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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33C328 it is the complementary color #CC3CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33C328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33C328 shade: #38C323, #49D536, #5AE749, #6BF95C and #7CFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33C328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33C328 shade: #33C328, #22B115, #119F02, #008D00 and #007B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33C328 shade: #33C328, #5DC328, #86C328, #B0C328 and #C3AC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33C328 shade: #33C328, #28C347, #28C370, #28C39A and #28C2C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33C328 shade matches the following richer shades: #33C328, #23D615 and #12E902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33C328 shade: #33C328, #43B03B, #539D4E, #648A61 and #747774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33C328 shade: #87C328, #5EC328, #35C328, #28C344 and #28C36E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33C328 shade: #217E1A, #2AA021, #33C328, #48D73D and #68DE5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33C328 shade: #33C328, #28B1C3 and #C32873

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33C328 shade: #33C328, #2835C3 and #C32835

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33C328 shade: #33C328, #28B1C3, #B628C3 and #C33A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33C328 shade: #33C328, #2882C3, #B628C3 and #C36828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

Complementary color

CMYK 5 / 72 / 0 / 16

HEX #CC3CD7

RGB 204 60 215

HSL 295.74, 0.66%, 0.54%

LAB 52.92, 73.78, -50.68

 

CMYK 71 / 0 / 82 / 24

HEX #38C323

RGB 56 195 35

HSL 112.13, 0.7%, 0.45%

LAB 69.46, -63.97, 62.96

 

CMYK 66 / 0 / 75 / 16

HEX #49D536

RGB 73 213 54

HSL 112.83, 0.65%, 0.52%

LAB 75.62, -65.39, 63.25

 

CMYK 61 / 0 / 68 / 9

HEX #5AE749

RGB 90 231 73

HSL 113.54, 0.77%, 0.6%

LAB 81.73, -66.34, 62.84

 

CMYK 57 / 0 / 63 / 2

HEX #6BF95C

RGB 107 249 92

HSL 114.27, 0.93%, 0.67%

LAB 87.8, -66.97, 62.06

 

CMYK 51 / 0 / 56 / 0

HEX #7CFF6F

RGB 124 255 111

HSL 114.58, 1%, 0.72%

LAB 90.3, -62.97, 56.98

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 81 / 0 / 88 / 31

HEX #22B115

RGB 34 177 21

HSL 115, 0.79%, 0.39%

LAB 63.21, -62.4, 60.53

 

CMYK 89 / 0 / 99 / 38

HEX #119F02

RGB 17 159 2

HSL 114.27, 0.98%, 0.32%

LAB 57, -59.43, 58.27

 

CMYK 100 / 0 / 100 / 45

HEX #008D00

RGB 0 141 0

HSL 120, 1%, 0.28%

LAB 50.75, -55.45, 53.52

 

CMYK 100 / 0 / 100 / 52

HEX #007B00

RGB 0 123 0

HSL 120, 1%, 0.24%

LAB 44.47, -50.24, 48.49

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 52 / 0 / 79 / 24

HEX #5DC328

RGB 93 195 40

HSL 99.48, 0.66%, 0.46%

LAB 70.53, -55.15, 62.94

 

CMYK 31 / 0 / 79 / 24

HEX #86C328

RGB 134 195 40

HSL 83.61, 0.66%, 0.46%

LAB 72.4, -41.61, 65.34

 

CMYK 10 / 0 / 79 / 24

HEX #B0C328

RGB 176 195 40

HSL 67.35, 0.66%, 0.46%

LAB 75.09, -24.9, 68.78

 

CMYK 0 / 12 / 79 / 24

HEX #C3AC28

RGB 195 172 40

HSL 51.1, 0.66%, 0.46%

LAB 70.36, -5.05, 65.17

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 79 / 0 / 64 / 24

HEX #28C347

RGB 40 195 71

HSL 132, 0.66%, 0.46%

LAB 69.42, -63.43, 49.99

 

CMYK 79 / 0 / 43 / 24

HEX #28C370

RGB 40 195 112

HSL 147.87, 0.66%, 0.46%

LAB 69.93, -57.4, 30.89

 

CMYK 79 / 0 / 21 / 24

HEX #28C39A

RGB 40 195 154

HSL 164.13, 0.66%, 0.46%

LAB 70.74, -48.39, 9.66

 

CMYK 79 / 1 / 0 / 24

HEX #28C2C3

RGB 40 194 195

HSL 180.39, 0.66%, 0.46%

LAB 71.54, -36.82, -11.52

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 84 / 0 / 90 / 16

HEX #23D615

RGB 35 214 21

HSL 115.65, 0.82%, 0.46%

LAB 75.14, -73.03, 70.8

 

CMYK 92 / 0 / 99 / 9

HEX #12E902

RGB 18 233 2

HSL 115.84, 0.98%, 0.46%

LAB 80.97, -79.81, 77.61

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 62 / 0 / 66 / 31

HEX #43B03B

RGB 67 176 59

HSL 115.9, 0.5%, 0.46%

LAB 63.8, -53.54, 49.07

 

CMYK 47 / 0 / 50 / 38

HEX #539D4E

RGB 83 157 78

HSL 116.2, 0.34%, 0.46%

LAB 58.51, -39.46, 34.13

 

CMYK 28 / 0 / 30 / 46

HEX #648A61

RGB 100 138 97

HSL 115.61, 0.17%, 0.46%

LAB 53.76, -21.76, 17.82

 

CMYK 3 / 0 / 3 / 53

HEX #747774

RGB 116 119 116

HSL 120, 0.01%, 0.46%

LAB 49.7, -1.74, 1.25

 

CMYK 31 / 0 / 79 / 24

HEX #87C328

RGB 135 195 40

HSL 83.23, 0.66%, 0.46%

LAB 72.45, -41.24, 65.42

 

CMYK 52 / 0 / 79 / 24

HEX #5EC328

RGB 94 195 40

HSL 99.1, 0.66%, 0.46%

LAB 70.57, -54.87, 62.99

 

CMYK 73 / 0 / 79 / 24

HEX #35C328

RGB 53 195 40

HSL 114.97, 0.66%, 0.46%

LAB 69.43, -64.2, 61.51

 

CMYK 79 / 0 / 65 / 24

HEX #28C344

RGB 40 195 68

HSL 130.84, 0.66%, 0.46%

LAB 69.4, -63.75, 51.24

 

CMYK 79 / 0 / 44 / 24

HEX #28C36E

RGB 40 195 110

HSL 147.1, 0.66%, 0.46%

LAB 69.9, -57.76, 31.88

 

CMYK 74 / 0 / 79 / 51

HEX #217E1A

RGB 33 126 26

HSL 115.8, 0.66%, 0.3%

LAB 46.07, -45.94, 43.43

 

CMYK 74 / 0 / 79 / 37

HEX #2AA021

RGB 42 160 33

HSL 115.75, 0.66%, 0.38%

LAB 57.79, -55.28, 52.5

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 67 / 0 / 72 / 16

HEX #48D73D

RGB 72 215 61

HSL 115.71, 0.66%, 0.54%

LAB 76.26, -65.72, 61.46

 

CMYK 53 / 0 / 57 / 13

HEX #68DE5F

RGB 104 222 95

HSL 115.75, 0.66%, 0.62%

LAB 79.62, -57.58, 51.46

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 79 / 9 / 0 / 24

HEX #28B1C3

RGB 40 177 195

HSL 186.97, 0.66%, 0.46%

LAB 66.39, -28.72, -19.27

 

CMYK 0 / 79 / 41 / 24

HEX #C32873

RGB 195 40 115

HSL 330.97, 0.66%, 0.46%

LAB 44.74, 64.25, -4.22

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 79 / 73 / 0 / 24

HEX #2835C3

RGB 40 53 195

HSL 234.97, 0.66%, 0.46%

LAB 31.66, 45.37, -74.49

 

CMYK 0 / 79 / 73 / 24

HEX #C32835

RGB 195 40 53

HSL 354.97, 0.66%, 0.46%

LAB 43.33, 59.91, 32.18

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 79 / 9 / 0 / 24

HEX #28B1C3

RGB 40 177 195

HSL 186.97, 0.66%, 0.46%

LAB 66.39, -28.72, -19.27

 

CMYK 7 / 79 / 0 / 24

HEX #B628C3

RGB 182 40 195

HSL 294.97, 0.66%, 0.46%

LAB 46.18, 72.03, -50.14

 

CMYK 0 / 70 / 79 / 24

HEX #C33A28

RGB 195 58 40

HSL 6.97, 0.66%, 0.46%

LAB 45.33, 53.42, 41.71

 

CMYK 74 / 0 / 79 / 24

HEX #33C328

RGB 51 195 40

HSL 115.74, 0.66%, 0.46%

LAB 69.39, -64.53, 61.46

 

CMYK 79 / 33 / 0 / 24

HEX #2882C3

RGB 40 130 195

HSL 205.16, 0.66%, 0.46%

LAB 52.24, -3.28, -41.22

 

CMYK 7 / 79 / 0 / 24

HEX #B628C3

RGB 182 40 195

HSL 294.97, 0.66%, 0.46%

LAB 46.18, 72.03, -50.14

 

CMYK 0 / 47 / 79 / 24

HEX #C36828

RGB 195 104 40

HSL 24.77, 0.66%, 0.46%

LAB 53.66, 31.8, 49.85

 

Description

Color code: HEX #33C328 | qconv.com Color code: HEX #33C328 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 195 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 195 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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