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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3403CB it is the complementary color #CBFC34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3403CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3403CB shade: #3903C6, #4A15D9, #5B27EC, #6C39FF and #7D4BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3403CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3403CB shade: #3403CB, #2300B8, #1200A5, #010092 and #00007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3403CB shade: #3403C9, #6903C9, #9E03C9, #C903BE and #C90389

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3403CB shade: #3403C9 and #0303C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3403CB shade matches the following richer shades: #3403C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3403CB shade: #3403C9, #3C14B8, #4424A8, #4D3597 and #554587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3403CB shade: #033EC9, #030AC9, #3103C9, #6603C9 and #9B03C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3403CB shade: #1F0278, #2902A0, #3403C9, #3E04F2 and #5823FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3403CB shade: #3403CB, #C90373 and #24C903

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3403CB shade: #3403CB, #C93103 and #03C931

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3403CB shade: #3403CB, #C90373, #9BC903 and #03C959

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3403CB shade: #3403CB, #C90338, #9BC903 and #03C994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

Complementary color

CMYK 19 / 0 / 79 / 1

HEX #CBFC34

RGB 203 252 52

HSL 74.7, 0.97%, 0.6%

LAB 92.82, -40.01, 82.04

 

CMYK 71 / 98 / 0 / 22

HEX #3903C6

RGB 57 3 198

HSL 256.62, 0.97%, 0.39%

LAB 26.77, 65.87, -84.34

 

CMYK 66 / 90 / 0 / 15

HEX #4A15D9

RGB 74 21 217

HSL 256.22, 0.82%, 0.47%

LAB 31.81, 67.77, -86.98

 

CMYK 61 / 83 / 0 / 7

HEX #5B27EC

RGB 91 39 236

HSL 255.84, 0.84%, 0.54%

LAB 37.36, 68.3, -88.61

 

CMYK 58 / 78 / 0 / 0

HEX #6C39FF

RGB 108 57 255

HSL 255.45, 1%, 0.61%

LAB 43.26, 67.87, -89.49

 

CMYK 51 / 71 / 0 / 0

HEX #7D4BFF

RGB 125 75 255

HSL 256.67, 1%, 0.65%

LAB 47.77, 61.84, -82.02

 

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

CMYK 81 / 100 / 0 / 28

HEX #2300B8

RGB 35 0 184

HSL 251.41, 1%, 0.36%

LAB 23.06, 62.41, -82.28

 

CMYK 89 / 100 / 0 / 35

HEX #1200A5

RGB 18 0 165

HSL 246.55, 1%, 0.32%

LAB 19.41, 57.35, -76.95

 

CMYK 99 / 100 / 0 / 43

HEX #010092

RGB 1 0 146

HSL 240.41, 1%, 0.29%

LAB 15.91, 52.28, -71.13

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 74 / 99 / 0 / 21

HEX #3403C9

RGB 52 3 201

HSL 254.85, 0.97%, 0.4%

LAB 26.77, 66.42, -86.11

 

CMYK 48 / 99 / 0 / 21

HEX #6903C9

RGB 105 3 201

HSL 270.91, 0.97%, 0.4%

LAB 32.45, 69.54, -76.52

 

CMYK 21 / 99 / 0 / 21

HEX #9E03C9

RGB 158 3 201

HSL 286.97, 0.97%, 0.4%

LAB 40.49, 75.46, -63.02

 

CMYK 0 / 99 / 5 / 21

HEX #C903BE

RGB 201 3 190

HSL 303.33, 0.97%, 0.4%

LAB 47.24, 80.32, -45.36

 

CMYK 0 / 99 / 32 / 21

HEX #C90389

RGB 201 3 137

HSL 319.39, 0.97%, 0.4%

LAB 44.64, 73.79, -17.77

 

CMYK 74 / 99 / 0 / 21

HEX #3403C9

RGB 52 3 201

HSL 254.85, 0.97%, 0.4%

LAB 26.77, 66.42, -86.11

 

CMYK 99 / 99 / 0 / 21

HEX #0303C9

RGB 3 3 201

HSL 240, 0.97%, 0.4%

LAB 24.64, 65.58, -89.71

 

CMYK 74 / 99 / 0 / 21

HEX #3403C9

RGB 52 3 201

HSL 254.85, 0.97%, 0.4%

LAB 26.77, 66.42, -86.11

 

CMYK 74 / 99 / 0 / 21

HEX #3403C9

RGB 52 3 201

HSL 254.85, 0.97%, 0.4%

LAB 26.77, 66.42, -86.11

 

CMYK 67 / 89 / 0 / 28

HEX #3C14B8

RGB 60 20 184

HSL 254.63, 0.8%, 0.4%

LAB 26.51, 58.68, -76.48

 

CMYK 60 / 79 / 0 / 34

HEX #4424A8

RGB 68 36 168

HSL 254.55, 0.65%, 0.4%

LAB 27.62, 48.67, -65.03

 

CMYK 49 / 65 / 0 / 41

HEX #4D3597

RGB 77 53 151

HSL 254.69, 0.48%, 0.4%

LAB 30.3, 35.84, -50.29

 

CMYK 37 / 49 / 0 / 47

HEX #554587

RGB 85 69 135

HSL 254.55, 0.32%, 0.4%

LAB 33.85, 23.1, -34.72

 

CMYK 99 / 69 / 0 / 21

HEX #033EC9

RGB 3 62 201

HSL 222.12, 0.97%, 0.4%

LAB 33.31, 40.38, -75.31

 

CMYK 99 / 95 / 0 / 21

HEX #030AC9

RGB 3 10 201

HSL 237.88, 0.97%, 0.4%

LAB 25.12, 64.11, -88.92

 

CMYK 76 / 99 / 0 / 21

HEX #3103C9

RGB 49 3 201

HSL 253.94, 0.97%, 0.4%

LAB 26.55, 66.32, -86.48

 

CMYK 49 / 99 / 0 / 21

HEX #6603C9

RGB 102 3 201

HSL 270, 0.97%, 0.4%

LAB 32.05, 69.28, -77.19

 

CMYK 23 / 99 / 0 / 21

HEX #9B03C9

RGB 155 3 201

HSL 286.06, 0.97%, 0.4%

LAB 40, 75.06, -63.84

 

CMYK 74 / 98 / 0 / 53

HEX #1F0278

RGB 31 2 120

HSL 254.75, 0.97%, 0.24%

LAB 13.77, 45.25, -58.2

 

CMYK 74 / 99 / 0 / 37

HEX #2902A0

RGB 41 2 160

HSL 254.81, 0.98%, 0.32%

LAB 20.25, 56.08, -72.46

 

CMYK 74 / 99 / 0 / 21

HEX #3403C9

RGB 52 3 201

HSL 254.85, 0.97%, 0.4%

LAB 26.77, 66.42, -86.11

 

CMYK 74 / 98 / 0 / 5

HEX #3E04F2

RGB 62 4 242

HSL 254.62, 0.97%, 0.48%

LAB 32.97, 76.37, -99.37

 

CMYK 65 / 86 / 0 / 1

HEX #5823FC

RGB 88 35 252

HSL 254.65, 0.97%, 0.56%

LAB 38.38, 73.49, -95.94

 

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

CMYK 0 / 99 / 43 / 21

HEX #C90373

RGB 201 3 115

HSL 326.06, 0.97%, 0.4%

LAB 43.83, 71.67, -5.45

 

CMYK 82 / 0 / 99 / 21

HEX #24C903

RGB 36 201 3

HSL 110, 0.97%, 0.4%

LAB 70.98, -69.64, 69.53

 

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

CMYK 0 / 76 / 99 / 21

HEX #C93103

RGB 201 49 3

HSL 13.94, 0.97%, 0.4%

LAB 45.11, 57.81, 56.58

 

CMYK 99 / 0 / 76 / 21

HEX #03C931

RGB 3 201 49

HSL 133.94, 0.97%, 0.4%

LAB 70.88, -69.94, 59.91

 

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

CMYK 0 / 99 / 43 / 21

HEX #C90373

RGB 201 3 115

HSL 326.06, 0.97%, 0.4%

LAB 43.83, 71.67, -5.45

 

CMYK 23 / 0 / 99 / 21

HEX #9BC903

RGB 155 201 3

HSL 73.94, 0.97%, 0.4%

LAB 75.29, -37.12, 74.76

 

CMYK 99 / 0 / 56 / 21

HEX #03C959

RGB 3 201 89

HSL 146.06, 0.97%, 0.4%

LAB 71.22, -65.62, 43.85

 

CMYK 74 / 99 / 0 / 20

HEX #3403CB

RGB 52 3 203

HSL 254.7, 0.97%, 0.4%

LAB 27.04, 66.91, -86.84

 

CMYK 0 / 99 / 72 / 21

HEX #C90338

RGB 201 3 56

HSL 343.94, 0.97%, 0.4%

LAB 42.41, 67.87, 29.59

 

CMYK 23 / 0 / 99 / 21

HEX #9BC903

RGB 155 201 3

HSL 73.94, 0.97%, 0.4%

LAB 75.29, -37.12, 74.76

 

CMYK 99 / 0 / 26 / 21

HEX #03C994

RGB 3 201 148

HSL 163.94, 0.97%, 0.4%

LAB 72.18, -54.4, 14.89

 

Description

Color code: HEX #3403CB | qconv.com Color code: HEX #3403CB | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 3 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 3 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 99 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 99% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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