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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C8AA it is the complementary color #CC3755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C8AA shade: #38C8A5, #49DAB8, #5AECCB, #6BFEDE and #7CFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C8AA shade: #33C8AA, #22B697, #11A484, #009271 and #00805E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C8AA shade: #33C7A9, #33C781, #33C759, #35C733 and #5DC733

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C8AA shade: #33C7A9, #33BDC7, #3395C7, #336DC7 and #3345C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C8AA shade matches the following richer shades: #33C7A9, #1FDBB5 and #0BEFC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C8AA shade: #33C7A9, #47B29D, #5C9E91, #708A85 and #847679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C8AA shade: #33C758, #33C77F, #33C7A7, #33BFC7 and #3398C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C8AA shade: #228571, #2BA68D, #33C7A9, #51D2B8 and #72DBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C8AA shade: #33C8AA, #3336C7 and #C76C33

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C8AA shade: #33C8AA, #A733C7 and #C7A733

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C8AA shade: #33C8AA, #3336C7, #C73353 and #C7C433

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C8AA shade: #33C8AA, #5D33C7, #C73353 and #9DC733

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

Complementary color

CMYK 0 / 73 / 58 / 20

HEX #CC3755

RGB 204 55 85

HSL 347.92, 0.59%, 0.51%

LAB 47.27, 59.62, 18.09

 

CMYK 72 / 0 / 18 / 22

HEX #38C8A5

RGB 56 200 165

HSL 165.42, 0.57%, 0.5%

LAB 72.8, -45.87, 6.69

 

CMYK 67 / 0 / 16 / 15

HEX #49DAB8

RGB 73 218 184

HSL 165.93, 0.66%, 0.57%

LAB 79.05, -46.38, 5.53

 

CMYK 62 / 0 / 14 / 7

HEX #5AECCB

RGB 90 236 203

HSL 166.44, 0.79%, 0.64%

LAB 85.24, -46.7, 4.47

 

CMYK 58 / 0 / 13 / 0

HEX #6BFEDE

RGB 107 254 222

HSL 166.94, 0.99%, 0.71%

LAB 91.36, -46.9, 3.5

 

CMYK 51 / 0 / 5 / 0

HEX #7CFFF1

RGB 124 255 241

HSL 173.59, 1%, 0.74%

LAB 92.64, -39.49, -4.41

 

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

CMYK 81 / 0 / 17 / 29

HEX #22B697

RGB 34 182 151

HSL 167.43, 0.69%, 0.42%

LAB 66.54, -44.33, 5.28

 

CMYK 90 / 0 / 20 / 36

HEX #11A484

RGB 17 164 132

HSL 166.94, 0.81%, 0.35%

LAB 60.19, -43.04, 6.7

 

CMYK 100 / 0 / 23 / 43

HEX #009271

RGB 0 146 113

HSL 166.44, 1%, 0.29%

LAB 53.76, -41.37, 8.28

 

CMYK 100 / 0 / 27 / 50

HEX #00805E

RGB 0 128 94

HSL 164.06, 1%, 0.25%

LAB 47.3, -38.85, 10.12

 

CMYK 74 / 0 / 15 / 22

HEX #33C7A9

RGB 51 199 169

HSL 167.84, 0.59%, 0.49%

LAB 72.51, -45.07, 4.08

 

CMYK 74 / 0 / 35 / 22

HEX #33C781

RGB 51 199 129

HSL 151.62, 0.59%, 0.49%

LAB 71.65, -54.25, 24.33

 

CMYK 74 / 0 / 55 / 22

HEX #33C759

RGB 51 199 89

HSL 135.41, 0.59%, 0.49%

LAB 71.06, -61.02, 43.76

 

CMYK 73 / 0 / 74 / 22

HEX #35C733

RGB 53 199 51

HSL 119.19, 0.59%, 0.49%

LAB 70.76, -64.72, 59.29

 

CMYK 53 / 0 / 74 / 22

HEX #5DC733

RGB 93 199 51

HSL 102.97, 0.59%, 0.49%

LAB 71.83, -55.97, 60.71

 

CMYK 74 / 0 / 15 / 22

HEX #33C7A9

RGB 51 199 169

HSL 167.84, 0.59%, 0.49%

LAB 72.51, -45.07, 4.08

 

CMYK 74 / 5 / 0 / 22

HEX #33BDC7

RGB 51 189 199

HSL 184.05, 0.59%, 0.49%

LAB 70.33, -32.17, -15.5

 

CMYK 74 / 25 / 0 / 22

HEX #3395C7

RGB 51 149 199

HSL 200.27, 0.59%, 0.49%

LAB 58.34, -11.49, -33.89

 

CMYK 74 / 45 / 0 / 22

HEX #336DC7

RGB 51 109 199

HSL 216.49, 0.59%, 0.49%

LAB 46.66, 12.39, -52.36

 

CMYK 74 / 65 / 0 / 22

HEX #3345C7

RGB 51 69 199

HSL 232.7, 0.59%, 0.49%

LAB 36.14, 38.05, -69.43

 

CMYK 74 / 0 / 15 / 22

HEX #33C7A9

RGB 51 199 169

HSL 167.84, 0.59%, 0.49%

LAB 72.51, -45.07, 4.08

 

CMYK 86 / 0 / 17 / 14

HEX #1FDBB5

RGB 31 219 181

HSL 167.87, 0.75%, 0.49%

LAB 78.63, -52.13, 6.44

 

CMYK 95 / 0 / 19 / 6

HEX #0BEFC1

RGB 11 239 193

HSL 167.89, 0.91%, 0.49%

LAB 84.82, -57.92, 8.97

 

CMYK 74 / 0 / 15 / 22

HEX #33C7A9

RGB 51 199 169

HSL 167.84, 0.59%, 0.49%

LAB 72.51, -45.07, 4.08

 

CMYK 60 / 0 / 12 / 30

HEX #47B29D

RGB 71 178 157

HSL 168.22, 0.43%, 0.49%

LAB 66.22, -35.75, 1.61

 

CMYK 42 / 0 / 8 / 38

HEX #5C9E91

RGB 92 158 145

HSL 168.18, 0.26%, 0.49%

LAB 60.58, -24.26, 0.19

 

CMYK 19 / 0 / 4 / 46

HEX #708A85

RGB 112 138 133

HSL 168.46, 0.1%, 0.49%

LAB 55.4, -10.32, -0.4

 

CMYK 0 / 11 / 8 / 48

HEX #847679

RGB 132 118 121

HSL 347.14, 0.06%, 0.49%

LAB 50.97, 5.96, 0.32

 

CMYK 74 / 0 / 56 / 22

HEX #33C758

RGB 51 199 88

HSL 135, 0.59%, 0.49%

LAB 71.05, -61.16, 44.22

 

CMYK 74 / 0 / 36 / 22

HEX #33C77F

RGB 51 199 127

HSL 150.81, 0.59%, 0.49%

LAB 71.61, -54.65, 25.33

 

CMYK 74 / 0 / 16 / 22

HEX #33C7A7

RGB 51 199 167

HSL 167.03, 0.59%, 0.49%

LAB 72.46, -45.58, 5.09

 

CMYK 74 / 4 / 0 / 22

HEX #33BFC7

RGB 51 191 199

HSL 183.24, 0.59%, 0.49%

LAB 70.93, -33.13, -14.59

 

CMYK 74 / 24 / 0 / 22

HEX #3398C7

RGB 51 152 199

HSL 199.05, 0.59%, 0.49%

LAB 59.24, -13.16, -32.49

 

CMYK 74 / 0 / 15 / 48

HEX #228571

RGB 34 133 113

HSL 167.88, 0.59%, 0.33%

LAB 49.87, -32.88, 2.75

 

CMYK 74 / 0 / 15 / 35

HEX #2BA68D

RGB 43 166 141

HSL 167.8, 0.59%, 0.41%

LAB 61.4, -39.04, 3.44

 

CMYK 74 / 0 / 15 / 22

HEX #33C7A9

RGB 51 199 169

HSL 167.84, 0.59%, 0.49%

LAB 72.51, -45.07, 4.08

 

CMYK 61 / 0 / 12 / 18

HEX #51D2B8

RGB 81 210 184

HSL 167.91, 0.59%, 0.57%

LAB 76.86, -41.57, 2.39

 

CMYK 48 / 0 / 10 / 14

HEX #72DBC6

RGB 114 219 198

HSL 168, 0.59%, 0.65%

LAB 80.92, -35.5, 0.93

 

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

CMYK 74 / 73 / 0 / 22

HEX #3336C7

RGB 51 54 199

HSL 238.78, 0.59%, 0.49%

LAB 32.84, 47.03, -74.86

 

CMYK 0 / 46 / 74 / 22

HEX #C76C33

RGB 199 108 51

HSL 23.11, 0.59%, 0.49%

LAB 55.18, 31.76, 46.47

 

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

CMYK 16 / 74 / 0 / 22

HEX #A733C7

RGB 167 51 199

HSL 287.03, 0.59%, 0.49%

LAB 45.23, 66.49, -54.12

 

CMYK 0 / 16 / 74 / 22

HEX #C7A733

RGB 199 167 51

HSL 47.03, 0.59%, 0.49%

LAB 69.48, -0.22, 60.73

 

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

CMYK 74 / 73 / 0 / 22

HEX #3336C7

RGB 51 54 199

HSL 238.78, 0.59%, 0.49%

LAB 32.84, 47.03, -74.86

 

CMYK 0 / 74 / 58 / 22

HEX #C73353

RGB 199 51 83

HSL 347.03, 0.59%, 0.49%

LAB 45.82, 59.36, 17.2

 

CMYK 0 / 2 / 74 / 22

HEX #C7C433

RGB 199 196 51

HSL 58.78, 0.59%, 0.49%

LAB 77.2, -15.25, 68.02

 

CMYK 75 / 0 / 15 / 22

HEX #33C8AA

RGB 51 200 170

HSL 167.92, 0.59%, 0.49%

LAB 72.84, -45.24, 4.02

 

CMYK 53 / 74 / 0 / 22

HEX #5D33C7

RGB 93 51 199

HSL 257.03, 0.59%, 0.49%

LAB 35.63, 53.56, -70.16

 

CMYK 0 / 74 / 58 / 22

HEX #C73353

RGB 199 51 83

HSL 347.03, 0.59%, 0.49%

LAB 45.82, 59.36, 17.2

 

CMYK 21 / 0 / 74 / 22

HEX #9DC733

RGB 157 199 51

HSL 77.03, 0.59%, 0.49%

LAB 74.98, -34.05, 64.85

 

Description

Color code: HEX #33C8AA | qconv.com Color code: HEX #33C8AA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 200 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 200 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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