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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D2E2 it is the complementary color #CC2D1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D2E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D2E2 shade: #38D2DD, #49E4F0, #5AF6FF, #6BFFFF and #7CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D2E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D2E2 shade: #33D2E2, #22C0CF, #11AEBC, #009CA9 and #008A96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D2E2 shade: #32D2E2, #32A2E2, #3273E2, #3243E2 and #5032E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D2E2 shade: #32D2E2, #32A2E2, #3273E2, #3243E2 and #3232E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D2E2 shade matches the following richer shades: #32D2E2 and #1FE1F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D2E2 shade: #32D2E2, #45C2CF, #58B3BC, #6BA3A9 and #7E9496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D2E2 shade: #32E292, #32E2C1, #32D3E2, #32A4E2 and #3275E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D2E2 shade: #189CA9, #1DBDCD, #32D2E2, #56DAE7 and #7AE2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D2E2 shade: #33D2E2, #6432E2 and #E2AA32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D2E2 shade: #33D2E2, #E232D3 and #D3E232

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D2E2 shade: #33D2E2, #6432E2, #E24032 and #B0E232

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D2E2 shade: #33D2E2, #9832E2, #E24032 and #7BE232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

Complementary color

CMYK 0 / 78 / 86 / 20

HEX #CC2D1D

RGB 204 45 29

HSL 5.49, 0.75%, 0.46%

LAB 45.36, 60.34, 47.87

 

CMYK 75 / 5 / 0 / 13

HEX #38D2DD

RGB 56 210 221

HSL 184, 0.71%, 0.54%

LAB 77.37, -35.01, -16.8

 

CMYK 70 / 5 / 0 / 6

HEX #49E4F0

RGB 73 228 240

HSL 184.31, 0.85%, 0.61%

LAB 83.54, -35.89, -17.59

 

CMYK 65 / 4 / 0 / 0

HEX #5AF6FF

RGB 90 246 255

HSL 183.27, 1%, 0.68%

LAB 89.54, -37.68, -16.41

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

CMYK 84 / 7 / 0 / 19

HEX #22C0CF

RGB 34 192 207

HSL 185.2, 0.72%, 0.47%

LAB 71.24, -32.73, -18.52

 

CMYK 91 / 7 / 0 / 26

HEX #11AEBC

RGB 17 174 188

HSL 184.91, 0.83%, 0.4%

LAB 64.98, -31.08, -17.56

 

CMYK 100 / 8 / 0 / 34

HEX #009CA9

RGB 0 156 169

HSL 184.62, 1%, 0.33%

LAB 58.64, -29.12, -16.52

 

CMYK 100 / 8 / 0 / 41

HEX #008A96

RGB 0 138 150

HSL 184.8, 1%, 0.29%

LAB 52.26, -26.5, -15.3

 

CMYK 78 / 7 / 0 / 11

HEX #32D2E2

RGB 50 210 226

HSL 185.45, 0.75%, 0.54%

LAB 77.44, -34.12, -19.4

 

CMYK 78 / 28 / 0 / 11

HEX #32A2E2

RGB 50 162 226

HSL 201.82, 0.75%, 0.54%

LAB 63.35, -9.48, -41.11

 

CMYK 78 / 49 / 0 / 11

HEX #3273E2

RGB 50 115 226

HSL 217.84, 0.75%, 0.54%

LAB 50.01, 18.56, -62.33

 

CMYK 78 / 70 / 0 / 11

HEX #3243E2

RGB 50 67 226

HSL 234.2, 0.75%, 0.54%

LAB 38.17, 48.5, -81.66

 

CMYK 65 / 78 / 0 / 11

HEX #5032E2

RGB 80 50 226

HSL 250.23, 0.75%, 0.54%

LAB 36.89, 60.1, -83.72

 

CMYK 78 / 7 / 0 / 11

HEX #32D2E2

RGB 50 210 226

HSL 185.45, 0.75%, 0.54%

LAB 77.44, -34.12, -19.4

 

CMYK 78 / 28 / 0 / 11

HEX #32A2E2

RGB 50 162 226

HSL 201.82, 0.75%, 0.54%

LAB 63.35, -9.48, -41.11

 

CMYK 78 / 49 / 0 / 11

HEX #3273E2

RGB 50 115 226

HSL 217.84, 0.75%, 0.54%

LAB 50.01, 18.56, -62.33

 

CMYK 78 / 70 / 0 / 11

HEX #3243E2

RGB 50 67 226

HSL 234.2, 0.75%, 0.54%

LAB 38.17, 48.5, -81.66

 

CMYK 78 / 78 / 0 / 11

HEX #3232E2

RGB 50 50 226

HSL 240, 0.75%, 0.54%

LAB 34.9, 57.72, -87.06

 

CMYK 78 / 7 / 0 / 11

HEX #32D2E2

RGB 50 210 226

HSL 185.45, 0.75%, 0.54%

LAB 77.44, -34.12, -19.4

 

CMYK 87 / 8 / 0 / 4

HEX #1FE1F5

RGB 31 225 245

HSL 185.61, 0.91%, 0.54%

LAB 82.24, -36.72, -22.27

 

CMYK 78 / 7 / 0 / 11

HEX #32D2E2

RGB 50 210 226

HSL 185.45, 0.75%, 0.54%

LAB 77.44, -34.12, -19.4

 

CMYK 67 / 6 / 0 / 19

HEX #45C2CF

RGB 69 194 207

HSL 185.65, 0.59%, 0.54%

LAB 72.46, -29.86, -16.61

 

CMYK 53 / 5 / 0 / 26

HEX #58B3BC

RGB 88 179 188

HSL 185.4, 0.43%, 0.54%

LAB 67.98, -24.52, -12.89

 

CMYK 37 / 4 / 0 / 34

HEX #6BA3A9

RGB 107 163 169

HSL 185.81, 0.26%, 0.54%

LAB 63.5, -16.74, -8.94

 

CMYK 16 / 1 / 0 / 41

HEX #7E9496

RGB 126 148 150

HSL 185, 0.1%, 0.54%

LAB 59.72, -7.33, -3.68

 

CMYK 78 / 0 / 35 / 11

HEX #32E292

RGB 50 226 146

HSL 152.73, 0.75%, 0.54%

LAB 80.26, -61.03, 27.1

 

CMYK 78 / 0 / 15 / 11

HEX #32E2C1

RGB 50 226 193

HSL 168.75, 0.75%, 0.54%

LAB 81.25, -50.39, 3.87

 

CMYK 78 / 7 / 0 / 11

HEX #32D3E2

RGB 50 211 226

HSL 185.11, 0.75%, 0.54%

LAB 77.73, -34.59, -18.95

 

CMYK 78 / 27 / 0 / 11

HEX #32A4E2

RGB 50 164 226

HSL 201.14, 0.75%, 0.54%

LAB 63.93, -10.59, -40.2

 

CMYK 78 / 48 / 0 / 11

HEX #3275E2

RGB 50 117 226

HSL 217.16, 0.75%, 0.54%

LAB 50.56, 17.3, -61.45

 

CMYK 86 / 8 / 0 / 34

HEX #189CA9

RGB 24 156 169

HSL 185.38, 0.75%, 0.38%

LAB 58.82, -27.98, -16.23

 

CMYK 86 / 8 / 0 / 20

HEX #1DBDCD

RGB 29 189 205

HSL 185.45, 0.75%, 0.46%

LAB 70.22, -32.26, -18.98

 

CMYK 78 / 7 / 0 / 11

HEX #32D2E2

RGB 50 210 226

HSL 185.45, 0.75%, 0.54%

LAB 77.44, -34.12, -19.4

 

CMYK 63 / 6 / 0 / 9

HEX #56DAE7

RGB 86 218 231

HSL 185.38, 0.75%, 0.62%

LAB 80.68, -31.89, -17.1

 

CMYK 48 / 4 / 0 / 7

HEX #7AE2EC

RGB 122 226 236

HSL 185.26, 0.75%, 0.7%

LAB 84.27, -27.6, -14.24

 

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

CMYK 56 / 78 / 0 / 11

HEX #6432E2

RGB 100 50 226

HSL 257.05, 0.75%, 0.54%

LAB 38.69, 62.26, -80.68

 

CMYK 0 / 25 / 78 / 11

HEX #E2AA32

RGB 226 170 50

HSL 40.91, 0.75%, 0.54%

LAB 72.99, 9.88, 65.38

 

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

CMYK 0 / 78 / 7 / 11

HEX #E232D3

RGB 226 50 211

HSL 305.11, 0.75%, 0.54%

LAB 55.23, 80.53, -44.52

 

CMYK 7 / 0 / 78 / 11

HEX #D3E232

RGB 211 226 50

HSL 65.11, 0.75%, 0.54%

LAB 86.24, -24.96, 76.91

 

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

CMYK 56 / 78 / 0 / 11

HEX #6432E2

RGB 100 50 226

HSL 257.05, 0.75%, 0.54%

LAB 38.69, 62.26, -80.68

 

CMYK 0 / 72 / 78 / 11

HEX #E24032

RGB 226 64 50

HSL 4.77, 0.75%, 0.54%

LAB 51.91, 61.42, 44.94

 

CMYK 22 / 0 / 78 / 11

HEX #B0E232

RGB 176 226 50

HSL 77.05, 0.75%, 0.54%

LAB 83.89, -38.92, 73.9

 

CMYK 77 / 7 / 0 / 11

HEX #33D2E2

RGB 51 210 226

HSL 185.49, 0.75%, 0.54%

LAB 77.45, -34.02, -19.37

 

CMYK 33 / 78 / 0 / 11

HEX #9832E2

RGB 152 50 226

HSL 274.77, 0.75%, 0.54%

LAB 44.87, 69.6, -70.32

 

CMYK 0 / 72 / 78 / 11

HEX #E24032

RGB 226 64 50

HSL 4.77, 0.75%, 0.54%

LAB 51.91, 61.42, 44.94

 

CMYK 46 / 0 / 78 / 11

HEX #7BE232

RGB 123 226 50

HSL 95.11, 0.75%, 0.54%

LAB 81.2, -57.4, 70.44

 

Description

Color code: HEX #33D2E2 | qconv.com Color code: HEX #33D2E2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 210 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 210 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 7 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 7% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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