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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A772 it is the complementary color #CB588D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A772 shade: #39A76D, #4AB980, #5BCB93, #6CDDA6 and #7DEFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A772 shade: #34A772, #23955F, #12834C, #017139 and #005F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A772 shade: #34A872, #34A853, #34A834, #53A834 and #72A834

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A772 shade: #34A872, #34A892, #349FA8, #347FA8 and #3460A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A772 shade matches the following richer shades: #34A872, #22BA74 and #10CB75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A772 shade: #34A872, #459671, #57846F, #69736E and #7B616D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A772 shade: #34A834, #34A853, #34A872, #34A891 and #34A0A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A772 shade: #206947, #2A885D, #34A872, #40C487 and #60CE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A772 shade: #34A772, #3453A8 and #A84334

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A772 shade: #34A772, #7234A8 and #A87234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A772 shade: #34A772, #3453A8, #A8346A and #A88934

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A772 shade: #34A772, #3734A8, #A8346A and #A4A834

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

Complementary color

CMYK 0 / 57 / 31 / 20

HEX #CB588D

RGB 203 88 141

HSL 332.35, 0.53%, 0.57%

LAB 53.6, 51.16, -6.63

 

CMYK 66 / 0 / 35 / 35

HEX #39A76D

RGB 57 167 109

HSL 148.36, 0.49%, 0.44%

LAB 61.32, -44.72, 21.11

 

CMYK 60 / 0 / 31 / 27

HEX #4AB980

RGB 74 185 128

HSL 149.19, 0.44%, 0.51%

LAB 67.81, -44.91, 19.73

 

CMYK 55 / 0 / 28 / 20

HEX #5BCB93

RGB 91 203 147

HSL 150, 0.52%, 0.58%

LAB 74.22, -44.93, 18.47

 

CMYK 51 / 0 / 25 / 13

HEX #6CDDA6

RGB 108 221 166

HSL 150.8, 0.62%, 0.65%

LAB 80.55, -44.84, 17.31

 

CMYK 48 / 0 / 23 / 6

HEX #7DEFB9

RGB 125 239 185

HSL 151.58, 0.78%, 0.71%

LAB 86.8, -44.7, 16.24

 

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

CMYK 77 / 0 / 36 / 42

HEX #23955F

RGB 35 149 95

HSL 151.58, 0.62%, 0.36%

LAB 54.74, -44, 19.85

 

CMYK 86 / 0 / 42 / 49

HEX #12834C

RGB 18 131 76

HSL 150.8, 0.76%, 0.29%

LAB 48.11, -42.93, 21.56

 

CMYK 99 / 0 / 50 / 56

HEX #017139

RGB 1 113 57

HSL 150, 0.98%, 0.22%

LAB 41.39, -41.29, 23.45

 

CMYK 100 / 0 / 60 / 63

HEX #005F26

RGB 0 95 38

HSL 144, 1%, 0.19%

LAB 34.65, -38.21, 25.57

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 69 / 0 / 51 / 34

HEX #34A853

RGB 52 168 83

HSL 136.03, 0.53%, 0.43%

LAB 61.1, -50.72, 34.56

 

CMYK 69 / 0 / 69 / 34

HEX #34A834

RGB 52 168 52

HSL 120, 0.53%, 0.43%

LAB 60.77, -54.59, 48.6

 

CMYK 51 / 0 / 69 / 34

HEX #53A834

RGB 83 168 52

HSL 103.97, 0.53%, 0.43%

LAB 61.73, -46.92, 49.91

 

CMYK 32 / 0 / 69 / 34

HEX #72A834

RGB 114 168 52

HSL 87.93, 0.53%, 0.43%

LAB 63.2, -36.45, 51.9

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 69 / 0 / 13 / 34

HEX #34A892

RGB 52 168 146

HSL 168.62, 0.53%, 0.43%

LAB 62.35, -37.33, 2.03

 

CMYK 69 / 5 / 0 / 34

HEX #349FA8

RGB 52 159 168

HSL 184.66, 0.53%, 0.43%

LAB 60.21, -26.77, -13.52

 

CMYK 69 / 24 / 0 / 34

HEX #347FA8

RGB 52 127 168

HSL 201.21, 0.53%, 0.43%

LAB 50.38, -9.61, -28.58

 

CMYK 69 / 43 / 0 / 34

HEX #3460A8

RGB 52 96 168

HSL 217.24, 0.53%, 0.43%

LAB 41.09, 9.3, -43.21

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 82 / 0 / 38 / 27

HEX #22BA74

RGB 34 186 116

HSL 152.37, 0.69%, 0.43%

LAB 67.07, -54, 25

 

CMYK 92 / 0 / 42 / 20

HEX #10CB75

RGB 16 203 117

HSL 152.41, 0.85%, 0.43%

LAB 72.3, -61.18, 31.37

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 54 / 0 / 25 / 41

HEX #459671

RGB 69 150 113

HSL 152.59, 0.37%, 0.43%

LAB 56.36, -33.86, 12.12

 

CMYK 34 / 0 / 16 / 48

HEX #57846F

RGB 87 132 111

HSL 152, 0.21%, 0.43%

LAB 51.47, -20.31, 6.47

 

CMYK 9 / 0 / 4 / 55

HEX #69736E

RGB 105 115 110

HSL 150, 0.05%, 0.43%

LAB 47.48, -4.81, 1.47

 

CMYK 0 / 21 / 11 / 52

HEX #7B616D

RGB 123 97 109

HSL 332.31, 0.12%, 0.43%

LAB 44.04, 12.63, -2.77

 

CMYK 69 / 0 / 69 / 34

HEX #34A834

RGB 52 168 52

HSL 120, 0.53%, 0.43%

LAB 60.77, -54.59, 48.6

 

CMYK 69 / 0 / 51 / 34

HEX #34A853

RGB 52 168 83

HSL 136.03, 0.53%, 0.43%

LAB 61.1, -50.72, 34.56

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 69 / 0 / 14 / 34

HEX #34A891

RGB 52 168 145

HSL 168.1, 0.53%, 0.43%

LAB 62.32, -37.59, 2.56

 

CMYK 69 / 5 / 0 / 34

HEX #34A0A8

RGB 52 160 168

HSL 184.14, 0.53%, 0.43%

LAB 60.51, -27.27, -13.06

 

CMYK 70 / 0 / 32 / 59

HEX #206947

RGB 32 105 71

HSL 152.05, 0.53%, 0.27%

LAB 39.35, -31.18, 12.73

 

CMYK 69 / 0 / 32 / 47

HEX #2A885D

RGB 42 136 93

HSL 152.55, 0.53%, 0.35%

LAB 50.56, -37.92, 15.32

 

CMYK 69 / 0 / 32 / 34

HEX #34A872

RGB 52 168 114

HSL 152.07, 0.53%, 0.43%

LAB 61.61, -44.99, 18.76

 

CMYK 67 / 0 / 31 / 23

HEX #40C487

RGB 64 196 135

HSL 152.27, 0.53%, 0.51%

LAB 71.09, -49.87, 20.44

 

CMYK 53 / 0 / 25 / 19

HEX #60CE9B

RGB 96 206 155

HSL 152.18, 0.53%, 0.59%

LAB 75.45, -43.42, 15.95

 

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

CMYK 69 / 51 / 0 / 34

HEX #3453A8

RGB 52 83 168

HSL 223.97, 0.53%, 0.43%

LAB 37.38, 17.77, -49.17

 

CMYK 0 / 60 / 69 / 34

HEX #A84334

RGB 168 67 52

HSL 7.76, 0.53%, 0.43%

LAB 42.13, 40.62, 30.13

 

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

CMYK 32 / 69 / 0 / 34

HEX #7234A8

RGB 114 52 168

HSL 272.07, 0.53%, 0.43%

LAB 35.71, 48.7, -51.59

 

CMYK 0 / 32 / 69 / 34

HEX #A87234

RGB 168 114 52

HSL 32.07, 0.53%, 0.43%

LAB 52.52, 15.27, 41.92

 

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

CMYK 69 / 51 / 0 / 34

HEX #3453A8

RGB 52 83 168

HSL 223.97, 0.53%, 0.43%

LAB 37.38, 17.77, -49.17

 

CMYK 0 / 69 / 37 / 34

HEX #A8346A

RGB 168 52 106

HSL 332.07, 0.53%, 0.43%

LAB 40.93, 51.89, -4.82

 

CMYK 0 / 18 / 69 / 34

HEX #A88934

RGB 168 137 52

HSL 43.97, 0.53%, 0.43%

LAB 58.47, 2.37, 48.28

 

CMYK 69 / 0 / 32 / 35

HEX #34A772

RGB 52 167 114

HSL 152.35, 0.53%, 0.43%

LAB 61.29, -44.58, 18.32

 

CMYK 67 / 69 / 0 / 34

HEX #3734A8

RGB 55 52 168

HSL 241.55, 0.53%, 0.43%

LAB 29.65, 38.25, -61.73

 

CMYK 0 / 69 / 37 / 34

HEX #A8346A

RGB 168 52 106

HSL 332.07, 0.53%, 0.43%

LAB 40.93, 51.89, -4.82

 

CMYK 2 / 0 / 69 / 34

HEX #A4A834

RGB 164 168 52

HSL 62.07, 0.53%, 0.43%

LAB 66.63, -15.99, 56.5

 

Description

Color code: HEX #34A772 | qconv.com Color code: HEX #34A772 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 167 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 167 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 32 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 32% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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