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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #348658 it is the complementary color #CB79A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #348658. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #348658 shade: #398653, #4A9866, #5BAA79, #6CBC8C and #7DCE9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #348658. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #348658 shade: #348658, #237445, #126232, #01501F and #003E0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #348658 shade: #338457, #338441, #3C8433, #518433 and #678433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #348658 shade: #338457, #33846D, #338482, #337084 and #335A84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #348658 shade matches the following richer shades: #338457, #259355, #16A253 and #07B151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #348658 shade: #338457, #427559, #51665A, #60585C and #6F495E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #348658 shade: #3B8433, #338441, #338456, #33846C and #338481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #348658 shade: #1C4930, #286643, #338457, #3FA26A and #4FBB7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #348658 shade: #348658, #335184 and #843633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #348658 shade: #348658, #563384 and #845633

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #348658 shade: #348658, #335184, #843361 and #846733

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #348658 shade: #348658, #333984, #843361 and #847F33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

Complementary color

CMYK 0 / 40 / 18 / 20

HEX #CB79A7

RGB 203 121 167

HSL 326.34, 0.44%, 0.64%

LAB 60.92, 38.19, -10.81

 

CMYK 57 / 0 / 38 / 47

HEX #398653

RGB 57 134 83

HSL 140.26, 0.4%, 0.37%

LAB 50.15, -35.88, 20.5

 

CMYK 51 / 0 / 33 / 40

HEX #4A9866

RGB 74 152 102

HSL 141.54, 0.35%, 0.44%

LAB 56.95, -35.8, 19.14

 

CMYK 46 / 0 / 29 / 33

HEX #5BAA79

RGB 91 170 121

HSL 142.78, 0.32%, 0.51%

LAB 63.63, -35.61, 17.9

 

CMYK 43 / 0 / 26 / 26

HEX #6CBC8C

RGB 108 188 140

HSL 144, 0.37%, 0.58%

LAB 70.21, -35.37, 16.77

 

CMYK 39 / 0 / 23 / 19

HEX #7DCE9F

RGB 125 206 159

HSL 145.19, 0.45%, 0.65%

LAB 76.68, -35.11, 15.72

 

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

CMYK 70 / 0 / 41 / 55

HEX #237445

RGB 35 116 69

HSL 145.19, 0.54%, 0.3%

LAB 43.18, -35.84, 19.07

 

CMYK 82 / 0 / 49 / 62

HEX #126232

RGB 18 98 50

HSL 144, 0.69%, 0.23%

LAB 36.17, -35.12, 20.8

 

CMYK 99 / 0 / 61 / 69

HEX #01501F

RGB 1 80 31

HSL 142.78, 0.98%, 0.16%

LAB 29.01, -33.78, 22.65

 

CMYK 100 / 0 / 81 / 76

HEX #003E0C

RGB 0 62 12

HSL 131.61, 1%, 0.12%

LAB 21.84, -30.11, 24.45

 

CMYK 61 / 0 / 34 / 48

HEX #338457

RGB 51 132 87

HSL 146.67, 0.44%, 0.36%

LAB 49.37, -35.63, 17.15

 

CMYK 61 / 0 / 51 / 48

HEX #338441

RGB 51 132 65

HSL 130.37, 0.44%, 0.36%

LAB 48.99, -39.69, 28.86

 

CMYK 55 / 0 / 61 / 48

HEX #3C8433

RGB 60 132 51

HSL 113.33, 0.44%, 0.36%

LAB 49.13, -39.23, 36.26

 

CMYK 39 / 0 / 61 / 48

HEX #518433

RGB 81 132 51

HSL 97.78, 0.44%, 0.36%

LAB 50.09, -32.35, 37.6

 

CMYK 22 / 0 / 61 / 48

HEX #678433

RGB 103 132 51

HSL 81.48, 0.44%, 0.36%

LAB 51.41, -23.75, 39.45

 

CMYK 61 / 0 / 34 / 48

HEX #338457

RGB 51 132 87

HSL 146.67, 0.44%, 0.36%

LAB 49.37, -35.63, 17.15

 

CMYK 61 / 0 / 17 / 48

HEX #33846D

RGB 51 132 109

HSL 162.96, 0.44%, 0.36%

LAB 49.87, -30.49, 5.14

 

CMYK 61 / 0 / 2 / 48

HEX #338482

RGB 51 132 130

HSL 178.52, 0.44%, 0.36%

LAB 50.47, -24.71, -6.26

 

CMYK 61 / 15 / 0 / 48

HEX #337084

RGB 51 112 132

HSL 194.81, 0.44%, 0.36%

LAB 44.17, -13.33, -16.94

 

CMYK 61 / 32 / 0 / 48

HEX #335A84

RGB 51 90 132

HSL 211.11, 0.44%, 0.36%

LAB 37.27, -0.14, -27.64

 

CMYK 61 / 0 / 34 / 48

HEX #338457

RGB 51 132 87

HSL 146.67, 0.44%, 0.36%

LAB 49.37, -35.63, 17.15

 

CMYK 75 / 0 / 42 / 42

HEX #259355

RGB 37 147 85

HSL 146.18, 0.6%, 0.36%

LAB 53.94, -44.93, 24.3

 

CMYK 86 / 0 / 49 / 36

HEX #16A253

RGB 22 162 83

HSL 146.14, 0.76%, 0.36%

LAB 58.64, -52.63, 31.36

 

CMYK 96 / 0 / 54 / 31

HEX #07B151

RGB 7 177 81

HSL 146.12, 0.92%, 0.36%

LAB 63.41, -58.96, 38.27

 

CMYK 61 / 0 / 34 / 48

HEX #338457

RGB 51 132 87

HSL 146.67, 0.44%, 0.36%

LAB 49.37, -35.63, 17.15

 

CMYK 44 / 0 / 24 / 54

HEX #427559

RGB 66 117 89

HSL 147.06, 0.28%, 0.36%

LAB 45.08, -24.06, 10.18

 

CMYK 21 / 0 / 12 / 60

HEX #51665A

RGB 81 102 90

HSL 145.71, 0.11%, 0.36%

LAB 41.2, -10.59, 4.19

 

CMYK 0 / 8 / 4 / 62

HEX #60585C

RGB 96 88 92

HSL 330, 0.04%, 0.36%

LAB 38.27, 4.04, -1.14

 

CMYK 0 / 34 / 15 / 56

HEX #6F495E

RGB 111 73 94

HSL 326.84, 0.21%, 0.36%

LAB 35.89, 19.68, -5.72

 

CMYK 55 / 0 / 61 / 48

HEX #3B8433

RGB 59 132 51

HSL 114.07, 0.44%, 0.36%

LAB 49.1, -39.51, 36.2

 

CMYK 61 / 0 / 51 / 48

HEX #338441

RGB 51 132 65

HSL 130.37, 0.44%, 0.36%

LAB 48.99, -39.69, 28.86

 

CMYK 61 / 0 / 35 / 48

HEX #338456

RGB 51 132 86

HSL 145.93, 0.44%, 0.36%

LAB 49.35, -35.84, 17.7

 

CMYK 61 / 0 / 18 / 48

HEX #33846C

RGB 51 132 108

HSL 162.22, 0.44%, 0.36%

LAB 49.84, -30.75, 5.69

 

CMYK 61 / 0 / 2 / 48

HEX #338481

RGB 51 132 129

HSL 177.78, 0.44%, 0.36%

LAB 50.44, -25, -5.72

 

CMYK 62 / 0 / 34 / 71

HEX #1C4930

RGB 28 73 48

HSL 146.67, 0.45%, 0.2%

LAB 27.37, -22.26, 10.43

 

CMYK 61 / 0 / 34 / 60

HEX #286643

RGB 40 102 67

HSL 146.13, 0.44%, 0.28%

LAB 38.48, -28.9, 13.96

 

CMYK 61 / 0 / 34 / 48

HEX #338457

RGB 51 132 87

HSL 146.67, 0.44%, 0.36%

LAB 49.37, -35.63, 17.15

 

CMYK 61 / 0 / 35 / 36

HEX #3FA26A

RGB 63 162 106

HSL 146.06, 0.44%, 0.44%

LAB 59.83, -42.03, 20.77

 

CMYK 58 / 0 / 32 / 27

HEX #4FBB7F

RGB 79 187 127

HSL 146.67, 0.44%, 0.52%

LAB 68.56, -44.87, 21.32

 

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

CMYK 61 / 39 / 0 / 48

HEX #335184

RGB 51 81 132

HSL 217.78, 0.44%, 0.36%

LAB 34.51, 5.65, -31.99

 

CMYK 0 / 59 / 61 / 48

HEX #843633

RGB 132 54 51

HSL 2.22, 0.44%, 0.36%

LAB 33.53, 33.34, 18.73

 

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

CMYK 35 / 61 / 0 / 48

HEX #563384

RGB 86 51 132

HSL 265.93, 0.44%, 0.36%

LAB 29.44, 33.59, -39.9

 

CMYK 0 / 35 / 61 / 48

HEX #845633

RGB 132 86 51

HSL 25.93, 0.44%, 0.36%

LAB 40.9, 15.25, 27.93

 

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

CMYK 61 / 39 / 0 / 48

HEX #335184

RGB 51 81 132

HSL 217.78, 0.44%, 0.36%

LAB 34.51, 5.65, -31.99

 

CMYK 0 / 61 / 27 / 48

HEX #843361

RGB 132 51 97

HSL 325.93, 0.44%, 0.36%

LAB 34.27, 40.01, -9.76

 

CMYK 0 / 22 / 61 / 48

HEX #846733

RGB 132 103 51

HSL 38.52, 0.44%, 0.36%

LAB 45.42, 5.24, 33.3

 

CMYK 61 / 0 / 34 / 47

HEX #348658

RGB 52 134 88

HSL 146.34, 0.44%, 0.36%

LAB 50.08, -36.08, 17.55

 

CMYK 61 / 57 / 0 / 48

HEX #333984

RGB 51 57 132

HSL 235.56, 0.44%, 0.36%

LAB 27.56, 21.75, -43.11

 

CMYK 0 / 61 / 27 / 48

HEX #843361

RGB 132 51 97

HSL 325.93, 0.44%, 0.36%

LAB 34.27, 40.01, -9.76

 

CMYK 0 / 4 / 61 / 48

HEX #847F33

RGB 132 127 51

HSL 56.3, 0.44%, 0.36%

LAB 52.2, -8.43, 40.97

 

Description

Color code: HEX #348658 | qconv.com Color code: HEX #348658 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 134 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 134 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 34 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 34% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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