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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33BF3E it is the complementary color #CC40C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33BF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33BF3E shade: #38BF39, #49D14C, #5AE35F, #6BF572 and #7CFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33BF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33BF3E shade: #33BF3E, #22AD2B, #119B18, #008905 and #007700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33BF3E shade: #32BD3D, #4CBD32, #72BD32, #97BD32 and #BDBD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33BF3E shade: #32BD3D, #32BD62, #32BD88, #32BDAD and #32A7BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33BF3E shade matches the following richer shades: #32BD3D, #1ED02C and #0BE41C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33BF3E shade: #32BD3D, #45A94D, #59965D, #6C836E and #7F6F7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33BF3E shade: #73BD32, #4EBD32, #32BD3B, #32BD60 and #32BD85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33BF3E shade: #217C28, #299C32, #32BD3D, #4ACE54 and #6AD773

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33BF3E shade: #33BF3E, #3298BD and #BD3260

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33BF3E shade: #33BF3E, #3B32BD and #BD3B32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33BF3E shade: #33BF3E, #3298BD, #BD32B4 and #BD5732

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33BF3E shade: #33BF3E, #326EBD, #BD32B4 and #BD8132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

Complementary color

CMYK 0 / 69 / 5 / 20

HEX #CC40C1

RGB 204 64 193

HSL 304.71, 0.58%, 0.53%

LAB 52.24, 68.85, -39.15

 

CMYK 71 / 0 / 70 / 25

HEX #38BF39

RGB 56 191 57

HSL 120.44, 0.55%, 0.48%

LAB 68.31, -61.14, 54.61

 

CMYK 65 / 0 / 64 / 18

HEX #49D14C

RGB 73 209 76

HSL 121.32, 0.6%, 0.55%

LAB 74.53, -62.15, 53.73

 

CMYK 60 / 0 / 58 / 11

HEX #5AE35F

RGB 90 227 95

HSL 122.19, 0.71%, 0.62%

LAB 80.7, -62.76, 52.61

 

CMYK 56 / 0 / 53 / 4

HEX #6BF572

RGB 107 245 114

HSL 123.04, 0.87%, 0.69%

LAB 86.82, -63.11, 51.38

 

CMYK 51 / 0 / 48 / 0

HEX #7CFF85

RGB 124 255 133

HSL 124.12, 1%, 0.74%

LAB 90.55, -60.25, 47.22

 

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

CMYK 80 / 0 / 75 / 32

HEX #22AD2B

RGB 34 173 43

HSL 123.88, 0.67%, 0.41%

LAB 62, -59.9, 53.2

 

CMYK 89 / 0 / 85 / 39

HEX #119B18

RGB 17 155 24

HSL 123.04, 0.8%, 0.34%

LAB 55.71, -57.46, 53.06

 

CMYK 100 / 0 / 96 / 46

HEX #008905

RGB 0 137 5

HSL 122.19, 1%, 0.27%

LAB 49.38, -54.13, 51.48

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 60 / 0 / 74 / 26

HEX #4CBD32

RGB 76 189 50

HSL 108.78, 0.58%, 0.47%

LAB 68.14, -56.83, 57.19

 

CMYK 40 / 0 / 74 / 26

HEX #72BD32

RGB 114 189 50

HSL 92.37, 0.58%, 0.47%

LAB 69.61, -45.65, 59.15

 

CMYK 20 / 0 / 74 / 26

HEX #97BD32

RGB 151 189 50

HSL 76.4, 0.58%, 0.47%

LAB 71.69, -31.84, 61.89

 

CMYK 0 / 0 / 74 / 26

HEX #BDBD32

RGB 189 189 50

HSL 60, 0.58%, 0.47%

LAB 74.47, -16.03, 65.51

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 74 / 0 / 48 / 26

HEX #32BD62

RGB 50 189 98

HSL 140.72, 0.58%, 0.47%

LAB 67.99, -56.34, 35.58

 

CMYK 74 / 0 / 28 / 26

HEX #32BD88

RGB 50 189 136

HSL 157.12, 0.58%, 0.47%

LAB 68.64, -49, 16.48

 

CMYK 74 / 0 / 8 / 26

HEX #32BDAD

RGB 50 189 173

HSL 173.09, 0.58%, 0.47%

LAB 69.53, -39.77, -2.43

 

CMYK 74 / 12 / 0 / 26

HEX #32A7BD

RGB 50 167 189

HSL 189.5, 0.58%, 0.47%

LAB 63.33, -24.53, -20.58

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 86 / 0 / 79 / 18

HEX #1ED02C

RGB 30 208 44

HSL 124.72, 0.75%, 0.47%

LAB 73.27, -70.74, 63.86

 

CMYK 95 / 0 / 88 / 11

HEX #0BE41C

RGB 11 228 28

HSL 124.7, 0.91%, 0.47%

LAB 79.41, -78.2, 73.2

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 59 / 0 / 54 / 34

HEX #45A94D

RGB 69 169 77

HSL 124.8, 0.42%, 0.47%

LAB 61.81, -48.34, 38.53

 

CMYK 41 / 0 / 38 / 41

HEX #59965D

RGB 89 150 93

HSL 123.93, 0.26%, 0.47%

LAB 56.81, -32.11, 24.03

 

CMYK 18 / 0 / 16 / 49

HEX #6C836E

RGB 108 131 110

HSL 125.22, 0.1%, 0.47%

LAB 52.45, -12.69, 8.63

 

CMYK 0 / 13 / 1 / 50

HEX #7F6F7E

RGB 127 111 126

HSL 303.75, 0.07%, 0.47%

LAB 48.74, 9.14, -5.97

 

CMYK 39 / 0 / 74 / 26

HEX #73BD32

RGB 115 189 50

HSL 91.94, 0.58%, 0.47%

LAB 69.66, -45.31, 59.21

 

CMYK 59 / 0 / 74 / 26

HEX #4EBD32

RGB 78 189 50

HSL 107.91, 0.58%, 0.47%

LAB 68.2, -56.33, 57.27

 

CMYK 74 / 0 / 69 / 26

HEX #32BD3B

RGB 50 189 59

HSL 123.88, 0.58%, 0.47%

LAB 67.57, -61.32, 53

 

CMYK 74 / 0 / 49 / 26

HEX #32BD60

RGB 50 189 96

HSL 139.86, 0.58%, 0.47%

LAB 67.96, -56.66, 36.55

 

CMYK 74 / 0 / 30 / 26

HEX #32BD85

RGB 50 189 133

HSL 155.83, 0.58%, 0.47%

LAB 68.58, -49.66, 18.01

 

CMYK 73 / 0 / 68 / 51

HEX #217C28

RGB 33 124 40

HSL 124.62, 0.58%, 0.31%

LAB 45.49, -43.93, 37.13

 

CMYK 74 / 0 / 68 / 39

HEX #299C32

RGB 41 156 50

HSL 124.7, 0.58%, 0.39%

LAB 56.56, -52.68, 44.85

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3D

RGB 50 189 61

HSL 124.75, 0.58%, 0.47%

LAB 67.58, -61.13, 52.21

 

CMYK 64 / 0 / 59 / 19

HEX #4ACE54

RGB 74 206 84

HSL 124.55, 0.57%, 0.55%

LAB 73.7, -60.01, 49.3

 

CMYK 51 / 0 / 47 / 16

HEX #6AD773

RGB 106 215 115

HSL 124.95, 0.58%, 0.63%

LAB 77.82, -51.77, 39.82

 

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

CMYK 74 / 20 / 0 / 26

HEX #3298BD

RGB 50 152 189

HSL 195.97, 0.58%, 0.47%

LAB 58.8, -16.67, -27.54

 

CMYK 0 / 74 / 49 / 26

HEX #BD3260

RGB 189 50 96

HSL 340.14, 0.58%, 0.47%

LAB 44.15, 57.79, 6.56

 

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

CMYK 69 / 74 / 0 / 26

HEX #3B32BD

RGB 59 50 189

HSL 243.88, 0.58%, 0.47%

LAB 31.54, 46.8, -71.12

 

CMYK 0 / 69 / 74 / 26

HEX #BD3B32

RGB 189 59 50

HSL 3.88, 0.58%, 0.47%

LAB 44.49, 51.43, 34.96

 

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

CMYK 74 / 20 / 0 / 26

HEX #3298BD

RGB 50 152 189

HSL 195.97, 0.58%, 0.47%

LAB 58.8, -16.67, -27.54

 

CMYK 0 / 74 / 5 / 26

HEX #BD32B4

RGB 189 50 180

HSL 303.88, 0.58%, 0.47%

LAB 47.49, 68.15, -39.23

 

CMYK 0 / 54 / 74 / 26

HEX #BD5732

RGB 189 87 50

HSL 15.97, 0.58%, 0.47%

LAB 49.33, 38.63, 40.31

 

CMYK 73 / 0 / 68 / 25

HEX #33BF3E

RGB 51 191 62

HSL 124.71, 0.58%, 0.47%

LAB 68.25, -61.53, 52.53

 

CMYK 74 / 42 / 0 / 26

HEX #326EBD

RGB 50 110 189

HSL 214.1, 0.58%, 0.47%

LAB 46.32, 7.91, -47.15

 

CMYK 0 / 74 / 5 / 26

HEX #BD32B4

RGB 189 50 180

HSL 303.88, 0.58%, 0.47%

LAB 47.49, 68.15, -39.23

 

CMYK 0 / 32 / 74 / 26

HEX #BD8132

RGB 189 129 50

HSL 34.1, 0.58%, 0.47%

LAB 58.74, 16.03, 50.18

 

Description

Color code: HEX #33BF3E | qconv.com Color code: HEX #33BF3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 191 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 191 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 68 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 68% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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