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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33F7AB it is the complementary color #CC0854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33F7AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33F7AB shade: #38F7A6, #49FFB9, #5AFFCC, #6BFFDF and #7CFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33F7AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33F7AB shade: #33F7AB, #22E598, #11D385, #00C172 and #00AF5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33F7AB shade: #31F6AA, #31F675, #31F640, #58F631 and #8DF631

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33F7AB shade: #31F6AA, #31F6DF, #31D9F6, #31A3F6 and #316EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33F7AB shade matches the following richer shades: #31F6AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33F7AB shade: #31F6AA, #43E5A6, #54D4A2, #65C29E and #77B19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33F7AB shade: #31F63F, #31F673, #31F6A8, #31F6DC and #31DCF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33F7AB shade: #09CD81, #0AF49A, #31F6AA, #59F8BA and #81FACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33F7AB shade: #33F7AB, #3159F6 and #F65931

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33F7AB shade: #33F7AB, #A831F6 and #F6A831

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33F7AB shade: #33F7AB, #3159F6, #F63180 and #F6CF31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33F7AB shade: #33F7AB, #4531F6, #F63180 and #E3F631

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

Complementary color

CMYK 0 / 96 / 59 / 20

HEX #CC0854

RGB 204 8 84

HSL 336.73, 0.92%, 0.42%

LAB 43.73, 69.56, 13.9

 

CMYK 77 / 0 / 33 / 3

HEX #38F7A6

RGB 56 247 166

HSL 154.55, 0.92%, 0.59%

LAB 87.05, -64.04, 26.09

 

CMYK 71 / 0 / 27 / 0

HEX #49FFB9

RGB 73 255 185

HSL 156.92, 1%, 0.64%

LAB 90.06, -61.04, 20.59

 

CMYK 65 / 0 / 20 / 0

HEX #5AFFCC

RGB 90 255 204

HSL 161.45, 1%, 0.68%

LAB 90.8, -54.39, 11.93

 

CMYK 58 / 0 / 13 / 0

HEX #6BFFDF

RGB 107 255 223

HSL 167.03, 1%, 0.71%

LAB 91.67, -47.09, 3.43

 

CMYK 51 / 0 / 5 / 0

HEX #7CFFF2

RGB 124 255 242

HSL 174.05, 1%, 0.74%

LAB 92.67, -39.25, -4.89

 

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

CMYK 85 / 0 / 34 / 10

HEX #22E598

RGB 34 229 152

HSL 156.31, 0.79%, 0.52%

LAB 81.1, -62.38, 25.11

 

CMYK 92 / 0 / 37 / 17

HEX #11D385

RGB 17 211 133

HSL 155.88, 0.85%, 0.45%

LAB 75.08, -60.84, 26.79

 

CMYK 100 / 0 / 41 / 24

HEX #00C172

RGB 0 193 114

HSL 155.44, 1%, 0.38%

LAB 69.01, -58.92, 28.59

 

CMYK 100 / 0 / 46 / 31

HEX #00AF5F

RGB 0 175 95

HSL 152.57, 1%, 0.34%

LAB 62.92, -56.27, 30.55

 

CMYK 80 / 0 / 31 / 4

HEX #31F6AA

RGB 49 246 170

HSL 156.85, 0.92%, 0.58%

LAB 86.73, -63.57, 23.6

 

CMYK 80 / 0 / 52 / 4

HEX #31F675

RGB 49 246 117

HSL 140.71, 0.92%, 0.58%

LAB 85.93, -72.85, 48.63

 

CMYK 80 / 0 / 74 / 4

HEX #31F640

RGB 49 246 64

HSL 124.57, 0.92%, 0.58%

LAB 85.47, -78.49, 69.59

 

CMYK 64 / 0 / 80 / 4

HEX #58F631

RGB 88 246 49

HSL 108.12, 0.92%, 0.58%

LAB 86.11, -73.3, 74.88

 

CMYK 43 / 0 / 80 / 4

HEX #8DF631

RGB 141 246 49

HSL 91.98, 0.92%, 0.58%

LAB 87.87, -59.48, 77.15

 

CMYK 80 / 0 / 31 / 4

HEX #31F6AA

RGB 49 246 170

HSL 156.85, 0.92%, 0.58%

LAB 86.73, -63.57, 23.6

 

CMYK 80 / 0 / 9 / 4

HEX #31F6DF

RGB 49 246 223

HSL 172.99, 0.92%, 0.58%

LAB 87.92, -51.02, -2.19

 

CMYK 80 / 12 / 0 / 4

HEX #31D9F6

RGB 49 217 246

HSL 188.83, 0.92%, 0.58%

LAB 80.14, -31.42, -25.97

 

CMYK 80 / 34 / 0 / 4

HEX #31A3F6

RGB 49 163 246

HSL 205.28, 0.92%, 0.58%

LAB 64.56, -3.09, -50.19

 

CMYK 80 / 55 / 0 / 4

HEX #316EF6

RGB 49 110 246

HSL 221.42, 0.92%, 0.58%

LAB 50.05, 29.03, -73.48

 

CMYK 80 / 0 / 31 / 4

HEX #31F6AA

RGB 49 246 170

HSL 156.85, 0.92%, 0.58%

LAB 86.73, -63.57, 23.6

 

CMYK 80 / 0 / 31 / 4

HEX #31F6AA

RGB 49 246 170

HSL 156.85, 0.92%, 0.58%

LAB 86.73, -63.57, 23.6

 

CMYK 71 / 0 / 28 / 10

HEX #43E5A6

RGB 67 229 166

HSL 156.67, 0.76%, 0.58%

LAB 81.83, -55.89, 18.94

 

CMYK 60 / 0 / 24 / 17

HEX #54D4A2

RGB 84 212 162

HSL 156.56, 0.6%, 0.58%

LAB 77.03, -47.02, 14.39

 

CMYK 48 / 0 / 19 / 24

HEX #65C29E

RGB 101 194 158

HSL 156.77, 0.43%, 0.58%

LAB 72.11, -36.23, 9.65

 

CMYK 33 / 0 / 13 / 31

HEX #77B19A

RGB 119 177 154

HSL 156.21, 0.27%, 0.58%

LAB 67.8, -23.96, 5.79

 

CMYK 80 / 0 / 74 / 4

HEX #31F63F

RGB 49 246 63

HSL 124.26, 0.92%, 0.58%

LAB 85.47, -78.56, 69.91

 

CMYK 80 / 0 / 53 / 4

HEX #31F673

RGB 49 246 115

HSL 140.1, 0.92%, 0.58%

LAB 85.91, -73.13, 49.53

 

CMYK 80 / 0 / 32 / 4

HEX #31F6A8

RGB 49 246 168

HSL 156.24, 0.92%, 0.58%

LAB 86.7, -63.98, 24.57

 

CMYK 80 / 0 / 11 / 4

HEX #31F6DC

RGB 49 246 220

HSL 172.08, 0.92%, 0.58%

LAB 87.84, -51.8, -0.74

 

CMYK 80 / 11 / 0 / 4

HEX #31DCF6

RGB 49 220 246

HSL 187.92, 0.92%, 0.58%

LAB 81.01, -32.85, -24.64

 

CMYK 96 / 0 / 37 / 20

HEX #09CD81

RGB 9 205 129

HSL 156.73, 0.92%, 0.42%

LAB 73.09, -59.84, 26.2

 

CMYK 96 / 0 / 37 / 4

HEX #0AF49A

RGB 10 244 154

HSL 156.92, 0.92%, 0.5%

LAB 85.55, -68.4, 30.08

 

CMYK 80 / 0 / 31 / 4

HEX #31F6AA

RGB 49 246 170

HSL 156.85, 0.92%, 0.58%

LAB 86.73, -63.57, 23.6

 

CMYK 64 / 0 / 25 / 3

HEX #59F8BA

RGB 89 248 186

HSL 156.6, 0.92%, 0.66%

LAB 88.35, -55.68, 17.75

 

CMYK 48 / 0 / 19 / 2

HEX #81FACB

RGB 129 250 203

HSL 156.69, 0.92%, 0.74%

LAB 90.48, -44.81, 12.15

 

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

CMYK 80 / 64 / 0 / 4

HEX #3159F6

RGB 49 89 246

HSL 227.82, 0.92%, 0.58%

LAB 44.87, 42.14, -81.94

 

CMYK 0 / 64 / 80 / 4

HEX #F65931

RGB 246 89 49

HSL 12.18, 0.92%, 0.58%

LAB 58.94, 58.24, 53.57

 

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

CMYK 32 / 80 / 0 / 4

HEX #A831F6

RGB 168 49 246

HSL 276.24, 0.92%, 0.58%

LAB 48.48, 76.59, -75.63

 

CMYK 0 / 32 / 80 / 4

HEX #F6A831

RGB 246 168 49

HSL 36.24, 0.92%, 0.58%

LAB 74.71, 19.41, 68.11

 

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

CMYK 80 / 64 / 0 / 4

HEX #3159F6

RGB 49 89 246

HSL 227.82, 0.92%, 0.58%

LAB 44.87, 42.14, -81.94

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 0 / 16 / 80 / 4

HEX #F6CF31

RGB 246 207 49

HSL 48.12, 0.92%, 0.58%

LAB 84.19, -0.88, 76.5

 

CMYK 79 / 0 / 31 / 3

HEX #33F7AB

RGB 51 247 171

HSL 156.73, 0.92%, 0.58%

LAB 87.08, -63.53, 23.57

 

CMYK 72 / 80 / 0 / 4

HEX #4531F6

RGB 69 49 246

HSL 246.09, 0.92%, 0.58%

LAB 38.05, 65.35, -93.16

 

CMYK 0 / 80 / 48 / 4

HEX #F63180

RGB 246 49 128

HSL 335.94, 0.92%, 0.58%

LAB 55.43, 75.96, 4.63

 

CMYK 8 / 0 / 80 / 4

HEX #E3F631

RGB 227 246 49

HSL 65.79, 0.92%, 0.58%

LAB 92.78, -27.93, 83.38

 

Description

Color code: HEX #33F7AB | qconv.com Color code: HEX #33F7AB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 247 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 247 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 31 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 31% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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