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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34ABC6 it is the complementary color #CB5439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34ABC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34ABC6 shade: #39ABC1, #4ABDD4, #5BCFE7, #6CE1FA and #7DF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34ABC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34ABC6 shade: #34ABC6, #2399B3, #1287A0, #01758D and #00637A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34ABC6 shade: #34ABC5, #3484C5, #345CC5, #3435C5 and #5B34C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34ABC6 shade: #34ABC5, #3484C5, #345CC5, #3435C5 and #3434C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34ABC6 shade matches the following richer shades: #34ABC5, #20B7DA and #0CC4EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34ABC6 shade: #34ABC5, #499EB1, #5D919D, #718489 and #857875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34ABC6 shade: #34C593, #34C5B9, #34ABC5, #3484C5 and #345EC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34ABC6 shade: #237284, #2C8EA5, #34ABC5, #52BAD1 and #73C7DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34ABC6 shade: #34ABC6, #6C34C5 and #C5A634

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34ABC6 shade: #34ABC6, #C534AB and #ABC534

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34ABC6 shade: #34ABC6, #6C34C5, #C54F34 and #8EC534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34ABC6 shade: #34ABC6, #9834C5, #C54F34 and #62C534

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

Complementary color

CMYK 0 / 59 / 72 / 20

HEX #CB5439

RGB 203 84 57

HSL 11.1, 0.58%, 0.51%

LAB 51.07, 45.7, 39.12

 

CMYK 70 / 11 / 0 / 24

HEX #39ABC1

RGB 57 171 193

HSL 189.71, 0.54%, 0.49%

LAB 64.84, -24.39, -20.5

 

CMYK 65 / 11 / 0 / 17

HEX #4ABDD4

RGB 74 189 212

HSL 190, 0.62%, 0.56%

LAB 71.29, -25.15, -21.11

 

CMYK 61 / 10 / 0 / 9

HEX #5BCFE7

RGB 91 207 231

HSL 190.29, 0.74%, 0.63%

LAB 77.65, -25.71, -21.67

 

CMYK 57 / 10 / 0 / 2

HEX #6CE1FA

RGB 108 225 250

HSL 190.56, 0.93%, 0.7%

LAB 83.93, -26.15, -22.19

 

CMYK 51 / 5 / 0 / 0

HEX #7DF3FF

RGB 125 243 255

HSL 185.54, 1%, 0.75%

LAB 89.71, -30.2, -16.04

 

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

CMYK 80 / 15 / 0 / 30

HEX #2399B3

RGB 35 153 179

HSL 190.83, 0.67%, 0.42%

LAB 58.41, -22.24, -22.51

 

CMYK 89 / 16 / 0 / 37

HEX #1287A0

RGB 18 135 160

HSL 190.56, 0.8%, 0.35%

LAB 51.83, -20.63, -21.75

 

CMYK 99 / 17 / 0 / 45

HEX #01758D

RGB 1 117 141

HSL 190.29, 0.99%, 0.28%

LAB 45.15, -18.6, -20.89

 

CMYK 100 / 19 / 0 / 52

HEX #00637A

RGB 0 99 122

HSL 191.31, 1%, 0.24%

LAB 38.43, -15.7, -19.82

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 74 / 33 / 0 / 23

HEX #3484C5

RGB 52 132 197

HSL 206.9, 0.58%, 0.49%

LAB 53.24, -2.31, -40.76

 

CMYK 74 / 53 / 0 / 23

HEX #345CC5

RGB 52 92 197

HSL 223.45, 0.58%, 0.49%

LAB 41.87, 22.68, -58.94

 

CMYK 74 / 73 / 0 / 23

HEX #3435C5

RGB 52 53 197

HSL 239.59, 0.58%, 0.49%

LAB 32.5, 47.03, -74.26

 

CMYK 54 / 74 / 0 / 23

HEX #5B34C5

RGB 91 52 197

HSL 256.14, 0.58%, 0.49%

LAB 35.42, 52.23, -69.34

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 74 / 33 / 0 / 23

HEX #3484C5

RGB 52 132 197

HSL 206.9, 0.58%, 0.49%

LAB 53.24, -2.31, -40.76

 

CMYK 74 / 53 / 0 / 23

HEX #345CC5

RGB 52 92 197

HSL 223.45, 0.58%, 0.49%

LAB 41.87, 22.68, -58.94

 

CMYK 74 / 73 / 0 / 23

HEX #3435C5

RGB 52 53 197

HSL 239.59, 0.58%, 0.49%

LAB 32.5, 47.03, -74.26

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 85 / 16 / 0 / 15

HEX #20B7DA

RGB 32 183 218

HSL 191.29, 0.74%, 0.49%

LAB 68.92, -24.92, -28.08

 

CMYK 95 / 18 / 0 / 7

HEX #0CC4EE

RGB 12 196 238

HSL 191.15, 0.9%, 0.49%

LAB 73.37, -25.73, -32.11

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 59 / 11 / 0 / 31

HEX #499EB1

RGB 73 158 177

HSL 190.96, 0.42%, 0.49%

LAB 60.82, -19.95, -17.61

 

CMYK 41 / 8 / 0 / 38

HEX #5D919D

RGB 93 145 157

HSL 191.25, 0.26%, 0.49%

LAB 57.09, -14.08, -11.81

 

CMYK 18 / 4 / 0 / 46

HEX #718489

RGB 113 132 137

HSL 192.5, 0.1%, 0.49%

LAB 53.83, -5.73, -5.01

 

CMYK 0 / 10 / 12 / 48

HEX #857875

RGB 133 120 117

HSL 11.25, 0.06%, 0.49%

LAB 51.5, 4.45, 3.45

 

CMYK 74 / 0 / 25 / 23

HEX #34C593

RGB 52 197 147

HSL 159.31, 0.58%, 0.49%

LAB 71.4, -49.46, 14.4

 

CMYK 74 / 0 / 6 / 23

HEX #34C5B9

RGB 52 197 185

HSL 175.03, 0.58%, 0.49%

LAB 72.34, -39.81, -4.85

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 74 / 33 / 0 / 23

HEX #3484C5

RGB 52 132 197

HSL 206.9, 0.58%, 0.49%

LAB 53.24, -2.31, -40.76

 

CMYK 74 / 52 / 0 / 23

HEX #345EC5

RGB 52 94 197

HSL 222.62, 0.58%, 0.49%

LAB 42.41, 21.39, -58.06

 

CMYK 73 / 14 / 0 / 48

HEX #237284

RGB 35 114 132

HSL 191.13, 0.58%, 0.33%

LAB 44.32, -17.24, -16.77

 

CMYK 73 / 14 / 0 / 35

HEX #2C8EA5

RGB 44 142 165

HSL 191.4, 0.58%, 0.41%

LAB 54.66, -20.09, -20.26

 

CMYK 74 / 13 / 0 / 23

HEX #34ABC5

RGB 52 171 197

HSL 190.76, 0.58%, 0.49%

LAB 64.87, -23.78, -22.68

 

CMYK 61 / 11 / 0 / 18

HEX #52BAD1

RGB 82 186 209

HSL 190.87, 0.58%, 0.57%

LAB 70.54, -23.19, -20.59

 

CMYK 47 / 9 / 0 / 15

HEX #73C7DA

RGB 115 199 218

HSL 191.07, 0.58%, 0.65%

LAB 75.79, -20.51, -17.4

 

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

CMYK 45 / 74 / 0 / 23

HEX #6C34C5

RGB 108 52 197

HSL 263.17, 0.58%, 0.49%

LAB 37.25, 54.86, -66.27

 

CMYK 0 / 16 / 74 / 23

HEX #C5A634

RGB 197 166 52

HSL 47.17, 0.58%, 0.49%

LAB 69.03, -0.52, 59.85

 

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

CMYK 0 / 74 / 13 / 23

HEX #C534AB

RGB 197 52 171

HSL 310.76, 0.58%, 0.49%

LAB 48.59, 67.97, -32.1

 

CMYK 13 / 0 / 74 / 23

HEX #ABC534

RGB 171 197 52

HSL 70.76, 0.58%, 0.49%

LAB 75.35, -27.42, 65.19

 

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

CMYK 45 / 74 / 0 / 23

HEX #6C34C5

RGB 108 52 197

HSL 263.17, 0.58%, 0.49%

LAB 37.25, 54.86, -66.27

 

CMYK 0 / 60 / 74 / 23

HEX #C54F34

RGB 197 79 52

HSL 11.17, 0.58%, 0.49%

LAB 49.14, 45.62, 39.41

 

CMYK 28 / 0 / 74 / 23

HEX #8EC534

RGB 142 197 52

HSL 82.76, 0.58%, 0.49%

LAB 73.5, -38.88, 62.77

 

CMYK 74 / 14 / 0 / 22

HEX #34ABC6

RGB 52 171 198

HSL 191.1, 0.58%, 0.49%

LAB 64.91, -23.46, -23.18

 

CMYK 23 / 74 / 0 / 23

HEX #9834C5

RGB 152 52 197

HSL 281.38, 0.58%, 0.49%

LAB 43.01, 62.8, -56.66

 

CMYK 0 / 60 / 74 / 23

HEX #C54F34

RGB 197 79 52

HSL 11.17, 0.58%, 0.49%

LAB 49.14, 45.62, 39.41

 

CMYK 50 / 0 / 74 / 23

HEX #62C534

RGB 98 197 52

HSL 100.97, 0.58%, 0.49%

LAB 71.4, -53.74, 60

 

Description

Color code: HEX #34ABC6 | qconv.com Color code: HEX #34ABC6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 171 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 171 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 14 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 14% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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