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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33CD5B it is the complementary color #CC32A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33CD5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33CD5B shade: #38CD56, #49DF69, #5AF17C, #6BFF8F and #7CFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33CD5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33CD5B shade: #33CD5B, #22BB48, #11A935, #009722 and #00850F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33CD5B shade: #32CD5A, #33CD32, #5DCD32, #87CD32 and #B1CD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33CD5B shade: #32CD5A, #32CD84, #32CDAE, #32C3CD and #3299CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33CD5B shade matches the following richer shades: #32CD5A, #1DE250 and #08F746

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33CD5B shade: #32CD5A, #46B964, #5BA46E, #708F78 and #847B82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33CD5B shade: #5ECD32, #34CD32, #32CD59, #32CD82 and #32CDAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33CD5B shade: #228B3D, #2AAC4C, #32CD5A, #53D575 and #74DD8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33CD5B shade: #33CD5B, #3287CD and #CD3249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33CD5B shade: #33CD5B, #5932CD and #CD5932

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33CD5B shade: #33CD5B, #3287CD, #CD32A6 and #CD7832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33CD5B shade: #33CD5B, #3259CD, #CD32A6 and #CDA632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

Complementary color

CMYK 0 / 75 / 20 / 20

HEX #CC32A4

RGB 204 50 164

HSL 315.58, 0.61%, 0.5%

LAB 49.25, 69.25, -26.85

 

CMYK 73 / 0 / 58 / 20

HEX #38CD56

RGB 56 205 86

HSL 132.08, 0.6%, 0.51%

LAB 73.01, -62.69, 47.49

 

CMYK 67 / 0 / 53 / 13

HEX #49DF69

RGB 73 223 105

HSL 132.8, 0.7%, 0.58%

LAB 79.16, -63.49, 46.09

 

CMYK 63 / 0 / 49 / 5

HEX #5AF17C

RGB 90 241 124

HSL 133.51, 0.84%, 0.65%

LAB 85.27, -63.99, 44.69

 

CMYK 58 / 0 / 44 / 0

HEX #6BFF8F

RGB 107 255 143

HSL 134.59, 1%, 0.71%

LAB 90.15, -62.77, 41.82

 

CMYK 51 / 0 / 36 / 0

HEX #7CFFA2

RGB 124 255 162

HSL 137.4, 1%, 0.74%

LAB 90.97, -55.85, 33.65

 

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

CMYK 82 / 0 / 61 / 27

HEX #22BB48

RGB 34 187 72

HSL 134.9, 0.69%, 0.43%

LAB 66.79, -61.44, 46.54

 

CMYK 90 / 0 / 69 / 34

HEX #11A935

RGB 17 169 53

HSL 134.21, 0.82%, 0.36%

LAB 60.56, -59.44, 47.81

 

CMYK 100 / 0 / 77 / 41

HEX #009722

RGB 0 151 34

HSL 133.51, 1%, 0.3%

LAB 54.29, -56.72, 48.58

 

CMYK 100 / 0 / 89 / 48

HEX #00850F

RGB 0 133 15

HSL 126.77, 1%, 0.26%

LAB 48.02, -52.58, 48.34

 

CMYK 76 / 0 / 56 / 20

HEX #32CD5A

RGB 50 205 90

HSL 135.48, 0.61%, 0.5%

LAB 72.94, -63.05, 45.54

 

CMYK 75 / 0 / 76 / 20

HEX #33CD32

RGB 51 205 50

HSL 119.61, 0.61%, 0.5%

LAB 72.63, -66.98, 61.46

 

CMYK 55 / 0 / 76 / 20

HEX #5DCD32

RGB 93 205 50

HSL 103.35, 0.61%, 0.5%

LAB 73.69, -58.22, 62.86

 

CMYK 34 / 0 / 76 / 20

HEX #87CD32

RGB 135 205 50

HSL 87.1, 0.61%, 0.5%

LAB 75.48, -45.03, 65.21

 

CMYK 14 / 0 / 76 / 20

HEX #B1CD32

RGB 177 205 50

HSL 70.84, 0.61%, 0.5%

LAB 78.02, -28.88, 68.51

 

CMYK 76 / 0 / 56 / 20

HEX #32CD5A

RGB 50 205 90

HSL 135.48, 0.61%, 0.5%

LAB 72.94, -63.05, 45.54

 

CMYK 76 / 0 / 36 / 20

HEX #32CD84

RGB 50 205 132

HSL 151.74, 0.61%, 0.5%

LAB 73.55, -56.05, 25.32

 

CMYK 76 / 0 / 15 / 20

HEX #32CDAE

RGB 50 205 174

HSL 168, 0.61%, 0.5%

LAB 74.44, -46.46, 4.18

 

CMYK 76 / 5 / 0 / 20

HEX #32C3CD

RGB 50 195 205

HSL 183.87, 0.61%, 0.5%

LAB 72.31, -33.34, -15.8

 

CMYK 76 / 25 / 0 / 20

HEX #3299CD

RGB 50 153 205

HSL 200.13, 0.61%, 0.5%

LAB 59.77, -11.77, -35.03

 

CMYK 76 / 0 / 56 / 20

HEX #32CD5A

RGB 50 205 90

HSL 135.48, 0.61%, 0.5%

LAB 72.94, -63.05, 45.54

 

CMYK 87 / 0 / 65 / 11

HEX #1DE250

RGB 29 226 80

HSL 135.53, 0.77%, 0.5%

LAB 79.18, -73.05, 57.01

 

CMYK 97 / 0 / 72 / 3

HEX #08F746

RGB 8 247 70

HSL 135.56, 0.94%, 0.5%

LAB 85.51, -81, 67.51

 

CMYK 76 / 0 / 56 / 20

HEX #32CD5A

RGB 50 205 90

HSL 135.48, 0.61%, 0.5%

LAB 72.94, -63.05, 45.54

 

CMYK 62 / 0 / 46 / 27

HEX #46B964

RGB 70 185 100

HSL 135.65, 0.45%, 0.5%

LAB 67.22, -50.89, 33.68

 

CMYK 45 / 0 / 33 / 36

HEX #5BA46E

RGB 91 164 110

HSL 135.62, 0.29%, 0.5%

LAB 61.57, -34.96, 21.11

 

CMYK 22 / 0 / 16 / 44

HEX #708F78

RGB 112 143 120

HSL 135.48, 0.12%, 0.5%

LAB 56.53, -15.76, 8.7

 

CMYK 0 / 7 / 2 / 48

HEX #847B82

RGB 132 123 130

HSL 313.33, 0.04%, 0.5%

LAB 52.6, 4.78, -2.58

 

CMYK 54 / 0 / 76 / 20

HEX #5ECD32

RGB 94 205 50

HSL 102.97, 0.61%, 0.5%

LAB 73.72, -57.96, 62.91

 

CMYK 75 / 0 / 76 / 20

HEX #34CD32

RGB 52 205 50

HSL 119.23, 0.61%, 0.5%

LAB 72.64, -66.83, 61.48

 

CMYK 76 / 0 / 57 / 20

HEX #32CD59

RGB 50 205 89

HSL 135.1, 0.61%, 0.5%

LAB 72.93, -63.19, 45.99

 

CMYK 76 / 0 / 37 / 20

HEX #32CD82

RGB 50 205 130

HSL 150.97, 0.61%, 0.5%

LAB 73.51, -56.44, 26.32

 

CMYK 76 / 0 / 16 / 20

HEX #32CDAC

RGB 50 205 172

HSL 167.23, 0.61%, 0.5%

LAB 74.39, -46.97, 5.18

 

CMYK 76 / 0 / 56 / 45

HEX #228B3D

RGB 34 139 61

HSL 135.43, 0.61%, 0.34%

LAB 50.85, -46.47, 33.12

 

CMYK 76 / 0 / 56 / 33

HEX #2AAC4C

RGB 42 172 76

HSL 135.69, 0.61%, 0.42%

LAB 62.1, -54.86, 39.22

 

CMYK 76 / 0 / 56 / 20

HEX #32CD5A

RGB 50 205 90

HSL 135.48, 0.61%, 0.5%

LAB 72.94, -63.05, 45.54

 

CMYK 61 / 0 / 45 / 16

HEX #53D575

RGB 83 213 117

HSL 135.69, 0.61%, 0.58%

LAB 76.5, -56.14, 37.01

 

CMYK 48 / 0 / 35 / 13

HEX #74DD8F

RGB 116 221 143

HSL 135.43, 0.61%, 0.66%

LAB 80.41, -47.16, 29.14

 

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

CMYK 76 / 34 / 0 / 20

HEX #3287CD

RGB 50 135 205

HSL 207.1, 0.61%, 0.5%

LAB 54.46, -1.46, -43.37

 

CMYK 0 / 76 / 64 / 20

HEX #CD3249

RGB 205 50 73

HSL 351.1, 0.61%, 0.5%

LAB 46.63, 60.81, 24.6

 

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

CMYK 57 / 76 / 0 / 20

HEX #5932CD

RGB 89 50 205

HSL 255.1, 0.61%, 0.5%

LAB 35.62, 55.17, -73.68

 

CMYK 0 / 57 / 76 / 20

HEX #CD5932

RGB 205 89 50

HSL 15.1, 0.61%, 0.5%

LAB 52.24, 43.74, 44.16

 

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

CMYK 76 / 34 / 0 / 20

HEX #3287CD

RGB 50 135 205

HSL 207.1, 0.61%, 0.5%

LAB 54.46, -1.46, -43.37

 

CMYK 0 / 76 / 19 / 20

HEX #CD32A6

RGB 205 50 166

HSL 315.1, 0.61%, 0.5%

LAB 49.51, 69.75, -27.62

 

CMYK 0 / 41 / 76 / 20

HEX #CD7832

RGB 205 120 50

HSL 27.1, 0.61%, 0.5%

LAB 58.64, 27.79, 50.73

 

CMYK 75 / 0 / 56 / 20

HEX #33CD5B

RGB 51 205 91

HSL 135.58, 0.61%, 0.5%

LAB 72.97, -62.78, 45.11

 

CMYK 76 / 57 / 0 / 20

HEX #3259CD

RGB 50 89 205

HSL 224.9, 0.61%, 0.5%

LAB 41.58, 27.35, -64.03

 

CMYK 0 / 76 / 19 / 20

HEX #CD32A6

RGB 205 50 166

HSL 315.1, 0.61%, 0.5%

LAB 49.51, 69.75, -27.62

 

CMYK 0 / 19 / 76 / 20

HEX #CDA632

RGB 205 166 50

HSL 44.9, 0.61%, 0.5%

LAB 69.81, 2.9, 61.63

 

Description

Color code: HEX #33CD5B | qconv.com Color code: HEX #33CD5B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 205 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 205 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 56 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 56% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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