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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33E69D it is the complementary color #CC1962. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33E69D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33E69D shade: #38E698, #49F8AB, #5AFFBE, #6BFFD1 and #7CFFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33E69D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33E69D shade: #33E69D, #22D48A, #11C277, #00B064 and #009E51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33E69D shade: #33E69D, #33E66C, #33E63C, #5AE633 and #8AE633

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33E69D shade: #33E69D, #33E6CD, #33CEE6, #339EE6 and #336EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33E69D shade matches the following richer shades: #33E69D and #20F8A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33E69D shade: #33E69D, #45D399, #58C196, #6AAE92 and #7D9B8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33E69D shade: #33E63C, #33E66B, #33E69B, #33E6CB and #33D1E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33E69D shade: #16B071, #1AD589, #33E69D, #57EAAE and #7CEFC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33E69D shade: #33E69D, #335AE6 and #E65433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33E69D shade: #33E69D, #9B33E6 and #E69B33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33E69D shade: #33E69D, #335AE6, #E6337D and #E6BF33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33E69D shade: #33E69D, #4233E6, #E6337D and #D7E633

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

Complementary color

CMYK 0 / 88 / 52 / 20

HEX #CC1962

RGB 204 25 98

HSL 335.53, 0.78%, 0.45%

LAB 44.82, 68.35, 6.66

 

CMYK 76 / 0 / 34 / 10

HEX #38E698

RGB 56 230 152

HSL 153.1, 0.78%, 0.56%

LAB 81.68, -60.61, 25.94

 

CMYK 71 / 0 / 31 / 3

HEX #49F8AB

RGB 73 248 171

HSL 153.6, 0.93%, 0.63%

LAB 87.72, -61.28, 24.51

 

CMYK 65 / 0 / 25 / 0

HEX #5AFFBE

RGB 90 255 190

HSL 156.36, 1%, 0.68%

LAB 90.51, -57.44, 18.71

 

CMYK 58 / 0 / 18 / 0

HEX #6BFFD1

RGB 107 255 209

HSL 161.35, 1%, 0.71%

LAB 91.35, -50.3, 10.19

 

CMYK 51 / 0 / 11 / 0

HEX #7CFFE4

RGB 124 255 228

HSL 167.63, 1%, 0.74%

LAB 92.31, -42.58, 1.83

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 84 / 0 / 35 / 17

HEX #22D48A

RGB 34 212 138

HSL 155.06, 0.72%, 0.48%

LAB 75.61, -59.09, 24.93

 

CMYK 91 / 0 / 39 / 24

HEX #11C277

RGB 17 194 119

HSL 154.58, 0.84%, 0.41%

LAB 69.49, -57.6, 26.63

 

CMYK 100 / 0 / 43 / 31

HEX #00B064

RGB 0 176 100

HSL 154.09, 1%, 0.35%

LAB 63.32, -55.69, 28.46

 

CMYK 100 / 0 / 49 / 38

HEX #009E51

RGB 0 158 81

HSL 150.76, 1%, 0.31%

LAB 57.12, -52.95, 30.46

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 78 / 0 / 53 / 10

HEX #33E66C

RGB 51 230 108

HSL 139.11, 0.78%, 0.55%

LAB 80.95, -68.72, 46.76

 

CMYK 78 / 0 / 74 / 10

HEX #33E63C

RGB 51 230 60

HSL 123.02, 0.78%, 0.55%

LAB 80.53, -73.84, 65.99

 

CMYK 61 / 0 / 78 / 10

HEX #5AE633

RGB 90 230 51

HSL 106.93, 0.78%, 0.55%

LAB 81.3, -67.56, 69.84

 

CMYK 40 / 0 / 78 / 10

HEX #8AE633

RGB 138 230 51

HSL 90.84, 0.78%, 0.55%

LAB 83.04, -54.16, 72.1

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 78 / 0 / 11 / 10

HEX #33E6CD

RGB 51 230 205

HSL 171.62, 0.78%, 0.55%

LAB 82.76, -48.86, -0.28

 

CMYK 78 / 10 / 0 / 10

HEX #33CEE6

RGB 51 206 230

HSL 188.04, 0.78%, 0.55%

LAB 76.41, -30.89, -23.1

 

CMYK 78 / 31 / 0 / 10

HEX #339EE6

RGB 51 158 230

HSL 204.13, 0.78%, 0.55%

LAB 62.4, -5.73, -44.81

 

CMYK 78 / 52 / 0 / 10

HEX #336EE6

RGB 51 110 230

HSL 220.22, 0.78%, 0.55%

LAB 48.97, 23.3, -66.27

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 87 / 0 / 35 / 3

HEX #20F8A0

RGB 32 248 160

HSL 155.56, 0.94%, 0.55%

LAB 86.99, -67.63, 29

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 67 / 0 / 27 / 17

HEX #45D399

RGB 69 211 153

HSL 155.49, 0.62%, 0.55%

LAB 76.16, -51.25, 17.9

 

CMYK 54 / 0 / 22 / 24

HEX #58C196

RGB 88 193 150

HSL 155.43, 0.46%, 0.55%

LAB 71.16, -40.63, 12.57

 

CMYK 39 / 0 / 16 / 32

HEX #6AAE92

RGB 106 174 146

HSL 155.29, 0.3%, 0.55%

LAB 66.07, -28.05, 7.64

 

CMYK 19 / 0 / 8 / 39

HEX #7D9B8F

RGB 125 155 143

HSL 156, 0.13%, 0.55%

LAB 61.47, -12.98, 2.83

 

CMYK 78 / 0 / 74 / 10

HEX #33E63C

RGB 51 230 60

HSL 123.02, 0.78%, 0.55%

LAB 80.53, -73.84, 65.99

 

CMYK 78 / 0 / 53 / 10

HEX #33E66B

RGB 51 230 107

HSL 138.77, 0.78%, 0.55%

LAB 80.94, -68.86, 47.22

 

CMYK 78 / 0 / 33 / 10

HEX #33E69B

RGB 51 230 155

HSL 154.86, 0.78%, 0.55%

LAB 81.66, -60.58, 24.36

 

CMYK 78 / 0 / 12 / 10

HEX #33E6CB

RGB 51 230 203

HSL 170.95, 0.78%, 0.55%

LAB 82.71, -49.39, 0.7

 

CMYK 78 / 9 / 0 / 10

HEX #33D1E6

RGB 51 209 230

HSL 187.04, 0.78%, 0.55%

LAB 77.29, -32.33, -21.76

 

CMYK 88 / 0 / 36 / 31

HEX #16B071

RGB 22 176 113

HSL 155.45, 0.78%, 0.39%

LAB 63.68, -51.95, 22.04

 

CMYK 88 / 0 / 36 / 16

HEX #1AD589

RGB 26 213 137

HSL 155.61, 0.78%, 0.47%

LAB 75.83, -60.25, 25.74

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 63 / 0 / 26 / 8

HEX #57EAAE

RGB 87 234 174

HSL 155.51, 0.78%, 0.63%

LAB 83.93, -52.95, 17.76

 

CMYK 48 / 0 / 20 / 6

HEX #7CEFC0

RGB 124 239 192

HSL 155.48, 0.78%, 0.71%

LAB 86.91, -43.5, 12.76

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 78 / 61 / 0 / 10

HEX #335AE6

RGB 51 90 230

HSL 226.93, 0.78%, 0.55%

LAB 43.84, 35.97, -74.62

 

CMYK 0 / 63 / 78 / 10

HEX #E65433

RGB 230 84 51

HSL 11.06, 0.78%, 0.55%

LAB 55.48, 54.98, 48.3

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 33 / 78 / 0 / 10

HEX #9B33E6

RGB 155 51 230

HSL 274.86, 0.78%, 0.55%

LAB 45.7, 70.59, -71.22

 

CMYK 0 / 33 / 78 / 10

HEX #E69B33

RGB 230 155 51

HSL 34.86, 0.78%, 0.55%

LAB 69.83, 19.61, 62.23

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 78 / 61 / 0 / 10

HEX #335AE6

RGB 51 90 230

HSL 226.93, 0.78%, 0.55%

LAB 43.84, 35.97, -74.62

 

CMYK 0 / 78 / 46 / 10

HEX #E6337D

RGB 230 51 125

HSL 335.2, 0.78%, 0.55%

LAB 52.59, 71.14, 1.95

 

CMYK 0 / 17 / 78 / 10

HEX #E6BF33

RGB 230 191 51

HSL 46.93, 0.78%, 0.55%

LAB 78.65, 0.6, 70.37

 

CMYK 78 / 0 / 32 / 10

HEX #33E69D

RGB 51 230 157

HSL 155.53, 0.78%, 0.55%

LAB 81.69, -60.17, 23.38

 

CMYK 71 / 78 / 0 / 10

HEX #4233E6

RGB 66 51 230

HSL 245.03, 0.78%, 0.55%

LAB 36.44, 59.56, -86.77

 

CMYK 0 / 78 / 46 / 10

HEX #E6337D

RGB 230 51 125

HSL 335.2, 0.78%, 0.55%

LAB 52.59, 71.14, 1.95

 

CMYK 7 / 0 / 78 / 10

HEX #D7E633

RGB 215 230 51

HSL 65.03, 0.78%, 0.55%

LAB 87.62, -25.19, 77.98

 

Description

Color code: HEX #33E69D | qconv.com Color code: HEX #33E69D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 230 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 230 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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