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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3433AF it is the complementary color #CBCC50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3433AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3433AF shade: #3933AA, #4A45BD, #5B57D0, #6C69E3 and #7D7BF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3433AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3433AF shade: #3433AF, #23219C, #120F89, #010076 and #000063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3433AF shade: #3332AE, #5532AE, #7632AE, #9732AE and #AE32A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3433AF shade: #3332AE and #3232AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3433AF shade matches the following richer shades: #3332AE, #2220C0 and #100ED2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3433AF shade: #3332AE, #45459C, #57578A, #696977 and #7B7B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3433AF shade: #3274AE, #3253AE, #3232AE, #5332AE and #7432AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3433AF shade: #21206E, #2A298E, #3332AE, #4342C8 and #6362D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3433AF shade: #3433AF, #AE3295 and #64AE32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3433AF shade: #3433AF, #AE3232 and #32AE32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3433AF shade: #3433AF, #AE3295, #AEAE32 and #32AE4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3433AF shade: #3433AF, #AE3270, #AEAE32 and #32AE70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

Complementary color

CMYK 0 / 0 / 61 / 20

HEX #CBCC50

RGB 203 204 80

HSL 60.48, 0.55%, 0.56%

LAB 79.88, -16, 59.82

 

CMYK 66 / 70 / 0 / 33

HEX #3933AA

RGB 57 51 170

HSL 243.03, 0.54%, 0.43%

LAB 29.76, 39.78, -62.75

 

CMYK 61 / 63 / 0 / 26

HEX #4A45BD

RGB 74 69 189

HSL 242.5, 0.48%, 0.51%

LAB 36.72, 37.69, -62.59

 

CMYK 56 / 58 / 0 / 18

HEX #5B57D0

RGB 91 87 208

HSL 241.98, 0.56%, 0.58%

LAB 43.65, 35.81, -62.3

 

CMYK 52 / 54 / 0 / 11

HEX #6C69E3

RGB 108 105 227

HSL 241.48, 0.69%, 0.65%

LAB 50.5, 34.17, -61.97

 

CMYK 49 / 50 / 0 / 4

HEX #7D7BF6

RGB 125 123 246

HSL 240.98, 0.87%, 0.72%

LAB 57.25, 32.74, -61.65

 

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

CMYK 78 / 79 / 0 / 39

HEX #23219C

RGB 35 33 156

HSL 240.98, 0.65%, 0.37%

LAB 23.15, 43.16, -65.21

 

CMYK 87 / 89 / 0 / 46

HEX #120F89

RGB 18 15 137

HSL 241.48, 0.8%, 0.3%

LAB 16.88, 44.83, -63.87

 

CMYK 99 / 100 / 0 / 54

HEX #010076

RGB 1 0 118

HSL 240.51, 1%, 0.23%

LAB 11.38, 44.83, -60.96

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 71 / 71 / 0 / 32

HEX #3332AE

RGB 51 50 174

HSL 240.48, 0.55%, 0.44%

LAB 29.52, 41, -65.57

 

CMYK 51 / 71 / 0 / 32

HEX #5532AE

RGB 85 50 174

HSL 256.94, 0.55%, 0.44%

LAB 32.41, 45.79, -60.71

 

CMYK 32 / 71 / 0 / 32

HEX #7632AE

RGB 118 50 174

HSL 272.9, 0.55%, 0.44%

LAB 36.35, 51.89, -54.13

 

CMYK 13 / 71 / 0 / 32

HEX #9732AE

RGB 151 50 174

HSL 288.87, 0.55%, 0.44%

LAB 41.08, 58.81, -46.25

 

CMYK 0 / 71 / 6 / 32

HEX #AE32A3

RGB 174 50 163

HSL 305.32, 0.55%, 0.44%

LAB 44.12, 62.09, -34.65

 

CMYK 71 / 71 / 0 / 32

HEX #3332AE

RGB 51 50 174

HSL 240.48, 0.55%, 0.44%

LAB 29.52, 41, -65.57

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 71 / 71 / 0 / 32

HEX #3332AE

RGB 51 50 174

HSL 240.48, 0.55%, 0.44%

LAB 29.52, 41, -65.57

 

CMYK 82 / 83 / 0 / 25

HEX #2220C0

RGB 34 32 192

HSL 240.75, 0.71%, 0.44%

LAB 27.24, 54.98, -80.06

 

CMYK 92 / 93 / 0 / 18

HEX #100ED2

RGB 16 14 210

HSL 240.61, 0.88%, 0.44%

LAB 26.95, 65.71, -91.1

 

CMYK 71 / 71 / 0 / 32

HEX #3332AE

RGB 51 50 174

HSL 240.48, 0.55%, 0.44%

LAB 29.52, 41, -65.57

 

CMYK 56 / 56 / 0 / 39

HEX #45459C

RGB 69 69 156

HSL 240, 0.39%, 0.44%

LAB 33.82, 25.81, -47.66

 

CMYK 37 / 37 / 0 / 46

HEX #57578A

RGB 87 87 138

HSL 240, 0.23%, 0.44%

LAB 39.03, 13.11, -28.36

 

CMYK 12 / 12 / 0 / 53

HEX #696977

RGB 105 105 119

HSL 240, 0.06%, 0.44%

LAB 44.86, 3.05, -7.79

 

CMYK 0 / 0 / 18 / 52

HEX #7B7B65

RGB 123 123 101

HSL 60, 0.1%, 0.44%

LAB 51.06, -4.04, 12.06

 

CMYK 71 / 33 / 0 / 32

HEX #3274AE

RGB 50 116 174

HSL 208.06, 0.55%, 0.44%

LAB 47.27, -1.31, -36.94

 

CMYK 71 / 52 / 0 / 32

HEX #3253AE

RGB 50 83 174

HSL 224.03, 0.55%, 0.44%

LAB 37.7, 19.71, -52.22

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 52 / 71 / 0 / 32

HEX #5332AE

RGB 83 50 174

HSL 255.97, 0.55%, 0.44%

LAB 32.2, 45.45, -61.05

 

CMYK 33 / 71 / 0 / 32

HEX #7432AE

RGB 116 50 174

HSL 271.94, 0.55%, 0.44%

LAB 36.08, 51.49, -54.57

 

CMYK 70 / 71 / 0 / 57

HEX #21206E

RGB 33 32 110

HSL 240.77, 0.55%, 0.28%

LAB 17.84, 27.46, -45

 

CMYK 70 / 71 / 0 / 44

HEX #2A298E

RGB 42 41 142

HSL 240.59, 0.55%, 0.36%

LAB 23.77, 34.39, -55.54

 

CMYK 71 / 71 / 0 / 32

HEX #3332AE

RGB 51 50 174

HSL 240.48, 0.55%, 0.44%

LAB 29.52, 41, -65.57

 

CMYK 67 / 67 / 0 / 22

HEX #4342C8

RGB 67 66 200

HSL 240.45, 0.55%, 0.52%

LAB 36.48, 42.11, -69.43

 

CMYK 53 / 53 / 0 / 18

HEX #6362D1

RGB 99 98 209

HSL 240.54, 0.55%, 0.6%

LAB 46.96, 30.98, -57.48

 

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

CMYK 0 / 71 / 14 / 32

HEX #AE3295

RGB 174 50 149

HSL 312.1, 0.55%, 0.44%

LAB 43.43, 59.94, -27.33

 

CMYK 43 / 0 / 71 / 32

HEX #64AE32

RGB 100 174 50

HSL 95.81, 0.55%, 0.44%

LAB 64.33, -44.14, 53.62

 

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

CMYK 0 / 71 / 71 / 32

HEX #AE3232

RGB 174 50 50

HSL 0, 0.55%, 0.44%

LAB 40.43, 50.01, 29.56

 

CMYK 71 / 0 / 71 / 32

HEX #32AE32

RGB 50 174 50

HSL 120, 0.55%, 0.44%

LAB 62.66, -57.19, 51.37

 

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

CMYK 0 / 71 / 14 / 32

HEX #AE3295

RGB 174 50 149

HSL 312.1, 0.55%, 0.44%

LAB 43.43, 59.94, -27.33

 

CMYK 0 / 0 / 71 / 32

HEX #AEAE32

RGB 174 174 50

HSL 60, 0.55%, 0.44%

LAB 69.11, -14.85, 59.97

 

CMYK 71 / 0 / 57 / 32

HEX #32AE4B

RGB 50 174 75

HSL 132.1, 0.55%, 0.44%

LAB 62.89, -54.41, 40.68

 

CMYK 70 / 71 / 0 / 31

HEX #3433AF

RGB 52 51 175

HSL 240.48, 0.55%, 0.44%

LAB 29.89, 40.85, -65.54

 

CMYK 0 / 71 / 36 / 32

HEX #AE3270

RGB 174 50 112

HSL 330, 0.55%, 0.44%

LAB 41.92, 55.09, -6.97

 

CMYK 0 / 0 / 71 / 32

HEX #AEAE32

RGB 174 174 50

HSL 60, 0.55%, 0.44%

LAB 69.11, -14.85, 59.97

 

CMYK 71 / 0 / 36 / 32

HEX #32AE70

RGB 50 174 112

HSL 150, 0.55%, 0.44%

LAB 63.44, -48.15, 22.33

 

Description

Color code: HEX #3433AF | qconv.com Color code: HEX #3433AF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 51 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 51 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 71 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 71% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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