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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33F360 it is the complementary color #CC0C9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33F360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33F360 shade: #38F35B, #49FF6E, #5AFF81, #6BFF94 and #7CFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33F360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33F360 shade: #33F360, #22E14D, #11CF3A, #00BD27 and #00AB14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33F360 shade: #35F361, #3BF335, #6FF335, #A2F335 and #D6F335

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33F360 shade: #35F361, #35F395, #35F3C8, #35EBF3 and #35B8F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33F360 shade matches the following richer shades: #35F361

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33F360 shade: #35F361, #46E26A, #57D174, #69BF7D and #7AAE86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33F360 shade: #6EF335, #3BF335, #35F361, #35F394 and #35F3C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33F360 shade: #0CCA38, #0EF143, #35F361, #5CF580 and #83F89E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33F360 shade: #33F360, #35A1F3 and #F33554

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33F360 shade: #33F360, #6135F3 and #F36135

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33F360 shade: #33F360, #35A1F3, #F335C7 and #F38735

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33F360 shade: #33F360, #3567F3, #F335C7 and #F3C035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

Complementary color

CMYK 0 / 94 / 22 / 20

HEX #CC0C9F

RGB 204 12 159

HSL 314.06, 0.89%, 0.42%

LAB 46.45, 76.07, -28.23

 

CMYK 77 / 0 / 63 / 5

HEX #38F35B

RGB 56 243 91

HSL 131.23, 0.89%, 0.59%

LAB 84.84, -74.35, 58.86

 

CMYK 71 / 0 / 57 / 0

HEX #49FF6E

RGB 73 255 110

HSL 132.2, 1%, 0.64%

LAB 88.95, -73.6, 55.5

 

CMYK 65 / 0 / 49 / 0

HEX #5AFF81

RGB 90 255 129

HSL 134.18, 1%, 0.68%

LAB 89.52, -68.23, 47.62

 

CMYK 58 / 0 / 42 / 0

HEX #6BFF94

RGB 107 255 148

HSL 136.62, 1%, 0.71%

LAB 90.22, -61.99, 39.48

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA7

RGB 124 255 167

HSL 139.69, 1%, 0.74%

LAB 91.05, -55, 31.26

 

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

CMYK 85 / 0 / 66 / 12

HEX #22E14D

RGB 34 225 77

HSL 133.51, 0.76%, 0.51%

LAB 78.88, -72.67, 57.92

 

CMYK 92 / 0 / 72 / 19

HEX #11CF3A

RGB 17 207 58

HSL 132.95, 0.85%, 0.44%

LAB 72.93, -70.34, 58.86

 

CMYK 100 / 0 / 79 / 26

HEX #00BD27

RGB 0 189 39

HSL 132.38, 1%, 0.37%

LAB 66.93, -67.37, 59.24

 

CMYK 100 / 0 / 88 / 33

HEX #00AB14

RGB 0 171 20

HSL 127.02, 1%, 0.34%

LAB 60.94, -63.3, 58.63

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 76 / 0 / 78 / 5

HEX #3BF335

RGB 59 243 53

HSL 118.11, 0.89%, 0.58%

LAB 84.63, -77.1, 72.19

 

CMYK 54 / 0 / 78 / 5

HEX #6FF335

RGB 111 243 53

HSL 101.68, 0.89%, 0.58%

LAB 85.88, -66.78, 73.81

 

CMYK 33 / 0 / 78 / 5

HEX #A2F335

RGB 162 243 53

HSL 85.58, 0.89%, 0.58%

LAB 87.99, -51.18, 76.54

 

CMYK 12 / 0 / 78 / 5

HEX #D6F335

RGB 214 243 53

HSL 69.16, 0.89%, 0.58%

LAB 91.08, -31.61, 80.49

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 78 / 0 / 39 / 5

HEX #35F395

RGB 53 243 149

HSL 150.32, 0.89%, 0.58%

LAB 85.52, -66.21, 32.61

 

CMYK 78 / 0 / 18 / 5

HEX #35F3C8

RGB 53 243 200

HSL 166.42, 0.89%, 0.58%

LAB 86.52, -55.26, 7.79

 

CMYK 78 / 3 / 0 / 5

HEX #35EBF3

RGB 53 235 243

HSL 182.53, 0.89%, 0.58%

LAB 85.32, -40.36, -16.52

 

CMYK 78 / 24 / 0 / 5

HEX #35B8F3

RGB 53 184 243

HSL 198.63, 0.89%, 0.58%

LAB 70.53, -15.33, -39.18

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 69 / 0 / 53 / 11

HEX #46E26A

RGB 70 226 106

HSL 133.85, 0.73%, 0.58%

LAB 80.03, -64.92, 46.66

 

CMYK 58 / 0 / 44 / 18

HEX #57D174

RGB 87 209 116

HSL 134.26, 0.57%, 0.58%

LAB 75.38, -53.9, 36.1

 

CMYK 45 / 0 / 35 / 25

HEX #69BF7D

RGB 105 191 125

HSL 133.95, 0.4%, 0.58%

LAB 70.7, -40.37, 25.43

 

CMYK 30 / 0 / 23 / 32

HEX #7AAE86

RGB 122 174 134

HSL 133.85, 0.24%, 0.58%

LAB 66.62, -25.56, 15.14

 

CMYK 55 / 0 / 78 / 5

HEX #6EF335

RGB 110 243 53

HSL 102, 0.89%, 0.58%

LAB 85.84, -67.04, 73.77

 

CMYK 76 / 0 / 78 / 5

HEX #3BF335

RGB 59 243 53

HSL 118.11, 0.89%, 0.58%

LAB 84.63, -77.1, 72.19

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 78 / 0 / 39 / 5

HEX #35F394

RGB 53 243 148

HSL 150, 0.89%, 0.58%

LAB 85.5, -66.4, 33.09

 

CMYK 78 / 0 / 18 / 5

HEX #35F3C7

RGB 53 243 199

HSL 166.11, 0.89%, 0.58%

LAB 86.49, -55.5, 8.28

 

CMYK 94 / 0 / 72 / 21

HEX #0CCA38

RGB 12 202 56

HSL 133.89, 0.89%, 0.42%

LAB 71.29, -69.3, 57.9

 

CMYK 94 / 0 / 72 / 5

HEX #0EF143

RGB 14 241 67

HSL 134.01, 0.89%, 0.5%

LAB 83.66, -79.38, 66.66

 

CMYK 78 / 0 / 60 / 5

HEX #35F361

RGB 53 243 97

HSL 133.89, 0.89%, 0.58%

LAB 84.85, -74.04, 56.32

 

CMYK 62 / 0 / 48 / 4

HEX #5CF580

RGB 92 245 128

HSL 134.12, 0.88%, 0.66%

LAB 86.57, -64.45, 44.42

 

CMYK 47 / 0 / 36 / 3

HEX #83F89E

RGB 131 248 158

HSL 133.85, 0.89%, 0.74%

LAB 89.12, -51.94, 33.24

 

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

CMYK 78 / 34 / 0 / 5

HEX #35A1F3

RGB 53 161 243

HSL 205.89, 0.89%, 0.58%

LAB 63.93, -2.63, -49.54

 

CMYK 0 / 78 / 65 / 5

HEX #F33554

RGB 243 53 84

HSL 350.21, 0.89%, 0.58%

LAB 54.28, 71.24, 29.23

 

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

CMYK 60 / 78 / 0 / 5

HEX #6135F3

RGB 97 53 243

HSL 253.89, 0.89%, 0.58%

LAB 40.51, 65.2, -87.34

 

CMYK 0 / 60 / 78 / 5

HEX #F36135

RGB 243 97 53

HSL 13.89, 0.89%, 0.58%

LAB 59.76, 53.91, 52.31

 

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

CMYK 78 / 34 / 0 / 5

HEX #35A1F3

RGB 53 161 243

HSL 205.89, 0.89%, 0.58%

LAB 63.93, -2.63, -49.54

 

CMYK 0 / 78 / 18 / 5

HEX #F335C7

RGB 243 53 199

HSL 313.89, 0.89%, 0.58%

LAB 57.77, 81.68, -33.46

 

CMYK 0 / 44 / 78 / 5

HEX #F38735

RGB 243 135 53

HSL 25.89, 0.89%, 0.58%

LAB 67.01, 35.54, 59.34

 

CMYK 79 / 0 / 60 / 5

HEX #33F360

RGB 51 243 96

HSL 134.06, 0.89%, 0.58%

LAB 84.82, -74.38, 56.7

 

CMYK 78 / 58 / 0 / 5

HEX #3567F3

RGB 53 103 243

HSL 224.21, 0.89%, 0.58%

LAB 48.17, 32.69, -74.86

 

CMYK 0 / 78 / 18 / 5

HEX #F335C7

RGB 243 53 199

HSL 313.89, 0.89%, 0.58%

LAB 57.77, 81.68, -33.46

 

CMYK 0 / 21 / 78 / 5

HEX #F3C035

RGB 243 192 53

HSL 43.89, 0.89%, 0.58%

LAB 80.19, 5.7, 71.58

 

Description

Color code: HEX #33F360 | qconv.com Color code: HEX #33F360 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 243 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 243 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 60 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 60% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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