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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33BEAD it is the complementary color #CC4152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33BEAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33BEAD shade: #38BEA8, #49D0BB, #5AE2CE, #6BF4E1 and #7CFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33BEAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33BEAD shade: #33BEAD, #22AC9A, #119A87, #008874 and #007661

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33BEAD shade: #32BDAC, #32BD87, #32BD61, #32BD3C and #4EBD32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33BEAD shade: #32BDAC, #32A9BD, #3283BD, #325EBD and #3238BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33BEAD shade matches the following richer shades: #32BDAC, #1FD1BB and #0CE4CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33BEAD shade: #32BDAC, #46AA9E, #59978F, #6D8380 and #807072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33BEAD shade: #32BD61, #32BD86, #32BDAB, #32ABBD and #3286BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33BEAD shade: #217C71, #2A9D8F, #32BDAC, #4ACFBF and #6BD8CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33BEAD shade: #33BEAD, #3C32BD and #BD7332

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33BEAD shade: #33BEAD, #AB32BD and #BDAB32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33BEAD shade: #33BEAD, #3C32BD, #BD3245 and #B4BD32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33BEAD shade: #33BEAD, #6532BD, #BD3245 and #8ABD32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

Complementary color

CMYK 0 / 68 / 60 / 20

HEX #CC4152

RGB 204 65 82

HSL 352.66, 0.58%, 0.53%

LAB 48.54, 55.72, 21.61

 

CMYK 71 / 0 / 12 / 25

HEX #38BEA8

RGB 56 190 168

HSL 170.15, 0.54%, 0.48%

LAB 69.82, -40.78, 0.74

 

CMYK 65 / 0 / 10 / 18

HEX #49D0BB

RGB 73 208 187

HSL 170.67, 0.59%, 0.55%

LAB 76.14, -41.27, -0.3

 

CMYK 60 / 0 / 9 / 11

HEX #5AE2CE

RGB 90 226 206

HSL 171.18, 0.7%, 0.62%

LAB 82.39, -41.6, -1.25

 

CMYK 56 / 0 / 8 / 4

HEX #6BF4E1

RGB 107 244 225

HSL 171.68, 0.86%, 0.69%

LAB 88.57, -41.8, -2.13

 

CMYK 51 / 0 / 4 / 0

HEX #7CFFF4

RGB 124 255 244

HSL 174.96, 1%, 0.74%

LAB 92.72, -38.76, -5.84

 

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

CMYK 80 / 0 / 10 / 33

HEX #22AC9A

RGB 34 172 154

HSL 172.17, 0.67%, 0.4%

LAB 63.49, -39.19, -0.81

 

CMYK 89 / 0 / 12 / 40

HEX #119A87

RGB 17 154 135

HSL 171.68, 0.8%, 0.34%

LAB 57.06, -37.9, 0.48

 

CMYK 100 / 0 / 15 / 47

HEX #008874

RGB 0 136 116

HSL 171.18, 1%, 0.27%

LAB 50.53, -36.25, 1.91

 

CMYK 100 / 0 / 18 / 54

HEX #007661

RGB 0 118 97

HSL 169.32, 1%, 0.23%

LAB 43.97, -33.72, 3.62

HEX #007661

CMYK 74 / 0 / 9 / 26

HEX #32BDAC

RGB 50 189 172

HSL 172.66, 0.58%, 0.47%

LAB 69.51, -40.04, -1.92

 

CMYK 74 / 0 / 29 / 26

HEX #32BD87

RGB 50 189 135

HSL 156.69, 0.58%, 0.47%

LAB 68.62, -49.22, 16.99

 

CMYK 74 / 0 / 49 / 26

HEX #32BD61

RGB 50 189 97

HSL 140.29, 0.58%, 0.47%

LAB 67.97, -56.5, 36.06

 

CMYK 74 / 0 / 68 / 26

HEX #32BD3C

RGB 50 189 60

HSL 124.32, 0.58%, 0.47%

LAB 67.58, -61.23, 52.61

 

CMYK 59 / 0 / 74 / 26

HEX #4EBD32

RGB 78 189 50

HSL 107.91, 0.58%, 0.47%

LAB 68.2, -56.33, 57.27

 

CMYK 74 / 0 / 9 / 26

HEX #32BDAC

RGB 50 189 172

HSL 172.66, 0.58%, 0.47%

LAB 69.51, -40.04, -1.92

 

CMYK 74 / 11 / 0 / 26

HEX #32A9BD

RGB 50 169 189

HSL 188.63, 0.58%, 0.47%

LAB 63.94, -25.55, -19.66

 

CMYK 74 / 31 / 0 / 26

HEX #3283BD

RGB 50 131 189

HSL 205.04, 0.58%, 0.47%

LAB 52.49, -4.85, -37.37

 

CMYK 74 / 50 / 0 / 26

HEX #325EBD

RGB 50 94 189

HSL 221.01, 0.58%, 0.47%

LAB 41.78, 18.14, -54.44

 

CMYK 74 / 70 / 0 / 26

HEX #3238BD

RGB 50 56 189

HSL 237.41, 0.58%, 0.47%

LAB 32.21, 42.42, -70.03

 

CMYK 74 / 0 / 9 / 26

HEX #32BDAC

RGB 50 189 172

HSL 172.66, 0.58%, 0.47%

LAB 69.51, -40.04, -1.92

 

CMYK 85 / 0 / 11 / 18

HEX #1FD1BB

RGB 31 209 187

HSL 172.58, 0.74%, 0.47%

LAB 75.75, -46.42, -0.96

 

CMYK 95 / 0 / 11 / 11

HEX #0CE4CA

RGB 12 228 202

HSL 172.78, 0.9%, 0.47%

LAB 81.75, -51.19, -0.21

 

CMYK 74 / 0 / 9 / 26

HEX #32BDAC

RGB 50 189 172

HSL 172.66, 0.58%, 0.47%

LAB 69.51, -40.04, -1.92

 

CMYK 59 / 0 / 7 / 33

HEX #46AA9E

RGB 70 170 158

HSL 172.8, 0.42%, 0.47%

LAB 63.77, -31.94, -2.54

 

CMYK 41 / 0 / 5 / 41

HEX #59978F

RGB 89 151 143

HSL 172.26, 0.26%, 0.47%

LAB 58.26, -22, -2.09

 

CMYK 17 / 0 / 2 / 49

HEX #6D8380

RGB 109 131 128

HSL 171.82, 0.09%, 0.47%

LAB 53, -8.58, -1.04

 

CMYK 0 / 13 / 11 / 50

HEX #807072

RGB 128 112 114

HSL 352.5, 0.07%, 0.47%

LAB 48.75, 6.61, 1.18

 

CMYK 74 / 0 / 49 / 26

HEX #32BD61

RGB 50 189 97

HSL 140.29, 0.58%, 0.47%

LAB 67.97, -56.5, 36.06

 

CMYK 74 / 0 / 29 / 26

HEX #32BD86

RGB 50 189 134

HSL 156.26, 0.58%, 0.47%

LAB 68.6, -49.44, 17.5

 

CMYK 74 / 0 / 10 / 26

HEX #32BDAB

RGB 50 189 171

HSL 172.23, 0.58%, 0.47%

LAB 69.48, -40.32, -1.42

 

CMYK 74 / 10 / 0 / 26

HEX #32ABBD

RGB 50 171 189

HSL 187.77, 0.58%, 0.47%

LAB 64.55, -26.55, -18.74

 

CMYK 74 / 29 / 0 / 26

HEX #3286BD

RGB 50 134 189

HSL 203.74, 0.58%, 0.47%

LAB 53.39, -6.6, -35.97

 

CMYK 73 / 0 / 9 / 51

HEX #217C71

RGB 33 124 113

HSL 172.75, 0.58%, 0.31%

LAB 46.88, -28.76, -1.6

 

CMYK 73 / 0 / 9 / 38

HEX #2A9D8F

RGB 42 157 143

HSL 172.7, 0.58%, 0.39%

LAB 58.59, -34.55, -1.78

 

CMYK 74 / 0 / 9 / 26

HEX #32BDAC

RGB 50 189 172

HSL 172.66, 0.58%, 0.47%

LAB 69.51, -40.04, -1.92

 

CMYK 64 / 0 / 8 / 19

HEX #4ACFBF

RGB 74 207 191

HSL 172.78, 0.58%, 0.55%

LAB 75.97, -39.63, -2.7

 

CMYK 50 / 0 / 6 / 15

HEX #6BD8CA

RGB 107 216 202

HSL 172.29, 0.58%, 0.63%

LAB 79.9, -34.71, -2.72

 

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

CMYK 68 / 74 / 0 / 26

HEX #3C32BD

RGB 60 50 189

HSL 244.32, 0.58%, 0.47%

LAB 31.61, 46.91, -71

 

CMYK 0 / 39 / 74 / 26

HEX #BD7332

RGB 189 115 50

HSL 28.06, 0.58%, 0.47%

LAB 55.39, 23.75, 46.74

 

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

CMYK 10 / 74 / 0 / 26

HEX #AB32BD

RGB 171 50 189

HSL 292.23, 0.58%, 0.47%

LAB 45.1, 65.81, -48.48

 

CMYK 0 / 10 / 74 / 26

HEX #BDAB32

RGB 189 171 50

HSL 52.23, 0.58%, 0.47%

LAB 69.59, -6.76, 60.88

 

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

CMYK 68 / 74 / 0 / 26

HEX #3C32BD

RGB 60 50 189

HSL 244.32, 0.58%, 0.47%

LAB 31.61, 46.91, -71

 

CMYK 0 / 74 / 63 / 26

HEX #BD3245

RGB 189 50 69

HSL 351.8, 0.58%, 0.47%

LAB 43.55, 55.8, 22.48

 

CMYK 5 / 0 / 74 / 26

HEX #B4BD32

RGB 180 189 50

HSL 63.88, 0.58%, 0.47%

LAB 73.76, -19.86, 64.59

 

CMYK 73 / 0 / 9 / 25

HEX #33BEAD

RGB 51 190 173

HSL 172.66, 0.58%, 0.47%

LAB 69.86, -40.09, -1.95

 

CMYK 47 / 74 / 0 / 26

HEX #6532BD

RGB 101 50 189

HSL 262.01, 0.58%, 0.47%

LAB 35.44, 52.56, -64.57

 

CMYK 0 / 74 / 63 / 26

HEX #BD3245

RGB 189 50 69

HSL 351.8, 0.58%, 0.47%

LAB 43.55, 55.8, 22.48

 

CMYK 27 / 0 / 74 / 26

HEX #8ABD32

RGB 138 189 50

HSL 82.01, 0.58%, 0.47%

LAB 70.89, -36.94, 60.83

 

Description

Color code: HEX #33BEAD | qconv.com Color code: HEX #33BEAD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 190 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 190 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 9 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 9% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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