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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D99B it is the complementary color #CC2664. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D99B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D99B shade: #38D996, #49EBA9, #5AFDBC, #6BFFCF and #7CFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D99B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D99B shade: #33D99B, #22C788, #11B575, #00A362 and #00914F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D99B shade: #34DA9C, #34DA6F, #34DA43, #53DA34 and #7FDA34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D99B shade: #34DA9C, #34DAC9, #34BEDA, #3492DA and #3465DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D99B shade matches the following richer shades: #34DA9C and #21EDA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D99B shade: #34DA9C, #48C697, #5BB392, #6FA08D and #828C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D99B shade: #34DA42, #34DA6E, #34DA9A, #34DAC7 and #34C1DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D99B shade: #1D9F6E, #24C287, #34DA9C, #57E0AD and #7AE7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D99B shade: #33D99B, #3453DA and #DA5834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D99B shade: #33D99B, #9A34DA and #DA9A34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D99B shade: #33D99B, #3453DA, #DA3474 and #DABC34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D99B shade: #33D99B, #4834DA, #DA3474 and #C7DA34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

Complementary color

CMYK 0 / 81 / 51 / 20

HEX #CC2664

RGB 204 38 100

HSL 337.59, 0.69%, 0.47%

LAB 45.83, 65.77, 6.85

 

CMYK 74 / 0 / 31 / 15

HEX #38D996

RGB 56 217 150

HSL 155.03, 0.68%, 0.54%

LAB 77.68, -56.14, 21.53

 

CMYK 69 / 0 / 28 / 8

HEX #49EBA9

RGB 73 235 169

HSL 155.56, 0.8%, 0.6%

LAB 83.81, -56.71, 20.14

 

CMYK 64 / 0 / 26 / 1

HEX #5AFDBC

RGB 90 253 188

HSL 156.07, 0.98%, 0.67%

LAB 89.88, -57.07, 18.86

 

CMYK 58 / 0 / 19 / 0

HEX #6BFFCF

RGB 107 255 207

HSL 160.54, 1%, 0.71%

LAB 91.3, -50.74, 11.16

 

CMYK 51 / 0 / 11 / 0

HEX #7CFFE2

RGB 124 255 226

HSL 166.72, 1%, 0.74%

LAB 92.26, -43.04, 2.8

 

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

CMYK 83 / 0 / 32 / 22

HEX #22C788

RGB 34 199 136

HSL 157.09, 0.71%, 0.46%

LAB 71.53, -54.69, 20.43

 

CMYK 91 / 0 / 35 / 29

HEX #11B575

RGB 17 181 117

HSL 156.59, 0.83%, 0.39%

LAB 65.32, -53.29, 22.09

 

CMYK 100 / 0 / 40 / 36

HEX #00A362

RGB 0 163 98

HSL 156.07, 1%, 0.32%

LAB 59.04, -51.47, 23.9

 

CMYK 100 / 0 / 46 / 43

HEX #00914F

RGB 0 145 79

HSL 152.69, 1%, 0.28%

LAB 52.75, -48.76, 25.93

 

CMYK 76 / 0 / 28 / 15

HEX #34DA9C

RGB 52 218 156

HSL 157.59, 0.69%, 0.53%

LAB 78.04, -55.73, 18.86

 

CMYK 76 / 0 / 49 / 15

HEX #34DA6F

RGB 52 218 111

HSL 141.33, 0.69%, 0.53%

LAB 77.29, -64.14, 40.83

 

CMYK 76 / 0 / 69 / 15

HEX #34DA43

RGB 52 218 67

HSL 125.42, 0.69%, 0.53%

LAB 76.85, -69.5, 59.72

 

CMYK 62 / 0 / 76 / 15

HEX #53DA34

RGB 83 218 52

HSL 108.8, 0.69%, 0.53%

LAB 77.42, -65.06, 65.74

 

CMYK 42 / 0 / 76 / 15

HEX #7FDA34

RGB 127 218 52

HSL 92.89, 0.69%, 0.53%

LAB 78.99, -52.95, 67.8

 

CMYK 76 / 0 / 28 / 15

HEX #34DA9C

RGB 52 218 156

HSL 157.59, 0.69%, 0.53%

LAB 78.04, -55.73, 18.86

 

CMYK 76 / 0 / 8 / 15

HEX #34DAC9

RGB 52 218 201

HSL 173.86, 0.69%, 0.53%

LAB 79.09, -44.7, -3.53

 

CMYK 76 / 13 / 0 / 15

HEX #34BEDA

RGB 52 190 218

HSL 190.12, 0.69%, 0.53%

LAB 71.3, -26.69, -24.41

 

CMYK 76 / 33 / 0 / 15

HEX #3492DA

RGB 52 146 218

HSL 206.02, 0.69%, 0.53%

LAB 58.37, -2.99, -44.5

 

CMYK 76 / 54 / 0 / 15

HEX #3465DA

RGB 52 101 218

HSL 222.29, 0.69%, 0.53%

LAB 45.77, 24.68, -64.67

 

CMYK 76 / 0 / 28 / 15

HEX #34DA9C

RGB 52 218 156

HSL 157.59, 0.69%, 0.53%

LAB 78.04, -55.73, 18.86

 

CMYK 86 / 0 / 32 / 7

HEX #21EDA1

RGB 33 237 161

HSL 157.65, 0.85%, 0.53%

LAB 83.69, -63.47, 24.01

 

CMYK 76 / 0 / 28 / 15

HEX #34DA9C

RGB 52 218 156

HSL 157.59, 0.69%, 0.53%

LAB 78.04, -55.73, 18.86

 

CMYK 64 / 0 / 24 / 22

HEX #48C697

RGB 72 198 151

HSL 157.62, 0.53%, 0.53%

LAB 72.23, -45.82, 13.48

 

CMYK 49 / 0 / 18 / 30

HEX #5BB392

RGB 91 179 146

HSL 157.5, 0.37%, 0.53%

LAB 66.93, -34.46, 8.78

 

CMYK 31 / 0 / 12 / 37

HEX #6FA08D

RGB 111 160 141

HSL 156.73, 0.21%, 0.53%

LAB 62.04, -20.62, 4.67

 

CMYK 7 / 0 / 3 / 45

HEX #828C88

RGB 130 140 136

HSL 156, 0.04%, 0.53%

LAB 57.35, -4.45, 0.87

 

CMYK 76 / 0 / 70 / 15

HEX #34DA42

RGB 52 218 66

HSL 125.06, 0.69%, 0.53%

LAB 76.84, -69.59, 60.09

 

CMYK 76 / 0 / 50 / 15

HEX #34DA6E

RGB 52 218 110

HSL 140.96, 0.69%, 0.53%

LAB 77.28, -64.3, 41.3

 

CMYK 76 / 0 / 29 / 15

HEX #34DA9A

RGB 52 218 154

HSL 156.87, 0.69%, 0.53%

LAB 78, -56.16, 19.86

 

CMYK 76 / 0 / 9 / 15

HEX #34DAC7

RGB 52 218 199

HSL 173.13, 0.69%, 0.53%

LAB 79.04, -45.24, -2.54

 

CMYK 76 / 11 / 0 / 15

HEX #34C1DA

RGB 52 193 218

HSL 189.04, 0.69%, 0.53%

LAB 72.18, -28.18, -23.06

 

CMYK 82 / 0 / 31 / 38

HEX #1D9F6E

RGB 29 159 110

HSL 157.38, 0.69%, 0.37%

LAB 58.21, -45.42, 16.23

 

CMYK 81 / 0 / 30 / 24

HEX #24C287

RGB 36 194 135

HSL 157.59, 0.69%, 0.45%

LAB 69.97, -52.82, 18.82

 

CMYK 76 / 0 / 28 / 15

HEX #34DA9C

RGB 52 218 156

HSL 157.59, 0.69%, 0.53%

LAB 78.04, -55.73, 18.86

 

CMYK 61 / 0 / 23 / 12

HEX #57E0AD

RGB 87 224 173

HSL 157.66, 0.69%, 0.61%

LAB 80.94, -49.07, 14.09

 

CMYK 47 / 0 / 18 / 9

HEX #7AE7BE

RGB 122 231 190

HSL 157.43, 0.69%, 0.69%

LAB 84.49, -40.87, 10.35

 

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

CMYK 76 / 62 / 0 / 15

HEX #3453DA

RGB 52 83 218

HSL 228.8, 0.69%, 0.53%

LAB 41.18, 36.14, -72.14

 

CMYK 0 / 60 / 76 / 15

HEX #DA5834

RGB 218 88 52

HSL 13.01, 0.69%, 0.53%

LAB 54.17, 49.06, 45.81

 

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

CMYK 29 / 76 / 0 / 15

HEX #9A34DA

RGB 154 52 218

HSL 276.87, 0.69%, 0.53%

LAB 44.78, 67.53, -65.88

 

CMYK 0 / 29 / 76 / 15

HEX #DA9A34

RGB 218 154 52

HSL 36.87, 0.69%, 0.53%

LAB 68.22, 15.07, 59.83

 

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

CMYK 76 / 62 / 0 / 15

HEX #3453DA

RGB 52 83 218

HSL 228.8, 0.69%, 0.53%

LAB 41.18, 36.14, -72.14

 

CMYK 0 / 76 / 47 / 15

HEX #DA3474

RGB 218 52 116

HSL 336.87, 0.69%, 0.53%

LAB 50.24, 66.93, 3.71

 

CMYK 0 / 14 / 76 / 15

HEX #DABC34

RGB 218 188 52

HSL 49.16, 0.69%, 0.53%

LAB 76.75, -2.96, 67.88

 

CMYK 76 / 0 / 29 / 15

HEX #33D99B

RGB 51 217 155

HSL 157.59, 0.69%, 0.53%

LAB 77.7, -55.68, 18.91

 

CMYK 67 / 76 / 0 / 15

HEX #4834DA

RGB 72 52 218

HSL 247.23, 0.69%, 0.53%

LAB 35.78, 56.03, -80.98

 

CMYK 0 / 76 / 47 / 15

HEX #DA3474

RGB 218 52 116

HSL 336.87, 0.69%, 0.53%

LAB 50.24, 66.93, 3.71

 

CMYK 9 / 0 / 76 / 15

HEX #C7DA34

RGB 199 218 52

HSL 66.87, 0.69%, 0.53%

LAB 83.2, -25.99, 73.25

 

Description

Color code: HEX #33D99B | qconv.com Color code: HEX #33D99B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 217 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 217 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 29 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 29% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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