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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33FB3B it is the complementary color #CC04C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33FB3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33FB3B shade: #38FB36, #49FF49, #5AFF5C, #6BFF6F and #7CFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33FB3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33FB3B shade: #33FB3B, #22E928, #11D715, #00C502 and #00B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33FB3B shade: #32FB3A, #60FB32, #96FB32, #CCFB32 and #FBF332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33FB3B shade: #32FB3A, #32FB70, #32FBA6, #32FBDD and #32E3FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33FB3B shade matches the following richer shades: #32FB3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33FB3B shade: #32FB3A, #43EA4A, #54D959, #65C869 and #76B778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33FB3B shade: #96FB32, #61FB32, #32FB39, #32FB6E and #32FBA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33FB3B shade: #04D60D, #0AFA13, #32FB3A, #5BFC61 and #83FC88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33FB3B shade: #33FB3B, #32CCFB and #FB327C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33FB3B shade: #33FB3B, #3932FB and #FB3932

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33FB3B shade: #33FB3B, #32CCFB, #FB32F4 and #FB6132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33FB3B shade: #33FB3B, #3290FB, #FB32F4 and #FB9D32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

Complementary color

CMYK 0 / 98 / 4 / 20

HEX #CC04C4

RGB 204 4 196

HSL 302.4, 0.96%, 0.41%

LAB 48.15, 81.58, -47.37

 

CMYK 78 / 0 / 78 / 2

HEX #38FB36

RGB 56 251 54

HSL 119.39, 0.96%, 0.6%

LAB 87.05, -79.76, 74.19

 

CMYK 71 / 0 / 71 / 0

HEX #49FF49

RGB 73 255 73

HSL 120, 1%, 0.64%

LAB 88.65, -77.27, 69.89

 

CMYK 65 / 0 / 64 / 0

HEX #5AFF5C

RGB 90 255 92

HSL 120.73, 1%, 0.68%

LAB 89.14, -72.64, 63.41

 

CMYK 58 / 0 / 56 / 0

HEX #6BFF6F

RGB 107 255 111

HSL 121.62, 1%, 0.71%

LAB 89.76, -67.07, 56.22

 

CMYK 51 / 0 / 49 / 0

HEX #7CFF82

RGB 124 255 130

HSL 122.75, 1%, 0.74%

LAB 90.51, -60.66, 48.59

 

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

CMYK 85 / 0 / 83 / 9

HEX #22E928

RGB 34 233 40

HSL 121.81, 0.82%, 0.52%

LAB 81.17, -77.7, 72.28

 

CMYK 92 / 0 / 90 / 16

HEX #11D715

RGB 17 215 21

HSL 121.21, 0.85%, 0.45%

LAB 75.31, -74.65, 70.88

 

CMYK 100 / 0 / 99 / 23

HEX #00C502

RGB 0 197 2

HSL 120.61, 1%, 0.39%

LAB 69.42, -70.93, 68.27

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 80 / 0 / 77 / 2

HEX #32FB3A

RGB 50 251 58

HSL 122.39, 0.96%, 0.59%

LAB 86.99, -80.22, 72.95

 

CMYK 62 / 0 / 80 / 2

HEX #60FB32

RGB 96 251 50

HSL 106.27, 0.96%, 0.59%

LAB 87.83, -73.17, 76.28

 

CMYK 40 / 0 / 80 / 2

HEX #96FB32

RGB 150 251 50

HSL 90.15, 0.96%, 0.59%

LAB 89.72, -58.5, 78.72

 

CMYK 19 / 0 / 80 / 2

HEX #CCFB32

RGB 204 251 50

HSL 74.03, 0.96%, 0.59%

LAB 92.6, -39.26, 82.38

 

CMYK 0 / 3 / 80 / 2

HEX #FBF332

RGB 251 243 50

HSL 57.61, 0.96%, 0.59%

LAB 93.81, -16.68, 84.73

 

CMYK 80 / 0 / 77 / 2

HEX #32FB3A

RGB 50 251 58

HSL 122.39, 0.96%, 0.59%

LAB 86.99, -80.22, 72.95

 

CMYK 80 / 0 / 55 / 2

HEX #32FB70

RGB 50 251 112

HSL 138.51, 0.96%, 0.59%

LAB 87.41, -75.02, 52.7

 

CMYK 80 / 0 / 34 / 2

HEX #32FBA6

RGB 50 251 166

HSL 154.63, 0.96%, 0.59%

LAB 88.17, -66.09, 27.6

 

CMYK 80 / 0 / 12 / 2

HEX #32FBDD

RGB 50 251 221

HSL 171.04, 0.96%, 0.59%

LAB 89.34, -53.52, 0.94

 

CMYK 80 / 10 / 0 / 2

HEX #32E3FB

RGB 50 227 251

HSL 187.16, 0.96%, 0.59%

LAB 83.22, -34.56, -23.92

 

CMYK 80 / 0 / 77 / 2

HEX #32FB3A

RGB 50 251 58

HSL 122.39, 0.96%, 0.59%

LAB 86.99, -80.22, 72.95

 

CMYK 80 / 0 / 77 / 2

HEX #32FB3A

RGB 50 251 58

HSL 122.39, 0.96%, 0.59%

LAB 86.99, -80.22, 72.95

 

CMYK 71 / 0 / 68 / 8

HEX #43EA4A

RGB 67 234 74

HSL 122.51, 0.8%, 0.59%

LAB 82.13, -71.63, 62.72

 

CMYK 61 / 0 / 59 / 15

HEX #54D959

RGB 84 217 89

HSL 122.26, 0.64%, 0.59%

LAB 77.42, -61.21, 51.43

 

CMYK 50 / 0 / 48 / 22

HEX #65C869

RGB 101 200 105

HSL 122.42, 0.47%, 0.59%

LAB 72.95, -48.49, 38.62

 

CMYK 36 / 0 / 34 / 28

HEX #76B778

RGB 118 183 120

HSL 121.85, 0.31%, 0.59%

LAB 68.81, -33.66, 25.66

 

CMYK 40 / 0 / 80 / 2

HEX #96FB32

RGB 150 251 50

HSL 90.15, 0.96%, 0.59%

LAB 89.72, -58.5, 78.72

 

CMYK 61 / 0 / 80 / 2

HEX #61FB32

RGB 97 251 50

HSL 105.97, 0.96%, 0.59%

LAB 87.86, -72.95, 76.32

 

CMYK 80 / 0 / 77 / 2

HEX #32FB39

RGB 50 251 57

HSL 122.09, 0.96%, 0.59%

LAB 86.98, -80.28, 73.24

 

CMYK 80 / 0 / 56 / 2

HEX #32FB6E

RGB 50 251 110

HSL 137.91, 0.96%, 0.59%

LAB 87.39, -75.28, 53.57

 

CMYK 80 / 0 / 35 / 2

HEX #32FBA4

RGB 50 251 164

HSL 154.03, 0.96%, 0.59%

LAB 88.14, -66.49, 28.56

 

CMYK 98 / 0 / 94 / 16

HEX #04D60D

RGB 4 214 13

HSL 122.57, 0.96%, 0.43%

LAB 74.92, -75.12, 71.61

 

CMYK 96 / 0 / 92 / 2

HEX #0AFA13

RGB 10 250 19

HSL 122.25, 0.96%, 0.51%

LAB 86.25, -84.3, 80.35

 

CMYK 80 / 0 / 77 / 2

HEX #32FB3A

RGB 50 251 58

HSL 122.39, 0.96%, 0.59%

LAB 86.99, -80.22, 72.95

 

CMYK 64 / 0 / 62 / 1

HEX #5BFC61

RGB 91 252 97

HSL 122.24, 0.96%, 0.67%

LAB 88.31, -70.95, 60.44

 

CMYK 48 / 0 / 46 / 1

HEX #83FC88

RGB 131 252 136

HSL 122.48, 0.95%, 0.75%

LAB 89.96, -56.87, 45.12

 

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

CMYK 80 / 19 / 0 / 2

HEX #32CCFB

RGB 50 204 251

HSL 194.03, 0.96%, 0.59%

LAB 76.58, -23.34, -34.11

 

CMYK 0 / 80 / 51 / 2

HEX #FB327C

RGB 251 50 124

HSL 337.91, 0.96%, 0.59%

LAB 56.33, 76.65, 8.43

 

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

CMYK 77 / 80 / 0 / 2

HEX #3932FB

RGB 57 50 251

HSL 242.09, 0.96%, 0.59%

LAB 38.05, 65.61, -95.99

 

CMYK 0 / 77 / 80 / 2

HEX #FB3932

RGB 251 57 50

HSL 2.09, 0.96%, 0.59%

LAB 55.75, 71.03, 50.31

 

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

CMYK 80 / 19 / 0 / 2

HEX #32CCFB

RGB 50 204 251

HSL 194.03, 0.96%, 0.59%

LAB 76.58, -23.34, -34.11

 

CMYK 0 / 80 / 3 / 2

HEX #FB32F4

RGB 251 50 244

HSL 302.09, 0.96%, 0.59%

LAB 61.06, 90.09, -53.59

 

CMYK 0 / 61 / 80 / 2

HEX #FB6132

RGB 251 97 50

HSL 14.03, 0.96%, 0.59%

LAB 61.04, 56.59, 55.39

 

CMYK 80 / 0 / 76 / 2

HEX #33FB3B

RGB 51 251 59

HSL 122.4, 0.96%, 0.59%

LAB 87, -80.05, 72.67

 

CMYK 80 / 43 / 0 / 2

HEX #3290FB

RGB 50 144 251

HSL 211.94, 0.96%, 0.59%

LAB 59.52, 9.95, -60.96

 

CMYK 0 / 80 / 3 / 2

HEX #FB32F4

RGB 251 50 244

HSL 302.09, 0.96%, 0.59%

LAB 61.06, 90.09, -53.59

 

CMYK 0 / 37 / 80 / 2

HEX #FB9D32

RGB 251 157 50

HSL 31.94, 0.96%, 0.59%

LAB 72.8, 27.29, 66.26

 

Description

Color code: HEX #33FB3B | qconv.com Color code: HEX #33FB3B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 251 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 251 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 76% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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