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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34541A it is the complementary color #CBABE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34541A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34541A shade: #395415, #4A6628, #5B783B, #6C8A4E and #7D9C61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34541A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34541A shade: #34541A, #234207, #123000, #011E00 and #000C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34541A shade: #35561A, #45561A, #55561A, #56471A and #56361A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34541A shade: #35561A, #25561A, #1A5620, #1A5630 and #1A5640

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34541A shade matches the following richer shades: #35561A, #345F11 and #336808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34541A shade: #35561A, #364D23, #37442D, #383B36 and #39323F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34541A shade: #55561A, #45561A, #35561A, #25561A and #1A561F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34541A shade: #0E1707, #223611, #35561A, #497524 and #5C952E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34541A shade: #34541A, #1A5647 and #561A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34541A shade: #34541A, #1A3556 and #561A35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34541A shade: #34541A, #1A5647, #3B1A56 and #561A29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34541A shade: #34541A, #1A5356, #3B1A56 and #561D1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

Complementary color

CMYK 11 / 25 / 0 / 10

HEX #CBABE5

RGB 203 171 229

HSL 273.1, 0.53%, 0.78%

LAB 74.5, 22.34, -24.81

 

CMYK 32 / 0 / 75 / 67

HEX #395415

RGB 57 84 21

HSL 85.71, 0.6%, 0.21%

LAB 32.4, -21.37, 32.05

 

CMYK 27 / 0 / 61 / 60

HEX #4A6628

RGB 74 102 40

HSL 87.1, 0.44%, 0.28%

LAB 39.77, -21.64, 31.18

 

CMYK 24 / 0 / 51 / 53

HEX #5B783B

RGB 91 120 59

HSL 88.52, 0.34%, 0.35%

LAB 46.94, -21.71, 29.96

 

CMYK 22 / 0 / 43 / 46

HEX #6C8A4E

RGB 108 138 78

HSL 90, 0.28%, 0.42%

LAB 53.94, -21.7, 28.69

 

CMYK 20 / 0 / 38 / 39

HEX #7D9C61

RGB 125 156 97

HSL 91.53, 0.23%, 0.5%

LAB 60.78, -21.64, 27.46

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 47 / 0 / 89 / 74

HEX #234207

RGB 35 66 7

HSL 91.53, 0.81%, 0.14%

LAB 24.54, -22.57, 29.67

 

CMYK 63 / 0 / 100 / 81

HEX #123000

RGB 18 48 0

HSL 97.5, 1%, 0.09%

LAB 16.71, -21.23, 23.61

 

CMYK 97 / 0 / 100 / 88

HEX #011E00

RGB 1 30 0

HSL 118, 1%, 0.06%

LAB 8.44, -16.84, 12.33

 

CMYK 100 / 0 / 100 / 95

HEX #000C00

RGB 0 12 0

HSL 120, 1%, 0.02%

LAB 2.38, -4.85, 3.47

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 20 / 0 / 70 / 66

HEX #45561A

RGB 69 86 26

HSL 77, 0.54%, 0.22%

LAB 33.97, -16.66, 31.64

 

CMYK 1 / 0 / 70 / 66

HEX #55561A

RGB 85 86 26

HSL 61, 0.54%, 0.22%

LAB 35.32, -9.07, 33.47

 

CMYK 0 / 17 / 70 / 66

HEX #56471A

RGB 86 71 26

HSL 45, 0.54%, 0.22%

LAB 30.78, 0.46, 28.67

 

CMYK 0 / 37 / 70 / 66

HEX #56361A

RGB 86 54 26

HSL 28, 0.54%, 0.22%

LAB 25.84, 11.21, 23.13

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 57 / 0 / 70 / 66

HEX #25561A

RGB 37 86 26

HSL 109, 0.54%, 0.22%

LAB 32.09, -29.42, 29.04

 

CMYK 70 / 0 / 63 / 66

HEX #1A5620

RGB 26 86 32

HSL 126, 0.54%, 0.22%

LAB 31.76, -31.73, 25.48

 

CMYK 70 / 0 / 44 / 66

HEX #1A5630

RGB 26 86 48

HSL 142, 0.54%, 0.22%

LAB 32.01, -28.94, 16.63

 

CMYK 70 / 0 / 26 / 66

HEX #1A5640

RGB 26 86 64

HSL 158, 0.54%, 0.22%

LAB 32.36, -25.19, 7.26

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 45 / 0 / 82 / 63

HEX #345F11

RGB 52 95 17

HSL 93.08, 0.7%, 0.22%

LAB 35.9, -29.03, 37.03

 

CMYK 51 / 0 / 92 / 59

HEX #336808

RGB 51 104 8

HSL 93.13, 0.86%, 0.22%

LAB 38.94, -33.81, 42.44

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 30 / 0 / 55 / 70

HEX #364D23

RGB 54 77 35

HSL 92.86, 0.38%, 0.22%

LAB 29.94, -17.44, 21.97

 

CMYK 19 / 0 / 34 / 73

HEX #37442D

RGB 55 68 45

HSL 93.91, 0.2%, 0.22%

LAB 27.12, -10.27, 12.26

 

CMYK 5 / 0 / 8 / 77

HEX #383B36

RGB 56 59 54

HSL 96, 0.04%, 0.22%

LAB 24.43, -2.41, 2.66

 

CMYK 10 / 21 / 0 / 75

HEX #39323F

RGB 57 50 63

HSL 272.31, 0.12%, 0.22%

LAB 21.98, 6.13, -7

 

CMYK 1 / 0 / 70 / 66

HEX #55561A

RGB 85 86 26

HSL 61, 0.54%, 0.22%

LAB 35.32, -9.07, 33.47

 

CMYK 20 / 0 / 70 / 66

HEX #45561A

RGB 69 86 26

HSL 77, 0.54%, 0.22%

LAB 33.97, -16.66, 31.64

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 57 / 0 / 70 / 66

HEX #25561A

RGB 37 86 26

HSL 109, 0.54%, 0.22%

LAB 32.09, -29.42, 29.04

 

CMYK 70 / 0 / 64 / 66

HEX #1A561F

RGB 26 86 31

HSL 125, 0.54%, 0.22%

LAB 31.75, -31.88, 26

 

CMYK 39 / 0 / 70 / 91

HEX #0E1707

RGB 14 23 7

HSL 93.75, 0.53%, 0.06%

LAB 6.52, -6.55, 6.77

 

CMYK 37 / 0 / 69 / 79

HEX #223611

RGB 34 54 17

HSL 92.43, 0.52%, 0.14%

LAB 20.12, -15.83, 20.34

 

CMYK 38 / 0 / 70 / 66

HEX #35561A

RGB 53 86 26

HSL 93, 0.54%, 0.22%

LAB 32.89, -23.61, 30.15

 

CMYK 38 / 0 / 69 / 54

HEX #497524

RGB 73 117 36

HSL 92.59, 0.53%, 0.3%

LAB 44.61, -29.81, 38.43

 

CMYK 38 / 0 / 69 / 42

HEX #5C952E

RGB 92 149 46

HSL 93.2, 0.53%, 0.38%

LAB 56.06, -36.51, 46.53

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 70 / 0 / 17 / 66

HEX #1A5647

RGB 26 86 71

HSL 165, 0.54%, 0.22%

LAB 32.55, -23.28, 3.13

 

CMYK 0 / 70 / 10 / 66

HEX #561A4D

RGB 86 26 77

HSL 309, 0.54%, 0.22%

LAB 21.03, 34.33, -17.61

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 70 / 38 / 0 / 66

HEX #1A3556

RGB 26 53 86

HSL 213, 0.54%, 0.22%

LAB 21.72, 1.83, -23.01

 

CMYK 0 / 70 / 38 / 66

HEX #561A35

RGB 86 26 53

HSL 333, 0.54%, 0.22%

LAB 19.94, 30.54, -2.74

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 70 / 0 / 17 / 66

HEX #1A5647

RGB 26 86 71

HSL 165, 0.54%, 0.22%

LAB 32.55, -23.28, 3.13

 

CMYK 31 / 70 / 0 / 66

HEX #3B1A56

RGB 59 26 86

HSL 273, 0.54%, 0.22%

LAB 17.18, 28.73, -30.08

 

CMYK 0 / 70 / 52 / 66

HEX #561A29

RGB 86 26 41

HSL 345, 0.54%, 0.22%

LAB 19.55, 29.09, 5.13

 

CMYK 38 / 0 / 69 / 67

HEX #34541A

RGB 52 84 26

HSL 93.1, 0.53%, 0.22%

LAB 32.14, -23.01, 29.32

 

CMYK 70 / 3 / 0 / 66

HEX #1A5356

RGB 26 83 86

HSL 183, 0.54%, 0.22%

LAB 31.98, -17.03, -7.19

 

CMYK 31 / 70 / 0 / 66

HEX #3B1A56

RGB 59 26 86

HSL 273, 0.54%, 0.22%

LAB 17.18, 28.73, -30.08

 

CMYK 0 / 66 / 70 / 66

HEX #561D1A

RGB 86 29 26

HSL 3, 0.54%, 0.22%

LAB 19.77, 26.22, 15.87

 

Description

Color code: HEX #34541A | qconv.com Color code: HEX #34541A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 84 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 84 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 69 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 69% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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