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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3476BC it is the complementary color #CB8943. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3476BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3476BC shade: #3976B7, #4A88CA, #5B9ADD, #6CACF0 and #7DBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3476BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3476BC shade: #3476BC, #2364A9, #125296, #014083 and #002E70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3476BC shade: #3476BC, #3451BC, #3B34BC, #6034BC and #8534BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3476BC shade: #3476BC, #3451BC and #3434BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3476BC shade matches the following richer shades: #3476BC, #2075D0 and #0D75E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3476BC shade: #3476BC, #4776A9, #5A7795, #6E7882 and #81786F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3476BC shade: #34BCB8, #349CBC, #3478BC, #3453BC and #3834BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3476BC shade: #224D7B, #2B629C, #3476BC, #4B8BCE and #6CA0D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3476BC shade: #3476BC, #9334BC and #AFBC34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3476BC shade: #3476BC, #BC3478 and #78BC34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3476BC shade: #3476BC, #9334BC, #BC7834 and #5DBC34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3476BC shade: #3476BC, #BC34BC, #BC7834 and #34BC34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

Complementary color

CMYK 0 / 33 / 67 / 20

HEX #CB8943

RGB 203 137 67

HSL 30.88, 0.57%, 0.53%

LAB 62.5, 18.6, 46.74

 

CMYK 69 / 36 / 0 / 28

HEX #3976B7

RGB 57 118 183

HSL 210.95, 0.53%, 0.47%

LAB 48.57, 1.81, -40.09

 

CMYK 63 / 33 / 0 / 21

HEX #4A88CA

RGB 74 136 202

HSL 210.94, 0.55%, 0.54%

LAB 55.41, 0.54, -40.12

 

CMYK 59 / 30 / 0 / 13

HEX #5B9ADD

RGB 91 154 221

HSL 210.92, 0.66%, 0.61%

LAB 62.13, -0.47, -40.16

 

CMYK 55 / 28 / 0 / 6

HEX #6CACF0

RGB 108 172 240

HSL 210.91, 0.81%, 0.68%

LAB 68.74, -1.28, -40.21

 

CMYK 51 / 25 / 0 / 0

HEX #7DBEFF

RGB 125 190 255

HSL 210, 1%, 0.75%

LAB 75.08, -3.12, -38.39

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 79 / 41 / 0 / 34

HEX #2364A9

RGB 35 100 169

HSL 210.9, 0.66%, 0.4%

LAB 41.75, 4.77, -42.79

 

CMYK 88 / 45 / 0 / 41

HEX #125296

RGB 18 82 150

HSL 210.91, 0.79%, 0.33%

LAB 34.73, 7.28, -42.68

 

CMYK 99 / 51 / 0 / 49

HEX #014083

RGB 1 64 131

HSL 210.92, 0.98%, 0.26%

LAB 27.61, 10.49, -42.5

 

CMYK 100 / 59 / 0 / 56

HEX #002E70

RGB 0 46 112

HSL 215.36, 1%, 0.22%

LAB 20.53, 15.01, -41.95

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 72 / 57 / 0 / 26

HEX #3451BC

RGB 52 81 188

HSL 227.21, 0.57%, 0.47%

LAB 38.28, 26.5, -59.52

 

CMYK 69 / 72 / 0 / 26

HEX #3B34BC

RGB 59 52 188

HSL 243.09, 0.57%, 0.47%

LAB 31.84, 45.36, -70.03

 

CMYK 49 / 72 / 0 / 26

HEX #6034BC

RGB 96 52 188

HSL 259.41, 0.57%, 0.47%

LAB 35.15, 50.5, -64.48

 

CMYK 29 / 72 / 0 / 26

HEX #8534BC

RGB 133 52 188

HSL 275.74, 0.57%, 0.47%

LAB 39.7, 57.18, -56.87

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 72 / 57 / 0 / 26

HEX #3451BC

RGB 52 81 188

HSL 227.21, 0.57%, 0.47%

LAB 38.28, 26.5, -59.52

 

CMYK 72 / 72 / 0 / 26

HEX #3434BC

RGB 52 52 188

HSL 240, 0.57%, 0.47%

LAB 31.39, 44.62, -70.8

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 85 / 44 / 0 / 18

HEX #2075D0

RGB 32 117 208

HSL 211.02, 0.73%, 0.47%

LAB 48.99, 8.82, -53.81

 

CMYK 94 / 48 / 0 / 11

HEX #0D75E3

RGB 13 117 227

HSL 210.84, 0.89%, 0.47%

LAB 49.92, 15.18, -63.08

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 58 / 30 / 0 / 34

HEX #4776A9

RGB 71 118 169

HSL 211.22, 0.41%, 0.47%

LAB 48.46, -0.41, -32.09

 

CMYK 40 / 20 / 0 / 42

HEX #5A7795

RGB 90 119 149

HSL 210.51, 0.25%, 0.47%

LAB 48.93, -2.43, -19.57

 

CMYK 15 / 8 / 0 / 49

HEX #6E7882

RGB 110 120 130

HSL 210, 0.08%, 0.47%

LAB 49.93, -1.5, -6.73

 

CMYK 0 / 7 / 14 / 49

HEX #81786F

RGB 129 120 111

HSL 30, 0.08%, 0.47%

LAB 50.98, 1.8, 6.18

 

CMYK 72 / 0 / 2 / 26

HEX #34BCB8

RGB 52 188 184

HSL 178.24, 0.57%, 0.47%

LAB 69.58, -35.99, -8.4

 

CMYK 72 / 17 / 0 / 26

HEX #349CBC

RGB 52 156 188

HSL 194.12, 0.57%, 0.47%

LAB 60.01, -18.88, -25.1

 

CMYK 72 / 36 / 0 / 26

HEX #3478BC

RGB 52 120 188

HSL 210, 0.57%, 0.47%

LAB 49.25, 1.64, -41.92

 

CMYK 72 / 56 / 0 / 26

HEX #3453BC

RGB 52 83 188

HSL 226.32, 0.57%, 0.47%

LAB 38.81, 25.19, -58.66

 

CMYK 70 / 72 / 0 / 26

HEX #3834BC

RGB 56 52 188

HSL 241.76, 0.57%, 0.47%

LAB 31.64, 45.03, -70.38

 

CMYK 72 / 37 / 0 / 52

HEX #224D7B

RGB 34 77 123

HSL 211.01, 0.57%, 0.31%

LAB 31.98, 1.64, -30.47

 

CMYK 72 / 37 / 0 / 39

HEX #2B629C

RGB 43 98 156

HSL 210.8, 0.57%, 0.39%

LAB 40.65, 2.13, -36.8

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 64 / 33 / 0 / 19

HEX #4B8BCE

RGB 75 139 206

HSL 210.69, 0.57%, 0.55%

LAB 56.5, 0.3, -40.66

 

CMYK 50 / 26 / 0 / 16

HEX #6CA0D7

RGB 108 160 215

HSL 210.84, 0.57%, 0.63%

LAB 64.35, -2.09, -33.31

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 22 / 72 / 0 / 26

HEX #9334BC

RGB 147 52 188

HSL 281.91, 0.57%, 0.47%

LAB 41.67, 59.97, -53.59

 

CMYK 7 / 0 / 72 / 26

HEX #AFBC34

RGB 175 188 52

HSL 65.74, 0.57%, 0.47%

LAB 73.11, -21.38, 63.14

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 0 / 72 / 36 / 26

HEX #BC3478

RGB 188 52 120

HSL 330, 0.57%, 0.47%

LAB 44.95, 59.18, -7.14

 

CMYK 36 / 0 / 72 / 26

HEX #78BC34

RGB 120 188 52

HSL 90, 0.57%, 0.47%

LAB 69.62, -43.02, 58.54

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 22 / 72 / 0 / 26

HEX #9334BC

RGB 147 52 188

HSL 281.91, 0.57%, 0.47%

LAB 41.67, 59.97, -53.59

 

CMYK 0 / 36 / 72 / 26

HEX #BC7834

RGB 188 120 52

HSL 30, 0.57%, 0.47%

LAB 56.46, 20.67, 46.87

 

CMYK 51 / 0 / 72 / 26

HEX #5DBC34

RGB 93 188 52

HSL 101.91, 0.57%, 0.47%

LAB 68.42, -51.76, 56.94

 

CMYK 72 / 37 / 0 / 26

HEX #3476BC

RGB 52 118 188

HSL 210.88, 0.57%, 0.47%

LAB 48.66, 2.86, -42.85

 

CMYK 0 / 72 / 0 / 26

HEX #BC34BC

RGB 188 52 188

HSL 300, 0.57%, 0.47%

LAB 47.98, 68.56, -43.14

 

CMYK 0 / 36 / 72 / 26

HEX #BC7834

RGB 188 120 52

HSL 30, 0.57%, 0.47%

LAB 56.46, 20.67, 46.87

 

CMYK 72 / 0 / 72 / 26

HEX #34BC34

RGB 52 188 52

HSL 120, 0.57%, 0.47%

LAB 67.24, -61.28, 55.35

 

Description

Color code: HEX #3476BC | qconv.com Color code: HEX #3476BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 118 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 118 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 37 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 37% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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