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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D862 it is the complementary color #CC279D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D862. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D862 shade: #38D85D, #49EA70, #5AFC83, #6BFF96 and #7CFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D862. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D862 shade: #33D862, #22C64F, #11B43C, #00A229 and #009016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D862 shade: #31D861, #31D834, #5CD831, #89D831 and #B6D831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D862 shade: #31D861, #31D88E, #31D8BB, #31C8D8 and #319BD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D862 shade matches the following richer shades: #31D861 and #1EEC58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D862 shade: #31D861, #45C469, #59B072, #6D9C7A and #818983

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D862 shade: #5BD831, #31D834, #31D861, #31D88D and #31D8B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D862 shade: #1D9941, #24BC4F, #31D861, #54DE7B and #77E596

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D862 shade: #33D862, #3187D8 and #D83145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D862 shade: #33D862, #6131D8 and #D86131

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D862 shade: #33D862, #3187D8, #D831A9 and #D88231

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D862 shade: #33D862, #3155D8, #D831A9 and #D8B431

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

Complementary color

CMYK 0 / 81 / 23 / 20

HEX #CC279D

RGB 204 39 157

HSL 317.09, 0.68%, 0.48%

LAB 47.91, 71.32, -24.77

 

CMYK 74 / 0 / 57 / 15

HEX #38D85D

RGB 56 216 93

HSL 133.88, 0.67%, 0.53%

LAB 76.52, -65.47, 48.42

 

CMYK 69 / 0 / 52 / 8

HEX #49EA70

RGB 73 234 112

HSL 134.53, 0.79%, 0.6%

LAB 82.61, -66.34, 47

 

CMYK 64 / 0 / 48 / 1

HEX #5AFC83

RGB 90 252 131

HSL 135.19, 0.96%, 0.67%

LAB 88.65, -66.89, 45.59

 

CMYK 58 / 0 / 41 / 0

HEX #6BFF96

RGB 107 255 150

HSL 137.43, 1%, 0.71%

LAB 90.25, -61.67, 38.54

 

CMYK 51 / 0 / 34 / 0

HEX #7CFFA9

RGB 124 255 169

HSL 140.61, 1%, 0.74%

LAB 91.08, -54.65, 30.31

 

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

CMYK 83 / 0 / 60 / 22

HEX #22C64F

RGB 34 198 79

HSL 136.46, 0.71%, 0.45%

LAB 70.38, -64.11, 47.52

 

CMYK 91 / 0 / 67 / 29

HEX #11B43C

RGB 17 180 60

HSL 135.83, 0.83%, 0.39%

LAB 64.23, -62.1, 48.87

 

CMYK 100 / 0 / 75 / 36

HEX #00A229

RGB 0 162 41

HSL 135.19, 1%, 0.32%

LAB 58.04, -59.41, 49.83

 

CMYK 100 / 0 / 85 / 44

HEX #009016

RGB 0 144 22

HSL 129.17, 1%, 0.28%

LAB 51.84, -55.46, 50

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 77 / 0 / 76 / 15

HEX #31D834

RGB 49 216 52

HSL 121.08, 0.68%, 0.52%

LAB 76.08, -70.48, 64.19

 

CMYK 57 / 0 / 77 / 15

HEX #5CD831

RGB 92 216 49

HSL 104.55, 0.68%, 0.52%

LAB 77.05, -62.44, 66.41

 

CMYK 37 / 0 / 77 / 15

HEX #89D831

RGB 137 216 49

HSL 88.38, 0.68%, 0.52%

LAB 78.84, -48.96, 68.74

 

CMYK 16 / 0 / 77 / 15

HEX #B6D831

RGB 182 216 49

HSL 72.22, 0.68%, 0.52%

LAB 81.44, -32.06, 72.1

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 77 / 0 / 34 / 15

HEX #31D88E

RGB 49 216 142

HSL 153.41, 0.68%, 0.52%

LAB 77.11, -58.27, 24.91

 

CMYK 77 / 0 / 13 / 15

HEX #31D8BB

RGB 49 216 187

HSL 169.58, 0.68%, 0.52%

LAB 78.08, -47.86, 2.47

 

CMYK 77 / 7 / 0 / 15

HEX #31C8D8

RGB 49 200 216

HSL 185.75, 0.68%, 0.52%

LAB 74.14, -32.5, -19

 

CMYK 77 / 28 / 0 / 15

HEX #319BD8

RGB 49 155 216

HSL 201.92, 0.68%, 0.52%

LAB 60.83, -9.17, -39.52

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 87 / 0 / 63 / 7

HEX #1EEC58

RGB 30 236 88

HSL 136.89, 0.84%, 0.52%

LAB 82.36, -75.09, 57.25

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 65 / 0 / 46 / 23

HEX #45C469

RGB 69 196 105

HSL 137.01, 0.52%, 0.52%

LAB 70.71, -54.48, 35.58

 

CMYK 49 / 0 / 35 / 31

HEX #59B072

RGB 89 176 114

HSL 137.24, 0.36%, 0.52%

LAB 65.27, -40.17, 23.91

 

CMYK 30 / 0 / 22 / 39

HEX #6D9C7A

RGB 109 156 122

HSL 136.6, 0.19%, 0.52%

LAB 60.28, -23.15, 12.82

 

CMYK 6 / 0 / 4 / 46

HEX #818983

RGB 129 137 131

HSL 135, 0.03%, 0.52%

LAB 56.28, -4.13, 2.2

 

CMYK 58 / 0 / 77 / 15

HEX #5BD831

RGB 91 216 49

HSL 104.91, 0.68%, 0.52%

LAB 77.02, -62.69, 66.37

 

CMYK 77 / 0 / 76 / 15

HEX #31D834

RGB 49 216 52

HSL 121.08, 0.68%, 0.52%

LAB 76.08, -70.48, 64.19

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 77 / 0 / 35 / 15

HEX #31D88D

RGB 49 216 141

HSL 153.05, 0.68%, 0.52%

LAB 77.09, -58.47, 25.41

 

CMYK 77 / 0 / 14 / 15

HEX #31D8B9

RGB 49 216 185

HSL 168.86, 0.68%, 0.52%

LAB 78.03, -48.37, 3.47

 

CMYK 81 / 0 / 58 / 40

HEX #1D9941

RGB 29 153 65

HSL 137.42, 0.68%, 0.36%

LAB 55.51, -51.59, 36.67

 

CMYK 81 / 0 / 58 / 26

HEX #24BC4F

RGB 36 188 79

HSL 136.97, 0.68%, 0.44%

LAB 67.21, -60.65, 43.83

 

CMYK 77 / 0 / 55 / 15

HEX #31D861

RGB 49 216 97

HSL 137.25, 0.68%, 0.52%

LAB 76.45, -65.89, 46.46

 

CMYK 62 / 0 / 45 / 13

HEX #54DE7B

RGB 84 222 123

HSL 136.96, 0.68%, 0.6%

LAB 79.36, -58.37, 37.68

 

CMYK 48 / 0 / 34 / 10

HEX #77E596

RGB 119 229 150

HSL 136.91, 0.68%, 0.68%

LAB 83, -48.53, 29.04

 

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

CMYK 77 / 38 / 0 / 15

HEX #3187D8

RGB 49 135 216

HSL 209.1, 0.68%, 0.52%

LAB 55.01, 2.43, -48.71

 

CMYK 0 / 77 / 68 / 15

HEX #D83145

RGB 216 49 69

HSL 352.81, 0.68%, 0.52%

LAB 48.54, 64.08, 29.85

 

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

CMYK 55 / 77 / 0 / 15

HEX #6131D8

RGB 97 49 216

HSL 257.25, 0.68%, 0.52%

LAB 37.29, 59.66, -77.27

 

CMYK 0 / 55 / 77 / 15

HEX #D86131

RGB 216 97 49

HSL 17.25, 0.68%, 0.52%

LAB 55.45, 43.97, 48.51

 

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

CMYK 77 / 38 / 0 / 15

HEX #3187D8

RGB 49 135 216

HSL 209.1, 0.68%, 0.52%

LAB 55.01, 2.43, -48.71

 

CMYK 0 / 77 / 22 / 15

HEX #D831A9

RGB 216 49 169

HSL 316.89, 0.68%, 0.52%

LAB 51.45, 72.96, -26.23

 

CMYK 0 / 40 / 77 / 15

HEX #D88231

RGB 216 130 49

HSL 29.1, 0.68%, 0.52%

LAB 62.33, 26.99, 55.29

 

CMYK 76 / 0 / 55 / 15

HEX #33D862

RGB 51 216 98

HSL 137.09, 0.68%, 0.52%

LAB 76.5, -65.5, 46.05

 

CMYK 77 / 61 / 0 / 15

HEX #3155D8

RGB 49 85 216

HSL 227.07, 0.68%, 0.52%

LAB 41.39, 33.86, -70.67

 

CMYK 0 / 77 / 22 / 15

HEX #D831A9

RGB 216 49 169

HSL 316.89, 0.68%, 0.52%

LAB 51.45, 72.96, -26.23

 

CMYK 0 / 17 / 77 / 15

HEX #D8B431

RGB 216 180 49

HSL 47.07, 0.68%, 0.52%

LAB 74.49, 0.24, 66.73

 

Description

Color code: HEX #33D862 | qconv.com Color code: HEX #33D862 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 216 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 216 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 55 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 55% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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