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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33F960 it is the complementary color #CC069F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33F960. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33F960 shade: #38F95B, #49FF6E, #5AFF81, #6BFF94 and #7CFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33F960. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33F960 shade: #33F960, #22E74D, #11D53A, #00C327 and #00B114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33F960 shade: #34F961, #3CF934, #71F934, #A7F934 and #DCF934

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33F960 shade: #34F961, #34F996, #34F9CB, #34F2F9 and #34BDF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33F960 shade matches the following richer shades: #34F961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33F960 shade: #34F961, #45E86A, #56D773, #67C67D and #78B586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33F960 shade: #72F934, #3EF934, #34F95F, #34F993 and #34F9C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33F960 shade: #07D435, #0CF742, #34F961, #5CFA80 and #84FB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33F960 shade: #33F960, #34A7F9 and #F93458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33F960 shade: #33F960, #5F34F9 and #F95F34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33F960 shade: #33F960, #34A7F9, #F934CE and #F98634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33F960 shade: #33F960, #346CF9, #F934CE and #F9C134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

Complementary color

CMYK 0 / 97 / 22 / 20

HEX #CC069F

RGB 204 6 159

HSL 313.64, 0.94%, 0.41%

LAB 46.27, 76.59, -28.51

 

CMYK 78 / 0 / 63 / 2

HEX #38F95B

RGB 56 249 91

HSL 130.88, 0.94%, 0.6%

LAB 86.68, -76.19, 60.9

 

CMYK 71 / 0 / 57 / 0

HEX #49FF6E

RGB 73 255 110

HSL 132.2, 1%, 0.64%

LAB 88.95, -73.6, 55.5

 

CMYK 65 / 0 / 49 / 0

HEX #5AFF81

RGB 90 255 129

HSL 134.18, 1%, 0.68%

LAB 89.52, -68.23, 47.62

 

CMYK 58 / 0 / 42 / 0

HEX #6BFF94

RGB 107 255 148

HSL 136.62, 1%, 0.71%

LAB 90.22, -61.99, 39.48

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA7

RGB 124 255 167

HSL 139.69, 1%, 0.74%

LAB 91.05, -55, 31.26

 

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

CMYK 85 / 0 / 67 / 9

HEX #22E74D

RGB 34 231 77

HSL 133.1, 0.8%, 0.52%

LAB 80.75, -74.45, 59.95

 

CMYK 92 / 0 / 73 / 16

HEX #11D53A

RGB 17 213 58

HSL 132.55, 0.85%, 0.45%

LAB 74.83, -72.07, 60.82

 

CMYK 100 / 0 / 80 / 24

HEX #00C327

RGB 0 195 39

HSL 132, 1%, 0.38%

LAB 68.88, -69.05, 61.09

 

CMYK 100 / 0 / 89 / 31

HEX #00B114

RGB 0 177 20

HSL 126.78, 1%, 0.35%

LAB 62.92, -64.98, 60.37

 

CMYK 79 / 0 / 61 / 2

HEX #34F961

RGB 52 249 97

HSL 133.71, 0.94%, 0.59%

LAB 86.67, -76.01, 58.4

 

CMYK 76 / 0 / 79 / 2

HEX #3CF934

RGB 60 249 52

HSL 117.56, 0.94%, 0.59%

LAB 86.48, -78.78, 74.23

 

CMYK 55 / 0 / 79 / 2

HEX #71F934

RGB 113 249 52

HSL 101.42, 0.94%, 0.59%

LAB 87.73, -68.39, 75.84

 

CMYK 33 / 0 / 79 / 2

HEX #A7F934

RGB 167 249 52

HSL 84.97, 0.94%, 0.59%

LAB 89.96, -51.93, 78.71

 

CMYK 12 / 0 / 79 / 2

HEX #DCF934

RGB 220 249 52

HSL 68.83, 0.94%, 0.59%

LAB 93.11, -32.03, 82.72

 

CMYK 79 / 0 / 61 / 2

HEX #34F961

RGB 52 249 97

HSL 133.71, 0.94%, 0.59%

LAB 86.67, -76.01, 58.4

 

CMYK 79 / 0 / 40 / 2

HEX #34F996

RGB 52 249 150

HSL 149.85, 0.94%, 0.59%

LAB 87.33, -68.23, 34.5

 

CMYK 79 / 0 / 18 / 2

HEX #34F9CB

RGB 52 249 203

HSL 165.99, 0.94%, 0.59%

LAB 88.35, -57.01, 8.86

 

CMYK 79 / 3 / 0 / 2

HEX #34F2F9

RGB 52 242 249

HSL 182.13, 0.94%, 0.59%

LAB 87.52, -41.87, -16.37

 

CMYK 79 / 24 / 0 / 2

HEX #34BDF9

RGB 52 189 249

HSL 198.27, 0.94%, 0.59%

LAB 72.2, -16.06, -39.82

 

CMYK 79 / 0 / 61 / 2

HEX #34F961

RGB 52 249 97

HSL 133.71, 0.94%, 0.59%

LAB 86.67, -76.01, 58.4

 

CMYK 79 / 0 / 61 / 2

HEX #34F961

RGB 52 249 97

HSL 133.71, 0.94%, 0.59%

LAB 86.67, -76.01, 58.4

 

CMYK 70 / 0 / 54 / 9

HEX #45E86A

RGB 69 232 106

HSL 133.62, 0.78%, 0.59%

LAB 81.85, -67.13, 48.85

 

CMYK 60 / 0 / 47 / 16

HEX #56D773

RGB 86 215 115

HSL 133.49, 0.62%, 0.59%

LAB 77.17, -56.57, 38.87

 

CMYK 48 / 0 / 37 / 22

HEX #67C67D

RGB 103 198 125

HSL 133.89, 0.45%, 0.59%

LAB 72.73, -43.96, 28.13

 

CMYK 34 / 0 / 26 / 29

HEX #78B586

RGB 120 181 134

HSL 133.77, 0.29%, 0.59%

LAB 68.58, -29.62, 17.84

 

CMYK 54 / 0 / 79 / 2

HEX #72F934

RGB 114 249 52

HSL 101.12, 0.94%, 0.59%

LAB 87.76, -68.14, 75.89

 

CMYK 75 / 0 / 79 / 2

HEX #3EF934

RGB 62 249 52

HSL 116.95, 0.94%, 0.59%

LAB 86.52, -78.51, 74.27

 

CMYK 79 / 0 / 62 / 2

HEX #34F95F

RGB 52 249 95

HSL 133.1, 0.94%, 0.59%

LAB 86.66, -76.23, 59.22

 

CMYK 79 / 0 / 41 / 2

HEX #34F993

RGB 52 249 147

HSL 148.93, 0.94%, 0.59%

LAB 87.28, -68.76, 35.93

 

CMYK 79 / 0 / 20 / 2

HEX #34F9C8

RGB 52 249 200

HSL 165.08, 0.94%, 0.59%

LAB 88.28, -57.73, 10.31

 

CMYK 97 / 0 / 75 / 17

HEX #07D435

RGB 7 212 53

HSL 133.46, 0.94%, 0.43%

LAB 74.44, -72.59, 62.12

 

CMYK 95 / 0 / 73 / 3

HEX #0CF742

RGB 12 247 66

HSL 133.79, 0.94%, 0.51%

LAB 85.5, -81.19, 68.87

 

CMYK 79 / 0 / 61 / 2

HEX #34F961

RGB 52 249 97

HSL 133.71, 0.94%, 0.59%

LAB 86.67, -76.01, 58.4

 

CMYK 63 / 0 / 49 / 2

HEX #5CFA80

RGB 92 250 128

HSL 133.67, 0.94%, 0.67%

LAB 88.07, -66.24, 46.29

 

CMYK 47 / 0 / 37 / 2

HEX #84FB9F

RGB 132 251 159

HSL 133.61, 0.94%, 0.75%

LAB 90.05, -52.74, 33.97

 

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

CMYK 79 / 33 / 0 / 2

HEX #34A7F9

RGB 52 167 249

HSL 204.97, 0.94%, 0.59%

LAB 65.91, -4.02, -49.7

 

CMYK 0 / 79 / 65 / 2

HEX #F93458

RGB 249 52 88

HSL 349.04, 0.94%, 0.59%

LAB 55.38, 73.33, 28.49

 

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

CMYK 62 / 79 / 0 / 2

HEX #5F34F9

RGB 95 52 249

HSL 253.1, 0.94%, 0.59%

LAB 40.78, 67.04, -90.26

 

CMYK 0 / 62 / 79 / 2

HEX #F95F34

RGB 249 95 52

HSL 13.1, 0.94%, 0.59%

LAB 60.4, 56.82, 53.74

 

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

CMYK 79 / 33 / 0 / 2

HEX #34A7F9

RGB 52 167 249

HSL 204.97, 0.94%, 0.59%

LAB 65.91, -4.02, -49.7

 

CMYK 0 / 79 / 17 / 2

HEX #F934CE

RGB 249 52 206

HSL 313.1, 0.94%, 0.59%

LAB 59.02, 84.08, -35.44

 

CMYK 0 / 46 / 79 / 2

HEX #F98634

RGB 249 134 52

HSL 24.97, 0.94%, 0.59%

LAB 67.6, 38.39, 60.61

 

CMYK 80 / 0 / 61 / 2

HEX #33F960

RGB 51 249 96

HSL 133.64, 0.94%, 0.59%

LAB 86.65, -76.23, 58.79

 

CMYK 79 / 57 / 0 / 2

HEX #346CF9

RGB 52 108 249

HSL 222.94, 0.94%, 0.59%

LAB 49.85, 31.65, -75.47

 

CMYK 0 / 79 / 17 / 2

HEX #F934CE

RGB 249 52 206

HSL 313.1, 0.94%, 0.59%

LAB 59.02, 84.08, -35.44

 

CMYK 0 / 22 / 79 / 2

HEX #F9C134

RGB 249 193 52

HSL 42.94, 0.94%, 0.59%

LAB 81.03, 7.7, 72.9

 

Description

Color code: HEX #33F960 | qconv.com Color code: HEX #33F960 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 249 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 249 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 61 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 61% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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