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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #340384 it is the complementary color #CBFC7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #340384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #340384 shade: #39037F, #4A1592, #5B27A5, #6C39B8 and #7D4BCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #340384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #340384 shade: #340384, #230071, #12005E, #01004B and #000038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #340384 shade: #330382, #550382, #780382, #82036A and #820348

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #340384 shade: #330382, #110382 and #030382

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #340384 shade matches the following richer shades: #330382

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #340384 shade: #330382, #360D77, #38186C, #3B2362 and #3D2E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #340384 shade: #031882, #0F0382, #310382, #530382 and #750382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #340384 shade: #130131, #23025A, #330382, #4303AA and #5304D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #340384 shade: #340384, #82033A and #078203

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #340384 shade: #340384, #823103 and #038231

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #340384 shade: #340384, #82033A, #538203 and #03824B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #340384 shade: #340384, #820314, #538203 and #038271

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

Complementary color

CMYK 19 / 0 / 51 / 1

HEX #CBFC7B

RGB 203 252 123

HSL 82.79, 0.96%, 0.74%

LAB 93.34, -35.31, 56.13

 

CMYK 55 / 98 / 0 / 50

HEX #39037F

RGB 57 3 127

HSL 266.13, 0.95%, 0.25%

LAB 17.77, 48.43, -55.96

 

CMYK 49 / 86 / 0 / 43

HEX #4A1592

RGB 74 21 146

HSL 265.44, 0.75%, 0.33%

LAB 23.89, 49.7, -57.71

 

CMYK 45 / 76 / 0 / 35

HEX #5B27A5

RGB 91 39 165

HSL 264.76, 0.62%, 0.4%

LAB 30.38, 49.74, -58.6

 

CMYK 41 / 69 / 0 / 28

HEX #6C39B8

RGB 108 57 184

HSL 264.09, 0.53%, 0.47%

LAB 37.07, 49.04, -58.94

 

CMYK 38 / 63 / 0 / 20

HEX #7D4BCB

RGB 125 75 203

HSL 263.44, 0.55%, 0.55%

LAB 43.81, 48.06, -59.01

 

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

CMYK 69 / 100 / 0 / 56

HEX #230071

RGB 35 0 113

HSL 258.58, 1%, 0.22%

LAB 12.92, 44.4, -55.08

 

CMYK 81 / 100 / 0 / 63

HEX #12005E

RGB 18 0 94

HSL 251.49, 1%, 0.18%

LAB 8.45, 38.59, -49.99

 

CMYK 99 / 100 / 0 / 71

HEX #01004B

RGB 1 0 75

HSL 240.8, 1%, 0.15%

LAB 4.65, 30.04, -43.31

 

CMYK 100 / 100 / 0 / 78

HEX #000038

RGB 0 0 56

HSL 240, 1%, 0.11%

LAB 2.58, 18.12, -33.09

 

CMYK 61 / 98 / 0 / 49

HEX #330382

RGB 51 3 130

HSL 262.68, 0.95%, 0.26%

LAB 17.37, 48.7, -58.55

 

CMYK 35 / 98 / 0 / 49

HEX #550382

RGB 85 3 130

HSL 278.74, 0.95%, 0.26%

LAB 22.33, 52.14, -50.2

 

CMYK 8 / 98 / 0 / 49

HEX #780382

RGB 120 3 130

HSL 295.28, 0.95%, 0.26%

LAB 28.56, 57.4, -39.79

 

CMYK 0 / 98 / 18 / 49

HEX #82036A

RGB 130 3 106

HSL 311.34, 0.95%, 0.26%

LAB 29.03, 55.6, -23.64

 

CMYK 0 / 98 / 45 / 49

HEX #820348

RGB 130 3 72

HSL 327.4, 0.95%, 0.26%

LAB 27.51, 51.65, -3.54

 

CMYK 61 / 98 / 0 / 49

HEX #330382

RGB 51 3 130

HSL 262.68, 0.95%, 0.26%

LAB 17.37, 48.7, -58.55

 

CMYK 87 / 98 / 0 / 49

HEX #110382

RGB 17 3 130

HSL 246.61, 0.95%, 0.26%

LAB 14.38, 47.12, -63.62

 

CMYK 98 / 98 / 0 / 49

HEX #030382

RGB 3 3 130

HSL 240, 0.95%, 0.26%

LAB 13.8, 46.88, -64.59

 

CMYK 61 / 98 / 0 / 49

HEX #330382

RGB 51 3 130

HSL 262.68, 0.95%, 0.26%

LAB 17.37, 48.7, -58.55

 

CMYK 61 / 98 / 0 / 49

HEX #330382

RGB 51 3 130

HSL 262.68, 0.95%, 0.26%

LAB 17.37, 48.7, -58.55

 

CMYK 55 / 89 / 0 / 53

HEX #360D77

RGB 54 13 119

HSL 263.21, 0.8%, 0.26%

LAB 17.48, 42.98, -51.33

 

CMYK 48 / 78 / 0 / 58

HEX #38186C

RGB 56 24 108

HSL 262.86, 0.64%, 0.26%

LAB 18.26, 35.38, -42.92

 

CMYK 40 / 64 / 0 / 62

HEX #3B2362

RGB 59 35 98

HSL 262.86, 0.47%, 0.26%

LAB 20.1, 26.74, -33.37

 

CMYK 30 / 47 / 0 / 66

HEX #3D2E57

RGB 61 46 87

HSL 261.95, 0.31%, 0.26%

LAB 22.42, 16.88, -22.38

 

CMYK 98 / 82 / 0 / 49

HEX #031882

RGB 3 24 130

HSL 230.08, 0.95%, 0.26%

LAB 16.91, 37.57, -59.4

 

CMYK 88 / 98 / 0 / 49

HEX #0F0382

RGB 15 3 130

HSL 245.67, 0.95%, 0.26%

LAB 14.28, 47.08, -63.78

 

CMYK 62 / 98 / 0 / 49

HEX #310382

RGB 49 3 130

HSL 261.73, 0.95%, 0.26%

LAB 17.13, 48.56, -58.96

 

CMYK 36 / 98 / 0 / 49

HEX #530382

RGB 83 3 130

HSL 277.8, 0.95%, 0.26%

LAB 22, 51.88, -50.75

 

CMYK 10 / 98 / 0 / 49

HEX #750382

RGB 117 3 130

HSL 293.86, 0.95%, 0.26%

LAB 28, 56.89, -40.72

 

CMYK 61 / 98 / 0 / 81

HEX #130131

RGB 19 1 49

HSL 262.5, 0.96%, 0.1%

LAB 3.45, 19.29, -26.44

 

CMYK 61 / 98 / 0 / 65

HEX #23025A

RGB 35 2 90

HSL 262.5, 0.96%, 0.18%

LAB 10.1, 37.39, -44.5

 

CMYK 61 / 98 / 0 / 49

HEX #330382

RGB 51 3 130

HSL 262.68, 0.95%, 0.26%

LAB 17.37, 48.7, -58.55

 

CMYK 61 / 98 / 0 / 33

HEX #4303AA

RGB 67 3 170

HSL 262.99, 0.97%, 0.34%

LAB 24.2, 59.62, -71.91

 

CMYK 61 / 98 / 0 / 17

HEX #5304D3

RGB 83 4 211

HSL 262.9, 0.96%, 0.42%

LAB 30.95, 70.04, -84.91

 

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

CMYK 0 / 98 / 55 / 49

HEX #82033A

RGB 130 3 58

HSL 334.02, 0.95%, 0.26%

LAB 27.06, 50.44, 5.29

 

CMYK 95 / 0 / 98 / 49

HEX #078203

RGB 7 130 3

HSL 118.11, 0.95%, 0.26%

LAB 47, -51.63, 49.92

 

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

CMYK 0 / 62 / 98 / 49

HEX #823103

RGB 130 49 3

HSL 21.73, 0.95%, 0.26%

LAB 31.69, 32.98, 42

 

CMYK 98 / 0 / 62 / 49

HEX #038231

RGB 3 130 49

HSL 141.73, 0.95%, 0.26%

LAB 47.24, -48.36, 34.74

 

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

CMYK 0 / 98 / 55 / 49

HEX #82033A

RGB 130 3 58

HSL 334.02, 0.95%, 0.26%

LAB 27.06, 50.44, 5.29

 

CMYK 36 / 0 / 98 / 49

HEX #538203

RGB 83 130 3

HSL 82.2, 0.95%, 0.26%

LAB 49.27, -33.54, 52.7

 

CMYK 98 / 0 / 42 / 49

HEX #03824B

RGB 3 130 75

HSL 154.02, 0.95%, 0.26%

LAB 47.61, -43.88, 21.44

 

CMYK 61 / 98 / 0 / 48

HEX #340384

RGB 52 3 132

HSL 262.79, 0.96%, 0.26%

LAB 17.74, 49.28, -59.2

 

CMYK 0 / 98 / 85 / 49

HEX #820314

RGB 130 3 20

HSL 351.97, 0.95%, 0.26%

LAB 26.34, 48.45, 29.67

 

CMYK 36 / 0 / 98 / 49

HEX #538203

RGB 83 130 3

HSL 82.2, 0.95%, 0.26%

LAB 49.27, -33.54, 52.7

 

CMYK 98 / 0 / 13 / 49

HEX #038271

RGB 3 130 113

HSL 171.97, 0.95%, 0.26%

LAB 48.48, -34.27, 0.69

 

Description

Color code: HEX #340384 | qconv.com Color code: HEX #340384 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 3 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 3 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 98 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 98% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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