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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #347117 it is the complementary color #CB8EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #347117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #347117 shade: #397112, #4A8325, #5B9538, #6CA74B and #7DB95E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #347117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #347117 shade: #347117, #235F04, #124D00, #013B00 and #002900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #347117 shade: #357217, #4D7217, #667217, #726617 and #724E17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #347117 shade: #357217, #1C7217, #17722B, #177244 and #17725C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #347117 shade matches the following richer shades: #357217, #317D0C and #2D8901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #347117 shade: #357217, #396723, #3D5C2E, #415139 and #454644

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #347117 shade: #667217, #4E7217, #367217, #1D7217 and #17722A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #347117 shade: #152E09, #255010, #357217, #44951E and #54B725

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #347117 shade: #347117, #177266 and #72175A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #347117 shade: #347117, #173672 and #721736

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #347117 shade: #347117, #177266, #541772 and #721724

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #347117 shade: #347117, #176372, #541772 and #722717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

Complementary color

CMYK 13 / 39 / 0 / 9

HEX #CB8EE8

RGB 203 142 232

HSL 280.67, 0.66%, 0.73%

LAB 67.92, 38.82, -36.58

 

CMYK 50 / 0 / 84 / 56

HEX #397112

RGB 57 113 18

HSL 95.37, 0.73%, 0.26%

LAB 42.34, -35.12, 42.84

 

CMYK 44 / 0 / 72 / 49

HEX #4A8325

RGB 74 131 37

HSL 96.38, 0.56%, 0.33%

LAB 49.28, -35.71, 42.91

 

CMYK 39 / 0 / 62 / 42

HEX #5B9538

RGB 91 149 56

HSL 97.42, 0.45%, 0.4%

LAB 56.09, -35.96, 42.16

 

CMYK 35 / 0 / 55 / 35

HEX #6CA74B

RGB 108 167 75

HSL 98.48, 0.38%, 0.47%

LAB 62.79, -36.03, 41.08

 

CMYK 32 / 0 / 49 / 27

HEX #7DB95E

RGB 125 185 94

HSL 99.56, 0.39%, 0.55%

LAB 69.37, -35.99, 39.89

 

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

CMYK 63 / 0 / 96 / 63

HEX #235F04

RGB 35 95 4

HSL 99.56, 0.92%, 0.19%

LAB 35.1, -35.37, 40.04

 

CMYK 77 / 0 / 100 / 70

HEX #124D00

RGB 18 77 0

HSL 105.97, 1%, 0.15%

LAB 27.94, -33.11, 35.36

 

CMYK 98 / 0 / 100 / 77

HEX #013B00

RGB 1 59 0

HSL 118.98, 1%, 0.12%

LAB 20.57, -30.13, 28.01

 

CMYK 100 / 0 / 100 / 84

HEX #002900

RGB 0 41 0

HSL 120, 1%, 0.08%

LAB 13.14, -24.17, 18.88

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 32 / 0 / 80 / 55

HEX #4D7217

RGB 77 114 23

HSL 84.4, 0.66%, 0.27%

LAB 43.76, -27.75, 42.88

 

CMYK 11 / 0 / 80 / 55

HEX #667217

RGB 102 114 23

HSL 67.91, 0.66%, 0.27%

LAB 45.53, -16.82, 45.16

 

CMYK 0 / 11 / 80 / 55

HEX #726617

RGB 114 102 23

HSL 52.09, 0.66%, 0.27%

LAB 42.98, -4.46, 43.2

 

CMYK 0 / 32 / 80 / 55

HEX #724E17

RGB 114 78 23

HSL 36.26, 0.66%, 0.27%

LAB 36.15, 9.81, 36.74

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 75 / 0 / 80 / 55

HEX #1C7217

RGB 28 114 23

HSL 116.7, 0.66%, 0.27%

LAB 41.76, -42.91, 40.25

 

CMYK 80 / 0 / 62 / 55

HEX #17722B

RGB 23 114 43

HSL 133.19, 0.66%, 0.27%

LAB 41.83, -41.64, 31.5

 

CMYK 80 / 0 / 40 / 55

HEX #177244

RGB 23 114 68

HSL 149.67, 0.66%, 0.27%

LAB 42.21, -37.25, 18.31

 

CMYK 80 / 0 / 19 / 55

HEX #17725C

RGB 23 114 92

HSL 165.49, 0.66%, 0.27%

LAB 42.75, -31.37, 4.88

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 61 / 0 / 90 / 51

HEX #317D0C

RGB 49 125 12

HSL 100.35, 0.82%, 0.27%

LAB 46.11, -42.65, 47.67

 

CMYK 67 / 0 / 99 / 46

HEX #2D8901

RGB 45 137 1

HSL 100.59, 0.99%, 0.27%

LAB 50.04, -48.35, 53.04

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 45 / 0 / 66 / 60

HEX #396723

RGB 57 103 35

HSL 100.59, 0.49%, 0.27%

LAB 39.06, -29.33, 32.61

 

CMYK 34 / 0 / 50 / 64

HEX #3D5C2E

RGB 61 92 46

HSL 100.43, 0.33%, 0.27%

LAB 35.68, -21.01, 22.83

 

CMYK 20 / 0 / 30 / 68

HEX #415139

RGB 65 81 57

HSL 100, 0.17%, 0.27%

LAB 32.49, -11.47, 12.12

 

CMYK 1 / 0 / 3 / 73

HEX #454644

RGB 69 70 68

HSL 90, 0.01%, 0.27%

LAB 29.57, -0.85, 1.05

 

CMYK 11 / 0 / 80 / 55

HEX #667217

RGB 102 114 23

HSL 67.91, 0.66%, 0.27%

LAB 45.53, -16.82, 45.16

 

CMYK 32 / 0 / 80 / 55

HEX #4E7217

RGB 78 114 23

HSL 83.74, 0.66%, 0.27%

LAB 43.82, -27.34, 42.96

 

CMYK 53 / 0 / 80 / 55

HEX #367217

RGB 54 114 23

HSL 99.56, 0.66%, 0.27%

LAB 42.58, -36.23, 41.34

 

CMYK 75 / 0 / 80 / 55

HEX #1D7217

RGB 29 114 23

HSL 116.04, 0.66%, 0.27%

LAB 41.78, -42.72, 40.28

 

CMYK 80 / 0 / 63 / 55

HEX #17722A

RGB 23 114 42

HSL 132.53, 0.66%, 0.27%

LAB 41.82, -41.77, 31.99

 

CMYK 54 / 0 / 80 / 82

HEX #152E09

RGB 21 46 9

HSL 100.54, 0.67%, 0.11%

LAB 16.17, -18.01, 19.3

 

CMYK 54 / 0 / 80 / 69

HEX #255010

RGB 37 80 16

HSL 100.31, 0.67%, 0.19%

LAB 29.83, -27.71, 31.24

 

CMYK 54 / 0 / 80 / 55

HEX #357217

RGB 53 114 23

HSL 100.22, 0.66%, 0.27%

LAB 42.54, -36.55, 41.28

 

CMYK 54 / 0 / 80 / 42

HEX #44951E

RGB 68 149 30

HSL 100.84, 0.66%, 0.35%

LAB 54.88, -45.53, 50.94

 

CMYK 54 / 0 / 80 / 28

HEX #54B725

RGB 84 183 37

HSL 100.68, 0.66%, 0.43%

LAB 66.43, -53.41, 59.87

 

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

CMYK 80 / 0 / 11 / 55

HEX #177266

RGB 23 114 102

HSL 172.09, 0.66%, 0.27%

LAB 43.03, -28.5, -0.72

 

CMYK 0 / 80 / 21 / 55

HEX #72175A

RGB 114 23 90

HSL 315.82, 0.66%, 0.27%

LAB 26.53, 45.35, -17.34

 

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

CMYK 80 / 53 / 0 / 55

HEX #173672

RGB 23 54 114

HSL 219.56, 0.66%, 0.27%

LAB 23.79, 12.15, -37.92

 

CMYK 0 / 80 / 53 / 55

HEX #721736

RGB 114 23 54

HSL 339.56, 0.66%, 0.27%

LAB 25.13, 41.04, 4.79

 

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

CMYK 80 / 0 / 11 / 55

HEX #177266

RGB 23 114 102

HSL 172.09, 0.66%, 0.27%

LAB 43.03, -28.5, -0.72

 

CMYK 26 / 80 / 0 / 55

HEX #541772

RGB 84 23 114

HSL 280.22, 0.66%, 0.27%

LAB 22.7, 42.78, -39.4

 

CMYK 0 / 80 / 68 / 55

HEX #721724

RGB 114 23 36

HSL 351.43, 0.66%, 0.27%

LAB 24.69, 39.66, 16.5

 

CMYK 54 / 0 / 80 / 56

HEX #347117

RGB 52 113 23

HSL 100.67, 0.66%, 0.27%

LAB 42.16, -36.45, 40.9

 

CMYK 80 / 13 / 0 / 55

HEX #176372

RGB 23 99 114

HSL 189.89, 0.66%, 0.27%

LAB 38.41, -16.77, -14.92

 

CMYK 26 / 80 / 0 / 55

HEX #541772

RGB 84 23 114

HSL 280.22, 0.66%, 0.27%

LAB 22.7, 42.78, -39.4

 

CMYK 0 / 66 / 80 / 55

HEX #722717

RGB 114 39 23

HSL 10.55, 0.66%, 0.27%

LAB 26.99, 32.16, 27.48

 

Description

Color code: HEX #347117 | qconv.com Color code: HEX #347117 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 113 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 113 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 80 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 80% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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