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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #341872 it is the complementary color #CBE78D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #341872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #341872 shade: #39186D, #4A2A80, #5B3C93, #6C4EA6 and #7D60B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #341872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #341872 shade: #341872, #23065F, #12004C, #010039 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #341872 shade: #341872, #4C1872, #641872, #721867 and #72184F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #341872 shade: #341872, #1C1872 and #181872

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #341872 shade matches the following richer shades: #341872, #300D7D and #2C0288

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #341872 shade: #341872, #382366, #3C2E5B, #413A50 and #454545

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #341872 shade: #182D72, #1B1872, #331872, #4B1872 and #631872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #341872 shade: #150A2E, #241150, #341872, #441F94 and #5327B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #341872 shade: #341872, #721845 and #217218

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #341872 shade: #341872, #723318 and #187233

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #341872 shade: #341872, #721845, #577218 and #187245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #341872 shade: #341872, #72182A, #577218 and #187260

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

Complementary color

CMYK 12 / 0 / 39 / 9

HEX #CBE78D

RGB 203 231 141

HSL 78.67, 0.65%, 0.73%

LAB 87.86, -23.54, 40.78

 

CMYK 48 / 78 / 0 / 57

HEX #39186D

RGB 57 24 109

HSL 263.29, 0.64%, 0.26%

LAB 18.48, 35.84, -43.2

 

CMYK 42 / 67 / 0 / 50

HEX #4A2A80

RGB 74 42 128

HSL 262.33, 0.51%, 0.33%

LAB 25.77, 34.86, -43.39

 

CMYK 38 / 59 / 0 / 42

HEX #5B3C93

RGB 91 60 147

HSL 261.38, 0.42%, 0.41%

LAB 33.05, 33.66, -43.32

 

CMYK 35 / 53 / 0 / 35

HEX #6C4EA6

RGB 108 78 166

HSL 260.45, 0.36%, 0.48%

LAB 40.23, 32.5, -43.17

 

CMYK 32 / 48 / 0 / 27

HEX #7D60B9

RGB 125 96 185

HSL 259.55, 0.39%, 0.55%

LAB 47.27, 31.44, -43.02

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 63 / 94 / 0 / 63

HEX #23065F

RGB 35 6 95

HSL 259.55, 0.88%, 0.2%

LAB 11.37, 36.88, -45.76

 

CMYK 76 / 100 / 0 / 70

HEX #12004C

RGB 18 0 76

HSL 254.21, 1%, 0.15%

LAB 5.88, 32.61, -41.95

 

CMYK 98 / 100 / 0 / 78

HEX #010039

RGB 1 0 57

HSL 241.05, 1%, 0.11%

LAB 2.73, 19.01, -33.58

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 33 / 79 / 0 / 55

HEX #4C1872

RGB 76 24 114

HSL 274.67, 0.65%, 0.27%

LAB 21.6, 40.77, -41.25

 

CMYK 12 / 79 / 0 / 55

HEX #641872

RGB 100 24 114

HSL 290.67, 0.65%, 0.27%

LAB 25.5, 45.78, -34.76

 

CMYK 0 / 79 / 10 / 55

HEX #721867

RGB 114 24 103

HSL 307.33, 0.65%, 0.27%

LAB 27.32, 47.03, -24.6

 

CMYK 0 / 79 / 31 / 55

HEX #72184F

RGB 114 24 79

HSL 323.33, 0.65%, 0.27%

LAB 26.14, 43.49, -10.63

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 75 / 79 / 0 / 55

HEX #1C1872

RGB 28 24 114

HSL 242.67, 0.65%, 0.27%

LAB 16.08, 33.33, -50.5

 

CMYK 79 / 79 / 0 / 55

HEX #181872

RGB 24 24 114

HSL 240, 0.65%, 0.27%

LAB 15.81, 32.96, -50.96

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 62 / 90 / 0 / 51

HEX #300D7D

RGB 48 13 125

HSL 258.75, 0.81%, 0.27%

LAB 17.45, 43.99, -55.26

 

CMYK 68 / 99 / 0 / 47

HEX #2C0288

RGB 44 2 136

HSL 258.81, 0.97%, 0.27%

LAB 17.26, 50.1, -62.56

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 45 / 66 / 0 / 60

HEX #382366

RGB 56 35 102

HSL 258.81, 0.49%, 0.27%

LAB 20.05, 27.21, -36.08

 

CMYK 34 / 49 / 0 / 64

HEX #3C2E5B

RGB 60 46 91

HSL 258.67, 0.33%, 0.27%

LAB 22.55, 17.74, -24.83

 

CMYK 19 / 28 / 0 / 69

HEX #413A50

RGB 65 58 80

HSL 259.09, 0.16%, 0.27%

LAB 25.95, 8.28, -12.24

 

CMYK 0 / 0 / 0 / 73

HEX #454545

RGB 69 69 69

HSL 0, 0%, 0.27%

LAB 29.29, 0, -0

 

CMYK 79 / 61 / 0 / 55

HEX #182D72

RGB 24 45 114

HSL 226, 0.65%, 0.27%

LAB 21.15, 18.73, -42.19

 

CMYK 76 / 79 / 0 / 55

HEX #1B1872

RGB 27 24 114

HSL 242, 0.65%, 0.27%

LAB 16.01, 33.24, -50.62

 

CMYK 55 / 79 / 0 / 55

HEX #331872

RGB 51 24 114

HSL 258, 0.65%, 0.27%

LAB 18.24, 36.31, -46.87

 

CMYK 34 / 79 / 0 / 55

HEX #4B1872

RGB 75 24 114

HSL 274, 0.65%, 0.27%

LAB 21.45, 40.57, -41.5

 

CMYK 13 / 79 / 0 / 55

HEX #631872

RGB 99 24 114

HSL 290, 0.65%, 0.27%

LAB 25.32, 45.56, -35.04

 

CMYK 54 / 78 / 0 / 82

HEX #150A2E

RGB 21 10 46

HSL 258.33, 0.64%, 0.11%

LAB 5.18, 14.9, -21.42

 

CMYK 55 / 79 / 0 / 69

HEX #241150

RGB 36 17 80

HSL 258.1, 0.65%, 0.19%

LAB 11.66, 26.99, -35.12

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 54 / 79 / 0 / 42

HEX #441F94

RGB 68 31 148

HSL 258.97, 0.65%, 0.35%

LAB 24.79, 45.3, -57.5

 

CMYK 54 / 79 / 0 / 29

HEX #5327B6

RGB 83 39 182

HSL 258.46, 0.65%, 0.43%

LAB 31.04, 53.11, -67.73

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 0 / 79 / 39 / 55

HEX #721845

RGB 114 24 69

HSL 330, 0.65%, 0.27%

LAB 25.74, 42.25, -4.51

 

CMYK 71 / 0 / 79 / 55

HEX #217218

RGB 33 114 24

HSL 114, 0.65%, 0.27%

LAB 41.88, -41.83, 40.05

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 0 / 55 / 79 / 55

HEX #723318

RGB 114 51 24

HSL 18, 0.65%, 0.27%

LAB 29.44, 25.86, 29.49

 

CMYK 79 / 0 / 55 / 55

HEX #187233

RGB 24 114 51

HSL 138, 0.65%, 0.27%

LAB 41.95, -40.29, 27.49

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 0 / 79 / 39 / 55

HEX #721845

RGB 114 24 69

HSL 330, 0.65%, 0.27%

LAB 25.74, 42.25, -4.51

 

CMYK 24 / 0 / 79 / 55

HEX #577218

RGB 87 114 24

HSL 78, 0.65%, 0.27%

LAB 44.41, -23.48, 43.37

 

CMYK 79 / 0 / 39 / 55

HEX #187245

RGB 24 114 69

HSL 150, 0.65%, 0.27%

LAB 42.24, -36.9, 17.79

 

CMYK 54 / 79 / 0 / 55

HEX #341872

RGB 52 24 114

HSL 258.67, 0.65%, 0.27%

LAB 18.36, 36.47, -46.67

 

CMYK 0 / 79 / 63 / 55

HEX #72182A

RGB 114 24 42

HSL 348, 0.65%, 0.27%

LAB 24.95, 39.71, 12.75

 

CMYK 24 / 0 / 79 / 55

HEX #577218

RGB 87 114 24

HSL 78, 0.65%, 0.27%

LAB 44.41, -23.48, 43.37

 

CMYK 79 / 0 / 16 / 55

HEX #187260

RGB 24 114 96

HSL 168, 0.65%, 0.27%

LAB 42.87, -30.12, 2.67

 

Description

Color code: HEX #341872 | qconv.com Color code: HEX #341872 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 24 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 24 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 79 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 79% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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