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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33DF69 it is the complementary color #CC2096. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33DF69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33DF69 shade: #38DF64, #49F177, #5AFF8A, #6BFF9D and #7CFFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33DF69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33DF69 shade: #33DF69, #22CD56, #11BB43, #00A930 and #00971D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33DF69 shade: #34DF6A, #34DF3C, #5BDF34, #89DF34 and #B7DF34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33DF69 shade: #34DF6A, #34DF98, #34DFC6, #34CADF and #349CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33DF69 shade matches the following richer shades: #34DF6A and #21F263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33DF69 shade: #34DF6A, #47CC71, #5AB978, #6DA67F and #809386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33DF69 shade: #5CDF34, #34DF3A, #34DF67, #34DF95 and #34DFC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33DF69 shade: #1AA746, #20CB55, #34DF6A, #58E584 and #7BEA9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33DF69 shade: #33DF69, #348ADF and #DF3445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33DF69 shade: #33DF69, #6734DF and #DF6734

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33DF69 shade: #33DF69, #348ADF, #DF34AC and #DF8A34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33DF69 shade: #33DF69, #3456DF, #DF34AC and #DFBD34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

Complementary color

CMYK 0 / 84 / 26 / 20

HEX #CC2096

RGB 204 32 150

HSL 318.84, 0.73%, 0.46%

LAB 47.07, 72.04, -21.87

 

CMYK 75 / 0 / 55 / 13

HEX #38DF64

RGB 56 223 100

HSL 135.81, 0.72%, 0.55%

LAB 78.77, -66.87, 47.88

 

CMYK 70 / 0 / 51 / 5

HEX #49F177

RGB 73 241 119

HSL 136.43, 0.86%, 0.62%

LAB 84.82, -67.75, 46.42

 

CMYK 65 / 0 / 46 / 0

HEX #5AFF8A

RGB 90 255 138

HSL 137.45, 1%, 0.68%

LAB 89.64, -66.91, 43.49

 

CMYK 58 / 0 / 38 / 0

HEX #6BFF9D

RGB 107 255 157

HSL 140.27, 1%, 0.71%

LAB 90.36, -60.52, 35.23

 

CMYK 51 / 0 / 31 / 0

HEX #7CFFB0

RGB 124 255 176

HSL 143.82, 1%, 0.74%

LAB 91.21, -53.4, 26.95

 

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

CMYK 83 / 0 / 58 / 20

HEX #22CD56

RGB 34 205 86

HSL 138.25, 0.72%, 0.47%

LAB 72.68, -65.45, 47.02

 

CMYK 91 / 0 / 64 / 27

HEX #11BB43

RGB 17 187 67

HSL 137.65, 0.83%, 0.4%

LAB 66.57, -63.48, 48.46

 

CMYK 100 / 0 / 72 / 34

HEX #00A930

RGB 0 169 48

HSL 137.04, 1%, 0.33%

LAB 60.42, -60.87, 49.63

 

CMYK 100 / 0 / 81 / 41

HEX #00971D

RGB 0 151 29

HSL 131.52, 1%, 0.3%

LAB 54.26, -57.08, 50.21

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6A

RGB 52 223 106

HSL 138.95, 0.73%, 0.54%

LAB 78.78, -66.57, 45.06

 

CMYK 77 / 0 / 73 / 13

HEX #34DF3C

RGB 52 223 60

HSL 122.81, 0.73%, 0.54%

LAB 78.36, -71.61, 63.82

 

CMYK 59 / 0 / 77 / 13

HEX #5BDF34

RGB 91 223 52

HSL 106.32, 0.73%, 0.54%

LAB 79.18, -64.91, 67.53

 

CMYK 39 / 0 / 77 / 13

HEX #89DF34

RGB 137 223 52

HSL 90.18, 0.73%, 0.54%

LAB 80.93, -51.65, 69.8

 

CMYK 18 / 0 / 77 / 13

HEX #B7DF34

RGB 183 223 52

HSL 74.04, 0.73%, 0.54%

LAB 83.49, -34.75, 73.12

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6A

RGB 52 223 106

HSL 138.95, 0.73%, 0.54%

LAB 78.78, -66.57, 45.06

 

CMYK 77 / 0 / 32 / 13

HEX #34DF98

RGB 52 223 152

HSL 155.09, 0.73%, 0.54%

LAB 79.48, -58.48, 22.95

 

CMYK 77 / 0 / 11 / 13

HEX #34DFC6

RGB 52 223 198

HSL 171.23, 0.73%, 0.54%

LAB 80.51, -47.64, 0.14

 

CMYK 77 / 9 / 0 / 13

HEX #34CADF

RGB 52 202 223

HSL 187.37, 0.73%, 0.54%

LAB 75.01, -31.02, -21.46

 

CMYK 77 / 30 / 0 / 13

HEX #349CDF

RGB 52 156 223

HSL 203.51, 0.73%, 0.54%

LAB 61.51, -6.95, -42.33

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6A

RGB 52 223 106

HSL 138.95, 0.73%, 0.54%

LAB 78.78, -66.57, 45.06

 

CMYK 86 / 0 / 59 / 5

HEX #21F263

RGB 33 242 99

HSL 138.95, 0.89%, 0.54%

LAB 84.34, -75.4, 54.81

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6A

RGB 52 223 106

HSL 138.95, 0.73%, 0.54%

LAB 78.78, -66.57, 45.06

 

CMYK 65 / 0 / 45 / 20

HEX #47CC71

RGB 71 204 113

HSL 138.95, 0.57%, 0.54%

LAB 73.36, -55.8, 34.94

 

CMYK 51 / 0 / 35 / 27

HEX #5AB978

RGB 90 185 120

HSL 138.95, 0.4%, 0.54%

LAB 68.19, -42.71, 24.62

 

CMYK 34 / 0 / 23 / 35

HEX #6DA67F

RGB 109 166 127

HSL 138.95, 0.24%, 0.54%

LAB 63.39, -27.16, 14.39

 

CMYK 13 / 0 / 9 / 42

HEX #809386

RGB 128 147 134

HSL 138.95, 0.08%, 0.54%

LAB 59.14, -9.44, 4.59

 

CMYK 59 / 0 / 77 / 13

HEX #5CDF34

RGB 92 223 52

HSL 105.96, 0.73%, 0.54%

LAB 79.21, -64.68, 67.57

 

CMYK 77 / 0 / 74 / 13

HEX #34DF3A

RGB 52 223 58

HSL 122.11, 0.73%, 0.54%

LAB 78.35, -71.76, 64.49

 

CMYK 77 / 0 / 54 / 13

HEX #34DF67

RGB 52 223 103

HSL 137.89, 0.73%, 0.54%

LAB 78.74, -66.99, 46.43

 

CMYK 77 / 0 / 33 / 13

HEX #34DF95

RGB 52 223 149

HSL 154.04, 0.73%, 0.54%

LAB 79.43, -59.1, 24.43

 

CMYK 77 / 0 / 13 / 13

HEX #34DFC3

RGB 52 223 195

HSL 170.18, 0.73%, 0.54%

LAB 80.43, -48.42, 1.62

 

CMYK 84 / 0 / 58 / 35

HEX #1AA746

RGB 26 167 70

HSL 138.72, 0.73%, 0.38%

LAB 60.16, -55.98, 39.75

 

CMYK 84 / 0 / 58 / 20

HEX #20CB55

RGB 32 203 85

HSL 138.6, 0.73%, 0.46%

LAB 72.01, -65.13, 46.69

 

CMYK 77 / 0 / 52 / 13

HEX #34DF6A

RGB 52 223 106

HSL 138.95, 0.73%, 0.54%

LAB 78.78, -66.57, 45.06

 

CMYK 62 / 0 / 42 / 10

HEX #58E584

RGB 88 229 132

HSL 138.72, 0.73%, 0.62%

LAB 81.72, -58.74, 36.26

 

CMYK 47 / 0 / 32 / 8

HEX #7BEA9E

RGB 123 234 158

HSL 138.92, 0.73%, 0.7%

LAB 84.75, -48.19, 27.33

 

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

CMYK 77 / 38 / 0 / 13

HEX #348ADF

RGB 52 138 223

HSL 209.82, 0.73%, 0.54%

LAB 56.32, 3.52, -50.54

 

CMYK 0 / 77 / 69 / 13

HEX #DF3445

RGB 223 52 69

HSL 354.04, 0.73%, 0.54%

LAB 50.18, 65.2, 32.16

 

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

CMYK 54 / 77 / 0 / 13

HEX #6734DF

RGB 103 52 223

HSL 257.89, 0.73%, 0.54%

LAB 39.01, 60.96, -78.42

 

CMYK 0 / 54 / 77 / 13

HEX #DF6734

RGB 223 103 52

HSL 17.89, 0.73%, 0.54%

LAB 57.69, 43.8, 49.68

 

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

CMYK 77 / 38 / 0 / 13

HEX #348ADF

RGB 52 138 223

HSL 209.82, 0.73%, 0.54%

LAB 56.32, 3.52, -50.54

 

CMYK 0 / 77 / 23 / 13

HEX #DF34AC

RGB 223 52 172

HSL 317.89, 0.73%, 0.54%

LAB 53.08, 74.11, -25.37

 

CMYK 0 / 38 / 77 / 13

HEX #DF8A34

RGB 223 138 52

HSL 30.18, 0.73%, 0.54%

LAB 65.05, 25.77, 56.98

 

CMYK 77 / 0 / 53 / 13

HEX #33DF69

RGB 51 223 105

HSL 138.84, 0.73%, 0.54%

LAB 78.75, -66.84, 45.5

 

CMYK 77 / 61 / 0 / 13

HEX #3456DF

RGB 52 86 223

HSL 228.07, 0.73%, 0.54%

LAB 42.33, 36.05, -73.12

 

CMYK 0 / 77 / 23 / 13

HEX #DF34AC

RGB 223 52 172

HSL 317.89, 0.73%, 0.54%

LAB 53.08, 74.11, -25.37

 

CMYK 0 / 15 / 77 / 13

HEX #DFBD34

RGB 223 189 52

HSL 48.07, 0.73%, 0.54%

LAB 77.48, -1.33, 68.72

 

Description

Color code: HEX #33DF69 | qconv.com Color code: HEX #33DF69 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 223 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 223 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 53 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 53% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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