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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33E522 it is the complementary color #CC1ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33E522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33E522 shade: #38E51D, #49F730, #5AFF43, #6BFF56 and #7CFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33E522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33E522 shade: #33E522, #22D30F, #11C100, #00AF00 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33E522 shade: #35E524, #69E524, #9DE524, #D1E524 and #E5C524

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33E522 shade: #35E524, #24E547, #24E57B, #24E5B0 and #24E5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33E522 shade matches the following richer shades: #35E524 and #24F910

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33E522 shade: #35E524, #45D138, #55BE4C, #66AA5F and #769673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33E522 shade: #9EE524, #6BE524, #37E524, #24E544 and #24E578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33E522 shade: #20A413, #27C818, #35E524, #57EA49 and #79EE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33E522 shade: #33E522, #24D2E5 and #E52485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33E522 shade: #33E522, #2437E5 and #E52437

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33E522 shade: #33E522, #24D2E5, #D224E5 and #E53724

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33E522 shade: #33E522, #2498E5, #D224E5 and #E57124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

Complementary color

CMYK 8 / 88 / 0 / 13

HEX #CC1ADD

RGB 204 26 221

HSL 294.77, 0.79%, 0.48%

LAB 50.45, 82.97, -58.06

 

CMYK 76 / 0 / 87 / 10

HEX #38E51D

RGB 56 229 29

HSL 111.9, 0.79%, 0.51%

LAB 80.16, -74.54, 73.84

 

CMYK 70 / 0 / 81 / 3

HEX #49F730

RGB 73 247 48

HSL 112.46, 0.93%, 0.58%

LAB 86.08, -76.44, 75

 

CMYK 65 / 0 / 74 / 0

HEX #5AFF43

RGB 90 255 67

HSL 112.66, 1%, 0.63%

LAB 88.97, -74.69, 72.34

 

CMYK 58 / 0 / 66 / 0

HEX #6BFF56

RGB 107 255 86

HSL 112.54, 1%, 0.67%

LAB 89.54, -69.59, 66.32

 

CMYK 51 / 0 / 59 / 0

HEX #7CFF69

RGB 124 255 105

HSL 112.4, 1%, 0.71%

LAB 90.24, -63.61, 59.52

 

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

CMYK 84 / 0 / 93 / 17

HEX #22D30F

RGB 34 211 15

HSL 114.18, 0.87%, 0.44%

LAB 74.17, -72.44, 70.83

 

CMYK 91 / 0 / 100 / 24

HEX #11C100

RGB 17 193 0

HSL 114.72, 1%, 0.38%

LAB 68.21, -69.09, 67.56

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 77 / 0 / 84 / 10

HEX #35E524

RGB 53 229 36

HSL 114.72, 0.79%, 0.52%

LAB 80.14, -74.68, 72.36

 

CMYK 54 / 0 / 84 / 10

HEX #69E524

RGB 105 229 36

HSL 98.55, 0.79%, 0.52%

LAB 81.38, -64.26, 73.95

 

CMYK 31 / 0 / 84 / 10

HEX #9DE524

RGB 157 229 36

HSL 82.38, 0.79%, 0.52%

LAB 83.62, -47.82, 76.76

 

CMYK 9 / 0 / 84 / 10

HEX #D1E524

RGB 209 229 36

HSL 66.22, 0.79%, 0.52%

LAB 86.86, -27.64, 80.8

 

CMYK 0 / 14 / 84 / 10

HEX #E5C524

RGB 229 197 36

HSL 50.05, 0.79%, 0.52%

LAB 80.02, -3.38, 75.79

 

CMYK 77 / 0 / 84 / 10

HEX #35E524

RGB 53 229 36

HSL 114.72, 0.79%, 0.52%

LAB 80.14, -74.68, 72.36

 

CMYK 84 / 0 / 69 / 10

HEX #24E547

RGB 36 229 71

HSL 130.88, 0.79%, 0.52%

LAB 80.11, -74.25, 61.58

 

CMYK 84 / 0 / 46 / 10

HEX #24E57B

RGB 36 229 123

HSL 147.05, 0.79%, 0.52%

LAB 80.65, -67.6, 39.16

 

CMYK 84 / 0 / 23 / 10

HEX #24E5B0

RGB 36 229 176

HSL 163.52, 0.79%, 0.52%

LAB 81.59, -56.95, 13.31

 

CMYK 84 / 0 / 0 / 10

HEX #24E5E4

RGB 36 229 228

HSL 179.69, 0.79%, 0.52%

LAB 82.92, -43.29, -12.23

 

CMYK 77 / 0 / 84 / 10

HEX #35E524

RGB 53 229 36

HSL 114.72, 0.79%, 0.52%

LAB 80.14, -74.68, 72.36

 

CMYK 86 / 0 / 94 / 2

HEX #24F910

RGB 36 249 16

HSL 114.85, 0.95%, 0.52%

LAB 86.09, -82.69, 80.61

 

CMYK 77 / 0 / 84 / 10

HEX #35E524

RGB 53 229 36

HSL 114.72, 0.79%, 0.52%

LAB 80.14, -74.68, 72.36

 

CMYK 67 / 0 / 73 / 18

HEX #45D138

RGB 69 209 56

HSL 114.9, 0.62%, 0.52%

LAB 74.29, -64.72, 61.2

 

CMYK 55 / 0 / 60 / 25

HEX #55BE4C

RGB 85 190 76

HSL 115.26, 0.47%, 0.52%

LAB 68.95, -52.52, 47.53

 

CMYK 40 / 0 / 44 / 33

HEX #66AA5F

RGB 102 170 95

HSL 114.4, 0.31%, 0.52%

LAB 63.67, -36.79, 31.99

 

CMYK 21 / 0 / 23 / 41

HEX #769673

RGB 118 150 115

HSL 114.86, 0.14%, 0.52%

LAB 58.88, -18.25, 14.89

 

CMYK 31 / 0 / 84 / 10

HEX #9EE524

RGB 158 229 36

HSL 82.07, 0.79%, 0.52%

LAB 83.67, -47.46, 76.83

 

CMYK 53 / 0 / 84 / 10

HEX #6BE524

RGB 107 229 36

HSL 97.93, 0.79%, 0.52%

LAB 81.45, -63.72, 74.03

 

CMYK 76 / 0 / 84 / 10

HEX #37E524

RGB 55 229 36

HSL 114.09, 0.79%, 0.52%

LAB 80.17, -74.41, 72.4

 

CMYK 84 / 0 / 70 / 10

HEX #24E544

RGB 36 229 68

HSL 129.95, 0.79%, 0.52%

LAB 80.08, -74.52, 62.67

 

CMYK 84 / 0 / 48 / 10

HEX #24E578

RGB 36 229 120

HSL 146.11, 0.79%, 0.52%

LAB 80.61, -68.09, 40.57

 

CMYK 80 / 0 / 88 / 36

HEX #20A413

RGB 32 164 19

HSL 114.62, 0.79%, 0.36%

LAB 58.89, -58.8, 57.15

 

CMYK 81 / 0 / 88 / 22

HEX #27C818

RGB 39 200 24

HSL 114.89, 0.79%, 0.44%

LAB 70.74, -68.48, 66.51

 

CMYK 77 / 0 / 84 / 10

HEX #35E524

RGB 53 229 36

HSL 114.72, 0.79%, 0.52%

LAB 80.14, -74.68, 72.36

 

CMYK 63 / 0 / 69 / 8

HEX #57EA49

RGB 87 234 73

HSL 114.78, 0.79%, 0.6%

LAB 82.57, -68, 63.7

 

CMYK 49 / 0 / 54 / 7

HEX #79EE6E

RGB 121 238 110

HSL 114.84, 0.79%, 0.68%

LAB 85.17, -57.44, 51.34

 

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

CMYK 84 / 8 / 0 / 10

HEX #24D2E5

RGB 36 210 229

HSL 185.91, 0.79%, 0.52%

LAB 77.36, -34.32, -21.15

 

CMYK 0 / 84 / 42 / 10

HEX #E52485

RGB 229 36 133

HSL 329.84, 0.79%, 0.52%

LAB 51.4, 75.16, -4.64

 

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

CMYK 84 / 76 / 0 / 10

HEX #2437E5

RGB 36 55 229

HSL 234.09, 0.79%, 0.52%

LAB 35.53, 55.33, -87.76

 

CMYK 0 / 84 / 76 / 10

HEX #E52437

RGB 229 36 55

HSL 354.09, 0.79%, 0.52%

LAB 49.73, 70.33, 40.06

 

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

CMYK 84 / 8 / 0 / 10

HEX #24D2E5

RGB 36 210 229

HSL 185.91, 0.79%, 0.52%

LAB 77.36, -34.32, -21.15

 

CMYK 8 / 84 / 0 / 10

HEX #D224E5

RGB 210 36 229

HSL 294.09, 0.79%, 0.52%

LAB 52.53, 83.47, -59.2

 

CMYK 0 / 76 / 84 / 10

HEX #E53724

RGB 229 55 36

HSL 5.91, 0.79%, 0.52%

LAB 51.29, 64.9, 51.56

 

CMYK 78 / 0 / 85 / 10

HEX #33E522

RGB 51 229 34

HSL 114.77, 0.79%, 0.52%

LAB 80.1, -75.03, 72.76

 

CMYK 84 / 34 / 0 / 10

HEX #2498E5

RGB 36 152 229

HSL 203.94, 0.79%, 0.52%

LAB 60.33, -4.01, -47.55

 

CMYK 8 / 84 / 0 / 10

HEX #D224E5

RGB 210 36 229

HSL 294.09, 0.79%, 0.52%

LAB 52.53, 83.47, -59.2

 

CMYK 0 / 51 / 84 / 10

HEX #E57124

RGB 229 113 36

HSL 23.94, 0.79%, 0.52%

LAB 60.42, 40.66, 59.4

 

Description

Color code: HEX #33E522 | qconv.com Color code: HEX #33E522 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 229 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 229 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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