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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B875 it is the complementary color #CC478A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B875. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B875 shade: #38B870, #49CA83, #5ADC96, #6BEEA9 and #7CFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B875. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B875 shade: #33B875, #22A662, #11944F, #00823C and #007029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B875 shade: #32B875, #32B851, #38B832, #5CB832 and #80B832

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B875 shade: #32B875, #32B899, #32B3B8, #328FB8 and #326BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B875 shade matches the following richer shades: #32B875, #1FCB75 and #0CDE74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B875 shade: #32B875, #45A575, #589275, #6B7F75 and #7E6C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B875 shade: #39B832, #32B84F, #32B873, #32B897 and #32B6B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B875 shade: #21774C, #2A9860, #32B875, #47CD89 and #68D69E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B875 shade: #33B875, #325DB8 and #B83E32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B875 shade: #33B875, #7332B8 and #B87332

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B875 shade: #33B875, #325DB8, #B83278 and #B88E32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B875 shade: #33B875, #3235B8, #B83278 and #B8B632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

Complementary color

CMYK 0 / 65 / 32 / 20

HEX #CC478A

RGB 204 71 138

HSL 329.77, 0.57%, 0.54%

LAB 50.9, 58.56, -8.86

 

CMYK 70 / 0 / 39 / 28

HEX #38B870

RGB 56 184 112

HSL 146.25, 0.53%, 0.47%

LAB 66.74, -51.07, 26.76

 

CMYK 64 / 0 / 35 / 21

HEX #49CA83

RGB 73 202 131

HSL 146.98, 0.55%, 0.54%

LAB 73.09, -51.44, 25.3

 

CMYK 59 / 0 / 32 / 14

HEX #5ADC96

RGB 90 220 150

HSL 147.69, 0.65%, 0.61%

LAB 79.36, -51.6, 23.96

 

CMYK 55 / 0 / 29 / 7

HEX #6BEEA9

RGB 107 238 169

HSL 148.4, 0.79%, 0.68%

LAB 85.57, -51.62, 22.72

 

CMYK 51 / 0 / 26 / 0

HEX #7CFFBC

RGB 124 255 188

HSL 149.31, 1%, 0.74%

LAB 91.43, -51.14, 21.16

 

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

CMYK 80 / 0 / 41 / 35

HEX #22A662

RGB 34 166 98

HSL 149.09, 0.66%, 0.39%

LAB 60.33, -50.09, 25.66

 

CMYK 89 / 0 / 47 / 42

HEX #11944F

RGB 17 148 79

HSL 148.4, 0.79%, 0.32%

LAB 53.88, -48.77, 27.42

 

CMYK 100 / 0 / 54 / 49

HEX #00823C

RGB 0 130 60

HSL 147.69, 1%, 0.25%

LAB 47.35, -46.9, 29.28

 

CMYK 100 / 0 / 63 / 56

HEX #007029

RGB 0 112 41

HSL 141.96, 1%, 0.22%

LAB 40.81, -43.67, 31.25

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 73 / 0 / 56 / 28

HEX #32B851

RGB 50 184 81

HSL 133.88, 0.57%, 0.46%

LAB 66.18, -57.11, 41.72

 

CMYK 70 / 0 / 73 / 28

HEX #38B832

RGB 56 184 50

HSL 117.31, 0.57%, 0.46%

LAB 66.02, -59.42, 54.88

 

CMYK 50 / 0 / 73 / 28

HEX #5CB832

RGB 92 184 50

HSL 101.19, 0.57%, 0.46%

LAB 67.12, -50.66, 56.34

 

CMYK 30 / 0 / 73 / 28

HEX #80B832

RGB 128 184 50

HSL 85.07, 0.57%, 0.46%

LAB 68.82, -38.49, 58.61

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 73 / 0 / 17 / 28

HEX #32B899

RGB 50 184 153

HSL 166.12, 0.57%, 0.46%

LAB 67.47, -42.86, 5.55

 

CMYK 73 / 3 / 0 / 28

HEX #32B3B8

RGB 50 179 184

HSL 182.24, 0.57%, 0.46%

LAB 66.81, -32, -12.54

 

CMYK 73 / 22 / 0 / 28

HEX #328FB8

RGB 50 143 184

HSL 198.36, 0.57%, 0.46%

LAB 55.87, -13.44, -29.24

 

CMYK 73 / 42 / 0 / 28

HEX #326BB8

RGB 50 107 184

HSL 214.48, 0.57%, 0.46%

LAB 45.16, 7.94, -46.11

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 85 / 0 / 42 / 20

HEX #1FCB75

RGB 31 203 117

HSL 150, 0.74%, 0.46%

LAB 72.42, -60.2, 31.55

 

CMYK 95 / 0 / 48 / 13

HEX #0CDE74

RGB 12 222 116

HSL 149.71, 0.9%, 0.46%

LAB 78.22, -67.86, 39.46

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 58 / 0 / 29 / 35

HEX #45A575

RGB 69 165 117

HSL 150, 0.41%, 0.46%

LAB 61.19, -39.73, 16.6

 

CMYK 40 / 0 / 20 / 43

HEX #589275

RGB 88 146 117

HSL 150, 0.25%, 0.46%

LAB 56, -25.84, 9.47

 

CMYK 16 / 0 / 8 / 50

HEX #6B7F75

RGB 107 127 117

HSL 150, 0.09%, 0.46%

LAB 51.37, -9.43, 2.99

 

CMYK 0 / 14 / 7 / 51

HEX #7E6C75

RGB 126 108 117

HSL 330, 0.08%, 0.46%

LAB 47.55, 8.75, -2.38

 

CMYK 69 / 0 / 73 / 28

HEX #39B832

RGB 57 184 50

HSL 116.87, 0.57%, 0.46%

LAB 66.04, -59.23, 54.91

 

CMYK 73 / 0 / 57 / 28

HEX #32B84F

RGB 50 184 79

HSL 132.99, 0.57%, 0.46%

LAB 66.15, -57.38, 42.64

 

CMYK 73 / 0 / 38 / 28

HEX #32B873

RGB 50 184 115

HSL 149.1, 0.57%, 0.46%

LAB 66.67, -51.45, 25.05

 

CMYK 73 / 0 / 18 / 28

HEX #32B897

RGB 50 184 151

HSL 165.22, 0.57%, 0.46%

LAB 67.42, -43.36, 6.58

 

CMYK 73 / 1 / 0 / 28

HEX #32B6B8

RGB 50 182 184

HSL 180.9, 0.57%, 0.46%

LAB 67.72, -33.42, -11.18

 

CMYK 72 / 0 / 36 / 53

HEX #21774C

RGB 33 119 76

HSL 150, 0.57%, 0.3%

LAB 44.29, -36.02, 16.51

 

CMYK 72 / 0 / 37 / 40

HEX #2A9860

RGB 42 152 96

HSL 149.45, 0.57%, 0.38%

LAB 55.88, -43.93, 20.86

 

CMYK 73 / 0 / 36 / 28

HEX #32B875

RGB 50 184 117

HSL 150, 0.57%, 0.46%

LAB 66.71, -51.05, 24.03

 

CMYK 65 / 0 / 33 / 20

HEX #47CD89

RGB 71 205 137

HSL 149.55, 0.57%, 0.54%

LAB 74.07, -51.83, 23.47

 

CMYK 51 / 0 / 26 / 16

HEX #68D69E

RGB 104 214 158

HSL 149.45, 0.57%, 0.62%

LAB 78.17, -44.4, 18.2

 

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

CMYK 73 / 49 / 0 / 28

HEX #325DB8

RGB 50 93 184

HSL 220.75, 0.57%, 0.46%

LAB 41.16, 16.91, -52.51

 

CMYK 0 / 66 / 73 / 28

HEX #B83E32

RGB 184 62 50

HSL 5.37, 0.57%, 0.46%

LAB 44.04, 48.51, 34.21

 

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

CMYK 38 / 73 / 0 / 28

HEX #7332B8

RGB 115 50 184

HSL 269.1, 0.57%, 0.46%

LAB 36.72, 53.72, -59.47

 

CMYK 0 / 38 / 73 / 28

HEX #B87332

RGB 184 115 50

HSL 29.1, 0.57%, 0.46%

LAB 54.74, 21.61, 45.86

 

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

CMYK 73 / 49 / 0 / 28

HEX #325DB8

RGB 50 93 184

HSL 220.75, 0.57%, 0.46%

LAB 41.16, 16.91, -52.51

 

CMYK 0 / 73 / 35 / 28

HEX #B83278

RGB 184 50 120

HSL 328.66, 0.57%, 0.46%

LAB 43.98, 58.78, -8.65

 

CMYK 0 / 23 / 73 / 28

HEX #B88E32

RGB 184 142 50

HSL 41.19, 0.57%, 0.46%

LAB 61.45, 6.65, 52.73

 

CMYK 72 / 0 / 36 / 28

HEX #33B875

RGB 51 184 117

HSL 149.77, 0.57%, 0.46%

LAB 66.73, -50.9, 24.06

 

CMYK 73 / 71 / 0 / 28

HEX #3235B8

RGB 50 53 184

HSL 238.66, 0.57%, 0.46%

LAB 31.08, 42.5, -68.95

 

CMYK 0 / 73 / 35 / 28

HEX #B83278

RGB 184 50 120

HSL 328.66, 0.57%, 0.46%

LAB 43.98, 58.78, -8.65

 

CMYK 0 / 1 / 73 / 28

HEX #B8B632

RGB 184 182 50

HSL 59.1, 0.57%, 0.46%

LAB 72.15, -14.62, 63.17

 

Description

Color code: HEX #33B875 | qconv.com Color code: HEX #33B875 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 184 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 184 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 36 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 36% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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