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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3496BA it is the complementary color #CB6945. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3496BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3496BA shade: #3996B5, #4AA8C8, #5BBADB, #6CCCEE and #7DDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3496BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3496BA shade: #3496BA, #2384A7, #127294, #016081 and #004E6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3496BA shade: #3597BB, #3573BB, #354FBB, #3F35BB and #6335BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3496BA shade: #3597BB, #3573BB, #354FBB and #3535BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3496BA shade matches the following richer shades: #3597BB, #21A0CE and #0EA9E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3496BA shade: #3597BB, #488EA8, #5C8594, #6F7C81 and #82736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3496BA shade: #35BB97, #35BBBB, #3597BB, #3573BB and #3550BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3496BA shade: #23637B, #2C7D9B, #3597BB, #4CAACD and #6DB9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3496BA shade: #3496BA, #7335BB and #BBA935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3496BA shade: #3496BA, #BB3597 and #97BB35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3496BA shade: #3496BA, #7335BB, #BB5935 and #7CBB35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3496BA shade: #3496BA, #9C35BB, #BB5935 and #54BB35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

Complementary color

CMYK 0 / 48 / 66 / 20

HEX #CB6945

RGB 203 105 69

HSL 16.12, 0.56%, 0.53%

LAB 55.31, 35.9, 37.49

 

CMYK 69 / 17 / 0 / 29

HEX #3996B5

RGB 57 150 181

HSL 195, 0.52%, 0.47%

LAB 58.05, -17.25, -24.15

 

CMYK 63 / 16 / 0 / 22

HEX #4AA8C8

RGB 74 168 200

HSL 195.24, 0.53%, 0.54%

LAB 64.67, -18.01, -24.61

 

CMYK 58 / 15 / 0 / 14

HEX #5BBADB

RGB 91 186 219

HSL 195.47, 0.64%, 0.61%

LAB 71.18, -18.58, -25.04

 

CMYK 55 / 14 / 0 / 7

HEX #6CCCEE

RGB 108 204 238

HSL 195.69, 0.79%, 0.68%

LAB 77.61, -19.02, -25.44

 

CMYK 51 / 13 / 0 / 0

HEX #7DDEFF

RGB 125 222 255

HSL 195.23, 1%, 0.75%

LAB 83.87, -19.91, -24.87

 

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

CMYK 79 / 21 / 0 / 35

HEX #2384A7

RGB 35 132 167

HSL 195.91, 0.65%, 0.4%

LAB 51.44, -15.07, -26.38

 

CMYK 88 / 23 / 0 / 42

HEX #127294

RGB 18 114 148

HSL 195.69, 0.78%, 0.33%

LAB 44.66, -13.37, -25.79

 

CMYK 99 / 26 / 0 / 49

HEX #016081

RGB 1 96 129

HSL 195.47, 0.98%, 0.25%

LAB 37.77, -11.19, -25.12

HEX #016081

CMYK 100 / 29 / 0 / 57

HEX #004E6E

RGB 0 78 110

HSL 197.45, 1%, 0.22%

LAB 30.82, -7.95, -24.22

HEX #004E6E

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 72 / 39 / 0 / 27

HEX #3573BB

RGB 53 115 187

HSL 212.24, 0.56%, 0.47%

LAB 47.76, 4.48, -43.69

 

CMYK 72 / 58 / 0 / 27

HEX #354FBB

RGB 53 79 187

HSL 228.36, 0.56%, 0.47%

LAB 37.73, 27.56, -59.83

 

CMYK 66 / 72 / 0 / 27

HEX #3F35BB

RGB 63 53 187

HSL 244.48, 0.56%, 0.47%

LAB 32.24, 44.94, -68.79

 

CMYK 47 / 72 / 0 / 27

HEX #6335BB

RGB 99 53 187

HSL 260.6, 0.56%, 0.47%

LAB 35.57, 50.23, -63.19

 

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 72 / 39 / 0 / 27

HEX #3573BB

RGB 53 115 187

HSL 212.24, 0.56%, 0.47%

LAB 47.76, 4.48, -43.69

 

CMYK 72 / 58 / 0 / 27

HEX #354FBB

RGB 53 79 187

HSL 228.36, 0.56%, 0.47%

LAB 37.73, 27.56, -59.83

 

CMYK 72 / 72 / 0 / 27

HEX #3535BB

RGB 53 53 187

HSL 240, 0.56%, 0.47%

LAB 31.56, 43.81, -69.93

 

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 84 / 22 / 0 / 19

HEX #21A0CE

RGB 33 160 206

HSL 195.95, 0.72%, 0.47%

LAB 61.59, -16.91, -32.79

 

CMYK 94 / 25 / 0 / 11

HEX #0EA9E2

RGB 14 169 226

HSL 196.13, 0.88%, 0.47%

LAB 64.93, -15.77, -38.67

 

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 57 / 15 / 0 / 34

HEX #488EA8

RGB 72 142 168

HSL 196.25, 0.4%, 0.47%

LAB 55.64, -14.31, -20.41

 

CMYK 38 / 10 / 0 / 42

HEX #5C8594

RGB 92 133 148

HSL 196.07, 0.23%, 0.47%

LAB 53.16, -10.17, -12.55

 

CMYK 14 / 4 / 0 / 49

HEX #6F7C81

RGB 111 124 129

HSL 196.67, 0.08%, 0.47%

LAB 51.13, -3.68, -4.36

 

CMYK 0 / 12 / 16 / 49

HEX #82736D

RGB 130 115 109

HSL 17.14, 0.09%, 0.47%

LAB 49.63, 4.75, 5.44

 

CMYK 72 / 0 / 19 / 27

HEX #35BB97

RGB 53 187 151

HSL 163.88, 0.56%, 0.47%

LAB 68.41, -44.23, 8

 

CMYK 72 / 0 / 0 / 27

HEX #35BBBB

RGB 53 187 187

HSL 180, 0.56%, 0.47%

LAB 69.39, -34.54, -10.33

 

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 72 / 39 / 0 / 27

HEX #3573BB

RGB 53 115 187

HSL 212.24, 0.56%, 0.47%

LAB 47.76, 4.48, -43.69

 

CMYK 72 / 57 / 0 / 27

HEX #3550BB

RGB 53 80 187

HSL 227.91, 0.56%, 0.47%

LAB 37.99, 26.91, -59.4

 

CMYK 72 / 20 / 0 / 52

HEX #23637B

RGB 35 99 123

HSL 196.36, 0.56%, 0.31%

LAB 39.09, -11.86, -19.36

 

CMYK 72 / 19 / 0 / 39

HEX #2C7D9B

RGB 44 125 155

HSL 196.22, 0.56%, 0.39%

LAB 48.97, -14.18, -23.2

 

CMYK 72 / 19 / 0 / 27

HEX #3597BB

RGB 53 151 187

HSL 196.12, 0.56%, 0.47%

LAB 58.49, -16.4, -26.89

 

CMYK 63 / 17 / 0 / 20

HEX #4CAACD

RGB 76 170 205

HSL 196.28, 0.56%, 0.55%

LAB 65.51, -17.16, -26.09

 

CMYK 49 / 14 / 0 / 16

HEX #6DB9D6

RGB 109 185 214

HSL 196.57, 0.56%, 0.63%

LAB 71.42, -15.75, -21.88

 

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

CMYK 39 / 72 / 0 / 27

HEX #7335BB

RGB 115 53 187

HSL 267.76, 0.56%, 0.47%

LAB 37.44, 53.08, -60.06

 

CMYK 0 / 10 / 72 / 27

HEX #BBA935

RGB 187 169 53

HSL 51.94, 0.56%, 0.47%

LAB 68.89, -6.44, 59.02

 

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

CMYK 0 / 72 / 19 / 27

HEX #BB3597

RGB 187 53 151

HSL 316.12, 0.56%, 0.47%

LAB 46.1, 62.42, -24.21

 

CMYK 19 / 0 / 72 / 27

HEX #97BB35

RGB 151 187 53

HSL 76.12, 0.56%, 0.47%

LAB 71.13, -30.74, 60.28

 

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

CMYK 39 / 72 / 0 / 27

HEX #7335BB

RGB 115 53 187

HSL 267.76, 0.56%, 0.47%

LAB 37.44, 53.08, -60.06

 

CMYK 0 / 52 / 72 / 27

HEX #BB5935

RGB 187 89 53

HSL 16.12, 0.56%, 0.47%

LAB 49.46, 36.97, 38.77

 

CMYK 34 / 0 / 72 / 27

HEX #7CBB35

RGB 124 187 53

HSL 88.21, 0.56%, 0.47%

LAB 69.53, -41.09, 58.15

 

CMYK 72 / 19 / 0 / 27

HEX #3496BA

RGB 52 150 186

HSL 196.12, 0.56%, 0.47%

LAB 58.12, -16.33, -26.89

 

CMYK 17 / 72 / 0 / 27

HEX #9C35BB

RGB 156 53 187

HSL 286.12, 0.56%, 0.47%

LAB 43.07, 61.23, -50.69

 

CMYK 0 / 52 / 72 / 27

HEX #BB5935

RGB 187 89 53

HSL 16.12, 0.56%, 0.47%

LAB 49.46, 36.97, 38.77

 

CMYK 55 / 0 / 72 / 27

HEX #54BB35

RGB 84 187 53

HSL 106.12, 0.56%, 0.47%

LAB 67.79, -53.83, 55.82

 

Description

Color code: HEX #3496BA | qconv.com Color code: HEX #3496BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 150 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 150 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 19 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 19% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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