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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B7FDCE it is the complementary color #CC4802CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B7FDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B7FDCE shade: #38B7F8CE, #49C9FFCE, #5ADBFFCE, #6BEDFFCE and #7CFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B7FDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B7FDCE shade: #33B7FDCE, #22A5EACE, #1193D7CE, #0081C4CE and #006FB1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B7FDCE shade: #35B8FD, #3582FD, #354CFD, #5435FD and #8A35FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B7FDCE shade: #35B8FD, #3582FD, #354CFD and #3535FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B7FDCE shade matches the following richer shades: #35B8FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B7FDCE shade: #35B8FD, #46B3EC, #56AEDC, #67A8CB and #77A3BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B7FDCE shade: #35FDD5, #35F0FD, #35BAFD, #3585FD and #3550FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B7FDCE shade: #0291DD, #0CA9FD, #35B8FD, #5EC6FD and #87D5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B7FDCE shade: #33B7FD, #A035FD and #FDF035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B7FDCE shade: #33B7FD, #FD35BA and #BAFD35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B7FDCE shade: #33B7FD, #A035FD, #FD7835 and #92FD35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B7FDCE shade: #33B7FD, #DC35FD, #FD7835 and #56FD35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 22 / 0 / 1

HEX #33B7FDCE

RGBA 51 183 253 0.81

HSLA 200.79, 0.98%, 0.6%, 0.81

LABA 70.64, -11.58, -44.43, 0.81

 

Complementary color

CMYK 0 / 52 / 80 / 16

HEX #CC4802CE

RGBA 204 72 2 0.81

HSLA 20.79, 0.98%, 0.4%, 0.81

LABA 48.85, 50.07, 59.09, 0.81

 

CMYK 63 / 21 / 0 / 2

HEX #38B7F8CE

RGBA 56 183 248 0.81

HSLA 200.31, 0.93%, 0.6%, 0.81

LABA 70.51, -12.8, -41.91, 0.81

 

CMYK 58 / 17 / 0 / 0

HEX #49C9FFCE

RGBA 73 201 255 0.81

HSLA 197.8, 1%, 0.64%, 0.81

LABA 76.32, -18.05, -36.61, 0.81

 

CMYK 52 / 11 / 0 / 0

HEX #5ADBFFCE

RGBA 90 219 255 0.81

HSLA 193.09, 1%, 0.68%, 0.81

LABA 81.87, -24.79, -28.03, 0.81

 

CMYK 47 / 6 / 0 / 0

HEX #6BEDFFCE

RGBA 107 237 255 0.81

HSLA 187.3, 1%, 0.71%, 0.81

LABA 87.44, -30.75, -19.51, 0.81

 

CMYK 42 / 0 / 0 / 0

HEX #7CFFFFCE

RGBA 124 255 255 0.81

HSLA 180, 1%, 0.74%, 0.81

LABA 93.03, -36.02, -11.09, 0.81

 

CMYK 65 / 22 / 0 / 1

HEX #33B7FDCE

RGBA 51 183 253 0.81

HSLA 200.79, 0.98%, 0.6%, 0.81

LABA 70.64, -11.58, -44.43, 0.81

 

CMYK 69 / 24 / 0 / 7

HEX #22A5EACE

RGBA 34 165 234 0.81

HSLA 200.7, 0.83%, 0.53%, 0.81

LABA 64.32, -9.71, -44.02, 0.81

 

CMYK 75 / 26 / 0 / 13

HEX #1193D7CE

RGBA 17 147 215 0.81

HSLA 200.61, 0.85%, 0.45%, 0.81

LABA 57.94, -7.42, -43.55, 0.81

 

CMYK 81 / 28 / 0 / 19

HEX #0081C4CE

RGBA 0 129 196 0.81

HSLA 200.51, 1%, 0.38%, 0.81

LABA 51.48, -4.72, -43.02, 0.81

 

CMYK 81 / 30 / 0 / 25

HEX #006FB1CE

RGBA 0 111 177 0.81

HSLA 202.37, 1%, 0.35%, 0.81

LABA 45, -1.29, -42.33, 0.81

 

CMYK 79 / 27 / 0 / 1

HEX #35B8FD

RGB 53 184 253

HSL 200.7, 0.98%, 0.6%

LAB 70.96, -11.94, -43.92

 

CMYK 79 / 49 / 0 / 1

HEX #3582FD

RGB 53 130 253

HSL 216.9, 0.98%, 0.6%

LAB 55.9, 19.5, -67.87

 

CMYK 79 / 70 / 0 / 1

HEX #354CFD

RGB 53 76 253

HSL 233.1, 0.98%, 0.6%

LAB 42.79, 52.57, -89.27

 

CMYK 67 / 79 / 0 / 1

HEX #5435FD

RGB 84 53 253

HSL 249.3, 0.98%, 0.6%

LAB 40.45, 66.72, -93.09

 

CMYK 45 / 79 / 0 / 1

HEX #8A35FD

RGB 138 53 253

HSL 265.5, 0.98%, 0.6%

LAB 45.69, 72.56, -84.26

 

CMYK 79 / 27 / 0 / 1

HEX #35B8FD

RGB 53 184 253

HSL 200.7, 0.98%, 0.6%

LAB 70.96, -11.94, -43.92

 

CMYK 79 / 49 / 0 / 1

HEX #3582FD

RGB 53 130 253

HSL 216.9, 0.98%, 0.6%

LAB 55.9, 19.5, -67.87

 

CMYK 79 / 70 / 0 / 1

HEX #354CFD

RGB 53 76 253

HSL 233.1, 0.98%, 0.6%

LAB 42.79, 52.57, -89.27

 

CMYK 79 / 79 / 0 / 1

HEX #3535FD

RGB 53 53 253

HSL 240, 0.98%, 0.6%

LAB 38.54, 64.62, -96.3

 

CMYK 79 / 27 / 0 / 1

HEX #35B8FD

RGB 53 184 253

HSL 200.7, 0.98%, 0.6%

LAB 70.96, -11.94, -43.92

 

CMYK 79 / 27 / 0 / 1

HEX #35B8FD

RGB 53 184 253

HSL 200.7, 0.98%, 0.6%

LAB 70.96, -11.94, -43.92

 

CMYK 70 / 24 / 0 / 7

HEX #46B3EC

RGB 70 179 236

HSL 200.6, 0.81%, 0.6%

LAB 69.18, -12.98, -37.45

 

CMYK 61 / 21 / 0 / 14

HEX #56AEDC

RGB 86 174 220

HSL 200.6, 0.66%, 0.6%

LAB 67.59, -12.85, -31.13

 

CMYK 49 / 17 / 0 / 20

HEX #67A8CB

RGB 103 168 203

HSL 201, 0.49%, 0.6%

LAB 65.9, -11.19, -24.28

 

CMYK 36 / 13 / 0 / 27

HEX #77A3BB

RGB 119 163 187

HSL 201.18, 0.33%, 0.6%

LAB 64.73, -8.76, -17.1

 

CMYK 79 / 0 / 16 / 1

HEX #35FDD5

RGB 53 253 213

HSL 168, 0.98%, 0.6%

LAB 89.77, -56.08, 5.72

 

CMYK 79 / 5 / 0 / 1

HEX #35F0FD

RGB 53 240 253

HSL 183.9, 0.98%, 0.6%

LAB 87.08, -39.72, -19.13

 

CMYK 79 / 26 / 0 / 1

HEX #35BAFD

RGB 53 186 253

HSL 200.1, 0.98%, 0.6%

LAB 71.53, -13.01, -43.02

 

CMYK 79 / 47 / 0 / 1

HEX #3585FD

RGB 53 133 253

HSL 216, 0.98%, 0.6%

LAB 56.71, 17.65, -66.57

 

CMYK 79 / 68 / 0 / 1

HEX #3550FD

RGB 53 80 253

HSL 231.9, 0.98%, 0.6%

LAB 43.63, 50.26, -87.88

 

CMYK 99 / 34 / 0 / 13

HEX #0291DD

RGB 2 145 221

HSL 200.82, 0.98%, 0.44%

LAB 57.54, -4.52, -47.53

 

CMYK 95 / 33 / 0 / 1

HEX #0CA9FD

RGB 12 169 253

HSL 200.91, 0.98%, 0.52%

LAB 66.17, -6.1, -51.49

 

CMYK 79 / 27 / 0 / 1

HEX #35B8FD

RGB 53 184 253

HSL 200.7, 0.98%, 0.6%

LAB 70.96, -11.94, -43.92

 

CMYK 63 / 22 / 0 / 1

HEX #5EC6FD

RGB 94 198 253

HSL 200.75, 0.98%, 0.68%

LAB 75.98, -14.02, -36.02

 

CMYK 47 / 16 / 0 / 0

HEX #87D5FE

RGB 135 213 254

HSL 200.67, 0.98%, 0.76%

LAB 81.78, -13.38, -27.49

 

CMYK 80 / 28 / 0 / 1

HEX #33B7FD

RGB 51 183 253

HSL 200.79, 0.98%, 0.6%

LAB 70.64, -11.58, -44.43

 

CMYK 37 / 79 / 0 / 1

HEX #A035FD

RGB 160 53 253

HSL 272.1, 0.98%, 0.6%

LAB 48.4, 75.6, -79.72

 

CMYK 0 / 5 / 79 / 1

HEX #FDF035

RGB 253 240 53

HSL 56.1, 0.98%, 0.6%

LAB 93.22, -14.31, 83.5

 

CMYK 80 / 28 / 0 / 1

HEX #33B7FD

RGB 51 183 253

HSL 200.79, 0.98%, 0.6%

LAB 70.64, -11.58, -44.43

 

CMYK 0 / 79 / 26 / 1

HEX #FD35BA

RGB 253 53 186

HSL 320.1, 0.98%, 0.6%

LAB 58.95, 82.29, -24.03

 

CMYK 26 / 0 / 79 / 1

HEX #BAFD35

RGB 186 253 53

HSL 80.1, 0.98%, 0.6%

LAB 92.11, -46.77, 80.77

 

CMYK 80 / 28 / 0 / 1

HEX #33B7FD

RGB 51 183 253

HSL 200.79, 0.98%, 0.6%

LAB 70.64, -11.58, -44.43

 

CMYK 37 / 79 / 0 / 1

HEX #A035FD

RGB 160 53 253

HSL 272.1, 0.98%, 0.6%

LAB 48.4, 75.6, -79.72

 

CMYK 0 / 53 / 79 / 1

HEX #FD7835

RGB 253 120 53

HSL 20.1, 0.98%, 0.6%

LAB 65.41, 46.88, 58.32

 

CMYK 42 / 0 / 79 / 1

HEX #92FD35

RGB 146 253 53

HSL 92.1, 0.98%, 0.6%

LAB 90.15, -60.4, 78.25

 

CMYK 80 / 28 / 0 / 1

HEX #33B7FD

RGB 51 183 253

HSL 200.79, 0.98%, 0.6%

LAB 70.64, -11.58, -44.43

 

CMYK 13 / 79 / 0 / 1

HEX #DC35FD

RGB 220 53 253

HSL 290.1, 0.98%, 0.6%

LAB 56.93, 85.23, -65.48

 

CMYK 0 / 53 / 79 / 1

HEX #FD7835

RGB 253 120 53

HSL 20.1, 0.98%, 0.6%

LAB 65.41, 46.88, 58.32

 

CMYK 66 / 0 / 79 / 1

HEX #56FD35

RGB 86 253 53

HSL 110.1, 0.98%, 0.6%

LAB 88.2, -75.69, 75.74

 

Description

Color code: HEX #33B7FDCE | qconv.com Color code: HEX #33B7FDCE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 183 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 183 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 22 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 22% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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