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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346DF5 it is the complementary color #CB920A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346DF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346DF5 shade: #396DF0, #4A7FFF, #5B91FF, #6CA3FF and #7DB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346DF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346DF5 shade: #346DF5, #235BE2, #1249CF, #0137BC and #0025A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346DF5 shade: #326CF5, #3237F5, #6232F5, #9732F5 and #CB32F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346DF5 shade: #326CF5, #3237F5 and #3232F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346DF5 shade matches the following richer shades: #326CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346DF5 shade: #326CF5, #4473E4, #557AD3, #6681C1 and #7888B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346DF5 shade: #32D5F5, #32A1F5, #326DF5, #3239F5 and #6032F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346DF5 shade: #0A43CC, #0B50F3, #326CF5, #5A88F7 and #81A5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346DF5 shade: #346DF5, #E232F5 and #BBF532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346DF5 shade: #346DF5, #F5326D and #6DF532

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346DF5 shade: #346DF5, #E232F5, #F5BB32 and #46F532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346DF5 shade: #346DF5, #F532CE, #F5BB32 and #32F559

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

Complementary color

CMYK 0 / 28 / 95 / 20

HEX #CB920A

RGB 203 146 10

HSL 42.28, 0.91%, 0.42%

LAB 64.38, 11.77, 67.61

 

CMYK 76 / 55 / 0 / 6

HEX #396DF0

RGB 57 109 240

HSL 222.95, 0.86%, 0.58%

LAB 49.62, 28.23, -70.83

 

CMYK 71 / 50 / 0 / 0

HEX #4A7FFF

RGB 74 127 255

HSL 222.43, 1%, 0.65%

LAB 55.94, 24.42, -68.87

 

CMYK 64 / 43 / 0 / 0

HEX #5B91FF

RGB 91 145 255

HSL 220.24, 1%, 0.68%

LAB 61.39, 16.02, -60.08

 

CMYK 58 / 36 / 0 / 0

HEX #6CA3FF

RGB 108 163 255

HSL 217.55, 1%, 0.71%

LAB 66.98, 8.51, -51.15

 

CMYK 51 / 29 / 0 / 0

HEX #7DB5FF

RGB 125 181 255

HSL 214.15, 1%, 0.75%

LAB 72.65, 1.83, -42.18

 

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

CMYK 85 / 60 / 0 / 11

HEX #235BE2

RGB 35 91 226

HSL 222.41, 0.77%, 0.51%

LAB 43.26, 32.57, -73.33

 

CMYK 91 / 65 / 0 / 19

HEX #1249CF

RGB 18 73 207

HSL 222.54, 0.84%, 0.44%

LAB 36.74, 36.06, -73.14

 

CMYK 99 / 71 / 0 / 26

HEX #0137BC

RGB 1 55 188

HSL 222.67, 0.99%, 0.37%

LAB 30.33, 39.89, -72.61

 

CMYK 100 / 78 / 0 / 34

HEX #0025A9

RGB 0 37 169

HSL 226.86, 1%, 0.33%

LAB 24.28, 43.86, -71.27

 

CMYK 80 / 56 / 0 / 4

HEX #326CF5

RGB 50 108 245

HSL 222.15, 0.91%, 0.58%

LAB 49.49, 30.01, -73.83

 

CMYK 80 / 78 / 0 / 4

HEX #3237F5

RGB 50 55 245

HSL 238.46, 0.91%, 0.58%

LAB 37.85, 61.08, -92.96

 

CMYK 60 / 80 / 0 / 4

HEX #6232F5

RGB 98 50 245

HSL 254.77, 0.91%, 0.58%

LAB 40.36, 67.09, -88.7

 

CMYK 38 / 80 / 0 / 4

HEX #9732F5

RGB 151 50 245

HSL 271.08, 0.91%, 0.58%

LAB 46.25, 73.57, -78.81

 

CMYK 17 / 80 / 0 / 4

HEX #CB32F5

RGB 203 50 245

HSL 287.08, 0.91%, 0.58%

LAB 53.57, 81.73, -66.58

 

CMYK 80 / 56 / 0 / 4

HEX #326CF5

RGB 50 108 245

HSL 222.15, 0.91%, 0.58%

LAB 49.49, 30.01, -73.83

 

CMYK 80 / 78 / 0 / 4

HEX #3237F5

RGB 50 55 245

HSL 238.46, 0.91%, 0.58%

LAB 37.85, 61.08, -92.96

 

CMYK 80 / 80 / 0 / 4

HEX #3232F5

RGB 50 50 245

HSL 240, 0.91%, 0.58%

LAB 37.03, 63.47, -94.33

 

CMYK 80 / 56 / 0 / 4

HEX #326CF5

RGB 50 108 245

HSL 222.15, 0.91%, 0.58%

LAB 49.49, 30.01, -73.83

 

CMYK 80 / 56 / 0 / 4

HEX #326CF5

RGB 50 108 245

HSL 222.15, 0.91%, 0.58%

LAB 49.49, 30.01, -73.83

 

CMYK 70 / 50 / 0 / 11

HEX #4473E4

RGB 68 115 228

HSL 222.38, 0.75%, 0.58%

LAB 50.79, 21.48, -62.17

 

CMYK 60 / 42 / 0 / 17

HEX #557AD3

RGB 85 122 211

HSL 222.38, 0.59%, 0.58%

LAB 52.46, 14.06, -49.86

 

CMYK 47 / 33 / 0 / 24

HEX #6681C1

RGB 102 129 193

HSL 222.2, 0.42%, 0.58%

LAB 54.42, 7.83, -36.46

 

CMYK 32 / 23 / 0 / 31

HEX #7888B0

RGB 120 136 176

HSL 222.86, 0.26%, 0.58%

LAB 56.82, 3.85, -22.95

 

CMYK 80 / 13 / 0 / 4

HEX #32D5F5

RGB 50 213 245

HSL 189.85, 0.91%, 0.58%

LAB 78.96, -29.71, -27.24

 

CMYK 80 / 34 / 0 / 4

HEX #32A1F5

RGB 50 161 245

HSL 205.85, 0.91%, 0.58%

LAB 63.97, -2.21, -50.59

 

CMYK 80 / 56 / 0 / 4

HEX #326DF5

RGB 50 109 245

HSL 221.85, 0.91%, 0.58%

LAB 49.75, 29.38, -73.41

 

CMYK 80 / 77 / 0 / 4

HEX #3239F5

RGB 50 57 245

HSL 237.85, 0.91%, 0.58%

LAB 38.19, 60.09, -92.39

 

CMYK 61 / 80 / 0 / 4

HEX #6032F5

RGB 96 50 245

HSL 254.15, 0.91%, 0.58%

LAB 40.18, 66.89, -89

 

CMYK 95 / 67 / 0 / 20

HEX #0A43CC

RGB 10 67 204

HSL 222.37, 0.91%, 0.42%

LAB 34.88, 38.51, -74.47

 

CMYK 95 / 67 / 0 / 5

HEX #0B50F3

RGB 11 80 243

HSL 222.16, 0.91%, 0.5%

LAB 41.66, 44.77, -85.58

 

CMYK 80 / 56 / 0 / 4

HEX #326CF5

RGB 50 108 245

HSL 222.15, 0.91%, 0.58%

LAB 49.49, 30.01, -73.83

 

CMYK 64 / 45 / 0 / 3

HEX #5A88F7

RGB 90 136 247

HSL 222.42, 0.91%, 0.66%

LAB 58.51, 18.56, -60.3

 

CMYK 48 / 34 / 0 / 2

HEX #81A5F9

RGB 129 165 249

HSL 222, 0.91%, 0.74%

LAB 68.33, 9.99, -45.69

 

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

CMYK 8 / 80 / 0 / 4

HEX #E232F5

RGB 226 50 245

HSL 294.15, 0.91%, 0.58%

LAB 57.12, 85.72, -60.68

 

CMYK 24 / 0 / 80 / 4

HEX #BBF532

RGB 187 245 50

HSL 77.85, 0.91%, 0.58%

LAB 89.91, -43.09, 79.59

 

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

CMYK 0 / 80 / 56 / 4

HEX #F5326D

RGB 245 50 109

HSL 341.85, 0.91%, 0.58%

LAB 54.86, 74.05, 15.17

 

CMYK 56 / 0 / 80 / 4

HEX #6DF532

RGB 109 245 50

HSL 101.85, 0.91%, 0.58%

LAB 86.4, -68.14, 75.1

 

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

CMYK 8 / 80 / 0 / 4

HEX #E232F5

RGB 226 50 245

HSL 294.15, 0.91%, 0.58%

LAB 57.12, 85.72, -60.68

 

CMYK 0 / 24 / 80 / 4

HEX #F5BB32

RGB 245 187 50

HSL 42.15, 0.91%, 0.58%

LAB 79.15, 9.06, 71.7

 

CMYK 71 / 0 / 80 / 4

HEX #46F532

RGB 70 245 50

HSL 113.85, 0.91%, 0.58%

LAB 85.42, -76.23, 73.84

 

CMYK 79 / 56 / 0 / 4

HEX #346DF5

RGB 52 109 245

HSL 222.28, 0.91%, 0.58%

LAB 49.81, 29.56, -73.31

 

CMYK 0 / 80 / 16 / 4

HEX #F532CE

RGB 245 50 206

HSL 312, 0.91%, 0.58%

LAB 58.18, 83.72, -36.81

 

CMYK 0 / 24 / 80 / 4

HEX #F5BB32

RGB 245 187 50

HSL 42.15, 0.91%, 0.58%

LAB 79.15, 9.06, 71.7

 

CMYK 80 / 0 / 64 / 4

HEX #32F559

RGB 50 245 89

HSL 132, 0.91%, 0.58%

LAB 85.35, -75.88, 60.23

 

Description

Color code: HEX #346DF5 | qconv.com Color code: HEX #346DF5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 109 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 109 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 56 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 56% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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