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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347B76 it is the complementary color #CB8489. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347B76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347B76 shade: #397B71, #4A8D84, #5B9F97, #6CB1AA and #7DC3BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347B76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347B76 shade: #347B76, #236963, #125750, #01453D and #00332A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347B76 shade: #337A75, #337A62, #337A4F, #337A3C and #3E7A33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347B76 shade: #337A75, #336C7A, #33597A, #33467A and #33337A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347B76 shade matches the following richer shades: #337A75, #258881, #17968D and #09A499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347B76 shade: #337A75, #416C69, #4F5E5D, #5D5051 and #6B4245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347B76 shade: #337A4E, #337A61, #337A74, #336D7A and #335A7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347B76 shade: #1B403D, #275D59, #337A75, #3F9791 and #4CB4AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347B76 shade: #347B76, #3B337A and #7A5833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347B76 shade: #347B76, #74337A and #7A7433

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347B76 shade: #347B76, #3B337A, #7A3339 and #727A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347B76 shade: #347B76, #51337A, #7A3339 and #5D7A33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

Complementary color

CMYK 0 / 35 / 33 / 20

HEX #CB8489

RGB 203 132 137

HSL 355.77, 0.41%, 0.66%

LAB 62.51, 27.96, 8.67

 

CMYK 54 / 0 / 8 / 52

HEX #397B71

RGB 57 123 113

HSL 170.91, 0.37%, 0.35%

LAB 47.27, -23.64, -0.95

 

CMYK 48 / 0 / 6 / 45

HEX #4A8D84

RGB 74 141 132

HSL 171.94, 0.31%, 0.42%

LAB 54.21, -23.62, -1.81

 

CMYK 43 / 0 / 5 / 38

HEX #5B9F97

RGB 91 159 151

HSL 172.94, 0.27%, 0.49%

LAB 61.01, -23.54, -2.58

 

CMYK 39 / 0 / 4 / 31

HEX #6CB1AA

RGB 108 177 170

HSL 173.91, 0.31%, 0.56%

LAB 67.68, -23.44, -3.3

 

CMYK 36 / 0 / 3 / 24

HEX #7DC3BD

RGB 125 195 189

HSL 174.86, 0.37%, 0.63%

LAB 74.23, -23.33, -3.97

 

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

CMYK 67 / 0 / 6 / 59

HEX #236963

RGB 35 105 99

HSL 174.86, 0.5%, 0.27%

LAB 40.18, -23.07, -3.05

 

CMYK 79 / 0 / 8 / 66

HEX #125750

RGB 18 87 80

HSL 173.91, 0.66%, 0.21%

LAB 32.97, -22.43, -1.95

 

CMYK 99 / 0 / 12 / 73

HEX #01453D

RGB 1 69 61

HSL 172.94, 0.97%, 0.14%

LAB 25.56, -21.43, -0.65

 

CMYK 100 / 0 / 18 / 80

HEX #00332A

RGB 0 51 42

HSL 169.41, 1%, 0.1%

LAB 18.08, -18.69, 1.19

 

CMYK 58 / 0 / 4 / 52

HEX #337A75

RGB 51 122 117

HSL 175.77, 0.41%, 0.34%

LAB 46.85, -23.36, -3.97

 

CMYK 58 / 0 / 20 / 52

HEX #337A62

RGB 51 122 98

HSL 159.72, 0.41%, 0.34%

LAB 46.32, -28.48, 6.52

 

CMYK 58 / 0 / 35 / 52

HEX #337A4F

RGB 51 122 79

HSL 143.66, 0.41%, 0.34%

LAB 45.89, -32.82, 17.03

 

CMYK 58 / 0 / 51 / 52

HEX #337A3C

RGB 51 122 60

HSL 127.61, 0.41%, 0.34%

LAB 45.56, -36.29, 27.27

 

CMYK 49 / 0 / 58 / 52

HEX #3E7A33

RGB 62 122 51

HSL 110.7, 0.41%, 0.34%

LAB 45.88, -34.34, 32.5

 

CMYK 58 / 0 / 4 / 52

HEX #337A75

RGB 51 122 117

HSL 175.77, 0.41%, 0.34%

LAB 46.85, -23.36, -3.97

 

CMYK 58 / 11 / 0 / 52

HEX #336C7A

RGB 51 108 122

HSL 191.83, 0.41%, 0.34%

LAB 42.51, -14.29, -13.47

 

CMYK 58 / 27 / 0 / 52

HEX #33597A

RGB 51 89 122

HSL 207.89, 0.41%, 0.34%

LAB 36.47, -3, -22.76

 

CMYK 58 / 43 / 0 / 52

HEX #33467A

RGB 51 70 122

HSL 223.94, 0.41%, 0.34%

LAB 30.61, 9.34, -31.96

 

CMYK 58 / 58 / 0 / 52

HEX #33337A

RGB 51 51 122

HSL 240, 0.41%, 0.34%

LAB 25.19, 22.23, -40.66

 

CMYK 58 / 0 / 4 / 52

HEX #337A75

RGB 51 122 117

HSL 175.77, 0.41%, 0.34%

LAB 46.85, -23.36, -3.97

 

CMYK 73 / 0 / 5 / 47

HEX #258881

RGB 37 136 129

HSL 175.76, 0.57%, 0.34%

LAB 51.37, -29.31, -4.39

 

CMYK 85 / 0 / 6 / 41

HEX #17968D

RGB 23 150 141

HSL 175.75, 0.73%, 0.34%

LAB 56.01, -33.9, -4.49

 

CMYK 95 / 0 / 7 / 36

HEX #09A499

RGB 9 164 153

HSL 175.74, 0.9%, 0.34%

LAB 60.7, -37.55, -4.38

 

CMYK 58 / 0 / 4 / 52

HEX #337A75

RGB 51 122 117

HSL 175.77, 0.41%, 0.34%

LAB 46.85, -23.36, -3.97

 

CMYK 40 / 0 / 3 / 58

HEX #416C69

RGB 65 108 105

HSL 175.81, 0.25%, 0.34%

LAB 42.56, -15.67, -3.04

 

CMYK 16 / 0 / 1 / 63

HEX #4F5E5D

RGB 79 94 93

HSL 176, 0.09%, 0.34%

LAB 38.65, -5.97, -1.37

 

CMYK 0 / 14 / 13 / 64

HEX #5D5051

RGB 93 80 81

HSL 355.38, 0.08%, 0.34%

LAB 35.32, 5.58, 1.4

 

CMYK 0 / 38 / 36 / 58

HEX #6B4245

RGB 107 66 69

HSL 355.61, 0.24%, 0.34%

LAB 32.81, 18.21, 5.64

 

CMYK 58 / 0 / 36 / 52

HEX #337A4E

RGB 51 122 78

HSL 142.82, 0.41%, 0.34%

LAB 45.87, -33.02, 17.58

 

CMYK 58 / 0 / 20 / 52

HEX #337A61

RGB 51 122 97

HSL 158.87, 0.41%, 0.34%

LAB 46.29, -28.72, 7.07

 

CMYK 58 / 0 / 5 / 52

HEX #337A74

RGB 51 122 116

HSL 174.93, 0.41%, 0.34%

LAB 46.82, -23.65, -3.42

 

CMYK 58 / 11 / 0 / 52

HEX #336D7A

RGB 51 109 122

HSL 190.99, 0.41%, 0.34%

LAB 42.83, -14.85, -12.98

 

CMYK 58 / 26 / 0 / 52

HEX #335A7A

RGB 51 90 122

HSL 207.04, 0.41%, 0.34%

LAB 36.78, -3.62, -22.27

 

CMYK 58 / 0 / 5 / 75

HEX #1B403D

RGB 27 64 61

HSL 175.14, 0.41%, 0.18%

LAB 24.44, -14.08, -2.22

 

CMYK 58 / 0 / 4 / 64

HEX #275D59

RGB 39 93 89

HSL 175.56, 0.41%, 0.26%

LAB 35.95, -18.88, -3.13

 

CMYK 58 / 0 / 4 / 52

HEX #337A75

RGB 51 122 117

HSL 175.77, 0.41%, 0.34%

LAB 46.85, -23.36, -3.97

 

CMYK 58 / 0 / 4 / 41

HEX #3F9791

RGB 63 151 145

HSL 175.91, 0.41%, 0.42%

LAB 57.3, -27.63, -4.76

 

CMYK 58 / 0 / 4 / 29

HEX #4CB4AD

RGB 76 180 173

HSL 175.96, 0.41%, 0.5%

LAB 67.42, -31.53, -5.47

 

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

CMYK 52 / 58 / 0 / 52

HEX #3B337A

RGB 59 51 122

HSL 246.76, 0.41%, 0.34%

LAB 25.87, 24, -39.53

 

CMYK 0 / 28 / 58 / 52

HEX #7A5833

RGB 122 88 51

HSL 31.27, 0.41%, 0.34%

LAB 40.17, 9.49, 26.77

 

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

CMYK 5 / 58 / 0 / 52

HEX #74337A

RGB 116 51 122

HSL 294.93, 0.41%, 0.34%

LAB 32.89, 39.4, -27.92

 

CMYK 0 / 5 / 58 / 52

HEX #7A7433

RGB 122 116 51

HSL 54.93, 0.41%, 0.34%

LAB 48.09, -6.85, 36.11

 

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

CMYK 52 / 58 / 0 / 52

HEX #3B337A

RGB 59 51 122

HSL 246.76, 0.41%, 0.34%

LAB 25.87, 24, -39.53

 

CMYK 0 / 58 / 53 / 52

HEX #7A3339

RGB 122 51 57

HSL 354.93, 0.41%, 0.34%

LAB 31.35, 31.55, 11.68

 

CMYK 7 / 0 / 58 / 52

HEX #727A33

RGB 114 122 51

HSL 66.76, 0.41%, 0.34%

LAB 49.17, -13.78, 37.15

 

CMYK 58 / 0 / 4 / 52

HEX #347B76

RGB 52 123 118

HSL 175.77, 0.41%, 0.34%

LAB 47.24, -23.38, -3.98

 

CMYK 34 / 58 / 0 / 52

HEX #51337A

RGB 81 51 122

HSL 265.35, 0.41%, 0.34%

LAB 28.17, 29.54, -35.7

 

CMYK 0 / 58 / 53 / 52

HEX #7A3339

RGB 122 51 57

HSL 354.93, 0.41%, 0.34%

LAB 31.35, 31.55, 11.68

 

CMYK 24 / 0 / 58 / 52

HEX #5D7A33

RGB 93 122 51

HSL 84.51, 0.41%, 0.34%

LAB 47.6, -22.83, 34.94

 

Description

Color code: HEX #347B76 | qconv.com Color code: HEX #347B76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 123 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 123 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 4 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 4% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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