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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33FB4F it is the complementary color #CC04B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33FB4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33FB4F shade: #38FB4A, #49FF5D, #5AFF70, #6BFF83 and #7CFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33FB4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33FB4F shade: #33FB4F, #22E93C, #11D729, #00C516 and #00B303

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33FB4F shade: #32FB4E, #4CFB32, #82FB32, #B8FB32 and #EFFB32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33FB4F shade: #32FB4E, #32FB84, #32FBBA, #32FBF1 and #32CFFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33FB4F shade matches the following richer shades: #32FB4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33FB4F shade: #32FB4E, #43EA5A, #54D967, #65C873 and #76B77F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33FB4F shade: #82FB32, #4DFB32, #32FB4D, #32FB82 and #32FBB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33FB4F shade: #04D622, #0AFA2B, #32FB4E, #5BFC71 and #83FC94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33FB4F shade: #33FB4F, #32B8FB and #FB3268

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33FB4F shade: #33FB4F, #4D32FB and #FB4D32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33FB4F shade: #33FB4F, #32B8FB, #FB32E0 and #FB7532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33FB4F shade: #33FB4F, #327CFB, #FB32E0 and #FBB132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

Complementary color

CMYK 0 / 98 / 14 / 20

HEX #CC04B0

RGB 204 4 176

HSL 308.4, 0.96%, 0.41%

LAB 47.05, 78.87, -37.39

 

CMYK 78 / 0 / 71 / 2

HEX #38FB4A

RGB 56 251 74

HSL 125.54, 0.96%, 0.6%

LAB 87.16, -78.37, 67.92

 

CMYK 71 / 0 / 64 / 0

HEX #49FF5D

RGB 73 255 93

HSL 126.59, 1%, 0.64%

LAB 88.79, -75.5, 62.52

 

CMYK 65 / 0 / 56 / 0

HEX #5AFF70

RGB 90 255 112

HSL 128, 1%, 0.68%

LAB 89.33, -70.46, 55.15

 

CMYK 58 / 0 / 49 / 0

HEX #6BFF83

RGB 107 255 131

HSL 129.73, 1%, 0.71%

LAB 89.99, -64.52, 47.35

 

CMYK 51 / 0 / 41 / 0

HEX #7CFF96

RGB 124 255 150

HSL 131.91, 1%, 0.74%

LAB 90.78, -57.79, 39.34

 

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

CMYK 85 / 0 / 74 / 9

HEX #22E93C

RGB 34 233 60

HSL 127.84, 0.82%, 0.52%

LAB 81.26, -76.49, 66.65

 

CMYK 92 / 0 / 81 / 16

HEX #11D729

RGB 17 215 41

HSL 127.27, 0.85%, 0.45%

LAB 75.38, -73.8, 66.66

 

CMYK 100 / 0 / 89 / 23

HEX #00C516

RGB 0 197 22

HSL 126.7, 1%, 0.39%

LAB 69.46, -70.43, 65.67

 

CMYK 100 / 0 / 98 / 30

HEX #00B303

RGB 0 179 3

HSL 121.01, 1%, 0.35%

LAB 63.55, -66.01, 63.4

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4E

RGB 50 251 78

HSL 128.36, 0.96%, 0.59%

LAB 87.11, -78.72, 66.4

 

CMYK 70 / 0 / 80 / 2

HEX #4CFB32

RGB 76 251 50

HSL 112.24, 0.96%, 0.59%

LAB 87.37, -77.04, 75.69

 

CMYK 48 / 0 / 80 / 2

HEX #82FB32

RGB 130 251 50

HSL 96.12, 0.96%, 0.59%

LAB 88.91, -64.59, 77.67

 

CMYK 27 / 0 / 80 / 2

HEX #B8FB32

RGB 184 251 50

HSL 80, 0.96%, 0.59%

LAB 91.42, -46.77, 80.88

 

CMYK 5 / 0 / 80 / 2

HEX #EFFB32

RGB 239 251 50

HSL 63.58, 0.96%, 0.59%

LAB 94.98, -25.4, 85.38

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4E

RGB 50 251 78

HSL 128.36, 0.96%, 0.59%

LAB 87.11, -78.72, 66.4

 

CMYK 80 / 0 / 47 / 2

HEX #32FB84

RGB 50 251 132

HSL 144.48, 0.96%, 0.59%

LAB 87.65, -72.14, 43.7

 

CMYK 80 / 0 / 26 / 2

HEX #32FBBA

RGB 50 251 186

HSL 160.6, 0.96%, 0.59%

LAB 88.55, -61.89, 17.92

 

CMYK 80 / 0 / 4 / 2

HEX #32FBF1

RGB 50 251 241

HSL 177.01, 0.96%, 0.59%

LAB 89.87, -48.21, -8.69

 

CMYK 80 / 18 / 0 / 2

HEX #32CFFB

RGB 50 207 251

HSL 193.13, 0.96%, 0.59%

LAB 77.44, -24.85, -32.78

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4E

RGB 50 251 78

HSL 128.36, 0.96%, 0.59%

LAB 87.11, -78.72, 66.4

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4E

RGB 50 251 78

HSL 128.36, 0.96%, 0.59%

LAB 87.11, -78.72, 66.4

 

CMYK 71 / 0 / 62 / 8

HEX #43EA5A

RGB 67 234 90

HSL 128.26, 0.8%, 0.59%

LAB 82.26, -70.05, 56.42

 

CMYK 61 / 0 / 53 / 15

HEX #54D967

RGB 84 217 103

HSL 128.57, 0.64%, 0.59%

LAB 77.57, -59.46, 45.17

 

CMYK 50 / 0 / 43 / 22

HEX #65C873

RGB 101 200 115

HSL 128.48, 0.47%, 0.59%

LAB 73.1, -46.99, 33.77

 

CMYK 36 / 0 / 31 / 28

HEX #76B77F

RGB 118 183 127

HSL 128.31, 0.31%, 0.59%

LAB 68.93, -32.47, 22.09

 

CMYK 48 / 0 / 80 / 2

HEX #82FB32

RGB 130 251 50

HSL 96.12, 0.96%, 0.59%

LAB 88.91, -64.59, 77.67

 

CMYK 69 / 0 / 80 / 2

HEX #4DFB32

RGB 77 251 50

HSL 111.94, 0.96%, 0.59%

LAB 87.39, -76.87, 75.72

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4D

RGB 50 251 77

HSL 128.06, 0.96%, 0.59%

LAB 87.1, -78.81, 66.76

 

CMYK 80 / 0 / 48 / 2

HEX #32FB82

RGB 50 251 130

HSL 143.88, 0.96%, 0.59%

LAB 87.62, -72.45, 44.62

 

CMYK 80 / 0 / 27 / 2

HEX #32FBB8

RGB 50 251 184

HSL 160, 0.96%, 0.59%

LAB 88.51, -62.33, 18.89

 

CMYK 98 / 0 / 84 / 16

HEX #04D622

RGB 4 214 34

HSL 128.57, 0.96%, 0.43%

LAB 74.97, -74.41, 68.02

 

CMYK 96 / 0 / 83 / 2

HEX #0AFA2B

RGB 10 250 43

HSL 128.25, 0.96%, 0.51%

LAB 86.31, -83.48, 76.19

 

CMYK 80 / 0 / 69 / 2

HEX #32FB4E

RGB 50 251 78

HSL 128.36, 0.96%, 0.59%

LAB 87.11, -78.72, 66.4

 

CMYK 64 / 0 / 55 / 1

HEX #5BFC71

RGB 91 252 113

HSL 128.2, 0.96%, 0.67%

LAB 88.47, -69.13, 53.69

 

CMYK 48 / 0 / 41 / 1

HEX #83FC94

RGB 131 252 148

HSL 128.43, 0.95%, 0.75%

LAB 90.13, -55.14, 39.52

 

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

CMYK 80 / 27 / 0 / 2

HEX #32B8FB

RGB 50 184 251

HSL 200, 0.96%, 0.59%

LAB 70.82, -12.9, -43.06

 

CMYK 0 / 80 / 59 / 2

HEX #FB3268

RGB 251 50 104

HSL 343.88, 0.96%, 0.59%

LAB 55.88, 75.28, 19.72

 

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

CMYK 69 / 80 / 0 / 2

HEX #4D32FB

RGB 77 50 251

HSL 248.06, 0.96%, 0.59%

LAB 39.28, 66.9, -93.91

 

CMYK 0 / 69 / 80 / 2

HEX #FB4D32

RGB 251 77 50

HSL 8.06, 0.96%, 0.59%

LAB 58.08, 64.56, 52.57

 

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

CMYK 80 / 27 / 0 / 2

HEX #32B8FB

RGB 50 184 251

HSL 200, 0.96%, 0.59%

LAB 70.82, -12.9, -43.06

 

CMYK 0 / 80 / 11 / 2

HEX #FB32E0

RGB 251 50 224

HSL 308.06, 0.96%, 0.59%

LAB 60.04, 87.31, -44.01

 

CMYK 0 / 53 / 80 / 2

HEX #FB7532

RGB 251 117 50

HSL 20, 0.96%, 0.59%

LAB 64.53, 47.48, 58.68

 

CMYK 80 / 0 / 69 / 2

HEX #33FB4F

RGB 51 251 79

HSL 128.4, 0.96%, 0.59%

LAB 87.13, -78.53, 66.05

 

CMYK 80 / 51 / 0 / 2

HEX #327CFB

RGB 50 124 251

HSL 217.91, 0.96%, 0.59%

LAB 54.09, 22.2, -69.7

 

CMYK 0 / 80 / 11 / 2

HEX #FB32E0

RGB 251 50 224

HSL 308.06, 0.96%, 0.59%

LAB 60.04, 87.31, -44.01

 

CMYK 0 / 29 / 80 / 2

HEX #FBB132

RGB 251 177 50

HSL 37.91, 0.96%, 0.59%

LAB 77.39, 16.82, 70.38

 

Description

Color code: HEX #33FB4F | qconv.com Color code: HEX #33FB4F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 251 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 251 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 69 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 69% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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