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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33CDB7 it is the complementary color #CC3248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33CDB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33CDB7 shade: #38CDB2, #49DFC5, #5AF1D8, #6BFFEB and #7CFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33CDB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33CDB7 shade: #33CDB7, #22BBA4, #11A991, #00977E and #00856B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33CDB7 shade: #32CDB7, #32CD8D, #32CD63, #32CD39 and #54CD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33CDB7 shade: #32CDB7, #32BACD, #3290CD, #3266CD and #323CCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33CDB7 shade matches the following richer shades: #32CDB7, #1DE2C6 and #08F7D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33CDB7 shade: #32CDB7, #46B9A8, #5BA49A, #708F8B and #847B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33CDB7 shade: #32CD63, #32CD8C, #32CDB6, #32BBCD and #3292CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33CDB7 shade: #228B7C, #2AAC99, #32CDB7, #53D5C3 and #74DDCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33CDB7 shade: #33CDB7, #3A32CD and #CD7832

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33CDB7 shade: #33CDB7, #B632CD and #CDB632

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33CDB7 shade: #33CDB7, #3A32CD, #CD3249 and #C5CD32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33CDB7 shade: #33CDB7, #6832CD, #CD3249 and #97CD32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

Complementary color

CMYK 0 / 75 / 65 / 20

HEX #CC3248

RGB 204 50 72

HSL 351.43, 0.61%, 0.5%

LAB 46.43, 60.46, 24.91

 

CMYK 73 / 0 / 13 / 20

HEX #38CDB2

RGB 56 205 178

HSL 169.13, 0.6%, 0.51%

LAB 74.65, -44.71, 2.33

 

CMYK 67 / 0 / 12 / 13

HEX #49DFC5

RGB 73 223 197

HSL 169.6, 0.7%, 0.58%

LAB 80.86, -45.29, 1.24

 

CMYK 63 / 0 / 10 / 5

HEX #5AF1D8

RGB 90 241 216

HSL 170.07, 0.84%, 0.65%

LAB 87.02, -45.69, 0.24

 

CMYK 58 / 0 / 8 / 0

HEX #6BFFEB

RGB 107 255 235

HSL 171.89, 1%, 0.71%

LAB 91.97, -44.2, -2.35

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFE

RGB 124 255 254

HSL 179.54, 1%, 0.74%

LAB 93, -36.27, -10.61

 

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

CMYK 82 / 0 / 12 / 27

HEX #22BBA4

RGB 34 187 164

HSL 170.98, 0.69%, 0.43%

LAB 68.43, -43.01, 0.87

 

CMYK 90 / 0 / 14 / 34

HEX #11A991

RGB 17 169 145

HSL 170.53, 0.82%, 0.36%

LAB 62.12, -41.66, 2.19

 

CMYK 100 / 0 / 17 / 41

HEX #00977E

RGB 0 151 126

HSL 170.07, 1%, 0.3%

LAB 55.73, -39.97, 3.66

 

CMYK 100 / 0 / 20 / 48

HEX #00856B

RGB 0 133 107

HSL 168.27, 1%, 0.26%

LAB 49.3, -37.49, 5.37

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB7

RGB 50 205 183

HSL 171.48, 0.61%, 0.5%

LAB 74.67, -44.11, -0.35

 

CMYK 76 / 0 / 31 / 20

HEX #32CD8D

RGB 50 205 141

HSL 155.23, 0.61%, 0.5%

LAB 73.72, -54.2, 20.81

 

CMYK 76 / 0 / 52 / 20

HEX #32CD63

RGB 50 205 99

HSL 138.97, 0.61%, 0.5%

LAB 73.05, -61.79, 41.39

 

CMYK 76 / 0 / 72 / 20

HEX #32CD39

RGB 50 205 57

HSL 122.71, 0.61%, 0.5%

LAB 72.65, -66.59, 59.06

 

CMYK 59 / 0 / 76 / 20

HEX #54CD32

RGB 84 205 50

HSL 106.84, 0.61%, 0.5%

LAB 73.4, -60.51, 62.48

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB7

RGB 50 205 183

HSL 171.48, 0.61%, 0.5%

LAB 74.67, -44.11, -0.35

 

CMYK 76 / 9 / 0 / 20

HEX #32BACD

RGB 50 186 205

HSL 187.35, 0.61%, 0.5%

LAB 69.61, -29, -19.87

 

CMYK 76 / 30 / 0 / 20

HEX #3290CD

RGB 50 144 205

HSL 203.61, 0.61%, 0.5%

LAB 57.11, -6.69, -39.2

 

CMYK 76 / 50 / 0 / 20

HEX #3266CD

RGB 50 102 205

HSL 219.87, 0.61%, 0.5%

LAB 45.07, 18.97, -58.38

 

CMYK 76 / 71 / 0 / 20

HEX #323CCD

RGB 50 60 205

HSL 236.13, 0.61%, 0.5%

LAB 34.64, 45.49, -75.41

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB7

RGB 50 205 183

HSL 171.48, 0.61%, 0.5%

LAB 74.67, -44.11, -0.35

 

CMYK 87 / 0 / 12 / 11

HEX #1DE2C6

RGB 29 226 198

HSL 171.47, 0.77%, 0.5%

LAB 81.14, -50.72, 1.04

 

CMYK 97 / 0 / 14 / 3

HEX #08F7D5

RGB 8 247 213

HSL 171.46, 0.94%, 0.5%

LAB 87.67, -56.08, 2.63

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB7

RGB 50 205 183

HSL 171.48, 0.61%, 0.5%

LAB 74.67, -44.11, -0.35

 

CMYK 62 / 0 / 9 / 27

HEX #46B9A8

RGB 70 185 168

HSL 171.13, 0.45%, 0.5%

LAB 68.63, -36.32, -0.96

 

CMYK 45 / 0 / 6 / 36

HEX #5BA49A

RGB 91 164 154

HSL 171.78, 0.29%, 0.5%

LAB 62.6, -25.31, -1.93

 

CMYK 22 / 0 / 3 / 44

HEX #708F8B

RGB 112 143 139

HSL 172.26, 0.12%, 0.5%

LAB 57.03, -11.73, -1.46

 

CMYK 0 / 7 / 6 / 48

HEX #847B7C

RGB 132 123 124

HSL 353.33, 0.04%, 0.5%

LAB 52.43, 3.62, 0.68

 

CMYK 76 / 0 / 52 / 20

HEX #32CD63

RGB 50 205 99

HSL 138.97, 0.61%, 0.5%

LAB 73.05, -61.79, 41.39

 

CMYK 76 / 0 / 32 / 20

HEX #32CD8C

RGB 50 205 140

HSL 154.84, 0.61%, 0.5%

LAB 73.7, -54.41, 21.31

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB6

RGB 50 205 182

HSL 171.1, 0.61%, 0.5%

LAB 74.65, -44.37, 0.16

 

CMYK 76 / 9 / 0 / 20

HEX #32BBCD

RGB 50 187 205

HSL 186.97, 0.61%, 0.5%

LAB 69.91, -29.49, -19.42

 

CMYK 76 / 29 / 0 / 20

HEX #3292CD

RGB 50 146 205

HSL 202.84, 0.61%, 0.5%

LAB 57.7, -7.84, -38.27

 

CMYK 76 / 0 / 11 / 45

HEX #228B7C

RGB 34 139 124

HSL 171.43, 0.61%, 0.34%

LAB 52.13, -32.59, -0.36

 

CMYK 76 / 0 / 11 / 33

HEX #2AAC99

RGB 42 172 153

HSL 171.23, 0.61%, 0.42%

LAB 63.59, -38.6, -0.1

 

CMYK 76 / 0 / 11 / 20

HEX #32CDB7

RGB 50 205 183

HSL 171.48, 0.61%, 0.5%

LAB 74.67, -44.11, -0.35

 

CMYK 61 / 0 / 8 / 16

HEX #53D5C3

RGB 83 213 195

HSL 171.69, 0.61%, 0.58%

LAB 78.09, -39.79, -1.71

 

CMYK 48 / 0 / 7 / 13

HEX #74DDCE

RGB 116 221 206

HSL 171.43, 0.61%, 0.66%

LAB 81.77, -34.07, -2.06

 

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

CMYK 72 / 76 / 0 / 20

HEX #3A32CD

RGB 58 50 205

HSL 243.1, 0.61%, 0.5%

LAB 33.11, 51.77, -77.91

 

CMYK 0 / 41 / 76 / 20

HEX #CD7832

RGB 205 120 50

HSL 27.1, 0.61%, 0.5%

LAB 58.64, 27.79, 50.73

 

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

CMYK 11 / 76 / 0 / 20

HEX #B632CD

RGB 182 50 205

HSL 291.1, 0.61%, 0.5%

LAB 47.8, 70.86, -53.35

 

CMYK 0 / 11 / 76 / 20

HEX #CDB632

RGB 205 182 50

HSL 51.1, 0.61%, 0.5%

LAB 73.98, -5.54, 65.54

 

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

CMYK 72 / 76 / 0 / 20

HEX #3A32CD

RGB 58 50 205

HSL 243.1, 0.61%, 0.5%

LAB 33.11, 51.77, -77.91

 

CMYK 0 / 76 / 64 / 20

HEX #CD3249

RGB 205 50 73

HSL 351.1, 0.61%, 0.5%

LAB 46.63, 60.81, 24.6

 

CMYK 4 / 0 / 76 / 20

HEX #C5CD32

RGB 197 205 50

HSL 63.1, 0.61%, 0.5%

LAB 79.48, -20.6, 70.39

 

CMYK 75 / 0 / 11 / 20

HEX #33CDB7

RGB 51 205 183

HSL 171.43, 0.61%, 0.5%

LAB 74.69, -44, -0.32

 

CMYK 49 / 76 / 0 / 20

HEX #6832CD

RGB 104 50 205

HSL 260.9, 0.61%, 0.5%

LAB 37.17, 57.24, -71.07

 

CMYK 0 / 76 / 64 / 20

HEX #CD3249

RGB 205 50 73

HSL 351.1, 0.61%, 0.5%

LAB 46.63, 60.81, 24.6

 

CMYK 26 / 0 / 76 / 20

HEX #97CD32

RGB 151 205 50

HSL 80.9, 0.61%, 0.5%

LAB 76.36, -39.14, 66.36

 

Description

Color code: HEX #33CDB7 | qconv.com Color code: HEX #33CDB7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 205 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 205 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 11 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 11% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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