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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33D28D it is the complementary color #CC2D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33D28D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33D28D shade: #38D288, #49E49B, #5AF6AE, #6BFFC1 and #7CFFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33D28D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33D28D shade: #33D28D, #22C07A, #11AE67, #009C54 and #008A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33D28D shade: #32D28D, #32D261, #32D236, #59D232 and #84D232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33D28D shade: #32D28D, #32D2B8, #32C1D2, #3296D2 and #326BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33D28D shade matches the following richer shades: #32D28D, #1EE68F and #0AFA92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33D28D shade: #32D28D, #46BE8A, #5BAA87, #6F9585 and #838182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33D28D shade: #32D235, #32D25F, #32D28A, #32D2B5 and #32C5D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33D28D shade: #209260, #27B377, #32D28D, #54D99F and #76E1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33D28D shade: #33D28D, #325AD2 and #D24A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33D28D shade: #33D28D, #8A32D2 and #D28A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33D28D shade: #33D28D, #325AD2, #D2327A and #D2AA32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33D28D shade: #33D28D, #3A32D2, #D2327A and #CAD232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

Complementary color

CMYK 0 / 78 / 44 / 20

HEX #CC2D72

RGB 204 45 114

HSL 333.96, 0.64%, 0.49%

LAB 46.88, 65.09, -0.27

 

CMYK 73 / 0 / 35 / 18

HEX #38D288

RGB 56 210 136

HSL 151.17, 0.63%, 0.52%

LAB 75.27, -56.34, 25.57

 

CMYK 68 / 0 / 32 / 11

HEX #49E49B

RGB 73 228 155

HSL 151.74, 0.74%, 0.59%

LAB 81.44, -56.88, 24.13

 

CMYK 63 / 0 / 29 / 4

HEX #5AF6AE

RGB 90 246 174

HSL 152.31, 0.9%, 0.66%

LAB 87.55, -57.2, 22.8

 

CMYK 58 / 0 / 24 / 0

HEX #6BFFC1

RGB 107 255 193

HSL 154.86, 1%, 0.71%

LAB 91.01, -53.74, 17.93

 

CMYK 51 / 0 / 17 / 0

HEX #7CFFD4

RGB 124 255 212

HSL 160.31, 1%, 0.74%

LAB 91.93, -46.18, 9.55

 

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

CMYK 82 / 0 / 36 / 25

HEX #22C07A

RGB 34 192 122

HSL 153.42, 0.7%, 0.44%

LAB 69.07, -55.01, 24.51

 

CMYK 90 / 0 / 41 / 32

HEX #11AE67

RGB 17 174 103

HSL 152.87, 0.82%, 0.37%

LAB 62.82, -53.59, 26.23

 

CMYK 100 / 0 / 46 / 39

HEX #009C54

RGB 0 156 84

HSL 152.31, 1%, 0.31%

LAB 56.5, -51.71, 28.09

 

CMYK 100 / 0 / 53 / 46

HEX #008A41

RGB 0 138 65

HSL 148.26, 1%, 0.27%

LAB 50.17, -48.82, 30.13

 

CMYK 76 / 0 / 33 / 18

HEX #32D28D

RGB 50 210 141

HSL 154.13, 0.64%, 0.51%

LAB 75.26, -56.1, 22.92

 

CMYK 76 / 0 / 54 / 18

HEX #32D261

RGB 50 210 97

HSL 137.63, 0.64%, 0.51%

LAB 74.59, -63.77, 44.23

 

CMYK 76 / 0 / 74 / 18

HEX #32D236

RGB 50 210 54

HSL 121.5, 0.64%, 0.51%

LAB 74.21, -68.37, 61.69

 

CMYK 58 / 0 / 76 / 18

HEX #59D232

RGB 89 210 50

HSL 105.38, 0.64%, 0.51%

LAB 75.11, -61.03, 64.2

 

CMYK 37 / 0 / 76 / 18

HEX #84D232

RGB 132 210 50

HSL 89.25, 0.64%, 0.51%

LAB 76.82, -48.16, 66.43

 

CMYK 76 / 0 / 33 / 18

HEX #32D28D

RGB 50 210 141

HSL 154.13, 0.64%, 0.51%

LAB 75.26, -56.1, 22.92

 

CMYK 76 / 0 / 12 / 18

HEX #32D2B8

RGB 50 210 184

HSL 170.25, 0.64%, 0.51%

LAB 76.21, -45.99, 1.36

 

CMYK 76 / 8 / 0 / 18

HEX #32C1D2

RGB 50 193 210

HSL 186.38, 0.64%, 0.51%

LAB 71.87, -30.86, -19.18

 

CMYK 76 / 29 / 0 / 18

HEX #3296D2

RGB 50 150 210

HSL 202.5, 0.64%, 0.51%

LAB 59.11, -8.35, -38.87

 

CMYK 76 / 49 / 0 / 18

HEX #326BD2

RGB 50 107 210

HSL 218.63, 0.64%, 0.51%

LAB 46.77, 17.65, -58.49

 

CMYK 76 / 0 / 33 / 18

HEX #32D28D

RGB 50 210 141

HSL 154.13, 0.64%, 0.51%

LAB 75.26, -56.1, 22.92

 

CMYK 87 / 0 / 38 / 10

HEX #1EE68F

RGB 30 230 143

HSL 153.9, 0.8%, 0.51%

LAB 81.21, -64.81, 29.87

 

CMYK 96 / 0 / 42 / 2

HEX #0AFA92

RGB 10 250 146

HSL 154, 0.96%, 0.51%

LAB 87.25, -71.91, 36.31

 

CMYK 76 / 0 / 33 / 18

HEX #32D28D

RGB 50 210 141

HSL 154.13, 0.64%, 0.51%

LAB 75.26, -56.1, 22.92

 

CMYK 63 / 0 / 27 / 25

HEX #46BE8A

RGB 70 190 138

HSL 154, 0.48%, 0.51%

LAB 69.44, -45.7, 16.58

 

CMYK 46 / 0 / 21 / 33

HEX #5BAA87

RGB 91 170 135

HSL 153.42, 0.32%, 0.51%

LAB 63.94, -32.69, 10.6

 

CMYK 26 / 0 / 11 / 42

HEX #6F9585

RGB 111 149 133

HSL 154.74, 0.15%, 0.51%

LAB 58.57, -16.61, 4.2

 

CMYK 0 / 2 / 1 / 49

HEX #838182

RGB 131 129 130

HSL 330, 0.01%, 0.51%

LAB 54.17, 0.95, -0.28

 

CMYK 76 / 0 / 75 / 18

HEX #32D235

RGB 50 210 53

HSL 121.13, 0.64%, 0.51%

LAB 74.21, -68.45, 62.02

 

CMYK 76 / 0 / 55 / 18

HEX #32D25F

RGB 50 210 95

HSL 136.88, 0.64%, 0.51%

LAB 74.57, -64.05, 45.14

 

CMYK 76 / 0 / 34 / 18

HEX #32D28A

RGB 50 210 138

HSL 153, 0.64%, 0.51%

LAB 75.21, -56.72, 24.42

 

CMYK 76 / 0 / 14 / 18

HEX #32D2B5

RGB 50 210 181

HSL 169.13, 0.64%, 0.51%

LAB 76.14, -46.77, 2.86

 

CMYK 76 / 6 / 0 / 18

HEX #32C5D2

RGB 50 197 210

HSL 184.88, 0.64%, 0.51%

LAB 73.07, -32.78, -17.37

 

CMYK 78 / 0 / 34 / 43

HEX #209260

RGB 32 146 96

HSL 153.68, 0.64%, 0.35%

LAB 53.72, -42.98, 17.9

 

CMYK 78 / 0 / 34 / 30

HEX #27B377

RGB 39 179 119

HSL 154.29, 0.64%, 0.43%

LAB 64.97, -50.18, 20.58

 

CMYK 76 / 0 / 33 / 18

HEX #32D28D

RGB 50 210 141

HSL 154.13, 0.64%, 0.51%

LAB 75.26, -56.1, 22.92

 

CMYK 61 / 0 / 27 / 15

HEX #54D99F

RGB 84 217 159

HSL 153.83, 0.64%, 0.59%

LAB 78.47, -49.75, 17.99

 

CMYK 48 / 0 / 21 / 12

HEX #76E1B2

RGB 118 225 178

HSL 153.64, 0.64%, 0.67%

LAB 82.33, -41.71, 13.57

 

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

CMYK 76 / 57 / 0 / 18

HEX #325AD2

RGB 50 90 210

HSL 225, 0.64%, 0.51%

LAB 42.22, 28.56, -65.87

 

CMYK 0 / 65 / 76 / 18

HEX #D24A32

RGB 210 74 50

HSL 9, 0.64%, 0.51%

LAB 50.49, 52.34, 42.58

 

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

CMYK 34 / 76 / 0 / 18

HEX #8A32D2

RGB 138 50 210

HSL 273, 0.64%, 0.51%

LAB 41.75, 63.81, -66.32

 

CMYK 0 / 34 / 76 / 18

HEX #D28A32

RGB 210 138 50

HSL 33, 0.64%, 0.51%

LAB 63.43, 20.19, 55.69

 

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

CMYK 76 / 57 / 0 / 18

HEX #325AD2

RGB 50 90 210

HSL 225, 0.64%, 0.51%

LAB 42.22, 28.56, -65.87

 

CMYK 0 / 76 / 42 / 18

HEX #D2327A

RGB 210 50 122

HSL 333, 0.64%, 0.51%

LAB 48.75, 65.96, -2.29

 

CMYK 0 / 19 / 76 / 18

HEX #D2AA32

RGB 210 170 50

HSL 45, 0.64%, 0.51%

LAB 71.34, 2.95, 63.25

 

CMYK 76 / 0 / 33 / 18

HEX #33D28D

RGB 51 210 141

HSL 153.96, 0.64%, 0.51%

LAB 75.28, -55.98, 22.95

 

CMYK 72 / 76 / 0 / 18

HEX #3A32D2

RGB 58 50 210

HSL 243, 0.64%, 0.51%

LAB 33.63, 53.34, -79.94

 

CMYK 0 / 76 / 42 / 18

HEX #D2327A

RGB 210 50 122

HSL 333, 0.64%, 0.51%

LAB 48.75, 65.96, -2.29

 

CMYK 4 / 0 / 76 / 18

HEX #CAD232

RGB 202 210 50

HSL 63, 0.64%, 0.51%

LAB 81.23, -20.96, 72.13

 

Description

Color code: HEX #33D28D | qconv.com Color code: HEX #33D28D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 210 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 210 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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