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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #346CB8CE it is the complementary color #CB9347CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #346CB8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #346CB8CE shade: #396CB3CE, #4A7EC6CE, #5B90D9CE, #6CA2ECCE and #7DB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #346CB8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #346CB8CE shade: #346CB8CE, #235AA5CE, #124892CE, #01367FCE and #00246CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #346CB8CE shade: #346BB7, #3448B7, #4334B7, #6634B7 and #8A34B7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #346CB8CE shade: #346BB7, #3448B7 and #3434B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #346CB8CE shade matches the following richer shades: #346BB7, #2168CA and #0E66DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #346CB8CE shade: #346BB7, #476EA4, #5A7191, #6D747E and #80776B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #346CB8CE shade: #34B3B7, #3490B7, #346DB7, #344AB7 and #4134B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #346CB8CE shade: #214677, #2B5897, #346BB7, #4880CB and #6996D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #346CB8CE shade: #346CB8, #9834B7 and #A1B734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #346CB8CE shade: #346CB8, #B7346D and #6DB734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #346CB8CE shade: #346CB8, #9834B7, #B77E34 and #52B734

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #346CB8CE shade: #346CB8, #B734AE, #B77E34 and #34B73C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 33 / 0 / 23

HEX #346CB8CE

RGBA 52 108 184 0.81

HSLA 214.55, 0.56%, 0.46%, 0.81

LABA 45.52, 7.59, -45.53, 0.81

 

Complementary color

CMYK 0 / 22 / 53 / 17

HEX #CB9347CE

RGBA 203 147 71 0.81

HSLA 34.55, 0.56%, 0.54%, 0.81

LABA 64.98, 13.39, 47.55, 0.81

 

CMYK 55 / 32 / 0 / 24

HEX #396CB3CE

RGBA 57 108 179 0.81

HSLA 214.92, 0.52%, 0.46%, 0.81

LABA 45.43, 6.54, -42.75, 0.81

 

CMYK 51 / 29 / 0 / 18

HEX #4A7EC6CE

RGBA 74 126 198 0.81

HSLA 214.84, 0.52%, 0.53%, 0.81

LABA 52.35, 5.14, -42.68, 0.81

 

CMYK 47 / 27 / 0 / 12

HEX #5B90D9CE

RGBA 91 144 217 0.81

HSLA 214.76, 0.62%, 0.6%, 0.81

LABA 59.14, 4.04, -42.63, 0.81

 

CMYK 44 / 25 / 0 / 6

HEX #6CA2ECCE

RGBA 108 162 236 0.81

HSLA 214.69, 0.77%, 0.67%, 0.81

LABA 65.81, 3.14, -42.61, 0.81

 

CMYK 41 / 24 / 0 / 0

HEX #7DB4FFCE

RGBA 125 180 255 0.81

HSLA 214.62, 1%, 0.75%, 0.81

LABA 72.38, 2.39, -42.6, 0.81

 

CMYK 58 / 33 / 0 / 23

HEX #346CB8CE

RGBA 52 108 184 0.81

HSLA 214.55, 0.56%, 0.46%, 0.81

LABA 45.52, 7.59, -45.53, 0.81

 

CMYK 64 / 37 / 0 / 29

HEX #235AA5CE

RGBA 35 90 165 0.81

HSLA 214.62, 0.65%, 0.39%, 0.81

LABA 38.53, 9.67, -45.57, 0.81

 

CMYK 71 / 41 / 0 / 35

HEX #124892CE

RGBA 18 72 146 0.81

HSLA 214.69, 0.78%, 0.32%, 0.81

LABA 31.44, 12.39, -45.55, 0.81

 

CMYK 80 / 47 / 0 / 41

HEX #01367FCE

RGBA 1 54 127 0.81

HSLA 214.76, 0.98%, 0.25%, 0.81

LABA 24.25, 15.87, -45.45, 0.81

 

CMYK 81 / 54 / 0 / 47

HEX #00246CCE

RGBA 0 36 108 0.81

HSLA 220, 1%, 0.21%, 0.81

LABA 17.2, 20.63, -44.81, 0.81

 

CMYK 72 / 42 / 0 / 28

HEX #346BB7

RGB 52 107 183

HSL 214.81, 0.56%, 0.46%

LAB 45.17, 7.85, -45.5

 

CMYK 72 / 61 / 0 / 28

HEX #3448B7

RGB 52 72 183

HSL 230.84, 0.56%, 0.46%

LAB 35.56, 30.51, -61

 

CMYK 63 / 72 / 0 / 28

HEX #4334B7

RGB 67 52 183

HSL 246.87, 0.56%, 0.46%

LAB 31.96, 44.73, -66.86

 

CMYK 44 / 72 / 0 / 28

HEX #6634B7

RGB 102 52 183

HSL 262.9, 0.56%, 0.46%

LAB 35.4, 50.17, -61.1

 

CMYK 25 / 72 / 0 / 28

HEX #8A34B7

RGB 138 52 183

HSL 279.39, 0.56%, 0.46%

LAB 40.05, 57.09, -53.34

 

CMYK 72 / 42 / 0 / 28

HEX #346BB7

RGB 52 107 183

HSL 214.81, 0.56%, 0.46%

LAB 45.17, 7.85, -45.5

 

CMYK 72 / 61 / 0 / 28

HEX #3448B7

RGB 52 72 183

HSL 230.84, 0.56%, 0.46%

LAB 35.56, 30.51, -61

 

CMYK 72 / 72 / 0 / 28

HEX #3434B7

RGB 52 52 183

HSL 240, 0.56%, 0.46%

LAB 30.89, 42.95, -68.66

 

CMYK 72 / 42 / 0 / 28

HEX #346BB7

RGB 52 107 183

HSL 214.81, 0.56%, 0.46%

LAB 45.17, 7.85, -45.5

 

CMYK 84 / 49 / 0 / 21

HEX #2168CA

RGB 33 104 202

HSL 214.79, 0.72%, 0.46%

LAB 44.93, 14.83, -56.91

 

CMYK 94 / 54 / 0 / 13

HEX #0E66DD

RGB 14 102 221

HSL 214.49, 0.88%, 0.46%

LAB 45.38, 22.47, -67.04

 

CMYK 72 / 42 / 0 / 28

HEX #346BB7

RGB 52 107 183

HSL 214.81, 0.56%, 0.46%

LAB 45.17, 7.85, -45.5

 

CMYK 57 / 33 / 0 / 36

HEX #476EA4

RGB 71 110 164

HSL 214.84, 0.4%, 0.46%

LAB 45.87, 2.78, -33.23

 

CMYK 38 / 22 / 0 / 43

HEX #5A7191

RGB 90 113 145

HSL 214.91, 0.23%, 0.46%

LAB 47.01, -0.01, -20.16

 

CMYK 13 / 8 / 0 / 51

HEX #6D747E

RGB 109 116 126

HSL 215.29, 0.07%, 0.46%

LAB 48.57, -0.43, -6.4

 

CMYK 0 / 7 / 16 / 50

HEX #80776B

RGB 128 119 107

HSL 34.29, 0.09%, 0.46%

LAB 50.5, 1.28, 7.84

 

CMYK 72 / 2 / 0 / 28

HEX #34B3B7

RGB 52 179 183

HSL 181.83, 0.56%, 0.46%

LAB 66.82, -32.04, -11.97

 

CMYK 72 / 21 / 0 / 28

HEX #3490B7

RGB 52 144 183

HSL 197.86, 0.56%, 0.46%

LAB 56.18, -14.05, -28.18

 

CMYK 72 / 40 / 0 / 28

HEX #346DB7

RGB 52 109 183

HSL 213.89, 0.56%, 0.46%

LAB 45.75, 6.6, -44.57

 

CMYK 72 / 60 / 0 / 28

HEX #344AB7

RGB 52 74 183

HSL 229.92, 0.56%, 0.46%

LAB 36.07, 29.22, -60.17

 

CMYK 64 / 72 / 0 / 28

HEX #4134B7

RGB 65 52 183

HSL 245.95, 0.56%, 0.46%

LAB 31.8, 44.47, -67.13

 

CMYK 72 / 41 / 0 / 53

HEX #214677

RGB 33 70 119

HSL 214.19, 0.57%, 0.3%

LAB 29.5, 4.57, -31.91

 

CMYK 72 / 42 / 0 / 41

HEX #2B5897

RGB 43 88 151

HSL 215, 0.56%, 0.38%

LAB 37.35, 6.66, -39.06

 

CMYK 72 / 42 / 0 / 28

HEX #346BB7

RGB 52 107 183

HSL 214.81, 0.56%, 0.46%

LAB 45.17, 7.85, -45.5

 

CMYK 65 / 37 / 0 / 20

HEX #4880CB

RGB 72 128 203

HSL 214.35, 0.56%, 0.54%

LAB 53.09, 5.29, -44.36

 

CMYK 51 / 30 / 0 / 16

HEX #6996D5

RGB 105 150 213

HSL 215, 0.56%, 0.62%

LAB 61.32, 2.31, -36.92

 

CMYK 72 / 41 / 0 / 28

HEX #346CB8

RGB 52 108 184

HSL 214.55, 0.56%, 0.46%

LAB 45.52, 7.59, -45.53

 

CMYK 17 / 72 / 0 / 28

HEX #9834B7

RGB 152 52 183

HSL 285.8, 0.56%, 0.46%

LAB 42.08, 59.99, -49.96

 

CMYK 12 / 0 / 72 / 28

HEX #A1B734

RGB 161 183 52

HSL 70.08, 0.56%, 0.46%

LAB 70.66, -24.78, 60.41

 

CMYK 72 / 41 / 0 / 28

HEX #346CB8

RGB 52 108 184

HSL 214.55, 0.56%, 0.46%

LAB 45.52, 7.59, -45.53

 

CMYK 0 / 72 / 40 / 28

HEX #B7346D

RGB 183 52 109

HSL 333.89, 0.56%, 0.46%

LAB 43.69, 56.59, -2.31

 

CMYK 40 / 0 / 72 / 28

HEX #6DB734

RGB 109 183 52

HSL 93.89, 0.56%, 0.46%

LAB 67.55, -44.72, 56.28

 

CMYK 72 / 41 / 0 / 28

HEX #346CB8

RGB 52 108 184

HSL 214.55, 0.56%, 0.46%

LAB 45.52, 7.59, -45.53

 

CMYK 17 / 72 / 0 / 28

HEX #9834B7

RGB 152 52 183

HSL 285.8, 0.56%, 0.46%

LAB 42.08, 59.99, -49.96

 

CMYK 0 / 31 / 72 / 28

HEX #B77E34

RGB 183 126 52

HSL 33.89, 0.56%, 0.46%

LAB 57.31, 15.17, 47.57

 

CMYK 55 / 0 / 72 / 28

HEX #52B734

RGB 82 183 52

HSL 106.26, 0.56%, 0.46%

LAB 66.45, -52.96, 54.8

 

CMYK 72 / 41 / 0 / 28

HEX #346CB8

RGB 52 108 184

HSL 214.55, 0.56%, 0.46%

LAB 45.52, 7.59, -45.53

 

CMYK 0 / 72 / 5 / 28

HEX #B734AE

RGB 183 52 174

HSL 304.12, 0.56%, 0.46%

LAB 46.42, 65.21, -37.46

 

CMYK 0 / 31 / 72 / 28

HEX #B77E34

RGB 183 126 52

HSL 33.89, 0.56%, 0.46%

LAB 57.31, 15.17, 47.57

 

CMYK 72 / 0 / 67 / 28

HEX #34B73C

RGB 52 183 60

HSL 123.66, 0.56%, 0.46%

LAB 65.69, -58.91, 50.59

 

Description

Color code: HEX #346CB8CE | qconv.com Color code: HEX #346CB8CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 108 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 108 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 33 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 33% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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