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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #34398E it is the complementary color #CBC671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #34398E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #34398E shade: #393989, #4A4B9C, #5B5DAF, #6C6FC2 and #7D81D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #34398E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #34398E shade: #34398E, #23277B, #121568, #010355 and #000042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #34398E shade: #34398D, #47348D, #5F348D, #77348D and #8D348B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #34398E shade: #34398D and #34348D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #34398E shade matches the following richer shades: #34398D, #252B9D, #151DAD and #050FBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #34398E shade: #34398D, #44477E, #54556E, #63635E and #73714F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #34398E shade: #346A8D, #34528D, #343A8D, #46348D and #5E348D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #34398E shade: #1E2151, #292D6F, #34398D, #3F45AC and #545AC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #34398E shade: #34398E, #8D3482 and #5E8D34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #34398E shade: #34398E, #8D343A and #3A8D34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #34398E shade: #34398E, #8D3482, #8D8834 and #348D40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #34398E shade: #34398E, #8D3467, #8D8834 and #348D5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

Complementary color

CMYK 0 / 2 / 44 / 20

HEX #CBC671

RGB 203 198 113

HSL 56.67, 0.46%, 0.62%

LAB 78.62, -10.23, 43.04

 

CMYK 58 / 58 / 0 / 46

HEX #393989

RGB 57 57 137

HSL 240, 0.41%, 0.38%

LAB 28.39, 24.71, -44.86

 

CMYK 53 / 52 / 0 / 39

HEX #4A4B9C

RGB 74 75 156

HSL 239.27, 0.36%, 0.45%

LAB 35.77, 23.01, -44.5

 

CMYK 48 / 47 / 0 / 31

HEX #5B5DAF

RGB 91 93 175

HSL 238.57, 0.34%, 0.52%

LAB 42.99, 21.64, -44.18

 

CMYK 44 / 43 / 0 / 24

HEX #6C6FC2

RGB 108 111 194

HSL 237.91, 0.41%, 0.59%

LAB 50.04, 20.5, -43.92

 

CMYK 41 / 39 / 0 / 16

HEX #7D81D5

RGB 125 129 213

HSL 237.27, 0.51%, 0.66%

LAB 56.94, 19.54, -43.72

 

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

CMYK 72 / 68 / 0 / 52

HEX #23277B

RGB 35 39 123

HSL 237.27, 0.56%, 0.31%

LAB 20.97, 27.9, -48.21

 

CMYK 83 / 80 / 0 / 59

HEX #121568

RGB 18 21 104

HSL 237.91, 0.7%, 0.24%

LAB 13.62, 30.64, -48.07

 

CMYK 99 / 96 / 0 / 67

HEX #010355

RGB 1 3 85

HSL 238.57, 0.98%, 0.17%

LAB 6.57, 33.08, -47.05

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 63 / 60 / 0 / 45

HEX #34398D

RGB 52 57 141

HSL 236.63, 0.46%, 0.38%

LAB 28.33, 25.17, -47.45

 

CMYK 50 / 63 / 0 / 45

HEX #47348D

RGB 71 52 141

HSL 252.81, 0.46%, 0.38%

LAB 28.69, 32.13, -46.78

 

CMYK 33 / 63 / 0 / 45

HEX #5F348D

RGB 95 52 141

HSL 268.99, 0.46%, 0.38%

LAB 31.37, 37.64, -42.31

 

CMYK 16 / 63 / 0 / 45

HEX #77348D

RGB 119 52 141

HSL 285.17, 0.46%, 0.38%

LAB 34.6, 43.69, -36.97

 

CMYK 0 / 63 / 1 / 45

HEX #8D348B

RGB 141 52 139

HSL 301.35, 0.46%, 0.38%

LAB 37.81, 49.06, -30.44

 

CMYK 63 / 60 / 0 / 45

HEX #34398D

RGB 52 57 141

HSL 236.63, 0.46%, 0.38%

LAB 28.33, 25.17, -47.45

 

CMYK 63 / 63 / 0 / 45

HEX #34348D

RGB 52 52 141

HSL 240, 0.46%, 0.38%

LAB 27.04, 28.47, -49.54

 

CMYK 63 / 60 / 0 / 45

HEX #34398D

RGB 52 57 141

HSL 236.63, 0.46%, 0.38%

LAB 28.33, 25.17, -47.45

 

CMYK 76 / 73 / 0 / 38

HEX #252B9D

RGB 37 43 157

HSL 237, 0.62%, 0.38%

LAB 25.43, 37.9, -62.06

 

CMYK 88 / 83 / 0 / 32

HEX #151DAD

RGB 21 29 173

HSL 236.84, 0.78%, 0.38%

LAB 23.85, 49.97, -74.38

 

CMYK 97 / 92 / 0 / 26

HEX #050FBD

RGB 5 15 189

HSL 236.74, 0.95%, 0.38%

LAB 23.83, 59.7, -84

 

CMYK 63 / 60 / 0 / 45

HEX #34398D

RGB 52 57 141

HSL 236.63, 0.46%, 0.38%

LAB 28.33, 25.17, -47.45

 

CMYK 46 / 44 / 0 / 51

HEX #44477E

RGB 68 71 126

HSL 236.9, 0.3%, 0.38%

LAB 32.35, 14.33, -31.62

 

CMYK 24 / 23 / 0 / 57

HEX #54556E

RGB 84 85 110

HSL 237.69, 0.13%, 0.38%

LAB 36.94, 5.61, -14.42

 

CMYK 0 / 0 / 5 / 61

HEX #63635E

RGB 99 99 94

HSL 60, 0.03%, 0.38%

LAB 41.82, -1.02, 2.83

 

CMYK 0 / 2 / 31 / 55

HEX #73714F

RGB 115 113 79

HSL 56.67, 0.19%, 0.38%

LAB 47, -5.09, 19.2

 

CMYK 63 / 25 / 0 / 45

HEX #346A8D

RGB 52 106 141

HSL 203.6, 0.46%, 0.38%

LAB 42.7, -6.62, -24.59

 

CMYK 63 / 42 / 0 / 45

HEX #34528D

RGB 52 82 141

HSL 219.78, 0.46%, 0.38%

LAB 35.38, 8.47, -36.12

 

CMYK 63 / 59 / 0 / 45

HEX #343A8D

RGB 52 58 141

HSL 235.96, 0.46%, 0.38%

LAB 28.59, 24.5, -47.02

 

CMYK 50 / 63 / 0 / 45

HEX #46348D

RGB 70 52 141

HSL 252.13, 0.46%, 0.38%

LAB 28.59, 31.92, -46.95

 

CMYK 33 / 63 / 0 / 45

HEX #5E348D

RGB 94 52 141

HSL 268.31, 0.46%, 0.38%

LAB 31.25, 37.39, -42.52

 

CMYK 63 / 59 / 0 / 68

HEX #1E2151

RGB 30 33 81

HSL 236.47, 0.46%, 0.22%

LAB 15.26, 15.21, -29.96

 

CMYK 63 / 59 / 0 / 56

HEX #292D6F

RGB 41 45 111

HSL 236.57, 0.46%, 0.3%

LAB 21.93, 20.32, -38.95

 

CMYK 63 / 60 / 0 / 45

HEX #34398D

RGB 52 57 141

HSL 236.63, 0.46%, 0.38%

LAB 28.33, 25.17, -47.45

 

CMYK 63 / 60 / 0 / 33

HEX #3F45AC

RGB 63 69 172

HSL 236.7, 0.46%, 0.46%

LAB 34.58, 30.16, -56.05

 

CMYK 56 / 53 / 0 / 25

HEX #545AC0

RGB 84 90 192

HSL 236.67, 0.46%, 0.54%

LAB 42.77, 27.44, -54.5

 

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

CMYK 0 / 63 / 8 / 45

HEX #8D3482

RGB 141 52 130

HSL 307.42, 0.46%, 0.38%

LAB 37.35, 47.49, -25.62

 

CMYK 33 / 0 / 63 / 45

HEX #5E8D34

RGB 94 141 52

HSL 91.69, 0.46%, 0.38%

LAB 53.68, -31.6, 41.36

 

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

CMYK 0 / 63 / 59 / 45

HEX #8D343A

RGB 141 52 58

HSL 355.96, 0.46%, 0.38%

LAB 34.85, 38.27, 16.32

 

CMYK 59 / 0 / 63 / 45

HEX #3A8D34

RGB 58 141 52

HSL 115.96, 0.46%, 0.38%

LAB 52.06, -43.3, 39.1

 

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

CMYK 0 / 63 / 8 / 45

HEX #8D3482

RGB 141 52 130

HSL 307.42, 0.46%, 0.38%

LAB 37.35, 47.49, -25.62

 

CMYK 0 / 4 / 63 / 45

HEX #8D8834

RGB 141 136 52

HSL 56.63, 0.46%, 0.38%

LAB 55.6, -9.23, 44.44

 

CMYK 63 / 0 / 55 / 45

HEX #348D40

RGB 52 141 64

HSL 128.09, 0.46%, 0.38%

LAB 52.01, -43.23, 33.09

 

CMYK 63 / 60 / 0 / 44

HEX #34398E

RGB 52 57 142

HSL 236.67, 0.46%, 0.38%

LAB 28.4, 25.53, -47.94

 

CMYK 0 / 63 / 27 / 45

HEX #8D3467

RGB 141 52 103

HSL 325.62, 0.46%, 0.38%

LAB 36.17, 43.27, -10.55

 

CMYK 0 / 4 / 63 / 45

HEX #8D8834

RGB 141 136 52

HSL 56.63, 0.46%, 0.38%

LAB 55.6, -9.23, 44.44

 

CMYK 63 / 0 / 35 / 45

HEX #348D5B

RGB 52 141 91

HSL 146.29, 0.46%, 0.38%

LAB 52.44, -38.5, 19.05

 

Description

Color code: HEX #34398E | qconv.com Color code: HEX #34398E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 57 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 57 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 60 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 60% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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