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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C5E7 it is the complementary color #CC3A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C5E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C5E7 shade: #38C5E2, #49D7F5, #5AE9FF, #6BFBFF and #7CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C5E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C5E7 shade: #33C5E7, #22B3D4, #11A1C1, #008FAE and #007D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C5E7 shade: #32C5E7, #3294E7, #3263E7, #3232E7 and #6232E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C5E7 shade: #32C5E7, #3294E7, #3263E7 and #3232E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C5E7 shade matches the following richer shades: #32C5E7 and #1FD0F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C5E7 shade: #32C5E7, #44B9D4, #57AEC2, #69A2AF and #7C969D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C5E7 shade: #32E7A7, #32E7D8, #32C6E7, #3295E7 and #3265E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C5E7 shade: #1594B1, #19B2D6, #32C5E7, #57CFEB and #7BDAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C5E7 shade: #33C5E7, #7732E7 and #E7C032

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C5E7 shade: #33C5E7, #E732C6 and #C6E732

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C5E7 shade: #33C5E7, #7732E7, #E75332 and #A1E732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C5E7 shade: #33C5E7, #AD32E7, #E75332 and #6BE732

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

Complementary color

CMYK 0 / 72 / 88 / 20

HEX #CC3A18

RGB 204 58 24

HSL 11.33, 0.79%, 0.45%

LAB 46.88, 55.93, 51.29

 

CMYK 75 / 13 / 0 / 11

HEX #38C5E2

RGB 56 197 226

HSL 190.24, 0.75%, 0.55%

LAB 73.72, -27.22, -25.05

 

CMYK 70 / 12 / 0 / 4

HEX #49D7F5

RGB 73 215 245

HSL 190.47, 0.9%, 0.62%

LAB 79.96, -28.21, -25.68

 

CMYK 65 / 9 / 0 / 0

HEX #5AE9FF

RGB 90 233 255

HSL 188, 1%, 0.68%

LAB 85.84, -31.6, -21.98

 

CMYK 58 / 2 / 0 / 0

HEX #6BFBFF

RGB 107 251 255

HSL 181.62, 1%, 0.71%

LAB 91.39, -37.3, -13.59

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

CMYK 84 / 16 / 0 / 17

HEX #22B3D4

RGB 34 179 212

HSL 191.12, 0.72%, 0.48%

LAB 67.53, -24.73, -26.93

 

CMYK 91 / 17 / 0 / 24

HEX #11A1C1

RGB 17 161 193

HSL 190.91, 0.84%, 0.41%

LAB 61.18, -22.92, -26.15

 

CMYK 100 / 18 / 0 / 32

HEX #008FAE

RGB 0 143 174

HSL 190.69, 1%, 0.34%

LAB 54.76, -20.77, -25.3

 

CMYK 100 / 19 / 0 / 39

HEX #007D9B

RGB 0 125 155

HSL 191.61, 1%, 0.3%

LAB 48.3, -17.91, -24.29

 

CMYK 78 / 15 / 0 / 9

HEX #32C5E7

RGB 50 197 231

HSL 191.27, 0.79%, 0.55%

LAB 73.79, -26.26, -27.64

 

CMYK 78 / 36 / 0 / 9

HEX #3294E7

RGB 50 148 231

HSL 207.51, 0.79%, 0.55%

LAB 59.55, 0.29, -49.87

 

CMYK 78 / 57 / 0 / 9

HEX #3263E7

RGB 50 99 231

HSL 223.76, 0.79%, 0.55%

LAB 46.14, 30.55, -71.44

 

CMYK 78 / 78 / 0 / 9

HEX #3232E7

RGB 50 50 231

HSL 240, 0.79%, 0.55%

LAB 35.46, 59.25, -89

 

CMYK 58 / 78 / 0 / 9

HEX #6232E7

RGB 98 50 231

HSL 255.91, 0.79%, 0.55%

LAB 38.98, 63.36, -83.06

 

CMYK 78 / 15 / 0 / 9

HEX #32C5E7

RGB 50 197 231

HSL 191.27, 0.79%, 0.55%

LAB 73.79, -26.26, -27.64

 

CMYK 78 / 36 / 0 / 9

HEX #3294E7

RGB 50 148 231

HSL 207.51, 0.79%, 0.55%

LAB 59.55, 0.29, -49.87

 

CMYK 78 / 57 / 0 / 9

HEX #3263E7

RGB 50 99 231

HSL 223.76, 0.79%, 0.55%

LAB 46.14, 30.55, -71.44

 

CMYK 78 / 78 / 0 / 9

HEX #3232E7

RGB 50 50 231

HSL 240, 0.79%, 0.55%

LAB 35.46, 59.25, -89

 

CMYK 78 / 15 / 0 / 9

HEX #32C5E7

RGB 50 197 231

HSL 191.27, 0.79%, 0.55%

LAB 73.79, -26.26, -27.64

 

CMYK 88 / 16 / 0 / 2

HEX #1FD0F9

RGB 31 208 249

HSL 191.28, 0.95%, 0.55%

LAB 77.43, -27.32, -31.75

 

CMYK 78 / 15 / 0 / 9

HEX #32C5E7

RGB 50 197 231

HSL 191.27, 0.79%, 0.55%

LAB 73.79, -26.26, -27.64

 

CMYK 68 / 13 / 0 / 17

HEX #44B9D4

RGB 68 185 212

HSL 191.25, 0.63%, 0.55%

LAB 69.95, -24.04, -23.16

 

CMYK 55 / 10 / 0 / 24

HEX #57AEC2

RGB 87 174 194

HSL 191.21, 0.47%, 0.55%

LAB 66.67, -20.48, -18.19

 

CMYK 40 / 7 / 0 / 31

HEX #69A2AF

RGB 105 162 175

HSL 191.14, 0.3%, 0.55%

LAB 63.29, -15.2, -12.62

 

CMYK 21 / 4 / 0 / 38

HEX #7C969D

RGB 124 150 157

HSL 192.73, 0.14%, 0.55%

LAB 60.37, -7.51, -6.72

 

CMYK 78 / 0 / 28 / 9

HEX #32E7A7

RGB 50 231 167

HSL 158.78, 0.79%, 0.55%

LAB 82.17, -58.52, 18.85

 

CMYK 78 / 0 / 6 / 9

HEX #32E7D8

RGB 50 231 216

HSL 175.03, 0.79%, 0.55%

LAB 83.33, -46.45, -5.26

 

CMYK 78 / 14 / 0 / 9

HEX #32C6E7

RGB 50 198 231

HSL 190.94, 0.79%, 0.55%

LAB 74.08, -26.76, -27.2

 

CMYK 78 / 35 / 0 / 9

HEX #3295E7

RGB 50 149 231

HSL 207.18, 0.79%, 0.55%

LAB 59.84, -0.3, -49.42

 

CMYK 78 / 56 / 0 / 9

HEX #3265E7

RGB 50 101 231

HSL 223.09, 0.79%, 0.55%

LAB 46.65, 29.28, -70.6

 

CMYK 88 / 16 / 0 / 31

HEX #1594B1

RGB 21 148 177

HSL 191.15, 0.79%, 0.39%

LAB 56.6, -21.42, -24.17

 

CMYK 88 / 17 / 0 / 16

HEX #19B2D6

RGB 25 178 214

HSL 191.43, 0.79%, 0.47%

LAB 67.2, -24.14, -28.53

 

CMYK 78 / 15 / 0 / 9

HEX #32C5E7

RGB 50 197 231

HSL 191.27, 0.79%, 0.55%

LAB 73.79, -26.26, -27.64

 

CMYK 63 / 12 / 0 / 8

HEX #57CFEB

RGB 87 207 235

HSL 191.35, 0.79%, 0.63%

LAB 77.67, -25.22, -23.8

 

CMYK 49 / 9 / 0 / 6

HEX #7BDAF0

RGB 123 218 240

HSL 191.28, 0.8%, 0.71%

LAB 82.19, -22.39, -19.49

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

CMYK 48 / 78 / 0 / 9

HEX #7732E7

RGB 119 50 231

HSL 262.87, 0.79%, 0.55%

LAB 41.17, 65.92, -79.37

 

CMYK 0 / 17 / 78 / 9

HEX #E7C032

RGB 231 192 50

HSL 47.07, 0.79%, 0.55%

LAB 78.99, 0.48, 71.04

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

CMYK 0 / 78 / 14 / 9

HEX #E732C6

RGB 231 50 198

HSL 310.94, 0.79%, 0.55%

LAB 55.43, 79.75, -36.7

 

CMYK 14 / 0 / 78 / 9

HEX #C6E732

RGB 198 231 50

HSL 70.94, 0.79%, 0.55%

LAB 86.7, -32.56, 76.97

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

CMYK 48 / 78 / 0 / 9

HEX #7732E7

RGB 119 50 231

HSL 262.87, 0.79%, 0.55%

LAB 41.17, 65.92, -79.37

 

CMYK 0 / 64 / 78 / 9

HEX #E75332

RGB 231 83 50

HSL 10.94, 0.79%, 0.55%

LAB 55.49, 55.7, 48.86

 

CMYK 30 / 0 / 78 / 9

HEX #A1E732

RGB 161 231 50

HSL 83.2, 0.79%, 0.55%

LAB 84.46, -46.68, 74.11

 

CMYK 78 / 15 / 0 / 9

HEX #33C5E7

RGB 51 197 231

HSL 191.33, 0.79%, 0.55%

LAB 73.81, -26.16, -27.62

 

CMYK 25 / 78 / 0 / 9

HEX #AD32E7

RGB 173 50 231

HSL 280.77, 0.79%, 0.55%

LAB 48.18, 74.07, -67.64

 

CMYK 0 / 64 / 78 / 9

HEX #E75332

RGB 231 83 50

HSL 10.94, 0.79%, 0.55%

LAB 55.49, 55.7, 48.86

 

CMYK 54 / 0 / 78 / 9

HEX #6BE732

RGB 107 231 50

HSL 101.1, 0.79%, 0.55%

LAB 82.11, -63.79, 71.08

 

Description

Color code: HEX #33C5E7 | qconv.com Color code: HEX #33C5E7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 197 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 197 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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