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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C36B it is the complementary color #CC3C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C36B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C36B shade: #38C366, #49D579, #5AE78C, #6BF99F and #7CFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C36B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C36B shade: #33C36B, #22B158, #119F45, #008D32 and #007B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C36B shade: #32C36A, #32C343, #48C332, #6FC332 and #96C332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C36B shade: #32C36A, #32C391, #32C3B8, #32A6C3 and #327FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C36B shade matches the following richer shades: #32C36A, #1ED666 and #0BEA62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C36B shade: #32C36A, #46AF6F, #5A9B73, #6E8778 and #81737C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C36B shade: #48C332, #32C343, #32C36A, #32C390 and #32C3B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C36B shade: #218146, #2AA258, #32C36A, #4DD180 and #6EDA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C36B shade: #33C36B, #326EC3 and #C33235

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C36B shade: #33C36B, #6A32C3 and #C36A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C36B shade: #33C36B, #326EC3, #C3328B and #C38632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C36B shade: #33C36B, #3243C3, #C3328B and #C3B232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

Complementary color

CMYK 0 / 71 / 27 / 20

HEX #CC3C94

RGB 204 60 148

HSL 323.33, 0.59%, 0.52%

LAB 49.75, 63.95, -16.57

 

CMYK 71 / 0 / 48 / 24

HEX #38C366

RGB 56 195 102

HSL 139.86, 0.55%, 0.49%

LAB 70.06, -56.92, 36.2

 

CMYK 66 / 0 / 43 / 16

HEX #49D579

RGB 73 213 121

HSL 140.57, 0.63%, 0.56%

LAB 76.31, -57.46, 34.7

 

CMYK 61 / 0 / 39 / 9

HEX #5AE78C

RGB 90 231 140

HSL 141.28, 0.75%, 0.63%

LAB 82.5, -57.75, 33.28

 

CMYK 57 / 0 / 36 / 2

HEX #6BF99F

RGB 107 249 159

HSL 141.97, 0.92%, 0.7%

LAB 88.63, -57.86, 31.94

 

CMYK 51 / 0 / 30 / 0

HEX #7CFFB2

RGB 124 255 178

HSL 144.73, 1%, 0.74%

LAB 91.24, -53.03, 25.98

 

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

CMYK 81 / 0 / 50 / 31

HEX #22B158

RGB 34 177 88

HSL 142.66, 0.68%, 0.41%

LAB 63.74, -55.84, 35.25

 

CMYK 89 / 0 / 57 / 38

HEX #119F45

RGB 17 159 69

HSL 141.97, 0.81%, 0.35%

LAB 57.41, -54.24, 36.94

 

CMYK 100 / 0 / 65 / 45

HEX #008D32

RGB 0 141 50

HSL 141.28, 1%, 0.28%

LAB 51.01, -52.02, 38.57

 

CMYK 100 / 0 / 75 / 52

HEX #007B1F

RGB 0 123 31

HSL 135.12, 1%, 0.24%

LAB 44.61, -48.42, 39.93

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 74 / 0 / 66 / 24

HEX #32C343

RGB 50 195 67

HSL 127.03, 0.59%, 0.48%

LAB 69.55, -62.49, 51.87

 

CMYK 63 / 0 / 74 / 24

HEX #48C332

RGB 72 195 50

HSL 110.9, 0.59%, 0.48%

LAB 69.92, -59.85, 58.93

 

CMYK 43 / 0 / 74 / 24

HEX #6FC332

RGB 111 195 50

HSL 94.76, 0.59%, 0.48%

LAB 71.31, -49.09, 60.77

 

CMYK 23 / 0 / 74 / 24

HEX #96C332

RGB 150 195 50

HSL 78.62, 0.59%, 0.48%

LAB 73.38, -35.02, 63.49

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 74 / 0 / 26 / 24

HEX #32C391

RGB 50 195 145

HSL 159.31, 0.59%, 0.48%

LAB 70.7, -49.38, 14.49

 

CMYK 74 / 0 / 6 / 24

HEX #32C3B8

RGB 50 195 184

HSL 175.45, 0.59%, 0.48%

LAB 71.67, -39.42, -5.3

 

CMYK 74 / 15 / 0 / 24

HEX #32A6C3

RGB 50 166 195

HSL 192, 0.59%, 0.48%

LAB 63.25, -22.09, -24.05

 

CMYK 74 / 35 / 0 / 24

HEX #327FC3

RGB 50 127 195

HSL 208.14, 0.59%, 0.48%

LAB 51.61, -0.32, -42.2

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 86 / 0 / 52 / 16

HEX #1ED666

RGB 30 214 102

HSL 143.48, 0.75%, 0.48%

LAB 75.66, -66.46, 43.08

 

CMYK 95 / 0 / 58 / 8

HEX #0BEA62

RGB 11 234 98

HSL 143.41, 0.91%, 0.48%

LAB 81.73, -74.26, 52.17

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 60 / 0 / 37 / 31

HEX #46AF6F

RGB 70 175 111

HSL 143.43, 0.43%, 0.48%

LAB 64.25, -44.96, 24.04

 

CMYK 42 / 0 / 26 / 39

HEX #5A9B73

RGB 90 155 115

HSL 143.08, 0.27%, 0.48%

LAB 58.84, -30.06, 14.59

 

CMYK 19 / 0 / 11 / 47

HEX #6E8778

RGB 110 135 120

HSL 144, 0.1%, 0.48%

LAB 54.03, -12.15, 5.11

 

CMYK 0 / 11 / 4 / 49

HEX #81737C

RGB 129 115 124

HSL 321.43, 0.06%, 0.48%

LAB 49.96, 7.13, -2.97

 

CMYK 63 / 0 / 74 / 24

HEX #48C332

RGB 72 195 50

HSL 110.9, 0.59%, 0.48%

LAB 69.92, -59.85, 58.93

 

CMYK 74 / 0 / 66 / 24

HEX #32C343

RGB 50 195 67

HSL 127.03, 0.59%, 0.48%

LAB 69.55, -62.49, 51.87

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 74 / 0 / 26 / 24

HEX #32C390

RGB 50 195 144

HSL 158.9, 0.59%, 0.48%

LAB 70.68, -49.61, 15

 

CMYK 74 / 0 / 6 / 24

HEX #32C3B7

RGB 50 195 183

HSL 175.03, 0.59%, 0.48%

LAB 71.64, -39.7, -4.8

 

CMYK 74 / 0 / 46 / 49

HEX #218146

RGB 33 129 70

HSL 143.13, 0.59%, 0.32%

LAB 47.58, -41.34, 24.25

 

CMYK 74 / 0 / 46 / 36

HEX #2AA258

RGB 42 162 88

HSL 143, 0.59%, 0.4%

LAB 59.01, -49.34, 29.28

 

CMYK 74 / 0 / 46 / 24

HEX #32C36A

RGB 50 195 106

HSL 143.17, 0.59%, 0.48%

LAB 70, -57.17, 34.08

 

CMYK 63 / 0 / 39 / 18

HEX #4DD180

RGB 77 209 128

HSL 143.18, 0.59%, 0.56%

LAB 75.29, -53.97, 29.82

 

CMYK 50 / 0 / 30 / 15

HEX #6EDA98

RGB 110 218 152

HSL 143.33, 0.59%, 0.64%

LAB 79.46, -45.81, 23.15

 

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

CMYK 74 / 44 / 0 / 24

HEX #326EC3

RGB 50 110 195

HSL 215.17, 0.59%, 0.48%

LAB 46.67, 10.14, -50.05

 

CMYK 0 / 74 / 73 / 24

HEX #C33235

RGB 195 50 53

HSL 358.76, 0.59%, 0.48%

LAB 44.43, 56.8, 33.46

 

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

CMYK 46 / 74 / 0 / 24

HEX #6A32C3

RGB 106 50 195

HSL 263.17, 0.59%, 0.48%

LAB 36.53, 54.94, -66.29

 

CMYK 0 / 46 / 74 / 24

HEX #C36A32

RGB 195 106 50

HSL 23.17, 0.59%, 0.48%

LAB 54.18, 31.14, 45.73

 

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

CMYK 74 / 44 / 0 / 24

HEX #326EC3

RGB 50 110 195

HSL 215.17, 0.59%, 0.48%

LAB 46.67, 10.14, -50.05

 

CMYK 0 / 74 / 29 / 24

HEX #C3328B

RGB 195 50 139

HSL 323.17, 0.59%, 0.48%

LAB 46.64, 63.9, -16.04

 

CMYK 0 / 31 / 74 / 24

HEX #C38632

RGB 195 134 50

HSL 34.76, 0.59%, 0.48%

LAB 60.68, 15.9, 52.36

 

CMYK 74 / 0 / 45 / 24

HEX #33C36B

RGB 51 195 107

HSL 143.33, 0.59%, 0.48%

LAB 70.03, -56.86, 33.62

 

CMYK 74 / 66 / 0 / 24

HEX #3243C3

RGB 50 67 195

HSL 232.97, 0.59%, 0.48%

LAB 35.27, 37.77, -68.54

 

CMYK 0 / 74 / 29 / 24

HEX #C3328B

RGB 195 50 139

HSL 323.17, 0.59%, 0.48%

LAB 46.64, 63.9, -16.04

 

CMYK 0 / 9 / 74 / 24

HEX #C3B232

RGB 195 178 50

HSL 52.97, 0.59%, 0.48%

LAB 72.01, -7.8, 63.37

 

Description

Color code: HEX #33C36B | qconv.com Color code: HEX #33C36B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 195 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 195 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 45 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 45% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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