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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A970 it is the complementary color #CB568F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A970 shade: #39A96B, #4ABB7E, #5BCD91, #6CDFA4 and #7DF1B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A970 shade: #34A970, #23975D, #12854A, #017337 and #006124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A970 shade: #34A86F, #34A850, #37A834, #56A834 and #75A834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A970 shade: #34A86F, #34A88E, #34A2A8, #3482A8 and #3463A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A970 shade matches the following richer shades: #34A86F, #22BA70 and #10CB70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A970 shade: #34A86F, #45966F, #57846E, #69736E and #7B616D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A970 shade: #37A834, #34A84F, #34A86E, #34A88D and #34A4A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A970 shade: #206945, #2A885A, #34A86F, #40C484 and #60CE98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A970 shade: #34A970, #3456A8 and #A83F34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A970 shade: #34A970, #6E34A8 and #A86E34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A970 shade: #34A970, #3456A8, #A8346E and #A88534

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A970 shade: #34A970, #3434A8, #A8346E and #A8A834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

Complementary color

CMYK 0 / 58 / 30 / 20

HEX #CB568F

RGB 203 86 143

HSL 330.77, 0.53%, 0.57%

LAB 53.31, 52.35, -8.23

 

CMYK 66 / 0 / 37 / 34

HEX #39A96B

RGB 57 169 107

HSL 146.79, 0.5%, 0.44%

LAB 61.92, -45.94, 23.01

 

CMYK 60 / 0 / 33 / 27

HEX #4ABB7E

RGB 74 187 126

HSL 147.61, 0.45%, 0.51%

LAB 68.39, -46.15, 21.6

 

CMYK 56 / 0 / 29 / 20

HEX #5BCD91

RGB 91 205 145

HSL 148.42, 0.53%, 0.58%

LAB 74.78, -46.18, 20.31

 

CMYK 52 / 0 / 26 / 13

HEX #6CDFA4

RGB 108 223 164

HSL 149.22, 0.64%, 0.65%

LAB 81.1, -46.1, 19.13

 

CMYK 48 / 0 / 24 / 5

HEX #7DF1B7

RGB 125 241 183

HSL 150, 0.81%, 0.72%

LAB 87.33, -45.96, 18.03

 

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

CMYK 77 / 0 / 38 / 41

HEX #23975D

RGB 35 151 93

HSL 150, 0.62%, 0.36%

LAB 55.36, -45.2, 21.79

 

CMYK 86 / 0 / 44 / 48

HEX #12854A

RGB 18 133 74

HSL 149.22, 0.76%, 0.3%

LAB 48.76, -44.09, 23.52

 

CMYK 99 / 0 / 52 / 55

HEX #017337

RGB 1 115 55

HSL 148.42, 0.98%, 0.23%

LAB 42.07, -42.39, 25.41

 

CMYK 100 / 0 / 63 / 62

HEX #006124

RGB 0 97 36

HSL 142.27, 1%, 0.19%

LAB 35.35, -39.23, 27.46

 

CMYK 69 / 0 / 34 / 34

HEX #34A86F

RGB 52 168 111

HSL 150.52, 0.53%, 0.43%

LAB 61.55, -45.63, 20.32

 

CMYK 69 / 0 / 52 / 34

HEX #34A850

RGB 52 168 80

HSL 134.48, 0.53%, 0.43%

LAB 61.06, -51.17, 36.02

 

CMYK 67 / 0 / 69 / 34

HEX #37A834

RGB 55 168 52

HSL 118.45, 0.53%, 0.43%

LAB 60.84, -53.99, 48.7

 

CMYK 49 / 0 / 69 / 34

HEX #56A834

RGB 86 168 52

HSL 102.41, 0.53%, 0.43%

LAB 61.85, -46.02, 50.08

 

CMYK 30 / 0 / 69 / 34

HEX #75A834

RGB 117 168 52

HSL 86.38, 0.53%, 0.43%

LAB 63.37, -35.32, 52.13

 

CMYK 69 / 0 / 34 / 34

HEX #34A86F

RGB 52 168 111

HSL 150.52, 0.53%, 0.43%

LAB 61.55, -45.63, 20.32

 

CMYK 69 / 0 / 15 / 34

HEX #34A88E

RGB 52 168 142

HSL 166.55, 0.53%, 0.43%

LAB 62.24, -38.38, 4.12

 

CMYK 69 / 4 / 0 / 34

HEX #34A2A8

RGB 52 162 168

HSL 183.1, 0.53%, 0.43%

LAB 61.13, -28.26, -12.13

 

CMYK 69 / 23 / 0 / 34

HEX #3482A8

RGB 52 130 168

HSL 199.66, 0.53%, 0.43%

LAB 51.29, -11.32, -27.15

 

CMYK 69 / 41 / 0 / 34

HEX #3463A8

RGB 52 99 168

HSL 215.69, 0.53%, 0.43%

LAB 41.97, 7.38, -41.81

 

CMYK 69 / 0 / 34 / 34

HEX #34A86F

RGB 52 168 111

HSL 150.52, 0.53%, 0.43%

LAB 61.55, -45.63, 20.32

 

CMYK 82 / 0 / 40 / 27

HEX #22BA70

RGB 34 186 112

HSL 150.79, 0.69%, 0.43%

LAB 67, -54.79, 27.02

 

CMYK 92 / 0 / 45 / 20

HEX #10CB70

RGB 16 203 112

HSL 150.8, 0.85%, 0.43%

LAB 72.22, -62.09, 33.82

 

CMYK 69 / 0 / 34 / 34

HEX #34A86F

RGB 52 168 111

HSL 150.52, 0.53%, 0.43%

LAB 61.55, -45.63, 20.32

 

CMYK 54 / 0 / 26 / 41

HEX #45966F

RGB 69 150 111

HSL 151.11, 0.37%, 0.43%

LAB 56.31, -34.3, 13.19

 

CMYK 34 / 0 / 17 / 48

HEX #57846E

RGB 87 132 110

HSL 150.67, 0.21%, 0.43%

LAB 51.44, -20.53, 7.02

 

CMYK 9 / 0 / 4 / 55

HEX #69736E

RGB 105 115 110

HSL 150, 0.05%, 0.43%

LAB 47.48, -4.81, 1.47

 

CMYK 0 / 21 / 11 / 52

HEX #7B616D

RGB 123 97 109

HSL 332.31, 0.12%, 0.43%

LAB 44.04, 12.63, -2.77

 

CMYK 67 / 0 / 69 / 34

HEX #37A834

RGB 55 168 52

HSL 118.45, 0.53%, 0.43%

LAB 60.84, -53.99, 48.7

 

CMYK 69 / 0 / 53 / 34

HEX #34A84F

RGB 52 168 79

HSL 133.97, 0.53%, 0.43%

LAB 61.05, -51.32, 36.51

 

CMYK 69 / 0 / 35 / 34

HEX #34A86E

RGB 52 168 110

HSL 150, 0.53%, 0.43%

LAB 61.53, -45.83, 20.84

 

CMYK 69 / 0 / 16 / 34

HEX #34A88D

RGB 52 168 141

HSL 166.03, 0.53%, 0.43%

LAB 62.22, -38.63, 4.64

 

CMYK 69 / 2 / 0 / 34

HEX #34A4A8

RGB 52 164 168

HSL 182.07, 0.53%, 0.43%

LAB 61.75, -29.25, -11.21

 

CMYK 70 / 0 / 34 / 59

HEX #206945

RGB 32 105 69

HSL 150.41, 0.53%, 0.27%

LAB 39.31, -31.64, 13.86

 

CMYK 69 / 0 / 34 / 47

HEX #2A885A

RGB 42 136 90

HSL 150.64, 0.53%, 0.35%

LAB 50.5, -38.58, 16.94

 

CMYK 69 / 0 / 34 / 34

HEX #34A86F

RGB 52 168 111

HSL 150.52, 0.53%, 0.43%

LAB 61.55, -45.63, 20.32

 

CMYK 67 / 0 / 33 / 23

HEX #40C484

RGB 64 196 132

HSL 150.91, 0.53%, 0.51%

LAB 71.03, -50.49, 21.96

 

CMYK 53 / 0 / 26 / 19

HEX #60CE98

RGB 96 206 152

HSL 150.55, 0.53%, 0.59%

LAB 75.39, -44.05, 17.46

 

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

CMYK 69 / 49 / 0 / 34

HEX #3456A8

RGB 52 86 168

HSL 222.41, 0.53%, 0.43%

LAB 38.22, 15.8, -47.81

 

CMYK 0 / 63 / 69 / 34

HEX #A83F34

RGB 168 63 52

HSL 5.69, 0.53%, 0.43%

LAB 41.42, 42.51, 29.28

 

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

CMYK 35 / 69 / 0 / 34

HEX #6E34A8

RGB 110 52 168

HSL 270, 0.53%, 0.43%

LAB 35.2, 47.86, -52.45

 

CMYK 0 / 35 / 69 / 34

HEX #A86E34

RGB 168 110 52

HSL 30, 0.53%, 0.43%

LAB 51.52, 17.53, 40.83

 

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

CMYK 69 / 49 / 0 / 34

HEX #3456A8

RGB 52 86 168

HSL 222.41, 0.53%, 0.43%

LAB 38.22, 15.8, -47.81

 

CMYK 0 / 69 / 35 / 34

HEX #A8346E

RGB 168 52 110

HSL 330, 0.53%, 0.43%

LAB 41.07, 52.36, -7.12

 

CMYK 0 / 21 / 69 / 34

HEX #A88534

RGB 168 133 52

HSL 41.9, 0.53%, 0.43%

LAB 57.41, 4.59, 47.16

 

CMYK 69 / 0 / 34 / 34

HEX #34A970

RGB 52 169 112

HSL 150.77, 0.53%, 0.43%

LAB 61.89, -45.82, 20.24

 

CMYK 69 / 69 / 0 / 34

HEX #3434A8

RGB 52 52 168

HSL 240, 0.53%, 0.43%

LAB 29.45, 37.87, -62.08

 

CMYK 0 / 69 / 35 / 34

HEX #A8346E

RGB 168 52 110

HSL 330, 0.53%, 0.43%

LAB 41.07, 52.36, -7.12

 

CMYK 0 / 0 / 69 / 34

HEX #A8A834

RGB 168 168 52

HSL 60, 0.53%, 0.43%

LAB 66.96, -14.26, 56.93

 

Description

Color code: HEX #34A970 | qconv.com Color code: HEX #34A970 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 169 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 169 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 34 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 34% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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