB 70.25, -36.66, 66.86

 

CMYK 3 / 0 / 86 / 27

HEX #B6BB1B

RGB 182 187 27

HSL 61.88, 0.75%, 0.42%

LAB 73.26, -18.82, 70.6

 

CMYK 0 / 20 / 86 / 27

HEX #BB961B

RGB 187 150 27

HSL 46.13, 0.75%, 0.42%

LAB 63.72, 2.76, 62.91

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 86 / 0 / 76 / 27

HEX #1BBB2D

RGB 27 187 45

HSL 126.75, 0.75%, 0.42%

LAB 66.49, -64.78, 56.96

 

CMYK 86 / 0 / 53 / 27

HEX #1BBB58

RGB 27 187 88

HSL 142.88, 0.75%, 0.42%

LAB 66.88, -59.94, 39.11

 

CMYK 86 / 0 / 29 / 27

HEX #1BBB84

RGB 27 187 132

HSL 159.38, 0.75%, 0.42%

LAB 67.61, -51.58, 17.15

 

CMYK 86 / 0 / 6 / 27

HEX #1BBBAF

RGB 27 187 175

HSL 175.5, 0.75%, 0.42%

LAB 68.66, -40.49, -4.86

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 80 / 0 / 96 / 20

HEX #28CD09

RGB 40 205 9

HSL 110.51, 0.92%, 0.42%

LAB 72.32, -70.21, 70.01

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 62 / 0 / 74 / 33

HEX #40AA2C

RGB 64 170 44

HSL 110.48, 0.59%, 0.42%

LAB 61.67, -53.39, 52.73

 

CMYK 50 / 0 / 60 / 40

HEX #4C993D

RGB 76 153 61

HSL 110.22, 0.43%, 0.42%

LAB 56.74, -42.05, 40.37

 

CMYK 35 / 0 / 41 / 47

HEX #58874F

RGB 88 135 79

HSL 110.36, 0.26%, 0.42%

LAB 51.8, -27.56, 25.16

 

CMYK 15 / 0 / 19 / 54

HEX #647660

RGB 100 118 96

HSL 109.09, 0.1%, 0.42%

LAB 47.64, -11.22, 9.93

 

CMYK 26 / 0 / 86 / 27

HEX #8BBB1B

RGB 139 187 27

HSL 78, 0.75%, 0.42%

LAB 70.25, -36.66, 66.86

 

CMYK 49 / 0 / 86 / 27

HEX #60BB1B

RGB 96 187 27

HSL 94.13, 0.75%, 0.42%

LAB 68.1, -51.86, 64.16

 

CMYK 71 / 0 / 86 / 27

HEX #36BB1B

RGB 54 187 27

HSL 109.88, 0.75%, 0.42%

LAB 66.83, -62.17, 62.55

 

CMYK 86 / 0 / 77 / 27

HEX #1BBB2B

RGB 27 187 43

HSL 126, 0.75%, 0.42%

LAB 66.48, -64.93, 57.61

 

CMYK 86 / 0 / 54 / 27

HEX #1BBB56

RGB 27 187 86

HSL 142.13, 0.75%, 0.42%

LAB 66.86, -60.24, 40.05

 

CMYK 72 / 0 / 86 / 55

HEX #207310

RGB 32 115 16

HSL 110.3, 0.76%, 0.26%

LAB 42.16, -42.93, 42.96

 

CMYK 72 / 0 / 85 / 41

HEX #2A9716

RGB 42 151 22

HSL 110.7, 0.75%, 0.34%

LAB 54.74, -52.95, 52.85

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 72 / 0 / 86 / 13

HEX #3EDF20

RGB 62 223 32

HSL 110.58, 0.75%, 0.5%

LAB 78.41, -71.73, 71.75

 

CMYK 59 / 0 / 70 / 11

HEX #5DE444

RGB 93 228 68

HSL 110.63, 0.75%, 0.58%

LAB 80.87, -65.04, 63.83

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 86 / 3 / 0 / 27

HEX #1BB6BB

RGB 27 182 187

HSL 181.88, 0.75%, 0.42%

LAB 67.48, -34.65, -13.22

 

CMYK 0 / 86 / 37 / 27

HEX #BB1B76

RGB 187 27 118

HSL 325.88, 0.75%, 0.42%

LAB 42.24, 65.67, -9.98

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 86 / 71 / 0 / 27

HEX #1B36BB

RGB 27 54 187

HSL 229.88, 0.75%, 0.42%

LAB 30.54, 41.12, -71.65

 

CMYK 0 / 86 / 71 / 27

HEX #BB1B36

RGB 187 27 54

HSL 349.88, 0.75%, 0.42%

LAB 40.6, 60.94, 27.95

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 86 / 3 / 0 / 27

HEX #1BB6BB

RGB 27 182 187

HSL 181.88, 0.75%, 0.42%

LAB 67.48, -34.65, -13.22

 

CMYK 14 / 86 / 0 / 27

HEX #A11BBB

RGB 161 27 187

HSL 290.25, 0.75%, 0.42%

LAB 41.13, 70.02, -53.76

 

CMYK 0 / 83 / 86 / 27

HEX #BB201B

RGB 187 32 27

HSL 1.88, 0.75%, 0.42%

LAB 40.7, 58.88, 43.51

 

CMYK 72 / 0 / 86 / 27

HEX #34BB1B

RGB 52 187 27

HSL 110.63, 0.75%, 0.42%

LAB 66.79, -62.53, 62.49

 

CMYK 86 / 28 / 0 / 27

HEX #1B86BB

RGB 27 134 187

HSL 199.88, 0.75%, 0.42%

LAB 52.81, -9.74, -35.76

 

CMYK 14 / 86 / 0 / 27

HEX #A11BBB

RGB 161 27 187

HSL 290.25, 0.75%, 0.42%

LAB 41.13, 70.02, -53.76

 

CMYK 0 / 57 / 86 / 27

HEX #BB501B

RGB 187 80 27

HSL 19.88, 0.75%, 0.42%

LAB 47.47, 40.51, 49.32

 

Description

Color code: HEX #34BB1B | qconv.com Color code: HEX #34BB1B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 187 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 187 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 86 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 86% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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