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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33CD16 it is the complementary color #CC32E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33CD16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33CD16 shade: #38CD11, #49DF24, #5AF137, #6BFF4A and #7CFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33CD16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33CD16 shade: #33CD16, #22BB03, #11A900, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33CD16 shade: #33D016, #65D016, #98D016, #CAD016 and #D0A416

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33CD16 shade: #33D016, #16D02A, #16D05D, #16D08F and #16D0C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33CD16 shade matches the following richer shades: #33D016 and #27E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33CD16 shade: #33D016, #40BD28, #4DAB3B, #59984E and #668560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33CD16 shade: #98D016, #66D016, #35D016, #16D028 and #16D05A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33CD16 shade: #21850E, #2AAA12, #33D016, #45E826 and #65EC4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33CD16 shade: #33CD16, #16CAD0 and #D0167F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33CD16 shade: #33CD16, #1635D0 and #D01635

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33CD16 shade: #33CD16, #16CAD0, #B116D0 and #D01C16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33CD16 shade: #33CD16, #1692D0, #B116D0 and #D05416

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

Complementary color

CMYK 12 / 79 / 0 / 9

HEX #CC32E9

RGB 204 50 233

HSL 290.49, 0.81%, 0.55%

LAB 52.95, 79.82, -60.83

 

CMYK 73 / 0 / 92 / 20

HEX #38CD11

RGB 56 205 17

HSL 107.55, 0.85%, 0.44%

LAB 72.59, -67.75, 69.37

 

CMYK 67 / 0 / 84 / 13

HEX #49DF24

RGB 73 223 36

HSL 108.13, 0.75%, 0.51%

LAB 78.65, -69.61, 71.18

 

CMYK 63 / 0 / 77 / 5

HEX #5AF137

RGB 90 241 55

HSL 108.71, 0.87%, 0.58%

LAB 84.67, -70.95, 71.87

 

CMYK 58 / 0 / 71 / 0

HEX #6BFF4A

RGB 107 255 74

HSL 109.06, 1%, 0.65%

LAB 89.46, -70.55, 70.63

 

CMYK 51 / 0 / 64 / 0

HEX #7CFF5D

RGB 124 255 93

HSL 108.52, 1%, 0.68%

LAB 90.14, -64.78, 64.38

 

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

CMYK 82 / 0 / 98 / 27

HEX #22BB03

RGB 34 187 3

HSL 109.89, 0.97%, 0.37%

LAB 66.43, -65.83, 65.85

 

CMYK 90 / 0 / 100 / 34

HEX #11A900

RGB 17 169 0

HSL 113.96, 1%, 0.33%

LAB 60.33, -62.36, 61.25

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 75 / 0 / 89 / 18

HEX #33D016

RGB 51 208 22

HSL 110.65, 0.81%, 0.45%

LAB 73.46, -69.3, 69.29

 

CMYK 51 / 0 / 89 / 18

HEX #65D016

RGB 101 208 22

HSL 94.52, 0.81%, 0.45%

LAB 74.78, -58.35, 70.94

 

CMYK 27 / 0 / 89 / 18

HEX #98D016

RGB 152 208 22

HSL 78.06, 0.81%, 0.45%

LAB 77.19, -41.09, 73.91

 

CMYK 3 / 0 / 89 / 18

HEX #CAD016

RGB 202 208 22

HSL 61.94, 0.81%, 0.45%

LAB 80.59, -20.77, 78.07

 

CMYK 0 / 21 / 89 / 18

HEX #D0A416

RGB 208 164 22

HSL 45.81, 0.81%, 0.45%

LAB 69.48, 4.45, 69.6

 

CMYK 75 / 0 / 89 / 18

HEX #33D016

RGB 51 208 22

HSL 110.65, 0.81%, 0.45%

LAB 73.46, -69.3, 69.29

 

CMYK 89 / 0 / 80 / 18

HEX #16D02A

RGB 22 208 42

HSL 126.45, 0.81%, 0.45%

LAB 73.19, -71.48, 64.34

 

CMYK 89 / 0 / 55 / 18

HEX #16D05D

RGB 22 208 93

HSL 142.9, 0.81%, 0.45%

LAB 73.59, -66.4, 44.83

 

CMYK 89 / 0 / 31 / 18

HEX #16D08F

RGB 22 208 143

HSL 159.03, 0.81%, 0.45%

LAB 74.36, -57.4, 20.58

 

CMYK 89 / 0 / 7 / 18

HEX #16D0C1

RGB 22 208 193

HSL 175.16, 0.81%, 0.45%

LAB 75.53, -44.86, -4.52

 

CMYK 75 / 0 / 89 / 18

HEX #33D016

RGB 51 208 22

HSL 110.65, 0.81%, 0.45%

LAB 73.46, -69.3, 69.29

 

CMYK 83 / 0 / 99 / 11

HEX #27E203

RGB 39 226 3

HSL 110.31, 0.97%, 0.45%

LAB 78.94, -76.35, 75.96

 

CMYK 75 / 0 / 89 / 18

HEX #33D016

RGB 51 208 22

HSL 110.65, 0.81%, 0.45%

LAB 73.46, -69.3, 69.29

 

CMYK 66 / 0 / 79 / 26

HEX #40BD28

RGB 64 189 40

HSL 110.34, 0.65%, 0.45%

LAB 67.75, -60.2, 60.01

 

CMYK 55 / 0 / 65 / 33

HEX #4DAB3B

RGB 77 171 59

HSL 110.36, 0.49%, 0.45%

LAB 62.52, -49.15, 47.77

 

CMYK 41 / 0 / 49 / 40

HEX #59984E

RGB 89 152 78

HSL 111.08, 0.32%, 0.45%

LAB 57.2, -35.35, 32.57

 

CMYK 23 / 0 / 28 / 48

HEX #668560

RGB 102 133 96

HSL 110.27, 0.16%, 0.45%

LAB 52.34, -18.6, 16.47

 

CMYK 27 / 0 / 89 / 18

HEX #98D016

RGB 152 208 22

HSL 78.06, 0.81%, 0.45%

LAB 77.19, -41.09, 73.91

 

CMYK 51 / 0 / 89 / 18

HEX #66D016

RGB 102 208 22

HSL 94.19, 0.81%, 0.45%

LAB 74.82, -58.07, 70.99

 

CMYK 75 / 0 / 89 / 18

HEX #35D016

RGB 53 208 22

HSL 110, 0.81%, 0.45%

LAB 73.5, -69, 69.34

 

CMYK 89 / 0 / 81 / 18

HEX #16D028

RGB 22 208 40

HSL 125.81, 0.81%, 0.45%

LAB 73.18, -71.6, 64.89

 

CMYK 89 / 0 / 57 / 18

HEX #16D05A

RGB 22 208 90

HSL 141.94, 0.81%, 0.45%

LAB 73.56, -66.82, 46.19

 

CMYK 75 / 0 / 89 / 48

HEX #21850E

RGB 33 133 14

HSL 110.42, 0.81%, 0.29%

LAB 48.42, -49, 49.08

 

CMYK 75 / 0 / 89 / 33

HEX #2AAA12

RGB 42 170 18

HSL 110.53, 0.81%, 0.37%

LAB 61.03, -59.23, 59.28

 

CMYK 75 / 0 / 89 / 18

HEX #33D016

RGB 51 208 22

HSL 110.65, 0.81%, 0.45%

LAB 73.46, -69.3, 69.29

 

CMYK 70 / 0 / 84 / 9

HEX #45E826

RGB 69 232 38

HSL 110.41, 0.81%, 0.53%

LAB 81.36, -73.04, 73.11

 

CMYK 57 / 0 / 68 / 7

HEX #65EC4C

RGB 101 236 76

HSL 110.63, 0.81%, 0.61%

LAB 83.59, -65.28, 63.76

 

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

CMYK 89 / 3 / 0 / 18

HEX #16CAD0

RGB 22 202 208

HSL 181.94, 0.81%, 0.45%

LAB 74.17, -37.81, -14.66

 

CMYK 0 / 89 / 39 / 18

HEX #D0167F

RGB 208 22 127

HSL 326.13, 0.81%, 0.45%

LAB 46.33, 72.25, -8.97

 

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

CMYK 89 / 75 / 0 / 18

HEX #1635D0

RGB 22 53 208

HSL 230, 0.81%, 0.45%

LAB 32.42, 48.86, -80.85

 

CMYK 0 / 89 / 75 / 18

HEX #D01635

RGB 208 22 53

HSL 350, 0.81%, 0.45%

LAB 44.58, 67.34, 34.3

 

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

CMYK 89 / 3 / 0 / 18

HEX #16CAD0

RGB 22 202 208

HSL 181.94, 0.81%, 0.45%

LAB 74.17, -37.81, -14.66

 

CMYK 15 / 89 / 0 / 18

HEX #B116D0

RGB 177 22 208

HSL 290, 0.81%, 0.45%

LAB 44.91, 77.16, -59.77

 

CMYK 0 / 87 / 89 / 18

HEX #D01C16

RGB 208 28 22

HSL 1.94, 0.81%, 0.45%

LAB 44.66, 65.48, 50.79

 

CMYK 75 / 0 / 89 / 20

HEX #33CD16

RGB 51 205 22

HSL 110.49, 0.81%, 0.45%

LAB 72.51, -68.4, 68.48

 

CMYK 89 / 30 / 0 / 18

HEX #1692D0

RGB 22 146 208

HSL 200, 0.81%, 0.45%

LAB 57.35, -9.19, -40.54

 

CMYK 15 / 89 / 0 / 18

HEX #B116D0

RGB 177 22 208

HSL 290, 0.81%, 0.45%

LAB 44.91, 77.16, -59.77

 

CMYK 0 / 60 / 89 / 18

HEX #D05416

RGB 208 84 22

HSL 20, 0.81%, 0.45%

LAB 51.62, 46.4, 55.93

 

Description

Color code: HEX #33CD16 | qconv.com Color code: HEX #33CD16 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 205 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 205 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 89 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 89% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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