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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #344762 it is the complementary color #CBB89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #344762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #344762 shade: #39475D, #4A5970, #5B6B83, #6C7D96 and #7D8FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #344762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #344762 shade: #344762, #23354F, #12233C, #011129 and #000016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #344762 shade: #334661, #333A61, #393361, #453361 and #523361

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #344762 shade: #334661, #333A61 and #333361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #344762 shade matches the following richer shades: #334661, #27446D, #1B4279, #0F4085 and #033E91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #344762 shade: #334661, #3F4855, #4B4A49, #574C3D and #634E31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #344762 shade: #335F61, #335261, #334661, #333A61 and #383361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #344762 shade: #171F2B, #253246, #334661, #41597C and #4F6D97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #344762 shade: #344762, #573361 and #586133

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #344762 shade: #344762, #613346 and #466133

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #344762 shade: #344762, #573361, #614E33 and #3D6133

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #344762 shade: #344762, #61335D, #614E33 and #336137

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

Complementary color

CMYK 0 / 9 / 23 / 20

HEX #CBB89D

RGB 203 184 157

HSL 35.22, 0.31%, 0.71%

LAB 75.71, 2.48, 16.18

 

CMYK 39 / 24 / 0 / 64

HEX #39475D

RGB 57 71 93

HSL 216.67, 0.24%, 0.29%

LAB 29.83, 0.62, -14.79

 

CMYK 34 / 21 / 0 / 56

HEX #4A5970

RGB 74 89 112

HSL 216.32, 0.2%, 0.36%

LAB 37.43, 0.29, -14.99

 

CMYK 31 / 18 / 0 / 49

HEX #5B6B83

RGB 91 107 131

HSL 216, 0.18%, 0.44%

LAB 44.77, 0.02, -15.24

 

CMYK 28 / 17 / 0 / 41

HEX #6C7D96

RGB 108 125 150

HSL 215.71, 0.17%, 0.51%

LAB 51.9, -0.21, -15.51

 

CMYK 26 / 15 / 0 / 34

HEX #7D8FA9

RGB 125 143 169

HSL 215.45, 0.2%, 0.58%

LAB 58.85, -0.41, -15.81

 

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

CMYK 56 / 33 / 0 / 69

HEX #23354F

RGB 35 53 79

HSL 215.45, 0.39%, 0.22%

LAB 21.83, 1.33, -18.15

 

CMYK 70 / 42 / 0 / 76

HEX #12233C

RGB 18 35 60

HSL 215.71, 0.54%, 0.15%

LAB 13.57, 2.42, -18.2

 

CMYK 98 / 59 / 0 / 84

HEX #011129

RGB 1 17 41

HSL 216, 0.95%, 0.08%

LAB 5.13, 3.03, -17.84

 

CMYK 100 / 100 / 0 / 91

HEX #000016

RGB 0 0 22

HSL 240, 1%, 0.04%

LAB 0.52, 3.68, -10.01

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 47 / 40 / 0 / 62

HEX #333A61

RGB 51 58 97

HSL 230.87, 0.31%, 0.29%

LAB 25.54, 8.73, -24.08

 

CMYK 41 / 47 / 0 / 62

HEX #393361

RGB 57 51 97

HSL 247.83, 0.31%, 0.29%

LAB 24, 15.29, -26.48

 

CMYK 29 / 47 / 0 / 62

HEX #453361

RGB 69 51 97

HSL 263.48, 0.31%, 0.29%

LAB 25.25, 19.01, -24.43

 

CMYK 15 / 47 / 0 / 62

HEX #523361

RGB 82 51 97

HSL 280.43, 0.31%, 0.29%

LAB 26.8, 23.28, -21.87

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 47 / 40 / 0 / 62

HEX #333A61

RGB 51 58 97

HSL 230.87, 0.31%, 0.29%

LAB 25.54, 8.73, -24.08

 

CMYK 47 / 47 / 0 / 62

HEX #333361

RGB 51 51 97

HSL 240, 0.31%, 0.29%

LAB 23.45, 13.55, -27.39

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 64 / 38 / 0 / 57

HEX #27446D

RGB 39 68 109

HSL 215.14, 0.47%, 0.29%

LAB 28.56, 3.22, -27.06

 

CMYK 78 / 45 / 0 / 53

HEX #1B4279

RGB 27 66 121

HSL 215.11, 0.64%, 0.29%

LAB 28.14, 7.17, -35.35

 

CMYK 89 / 52 / 0 / 48

HEX #0F4085

RGB 15 64 133

HSL 215.08, 0.8%, 0.29%

LAB 28.01, 12.26, -43.08

 

CMYK 98 / 57 / 0 / 43

HEX #033E91

RGB 3 62 145

HSL 215.07, 0.96%, 0.29%

LAB 28.14, 18.04, -50.3

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 26 / 15 / 0 / 67

HEX #3F4855

RGB 63 72 85

HSL 215.45, 0.15%, 0.29%

LAB 30.27, -0.29, -8.93

 

CMYK 0 / 1 / 3 / 71

HEX #4B4A49

RGB 75 74 73

HSL 30, 0.01%, 0.29%

LAB 31.52, 0.2, 0.74

 

CMYK 0 / 13 / 30 / 66

HEX #574C3D

RGB 87 76 61

HSL 34.62, 0.18%, 0.29%

LAB 32.99, 1.93, 10.62

 

CMYK 0 / 21 / 51 / 61

HEX #634E31

RGB 99 78 49

HSL 34.8, 0.34%, 0.29%

LAB 34.65, 4.62, 20.46

 

CMYK 47 / 2 / 0 / 62

HEX #335F61

RGB 51 95 97

HSL 182.61, 0.31%, 0.29%

LAB 37.39, -14.59, -5.89

 

CMYK 47 / 15 / 0 / 62

HEX #335261

RGB 51 82 97

HSL 199.57, 0.31%, 0.29%

LAB 33.14, -6.91, -12.3

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 47 / 40 / 0 / 62

HEX #333A61

RGB 51 58 97

HSL 230.87, 0.31%, 0.29%

LAB 25.54, 8.73, -24.08

 

CMYK 42 / 47 / 0 / 62

HEX #383361

RGB 56 51 97

HSL 246.52, 0.31%, 0.29%

LAB 23.91, 14.99, -26.64

 

CMYK 47 / 28 / 0 / 83

HEX #171F2B

RGB 23 31 43

HSL 216, 0.3%, 0.13%

LAB 11.53, 0.28, -9.2

 

CMYK 47 / 29 / 0 / 73

HEX #253246

RGB 37 50 70

HSL 216.36, 0.31%, 0.21%

LAB 20.51, 0.82, -14.16

 

CMYK 47 / 28 / 0 / 62

HEX #334661

RGB 51 70 97

HSL 215.22, 0.31%, 0.29%

LAB 29.28, 0.69, -18.24

 

CMYK 48 / 28 / 0 / 51

HEX #41597C

RGB 65 89 124

HSL 215.59, 0.31%, 0.37%

LAB 37.34, 1.22, -22.57

 

CMYK 48 / 28 / 0 / 41

HEX #4F6D97

RGB 79 109 151

HSL 215, 0.31%, 0.45%

LAB 45.41, 1.12, -26.25

 

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

CMYK 10 / 47 / 0 / 62

HEX #573361

RGB 87 51 97

HSL 286.96, 0.31%, 0.29%

LAB 27.45, 24.96, -20.81

 

CMYK 9 / 0 / 47 / 62

HEX #586133

RGB 88 97 51

HSL 71.74, 0.31%, 0.29%

LAB 39.35, -11.55, 24.97

 

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

CMYK 0 / 47 / 28 / 62

HEX #613346

RGB 97 51 70

HSL 335.22, 0.31%, 0.29%

LAB 27.71, 23.33, -2.58

 

CMYK 28 / 0 / 47 / 62

HEX #466133

RGB 70 97 51

HSL 95.22, 0.31%, 0.29%

LAB 38, -19.29, 23

 

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

CMYK 10 / 47 / 0 / 62

HEX #573361

RGB 87 51 97

HSL 286.96, 0.31%, 0.29%

LAB 27.45, 24.96, -20.81

 

CMYK 0 / 20 / 47 / 62

HEX #614E33

RGB 97 78 51

HSL 35.22, 0.31%, 0.29%

LAB 34.46, 3.92, 18.96

 

CMYK 37 / 0 / 47 / 62

HEX #3D6133

RGB 61 97 51

HSL 106.96, 0.31%, 0.29%

LAB 37.45, -22.83, 22.18

 

CMYK 47 / 28 / 0 / 62

HEX #344762

RGB 52 71 98

HSL 215.22, 0.31%, 0.29%

LAB 29.71, 0.66, -18.2

 

CMYK 0 / 47 / 4 / 62

HEX #61335D

RGB 97 51 93

HSL 305.22, 0.31%, 0.29%

LAB 28.64, 27.52, -16.26

 

CMYK 0 / 20 / 47 / 62

HEX #614E33

RGB 97 78 51

HSL 35.22, 0.31%, 0.29%

LAB 34.46, 3.92, 18.96

 

CMYK 47 / 0 / 43 / 62

HEX #336137

RGB 51 97 55

HSL 125.22, 0.31%, 0.29%

LAB 36.98, -25.71, 19.16

 

Description

Color code: HEX #344762 | qconv.com Color code: HEX #344762 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 71 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 71 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 28 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 28% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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