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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33E276 it is the complementary color #CC1D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33E276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33E276 shade: #38E271, #49F484, #5AFF97, #6BFFAA and #7CFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33E276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33E276 shade: #33E276, #22D063, #11BE50, #00AC3D and #009A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33E276 shade: #32E275, #32E246, #4DE232, #7DE232 and #ACE232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33E276 shade: #32E275, #32E2A5, #32E2D4, #32C0E2 and #3290E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33E276 shade matches the following richer shades: #32E275 and #1FF571

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33E276 shade: #32E275, #45CF7A, #58BC7E, #6BA982 and #7E9687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33E276 shade: #4FE232, #32E243, #32E272, #32E2A1 and #32E2D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33E276 shade: #18A94F, #1DCD60, #32E275, #56E78D and #7AECA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33E276 shade: #33E276, #327EE2 and #E23238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33E276 shade: #33E276, #7232E2 and #E27232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33E276 shade: #33E276, #327EE2, #E232A1 and #E29532

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33E276 shade: #33E276, #3249E2, #E232A1 and #E2CA32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

Complementary color

CMYK 0 / 86 / 33 / 20

HEX #CC1D89

RGB 204 29 137

HSL 322.97, 0.75%, 0.46%

LAB 46.34, 71.18, -15.13

 

CMYK 75 / 0 / 50 / 11

HEX #38E271

RGB 56 226 113

HSL 140.12, 0.75%, 0.55%

LAB 79.86, -66.03, 43.07

 

CMYK 70 / 0 / 46 / 4

HEX #49F484

RGB 73 244 132

HSL 140.7, 0.89%, 0.62%

LAB 85.9, -66.84, 41.56

 

CMYK 65 / 0 / 41 / 0

HEX #5AFF97

RGB 90 255 151

HSL 142.18, 1%, 0.68%

LAB 89.83, -64.83, 37.41

 

CMYK 58 / 0 / 33 / 0

HEX #6BFFAA

RGB 107 255 170

HSL 145.54, 1%, 0.71%

LAB 90.57, -58.23, 29.02

 

CMYK 51 / 0 / 26 / 0

HEX #7CFFBD

RGB 124 255 189

HSL 149.77, 1%, 0.74%

LAB 91.45, -50.94, 20.68

 

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

CMYK 84 / 0 / 52 / 18

HEX #22D063

RGB 34 208 99

HSL 142.41, 0.72%, 0.47%

LAB 73.77, -64.61, 42.22

 

CMYK 91 / 0 / 58 / 25

HEX #11BE50

RGB 17 190 80

HSL 141.85, 0.84%, 0.41%

LAB 67.67, -62.79, 43.86

 

CMYK 100 / 0 / 65 / 33

HEX #00AC3D

RGB 0 172 61

HSL 141.28, 1%, 0.34%

LAB 61.52, -60.4, 45.41

 

CMYK 100 / 0 / 73 / 40

HEX #009A2A

RGB 0 154 42

HSL 136.36, 1%, 0.3%

LAB 55.36, -56.93, 46.7

 

CMYK 78 / 0 / 48 / 11

HEX #32E275

RGB 50 226 117

HSL 142.84, 0.75%, 0.54%

LAB 79.82, -66.17, 41.06

 

CMYK 78 / 0 / 69 / 11

HEX #32E246

RGB 50 226 70

HSL 126.82, 0.75%, 0.54%

LAB 79.34, -71.95, 61.2

 

CMYK 66 / 0 / 78 / 11

HEX #4DE232

RGB 77 226 50

HSL 110.8, 0.75%, 0.54%

LAB 79.73, -69.07, 68.52

 

CMYK 45 / 0 / 78 / 11

HEX #7DE232

RGB 125 226 50

HSL 94.43, 0.75%, 0.54%

LAB 81.28, -56.79, 70.54

 

CMYK 24 / 0 / 78 / 11

HEX #ACE232

RGB 172 226 50

HSL 78.41, 0.75%, 0.54%

LAB 83.65, -40.44, 73.6

 

CMYK 78 / 0 / 48 / 11

HEX #32E275

RGB 50 226 117

HSL 142.84, 0.75%, 0.54%

LAB 79.82, -66.17, 41.06

 

CMYK 78 / 0 / 27 / 11

HEX #32E2A5

RGB 50 226 165

HSL 159.2, 0.75%, 0.54%

LAB 80.62, -57.05, 17.73

 

CMYK 78 / 0 / 6 / 11

HEX #32E2D4

RGB 50 226 212

HSL 175.23, 0.75%, 0.54%

LAB 81.74, -45.38, -5.48

 

CMYK 78 / 15 / 0 / 11

HEX #32C0E2

RGB 50 192 226

HSL 191.59, 0.75%, 0.54%

LAB 72.14, -25.35, -27.47

 

CMYK 78 / 36 / 0 / 11

HEX #3290E2

RGB 50 144 226

HSL 207.95, 0.75%, 0.54%

LAB 58.15, 0.83, -49.32

 

CMYK 78 / 0 / 48 / 11

HEX #32E275

RGB 50 226 117

HSL 142.84, 0.75%, 0.54%

LAB 79.82, -66.17, 41.06

 

CMYK 87 / 0 / 54 / 4

HEX #1FF571

RGB 31 245 113

HSL 142.99, 0.91%, 0.54%

LAB 85.4, -74.63, 49.79

 

CMYK 78 / 0 / 48 / 11

HEX #32E275

RGB 50 226 117

HSL 142.84, 0.75%, 0.54%

LAB 79.82, -66.17, 41.06

 

CMYK 67 / 0 / 41 / 19

HEX #45CF7A

RGB 69 207 122

HSL 143.04, 0.59%, 0.54%

LAB 74.38, -55.77, 31.66

 

CMYK 53 / 0 / 33 / 26

HEX #58BC7E

RGB 88 188 126

HSL 142.8, 0.43%, 0.54%

LAB 69.15, -43.38, 22.7

 

CMYK 37 / 0 / 23 / 34

HEX #6BA982

RGB 107 169 130

HSL 142.26, 0.26%, 0.54%

LAB 64.25, -28.66, 13.92

 

CMYK 16 / 0 / 10 / 41

HEX #7E9687

RGB 126 150 135

HSL 142.5, 0.1%, 0.54%

LAB 59.89, -11.58, 5.08

 

CMYK 65 / 0 / 78 / 11

HEX #4FE232

RGB 79 226 50

HSL 110.11, 0.75%, 0.54%

LAB 79.78, -68.67, 68.59

 

CMYK 78 / 0 / 70 / 11

HEX #32E243

RGB 50 226 67

HSL 125.8, 0.75%, 0.54%

LAB 79.31, -72.21, 62.29

 

CMYK 78 / 0 / 50 / 11

HEX #32E272

RGB 50 226 114

HSL 141.82, 0.75%, 0.54%

LAB 79.78, -66.63, 42.47

 

CMYK 78 / 0 / 29 / 11

HEX #32E2A1

RGB 50 226 161

HSL 157.84, 0.75%, 0.54%

LAB 80.54, -57.93, 19.71

 

CMYK 78 / 0 / 8 / 11

HEX #32E2D0

RGB 50 226 208

HSL 173.86, 0.75%, 0.54%

LAB 81.63, -46.46, -3.52

 

CMYK 86 / 0 / 53 / 34

HEX #18A94F

RGB 24 169 79

HSL 142.76, 0.75%, 0.38%

LAB 60.9, -55.53, 36.22

 

CMYK 86 / 0 / 53 / 20

HEX #1DCD60

RGB 29 205 96

HSL 142.84, 0.75%, 0.46%

LAB 72.74, -64.51, 42.39

 

CMYK 78 / 0 / 48 / 11

HEX #32E275

RGB 50 226 117

HSL 142.84, 0.75%, 0.54%

LAB 79.82, -66.17, 41.06

 

CMYK 63 / 0 / 39 / 9

HEX #56E78D

RGB 86 231 141

HSL 142.76, 0.75%, 0.62%

LAB 82.41, -58.36, 32.64

 

CMYK 48 / 0 / 30 / 7

HEX #7AECA6

RGB 122 236 166

HSL 143.16, 0.75%, 0.7%

LAB 85.44, -47.84, 24.16

 

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

CMYK 78 / 44 / 0 / 11

HEX #327EE2

RGB 50 126 226

HSL 214.09, 0.75%, 0.54%

LAB 53.05, 11.7, -57.45

 

CMYK 0 / 78 / 75 / 11

HEX #E23238

RGB 226 50 56

HSL 357.95, 0.75%, 0.54%

LAB 50.38, 66.09, 40.03

 

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

CMYK 50 / 78 / 0 / 11

HEX #7232E2

RGB 114 50 226

HSL 261.82, 0.75%, 0.54%

LAB 40.16, 64.01, -78.21

 

CMYK 0 / 50 / 78 / 11

HEX #E27232

RGB 226 114 50

HSL 21.82, 0.75%, 0.54%

LAB 60.28, 39.42, 53.33

 

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

CMYK 78 / 44 / 0 / 11

HEX #327EE2

RGB 50 126 226

HSL 214.09, 0.75%, 0.54%

LAB 53.05, 11.7, -57.45

 

CMYK 0 / 78 / 29 / 11

HEX #E232A1

RGB 226 50 161

HSL 322.16, 0.75%, 0.54%

LAB 52.97, 74.04, -19.02

 

CMYK 0 / 34 / 78 / 11

HEX #E29532

RGB 226 149 50

HSL 33.75, 0.75%, 0.54%

LAB 67.94, 21.08, 60.68

 

CMYK 77 / 0 / 48 / 11

HEX #33E276

RGB 51 226 118

HSL 142.97, 0.75%, 0.54%

LAB 79.84, -65.89, 40.61

 

CMYK 78 / 68 / 0 / 11

HEX #3249E2

RGB 50 73 226

HSL 232.16, 0.75%, 0.54%

LAB 39.47, 44.95, -79.52

 

CMYK 0 / 78 / 29 / 11

HEX #E232A1

RGB 226 50 161

HSL 322.16, 0.75%, 0.54%

LAB 52.97, 74.04, -19.02

 

CMYK 0 / 11 / 78 / 11

HEX #E2CA32

RGB 226 202 50

HSL 51.82, 0.75%, 0.54%

LAB 81.09, -6.81, 72.76

 

Description

Color code: HEX #33E276 | qconv.com Color code: HEX #33E276 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 226 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 226 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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