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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33FEAB it is the complementary color #CC0154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33FEAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33FEAB shade: #38FEA6, #49FFB9, #5AFFCC, #6BFFDF and #7CFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33FEAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33FEAB shade: #33FEAB, #22EC98, #11DA85, #00C872 and #00B65F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33FEAB shade: #34FEAB, #34FE75, #34FE3E, #60FE34 and #96FE34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33FEAB shade: #34FEAB, #34FEE2, #34E4FE, #34ADFE and #3477FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33FEAB shade matches the following richer shades: #34FEAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33FEAB shade: #34FEAB, #45EDA8, #55DDA5, #66CCA2 and #76BC9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33FEAB shade: #34FE3E, #34FE74, #34FEAA, #34FEE0 and #34E6FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33FEAB shade: #01DE84, #0BFE9B, #34FEAB, #5DFEBC and #86FECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33FEAB shade: #33FEAB, #3460FE and #FE5934

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33FEAB shade: #33FEAB, #AA34FE and #FEAA34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33FEAB shade: #33FEAB, #3460FE, #FE3488 and #FED234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33FEAB shade: #33FEAB, #4534FE, #FE3488 and #EDFE34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

Complementary color

CMYK 0 / 100 / 59 / 20

HEX #CC0154

RGB 204 1 84

HSL 335.47, 0.99%, 0.4%

LAB 43.51, 70.2, 13.59

 

CMYK 78 / 0 / 35 / 0

HEX #38FEA6

RGB 56 254 166

HSL 153.33, 0.99%, 0.61%

LAB 89.15, -66.56, 28.93

 

CMYK 71 / 0 / 27 / 0

HEX #49FFB9

RGB 73 255 185

HSL 156.92, 1%, 0.64%

LAB 90.06, -61.04, 20.59

 

CMYK 65 / 0 / 20 / 0

HEX #5AFFCC

RGB 90 255 204

HSL 161.45, 1%, 0.68%

LAB 90.8, -54.39, 11.93

 

CMYK 58 / 0 / 13 / 0

HEX #6BFFDF

RGB 107 255 223

HSL 167.03, 1%, 0.71%

LAB 91.67, -47.09, 3.43

 

CMYK 51 / 0 / 5 / 0

HEX #7CFFF2

RGB 124 255 242

HSL 174.05, 1%, 0.74%

LAB 92.67, -39.25, -4.89

 

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

CMYK 86 / 0 / 36 / 7

HEX #22EC98

RGB 34 236 152

HSL 155.05, 0.84%, 0.53%

LAB 83.23, -64.88, 28

 

CMYK 92 / 0 / 39 / 15

HEX #11DA85

RGB 17 218 133

HSL 154.63, 0.86%, 0.46%

LAB 77.25, -63.29, 29.69

 

CMYK 100 / 0 / 43 / 22

HEX #00C872

RGB 0 200 114

HSL 154.2, 1%, 0.39%

LAB 71.23, -61.32, 31.5

 

CMYK 100 / 0 / 48 / 29

HEX #00B65F

RGB 0 182 95

HSL 151.32, 1%, 0.36%

LAB 65.19, -58.65, 33.45

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAB

RGB 52 254 171

HSL 155.35, 0.99%, 0.6%

LAB 89.18, -65.98, 26.45

 

CMYK 80 / 0 / 54 / 0

HEX #34FE75

RGB 52 254 117

HSL 139.31, 0.99%, 0.6%

LAB 88.4, -75.09, 51.63

 

CMYK 80 / 0 / 76 / 0

HEX #34FE3E

RGB 52 254 62

HSL 122.97, 0.99%, 0.6%

LAB 87.95, -80.6, 72.68

 

CMYK 62 / 0 / 80 / 0

HEX #60FE34

RGB 96 254 52

HSL 106.93, 0.99%, 0.6%

LAB 88.74, -74.03, 76.6

 

CMYK 41 / 0 / 80 / 0

HEX #96FE34

RGB 150 254 52

HSL 90.89, 0.99%, 0.6%

LAB 90.6, -59.57, 79

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAB

RGB 52 254 171

HSL 155.35, 0.99%, 0.6%

LAB 89.18, -65.98, 26.45

 

CMYK 80 / 0 / 11 / 0

HEX #34FEE2

RGB 52 254 226

HSL 171.68, 0.99%, 0.6%

LAB 90.37, -53.29, -0.16

 

CMYK 80 / 10 / 0 / 0

HEX #34E4FE

RGB 52 228 254

HSL 187.72, 0.99%, 0.6%

LAB 83.64, -33.95, -24.87

 

CMYK 80 / 32 / 0 / 0

HEX #34ADFE

RGB 52 173 254

HSL 204.06, 0.99%, 0.6%

LAB 67.85, -5.63, -49.35

 

CMYK 80 / 53 / 0 / 0

HEX #3477FE

RGB 52 119 254

HSL 220.1, 0.99%, 0.6%

LAB 53.04, 26.6, -73.06

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAB

RGB 52 254 171

HSL 155.35, 0.99%, 0.6%

LAB 89.18, -65.98, 26.45

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAB

RGB 52 254 171

HSL 155.35, 0.99%, 0.6%

LAB 89.18, -65.98, 26.45

 

CMYK 71 / 0 / 29 / 7

HEX #45EDA8

RGB 69 237 168

HSL 155.36, 0.82%, 0.6%

LAB 84.31, -58.28, 21.34

 

CMYK 62 / 0 / 25 / 13

HEX #55DDA5

RGB 85 221 165

HSL 155.29, 0.67%, 0.6%

LAB 79.82, -49.93, 16.72

 

CMYK 50 / 0 / 21 / 20

HEX #66CCA2

RGB 102 204 162

HSL 155.29, 0.5%, 0.6%

LAB 75.21, -39.65, 11.91

 

CMYK 37 / 0 / 15 / 26

HEX #76BC9F

RGB 118 188 159

HSL 155.14, 0.34%, 0.6%

LAB 71.09, -28.61, 7.76

 

CMYK 80 / 0 / 76 / 0

HEX #34FE3E

RGB 52 254 62

HSL 122.97, 0.99%, 0.6%

LAB 87.95, -80.6, 72.68

 

CMYK 80 / 0 / 54 / 0

HEX #34FE74

RGB 52 254 116

HSL 139.01, 0.99%, 0.6%

LAB 88.39, -75.22, 52.07

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAA

RGB 52 254 170

HSL 155.05, 0.99%, 0.6%

LAB 89.17, -66.18, 26.93

 

CMYK 80 / 0 / 12 / 0

HEX #34FEE0

RGB 52 254 224

HSL 171.09, 0.99%, 0.6%

LAB 90.32, -53.81, 0.81

 

CMYK 80 / 9 / 0 / 0

HEX #34E6FE

RGB 52 230 254

HSL 187.13, 0.99%, 0.6%

LAB 84.21, -34.89, -23.99

 

CMYK 100 / 0 / 41 / 13

HEX #01DE84

RGB 1 222 132

HSL 155.57, 0.99%, 0.44%

LAB 78.41, -65.39, 31.72

 

CMYK 96 / 0 / 39 / 0

HEX #0BFE9B

RGB 11 254 155

HSL 155.56, 0.99%, 0.52%

LAB 88.6, -71.56, 33.64

 

CMYK 80 / 0 / 33 / 0

HEX #34FEAB

RGB 52 254 171

HSL 155.35, 0.99%, 0.6%

LAB 89.18, -65.98, 26.45

 

CMYK 63 / 0 / 26 / 0

HEX #5DFEBC

RGB 93 254 188

HSL 155.4, 0.99%, 0.68%

LAB 90.25, -56.96, 19.38

 

CMYK 47 / 0 / 19 / 0

HEX #86FECD

RGB 134 254 205

HSL 155.5, 0.98%, 0.76%

LAB 91.85, -44.96, 13.08

 

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

CMYK 80 / 62 / 0 / 0

HEX #3460FE

RGB 52 96 254

HSL 226.93, 0.99%, 0.6%

LAB 47.3, 40.91, -82.41

 

CMYK 0 / 65 / 80 / 0

HEX #FE5934

RGB 254 89 52

HSL 10.99, 0.99%, 0.6%

LAB 60.31, 60.98, 53.93

 

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

CMYK 33 / 80 / 0 / 0

HEX #AA34FE

RGB 170 52 254

HSL 275.05, 0.99%, 0.6%

LAB 49.69, 77.61, -78.12

 

CMYK 0 / 33 / 80 / 0

HEX #FEAA34

RGB 254 170 52

HSL 35.05, 0.99%, 0.6%

LAB 76.11, 21.81, 68.67

 

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

CMYK 80 / 62 / 0 / 0

HEX #3460FE

RGB 52 96 254

HSL 226.93, 0.99%, 0.6%

LAB 47.3, 40.91, -82.41

 

CMYK 0 / 80 / 46 / 0

HEX #FE3488

RGB 254 52 136

HSL 335.05, 0.99%, 0.6%

LAB 57.37, 77.85, 2.86

 

CMYK 0 / 17 / 80 / 0

HEX #FED234

RGB 254 210 52

HSL 46.93, 0.99%, 0.6%

LAB 85.71, 1.06, 77.24

 

CMYK 80 / 0 / 33 / 0

HEX #33FEAB

RGB 51 254 171

HSL 155.47, 0.99%, 0.6%

LAB 89.17, -66.07, 26.43

 

CMYK 73 / 80 / 0 / 0

HEX #4534FE

RGB 69 52 254

HSL 245.05, 0.99%, 0.6%

LAB 39.37, 66.32, -95.46

 

CMYK 0 / 80 / 46 / 0

HEX #FE3488

RGB 254 52 136

HSL 335.05, 0.99%, 0.6%

LAB 57.37, 77.85, 2.86

 

CMYK 7 / 0 / 80 / 0

HEX #EDFE34

RGB 237 254 52

HSL 65.05, 0.99%, 0.6%

LAB 95.64, -27.55, 85.39

 

Description

Color code: HEX #33FEAB | qconv.com Color code: HEX #33FEAB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 254 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 254 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 33 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 33% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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