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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34423B it is the complementary color #CBBDC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34423B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34423B shade: #394236, #4A5449, #5B665C, #6C786F and #7D8A82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34423B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34423B shade: #34423B, #233028, #121E15, #010C02 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34423B shade: #34423B, #344237, #344234, #384234 and #3C4234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34423B shade: #34423B, #34423E, #344142, #343D42 and #343A42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34423B shade matches the following richer shades: #34423B, #2A4B3B, #21553B, #175E3B and #0E683B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34423B shade: #34423B, #3D383B, #472F3B, #50253B and #5A1C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34423B shade: #344234, #344237, #34423B, #34423E and #344142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34423B shade: #0F1311, #212B26, #34423B, #46594F and #587064

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34423B shade: #34423B, #343842 and #423534

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34423B shade: #34423B, #3B3442 and #423B34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34423B shade: #34423B, #343842, #42343B and #423D34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34423B shade: #34423B, #343442, #42343B and #424234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

Complementary color

CMYK 0 / 7 / 3 / 20

HEX #CBBDC4

RGB 203 189 196

HSL 330, 0.12%, 0.77%

LAB 77.92, 6.17, -1.75

 

CMYK 14 / 0 / 18 / 74

HEX #394236

RGB 57 66 54

HSL 105, 0.1%, 0.24%

LAB 26.83, -6.42, 6.08

 

CMYK 12 / 0 / 13 / 67

HEX #4A5449

RGB 74 84 73

HSL 114.55, 0.07%, 0.31%

LAB 34.55, -6.38, 5.1

 

CMYK 11 / 0 / 10 / 60

HEX #5B665C

RGB 91 102 92

HSL 125.45, 0.06%, 0.38%

LAB 42, -6.35, 4.22

 

CMYK 10 / 0 / 8 / 53

HEX #6C786F

RGB 108 120 111

HSL 135, 0.05%, 0.45%

LAB 49.21, -6.35, 3.41

 

CMYK 9 / 0 / 6 / 46

HEX #7D8A82

RGB 125 138 130

HSL 143.08, 0.05%, 0.52%

LAB 56.24, -6.36, 2.66

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 27 / 0 / 17 / 81

HEX #233028

RGB 35 48 40

HSL 143.08, 0.16%, 0.16%

LAB 18.47, -7.55, 3.35

 

CMYK 40 / 0 / 30 / 88

HEX #121E15

RGB 18 30 21

HSL 135, 0.25%, 0.09%

LAB 9.89, -7.83, 4.47

 

CMYK 92 / 0 / 83 / 95

HEX #010C02

RGB 1 12 2

HSL 125.45, 0.85%, 0.03%

LAB 2.47, -4.31, 2.8

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 0 / 17 / 74

HEX #344237

RGB 52 66 55

HSL 132.86, 0.12%, 0.23%

LAB 26.45, -8.3, 4.84

 

CMYK 21 / 0 / 21 / 74

HEX #344234

RGB 52 66 52

HSL 120, 0.12%, 0.23%

LAB 26.37, -8.96, 6.69

 

CMYK 15 / 0 / 21 / 74

HEX #384234

RGB 56 66 52

HSL 102.86, 0.12%, 0.23%

LAB 26.69, -7.26, 7.18

 

CMYK 9 / 0 / 21 / 74

HEX #3C4234

RGB 60 66 52

HSL 85.71, 0.12%, 0.23%

LAB 27.03, -5.52, 7.7

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 0 / 6 / 74

HEX #34423E

RGB 52 66 62

HSL 162.86, 0.12%, 0.23%

LAB 26.66, -6.64, 0.56

 

CMYK 21 / 2 / 0 / 74

HEX #344142

RGB 52 65 66

HSL 184.29, 0.12%, 0.23%

LAB 26.46, -4.99, -2.37

 

CMYK 21 / 8 / 0 / 74

HEX #343D42

RGB 52 61 66

HSL 201.43, 0.12%, 0.23%

LAB 25.14, -2.43, -4.32

 

CMYK 21 / 12 / 0 / 74

HEX #343A42

RGB 52 58 66

HSL 214.29, 0.12%, 0.23%

LAB 24.16, -0.46, -5.79

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 44 / 0 / 21 / 71

HEX #2A4B3B

RGB 42 75 59

HSL 150.91, 0.28%, 0.23%

LAB 29.01, -16.38, 5.78

 

CMYK 61 / 0 / 31 / 67

HEX #21553B

RGB 33 85 59

HSL 150, 0.44%, 0.23%

LAB 32.11, -24.32, 10.07

 

CMYK 76 / 0 / 37 / 63

HEX #175E3B

RGB 23 94 59

HSL 150.42, 0.61%, 0.23%

LAB 35.01, -30.72, 13.98

 

CMYK 87 / 0 / 43 / 59

HEX #0E683B

RGB 14 104 59

HSL 150, 0.76%, 0.23%

LAB 38.39, -36.24, 18.46

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 0 / 8 / 3 / 76

HEX #3D383B

RGB 61 56 59

HSL 324, 0.04%, 0.23%

LAB 24.12, 2.84, -1.08

 

CMYK 0 / 34 / 17 / 72

HEX #472F3B

RGB 71 47 59

HSL 330, 0.2%, 0.23%

LAB 22.61, 13.16, -3.17

 

CMYK 0 / 54 / 26 / 69

HEX #50253B

RGB 80 37 59

HSL 329.3, 0.37%, 0.23%

LAB 21.37, 23.2, -4.88

 

CMYK 0 / 69 / 34 / 65

HEX #5A1C3B

RGB 90 28 59

HSL 330, 0.53%, 0.23%

LAB 21.28, 31.77, -4.83

 

CMYK 21 / 0 / 21 / 74

HEX #344234

RGB 52 66 52

HSL 120, 0.12%, 0.23%

LAB 26.37, -8.96, 6.69

 

CMYK 21 / 0 / 17 / 74

HEX #344237

RGB 52 66 55

HSL 132.86, 0.12%, 0.23%

LAB 26.45, -8.3, 4.84

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 0 / 6 / 74

HEX #34423E

RGB 52 66 62

HSL 162.86, 0.12%, 0.23%

LAB 26.66, -6.64, 0.56

 

CMYK 21 / 2 / 0 / 74

HEX #344142

RGB 52 65 66

HSL 184.29, 0.12%, 0.23%

LAB 26.46, -4.99, -2.37

 

CMYK 21 / 0 / 11 / 93

HEX #0F1311

RGB 15 19 17

HSL 150, 0.12%, 0.07%

LAB 5.49, -1.91, 0.6

 

CMYK 23 / 0 / 12 / 83

HEX #212B26

RGB 33 43 38

HSL 150, 0.13%, 0.15%

LAB 16.46, -5.63, 1.83

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 0 / 11 / 65

HEX #46594F

RGB 70 89 79

HSL 148.42, 0.12%, 0.31%

LAB 36.01, -9.62, 3.39

 

CMYK 21 / 0 / 11 / 56

HEX #587064

RGB 88 112 100

HSL 150, 0.12%, 0.39%

LAB 45.06, -11.52, 3.77

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 15 / 0 / 74

HEX #343842

RGB 52 56 66

HSL 222.86, 0.12%, 0.23%

LAB 23.51, 0.87, -6.76

 

CMYK 0 / 20 / 21 / 74

HEX #423534

RGB 66 53 52

HSL 4.29, 0.12%, 0.23%

LAB 23.51, 5.6, 2.8

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 11 / 21 / 0 / 74

HEX #3B3442

RGB 59 52 66

HSL 270, 0.12%, 0.23%

LAB 22.93, 6.34, -7.58

 

CMYK 0 / 11 / 21 / 74

HEX #423B34

RGB 66 59 52

HSL 30, 0.12%, 0.23%

LAB 25.36, 1.65, 5.44

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 15 / 0 / 74

HEX #343842

RGB 52 56 66

HSL 222.86, 0.12%, 0.23%

LAB 23.51, 0.87, -6.76

 

CMYK 0 / 21 / 11 / 74

HEX #42343B

RGB 66 52 59

HSL 330, 0.12%, 0.23%

LAB 23.44, 7.67, -2.02

 

CMYK 0 / 8 / 21 / 74

HEX #423D34

RGB 66 61 52

HSL 38.57, 0.12%, 0.23%

LAB 25.99, 0.36, 6.33

 

CMYK 21 / 0 / 11 / 74

HEX #34423B

RGB 52 66 59

HSL 150, 0.12%, 0.23%

LAB 26.57, -7.37, 2.39

 

CMYK 21 / 21 / 0 / 74

HEX #343442

RGB 52 52 66

HSL 240, 0.12%, 0.23%

LAB 22.23, 3.56, -8.7

 

CMYK 0 / 21 / 11 / 74

HEX #42343B

RGB 66 52 59

HSL 330, 0.12%, 0.23%

LAB 23.44, 7.67, -2.02

 

CMYK 0 / 0 / 21 / 74

HEX #424234

RGB 66 66 52

HSL 60, 0.12%, 0.23%

LAB 27.58, -2.84, 8.55

 

Description

Color code: HEX #34423B | qconv.com Color code: HEX #34423B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 66 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 66 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 11 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 11% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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