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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34A4B3 it is the complementary color #CB5B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34A4B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34A4B3 shade: #39A4AE, #4AB6C1, #5BC8D4, #6CDAE7 and #7DECFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34A4B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34A4B3 shade: #34A4B3, #2392A0, #12808D, #016E7A and #005C67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34A4B3 shade: #34A3B2, #3481B2, #345FB2, #343DB2 and #4C34B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34A4B3 shade: #34A3B2, #3481B2, #345FB2, #343DB2 and #3434B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34A4B3 shade matches the following richer shades: #34A3B2, #21B1C4 and #0FBFD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34A4B3 shade: #34A3B2, #46959F, #59878D, #6B787A and #7E6A68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34A4B3 shade: #34B27D, #34B29F, #34A3B2, #3481B2 and #3460B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34A4B3 shade: #216872, #2A8692, #34A3B2, #46BAC9 and #66C6D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34A4B3 shade: #34A4B3, #5C34B2 and #B28E34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34A4B3 shade: #34A4B3, #B234A3 and #A3B234

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34A4B3 shade: #34A4B3, #5C34B2, #B24234 and #8AB234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34A4B3 shade: #34A4B3, #8134B2, #B24234 and #64B234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

Complementary color

CMYK 0 / 55 / 63 / 20

HEX #CB5B4C

RGB 203 91 76

HSL 7.09, 0.55%, 0.55%

LAB 52.62, 43.42, 30.33

 

CMYK 67 / 6 / 0 / 32

HEX #39A4AE

RGB 57 164 174

HSL 185.13, 0.51%, 0.45%

LAB 62.06, -26.71, -14.09

 

CMYK 62 / 6 / 0 / 24

HEX #4AB6C1

RGB 74 182 193

HSL 185.55, 0.49%, 0.52%

LAB 68.58, -27.27, -14.79

 

CMYK 57 / 6 / 0 / 17

HEX #5BC8D4

RGB 91 200 212

HSL 185.95, 0.58%, 0.59%

LAB 75.01, -27.67, -15.43

 

CMYK 53 / 6 / 0 / 9

HEX #6CDAE7

RGB 108 218 231

HSL 186.34, 0.72%, 0.66%

LAB 81.35, -27.95, -16.03

 

CMYK 50 / 6 / 0 / 2

HEX #7DECFA

RGB 125 236 250

HSL 186.72, 0.93%, 0.74%

LAB 87.61, -28.15, -16.58

 

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

CMYK 78 / 9 / 0 / 37

HEX #2392A0

RGB 35 146 160

HSL 186.72, 0.64%, 0.38%

LAB 55.54, -24.89, -16.07

 

CMYK 87 / 9 / 0 / 45

HEX #12808D

RGB 18 128 141

HSL 186.34, 0.77%, 0.31%

LAB 48.87, -23.49, -15.19

 

CMYK 99 / 10 / 0 / 52

HEX #016E7A

RGB 1 110 122

HSL 185.95, 0.98%, 0.24%

LAB 42.1, -21.67, -14.19

 

CMYK 100 / 11 / 0 / 60

HEX #005C67

RGB 0 92 103

HSL 186.41, 1%, 0.2%

LAB 35.27, -18.9, -12.95

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 71 / 28 / 0 / 30

HEX #3481B2

RGB 52 129 178

HSL 203.33, 0.55%, 0.45%

LAB 51.43, -7.29, -32.71

 

CMYK 71 / 47 / 0 / 30

HEX #345FB2

RGB 52 95 178

HSL 219.52, 0.55%, 0.45%

LAB 41.42, 13.66, -48.58

 

CMYK 71 / 66 / 0 / 30

HEX #343DB2

RGB 52 61 178

HSL 235.71, 0.55%, 0.45%

LAB 32.44, 35.76, -63.15

 

CMYK 57 / 71 / 0 / 30

HEX #4C34B2

RGB 76 52 178

HSL 251.43, 0.55%, 0.45%

LAB 32.27, 44.45, -63.35

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 71 / 28 / 0 / 30

HEX #3481B2

RGB 52 129 178

HSL 203.33, 0.55%, 0.45%

LAB 51.43, -7.29, -32.71

 

CMYK 71 / 47 / 0 / 30

HEX #345FB2

RGB 52 95 178

HSL 219.52, 0.55%, 0.45%

LAB 41.42, 13.66, -48.58

 

CMYK 71 / 66 / 0 / 30

HEX #343DB2

RGB 52 61 178

HSL 235.71, 0.55%, 0.45%

LAB 32.44, 35.76, -63.15

 

CMYK 71 / 71 / 0 / 30

HEX #3434B2

RGB 52 52 178

HSL 240, 0.55%, 0.45%

LAB 30.4, 41.27, -66.5

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 83 / 10 / 0 / 23

HEX #21B1C4

RGB 33 177 196

HSL 186.99, 0.71%, 0.45%

LAB 66.33, -29, -19.93

 

CMYK 93 / 11 / 0 / 16

HEX #0FBFD7

RGB 15 191 215

HSL 187.2, 0.87%, 0.45%

LAB 71.06, -30.72, -23.18

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 56 / 6 / 0 / 38

HEX #46959F

RGB 70 149 159

HSL 186.74, 0.39%, 0.45%

LAB 57.37, -21.18, -12.64

 

CMYK 37 / 4 / 0 / 45

HEX #59878D

RGB 89 135 141

HSL 186.92, 0.23%, 0.45%

LAB 53.36, -14.01, -8.2

 

CMYK 12 / 2 / 0 / 52

HEX #6B787A

RGB 107 120 122

HSL 188, 0.07%, 0.45%

LAB 49.45, -4.37, -2.74

 

CMYK 0 / 16 / 17 / 51

HEX #7E6A68

RGB 126 106 104

HSL 5.45, 0.1%, 0.45%

LAB 46.64, 7.57, 4.06

 

CMYK 71 / 0 / 30 / 30

HEX #34B27D

RGB 52 178 125

HSL 154.76, 0.55%, 0.45%

LAB 65, -46.7, 17.41

 

CMYK 71 / 0 / 11 / 30

HEX #34B29F

RGB 52 178 159

HSL 170.95, 0.55%, 0.45%

LAB 65.81, -38.37, -0.17

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 71 / 28 / 0 / 30

HEX #3481B2

RGB 52 129 178

HSL 203.33, 0.55%, 0.45%

LAB 51.43, -7.29, -32.71

 

CMYK 71 / 46 / 0 / 30

HEX #3460B2

RGB 52 96 178

HSL 219.05, 0.55%, 0.45%

LAB 41.7, 13.01, -48.12

 

CMYK 71 / 9 / 0 / 55

HEX #216872

RGB 33 104 114

HSL 187.41, 0.55%, 0.29%

LAB 40.31, -18.12, -12.01

 

CMYK 71 / 8 / 0 / 43

HEX #2A8692

RGB 42 134 146

HSL 186.92, 0.55%, 0.37%

LAB 51.4, -22.33, -14.23

 

CMYK 71 / 8 / 0 / 30

HEX #34A3B2

RGB 52 163 178

HSL 187.14, 0.55%, 0.45%

LAB 61.77, -25.7, -16.79

 

CMYK 65 / 7 / 0 / 21

HEX #46BAC9

RGB 70 186 201

HSL 186.87, 0.55%, 0.53%

LAB 69.92, -27.56, -17.17

 

CMYK 51 / 6 / 0 / 18

HEX #66C6D2

RGB 102 198 210

HSL 186.67, 0.55%, 0.61%

LAB 74.74, -25.03, -14.71

 

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

CMYK 48 / 71 / 0 / 30

HEX #5C34B2

RGB 92 52 178

HSL 259.05, 0.55%, 0.45%

LAB 33.87, 47.06, -60.68

 

CMYK 0 / 20 / 71 / 30

HEX #B28E34

RGB 178 142 52

HSL 42.86, 0.55%, 0.45%

LAB 60.83, 4.08, 51.05

 

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

CMYK 0 / 71 / 8 / 30

HEX #B234A3

RGB 178 52 163

HSL 307.14, 0.55%, 0.45%

LAB 45.03, 62.33, -33.17

 

CMYK 8 / 0 / 71 / 30

HEX #A3B234

RGB 163 178 52

HSL 67.14, 0.55%, 0.45%

LAB 69.38, -21.48, 59.2

 

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

CMYK 48 / 71 / 0 / 30

HEX #5C34B2

RGB 92 52 178

HSL 259.05, 0.55%, 0.45%

LAB 33.87, 47.06, -60.68

 

CMYK 0 / 63 / 71 / 30

HEX #B24234

RGB 178 66 52

HSL 6.67, 0.55%, 0.45%

LAB 43.67, 44.74, 32.36

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

CMYK 71 / 8 / 0 / 30

HEX #34A4B3

RGB 52 164 179

HSL 187.09, 0.55%, 0.45%

LAB 62.11, -25.9, -16.83

 

CMYK 28 / 71 / 0 / 30

HEX #8134B2

RGB 129 52 178

HSL 276.67, 0.55%, 0.45%

LAB 38.44, 54.15, -53.04

 

CMYK 0 / 63 / 71 / 30

HEX #B24234

RGB 178 66 52

HSL 6.67, 0.55%, 0.45%

LAB 43.67, 44.74, 32.36

 

CMYK 44 / 0 / 71 / 30

HEX #64B234

RGB 100 178 52

HSL 97.14, 0.55%, 0.45%

LAB 65.59, -45.64, 54.15

 

Description

Color code: HEX #34A4B3 | qconv.com Color code: HEX #34A4B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 164 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 164 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 8 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 8% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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