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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33CD3E it is the complementary color #CC32C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33CD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33CD3E shade: #38CD39, #49DF4C, #5AF15F, #6BFF72 and #7CFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33CD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33CD3E shade: #33CD3E, #22BB2B, #11A918, #009705 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33CD3E shade: #32CD3D, #51CD32, #7ACD32, #A4CD32 and #CDCC32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33CD3E shade: #32CD3D, #32CD67, #32CD91, #32CDBB and #32B6CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33CD3E shade matches the following richer shades: #32CD3D, #1DE22B and #08F719

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33CD3E shade: #32CD3D, #46B94F, #5BA460, #708F72 and #847B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33CD3E shade: #7ACD32, #51CD32, #32CD3C, #32CD66 and #32CD8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33CD3E shade: #228B29, #2AAC33, #32CD3D, #53D55C and #74DD7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33CD3E shade: #33CD3E, #32A4CD and #CD3266

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33CD3E shade: #33CD3E, #3C32CD and #CD3C32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33CD3E shade: #33CD3E, #32A4CD, #CD32C3 and #CD5B32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33CD3E shade: #33CD3E, #3275CD, #CD32C3 and #CD8A32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

Complementary color

CMYK 0 / 75 / 5 / 20

HEX #CC32C1

RGB 204 50 193

HSL 304.29, 0.61%, 0.5%

LAB 50.65, 73.36, -41.65

 

CMYK 73 / 0 / 72 / 20

HEX #38CD39

RGB 56 205 57

HSL 120.4, 0.6%, 0.51%

LAB 72.76, -65.67, 59.21

 

CMYK 67 / 0 / 66 / 13

HEX #49DF4C

RGB 73 223 76

HSL 121.2, 0.7%, 0.58%

LAB 78.88, -66.86, 58.49

 

CMYK 63 / 0 / 61 / 5

HEX #5AF15F

RGB 90 241 95

HSL 121.99, 0.84%, 0.65%

LAB 84.95, -67.64, 57.48

 

CMYK 58 / 0 / 55 / 0

HEX #6BFF72

RGB 107 255 114

HSL 122.84, 1%, 0.71%

LAB 89.79, -66.72, 54.92

 

CMYK 51 / 0 / 48 / 0

HEX #7CFF85

RGB 124 255 133

HSL 124.12, 1%, 0.74%

LAB 90.55, -60.25, 47.22

 

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

CMYK 82 / 0 / 77 / 27

HEX #22BB2B

RGB 34 187 43

HSL 123.53, 0.69%, 0.43%

LAB 66.56, -64.21, 57.72

 

CMYK 90 / 0 / 86 / 34

HEX #11A918

RGB 17 169 24

HSL 122.76, 0.82%, 0.36%

LAB 60.39, -61.6, 57.3

 

CMYK 100 / 0 / 97 / 41

HEX #009705

RGB 0 151 5

HSL 121.99, 1%, 0.3%

LAB 54.18, -58.14, 55.45

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 76 / 0 / 70 / 20

HEX #32CD3D

RGB 50 205 61

HSL 124.26, 0.61%, 0.5%

LAB 72.68, -66.26, 57.61

 

CMYK 60 / 0 / 76 / 20

HEX #51CD32

RGB 81 205 50

HSL 108, 0.61%, 0.5%

LAB 73.31, -61.23, 62.37

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD32

RGB 122 205 50

HSL 92.13, 0.61%, 0.5%

LAB 74.84, -49.51, 64.38

 

CMYK 20 / 0 / 76 / 20

HEX #A4CD32

RGB 164 205 50

HSL 75.87, 0.61%, 0.5%

LAB 77.15, -34.09, 67.39

 

CMYK 0 / 0 / 76 / 20

HEX #CDCC32

RGB 205 204 50

HSL 59.61, 0.61%, 0.5%

LAB 79.84, -16.74, 70.95

 

CMYK 76 / 0 / 70 / 20

HEX #32CD3D

RGB 50 205 61

HSL 124.26, 0.61%, 0.5%

LAB 72.68, -66.26, 57.61

 

CMYK 76 / 0 / 50 / 20

HEX #32CD67

RGB 50 205 103

HSL 140.52, 0.61%, 0.5%

LAB 73.1, -61.18, 39.5

 

CMYK 76 / 0 / 29 / 20

HEX #32CD91

RGB 50 205 145

HSL 156.77, 0.61%, 0.5%

LAB 73.79, -53.34, 18.8

 

CMYK 76 / 0 / 9 / 20

HEX #32CDBB

RGB 50 205 187

HSL 173.03, 0.61%, 0.5%

LAB 74.78, -43.04, -2.35

 

CMYK 76 / 11 / 0 / 20

HEX #32B6CD

RGB 50 182 205

HSL 188.9, 0.61%, 0.5%

LAB 68.42, -27.02, -21.69

 

CMYK 76 / 0 / 70 / 20

HEX #32CD3D

RGB 50 205 61

HSL 124.26, 0.61%, 0.5%

LAB 72.68, -66.26, 57.61

 

CMYK 87 / 0 / 81 / 11

HEX #1DE22B

RGB 29 226 43

HSL 124.26, 0.77%, 0.5%

LAB 78.94, -75.99, 69.47

 

CMYK 97 / 0 / 90 / 3

HEX #08F719

RGB 8 247 25

HSL 124.27, 0.94%, 0.5%

LAB 85.32, -83.42, 78.76

 

CMYK 76 / 0 / 70 / 20

HEX #32CD3D

RGB 50 205 61

HSL 124.26, 0.61%, 0.5%

LAB 72.68, -66.26, 57.61

 

CMYK 62 / 0 / 57 / 27

HEX #46B94F

RGB 70 185 79

HSL 124.7, 0.45%, 0.5%

LAB 66.95, -53.9, 43.7

 

CMYK 45 / 0 / 41 / 36

HEX #5BA460

RGB 91 164 96

HSL 124.11, 0.29%, 0.5%

LAB 61.32, -37.39, 28.34

 

CMYK 22 / 0 / 20 / 44

HEX #708F72

RGB 112 143 114

HSL 123.87, 0.12%, 0.5%

LAB 56.39, -16.93, 11.92

 

CMYK 0 / 7 / 0 / 48

HEX #847B84

RGB 132 123 132

HSL 300, 0.04%, 0.5%

LAB 52.66, 5.18, -3.66

 

CMYK 40 / 0 / 76 / 20

HEX #7ACD32

RGB 122 205 50

HSL 92.13, 0.61%, 0.5%

LAB 74.84, -49.51, 64.38

 

CMYK 60 / 0 / 76 / 20

HEX #51CD32

RGB 81 205 50

HSL 108, 0.61%, 0.5%

LAB 73.31, -61.23, 62.37

 

CMYK 76 / 0 / 71 / 20

HEX #32CD3C

RGB 50 205 60

HSL 123.87, 0.61%, 0.5%

LAB 72.67, -66.34, 57.98

 

CMYK 76 / 0 / 50 / 20

HEX #32CD66

RGB 50 205 102

HSL 140.13, 0.61%, 0.5%

LAB 73.09, -61.33, 39.97

 

CMYK 76 / 0 / 30 / 20

HEX #32CD8F

RGB 50 205 143

HSL 156, 0.61%, 0.5%

LAB 73.76, -53.77, 19.8

 

CMYK 76 / 0 / 71 / 45

HEX #228B29

RGB 34 139 41

HSL 124, 0.61%, 0.34%

LAB 50.65, -48.95, 42.27

 

CMYK 76 / 0 / 70 / 33

HEX #2AAC33

RGB 42 172 51

HSL 124.15, 0.61%, 0.42%

LAB 61.86, -57.77, 50.09

 

CMYK 76 / 0 / 70 / 20

HEX #32CD3D

RGB 50 205 61

HSL 124.26, 0.61%, 0.5%

LAB 72.68, -66.26, 57.61

 

CMYK 61 / 0 / 57 / 16

HEX #53D55C

RGB 83 213 92

HSL 124.15, 0.61%, 0.58%

LAB 76.19, -59.64, 48.64

 

CMYK 48 / 0 / 44 / 13

HEX #74DD7C

RGB 116 221 124

HSL 124.57, 0.61%, 0.66%

LAB 80.11, -50.2, 38.36

 

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

CMYK 76 / 20 / 0 / 20

HEX #32A4CD

RGB 50 164 205

HSL 195.87, 0.61%, 0.5%

LAB 63.04, -17.75, -29.95

 

CMYK 0 / 76 / 50 / 20

HEX #CD3266

RGB 205 50 102

HSL 339.87, 0.61%, 0.5%

LAB 47.26, 62.83, 7.68

 

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

CMYK 71 / 76 / 0 / 20

HEX #3C32CD

RGB 60 50 205

HSL 243.87, 0.61%, 0.5%

LAB 33.24, 51.95, -77.69

 

CMYK 0 / 71 / 76 / 20

HEX #CD3C32

RGB 205 60 50

HSL 3.87, 0.61%, 0.5%

LAB 47.55, 56.26, 39.17

 

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

CMYK 76 / 20 / 0 / 20

HEX #32A4CD

RGB 50 164 205

HSL 195.87, 0.61%, 0.5%

LAB 63.04, -17.75, -29.95

 

CMYK 0 / 76 / 5 / 20

HEX #CD32C3

RGB 205 50 195

HSL 303.87, 0.61%, 0.5%

LAB 50.92, 73.87, -42.37

 

CMYK 0 / 56 / 76 / 20

HEX #CD5B32

RGB 205 91 50

HSL 15.87, 0.61%, 0.5%

LAB 52.61, 42.77, 44.56

 

CMYK 75 / 0 / 70 / 20

HEX #33CD3E

RGB 51 205 62

HSL 124.29, 0.61%, 0.5%

LAB 72.7, -66.02, 57.26

 

CMYK 76 / 43 / 0 / 20

HEX #3275CD

RGB 50 117 205

HSL 214.06, 0.61%, 0.5%

LAB 49.26, 9.48, -51.64

 

CMYK 0 / 76 / 5 / 20

HEX #CD32C3

RGB 205 50 195

HSL 303.87, 0.61%, 0.5%

LAB 50.92, 73.87, -42.37

 

CMYK 0 / 33 / 76 / 20

HEX #CD8A32

RGB 205 138 50

HSL 34.06, 0.61%, 0.5%

LAB 62.83, 18.04, 54.89

 

Description

Color code: HEX #33CD3E | qconv.com Color code: HEX #33CD3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 205 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 205 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 70 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 70% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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