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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B627 it is the complementary color #CC49D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B627. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B627 shade: #38B622, #49C835, #5ADA48, #6BEC5B and #7CFE6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B627. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B627 shade: #33B627, #22A414, #119201, #008000 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B627 shade: #32B526, #59B526, #7FB526, #A6B526 and #B59E26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B627 shade: #32B526, #26B541, #26B567, #26B58E and #26B5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B627 shade matches the following richer shades: #32B526, #24C715 and #15D803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B627 shade: #32B526, #41A338, #50914A, #5F805C and #6D6E6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B627 shade: #81B526, #5BB526, #35B526, #26B53E and #26B564

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B627 shade: #1F7118, #29931F, #32B526, #3FD331 and #5FDB53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B627 shade: #33B627, #26A7B5 and #B5266E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B627 shade: #33B627, #2635B5 and #B52635

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B627 shade: #33B627, #26A7B5, #A726B5 and #B53526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B627 shade: #33B627, #267CB5, #A726B5 and #B55F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

Complementary color

CMYK 6 / 66 / 0 / 15

HEX #CC49D8

RGB 204 73 216

HSL 294.97, 0.65%, 0.57%

LAB 54.62, 69.31, -48.55

 

CMYK 69 / 0 / 81 / 29

HEX #38B622

RGB 56 182 34

HSL 111.08, 0.69%, 0.42%

LAB 65.29, -59.85, 59.38

 

CMYK 64 / 0 / 74 / 22

HEX #49C835

RGB 73 200 53

HSL 111.84, 0.58%, 0.5%

LAB 71.54, -61.11, 59.52

 

CMYK 59 / 0 / 67 / 15

HEX #5ADA48

RGB 90 218 72

HSL 112.6, 0.66%, 0.57%

LAB 77.75, -61.93, 59

 

CMYK 55 / 0 / 61 / 7

HEX #6BEC5B

RGB 107 236 91

HSL 113.38, 0.79%, 0.64%

LAB 83.9, -62.43, 58.12

 

CMYK 51 / 0 / 57 / 0

HEX #7CFE6E

RGB 124 254 110

HSL 114.17, 0.99%, 0.71%

LAB 90, -62.7, 57.06

 

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

CMYK 79 / 0 / 88 / 36

HEX #22A414

RGB 34 164 20

HSL 114.17, 0.78%, 0.36%

LAB 58.92, -58.49, 56.98

 

CMYK 88 / 0 / 99 / 43

HEX #119201

RGB 17 146 1

HSL 113.38, 0.99%, 0.29%

LAB 52.6, -55.64, 54.89

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 51 / 0 / 79 / 29

HEX #59B526

RGB 89 181 38

HSL 98.6, 0.65%, 0.43%

LAB 65.99, -51.17, 59.22

 

CMYK 30 / 0 / 79 / 29

HEX #7FB526

RGB 127 181 38

HSL 82.66, 0.65%, 0.43%

LAB 67.8, -38.19, 61.56

 

CMYK 8 / 0 / 79 / 29

HEX #A6B526

RGB 166 181 38

HSL 66.29, 0.65%, 0.43%

LAB 70.38, -22.34, 64.87

 

CMYK 0 / 13 / 79 / 29

HEX #B59E26

RGB 181 158 38

HSL 50.35, 0.65%, 0.43%

LAB 65.29, -3.9, 60.77

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 79 / 0 / 64 / 29

HEX #26B541

RGB 38 181 65

HSL 131.33, 0.65%, 0.43%

LAB 64.84, -59.83, 47.46

 

CMYK 79 / 0 / 43 / 29

HEX #26B567

RGB 38 181 103

HSL 147.27, 0.65%, 0.43%

LAB 65.31, -54.21, 29.54

 

CMYK 79 / 0 / 22 / 29

HEX #26B58E

RGB 38 181 142

HSL 163.64, 0.65%, 0.43%

LAB 66.07, -45.8, 9.56

 

CMYK 79 / 0 / 1 / 29

HEX #26B5B4

RGB 38 181 180

HSL 179.58, 0.65%, 0.43%

LAB 67.09, -35.42, -9.93

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 82 / 0 / 89 / 22

HEX #24C715

RGB 36 199 21

HSL 114.94, 0.81%, 0.43%

LAB 70.37, -68.64, 66.73

 

CMYK 90 / 0 / 99 / 15

HEX #15D803

RGB 21 216 3

HSL 114.93, 0.97%, 0.43%

LAB 75.62, -75.08, 73.22

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 60 / 0 / 66 / 36

HEX #41A338

RGB 65 163 56

HSL 114.95, 0.49%, 0.43%

LAB 59.53, -49.53, 45.67

 

CMYK 45 / 0 / 49 / 43

HEX #50914A

RGB 80 145 74

HSL 114.93, 0.32%, 0.43%

LAB 54.5, -35.68, 31.2

 

CMYK 26 / 0 / 28 / 50

HEX #5F805C

RGB 95 128 92

HSL 115, 0.16%, 0.43%

LAB 50.27, -19.27, 15.86

 

CMYK 1 / 0 / 1 / 57

HEX #6D6E6D

RGB 109 110 109

HSL 120, 0%, 0.43%

LAB 46.32, -0.59, 0.42

 

CMYK 29 / 0 / 79 / 29

HEX #81B526

RGB 129 181 38

HSL 81.82, 0.65%, 0.43%

LAB 67.91, -37.43, 61.71

 

CMYK 50 / 0 / 79 / 29

HEX #5BB526

RGB 91 181 38

HSL 97.76, 0.65%, 0.43%

LAB 66.07, -50.57, 59.32

 

CMYK 71 / 0 / 79 / 29

HEX #35B526

RGB 53 181 38

HSL 113.71, 0.65%, 0.43%

LAB 64.92, -59.85, 57.83

 

CMYK 79 / 0 / 66 / 29

HEX #26B53E

RGB 38 181 62

HSL 130.07, 0.65%, 0.43%

LAB 64.81, -60.16, 48.72

 

CMYK 79 / 0 / 45 / 29

HEX #26B564

RGB 38 181 100

HSL 146.01, 0.65%, 0.43%

LAB 65.26, -54.75, 31.04

 

CMYK 73 / 0 / 79 / 56

HEX #1F7118

RGB 31 113 24

HSL 115.28, 0.65%, 0.27%

LAB 41.48, -41.89, 39.63

 

CMYK 72 / 0 / 79 / 42

HEX #29931F

RGB 41 147 31

HSL 114.83, 0.65%, 0.35%

LAB 53.43, -51.27, 48.93

 

CMYK 72 / 0 / 79 / 29

HEX #32B526

RGB 50 181 38

HSL 114.97, 0.65%, 0.43%

LAB 64.86, -60.38, 57.75

 

CMYK 70 / 0 / 77 / 17

HEX #3FD331

RGB 63 211 49

HSL 114.81, 0.65%, 0.51%

LAB 74.74, -66.97, 63.93

 

CMYK 57 / 0 / 62 / 14

HEX #5FDB53

RGB 95 219 83

HSL 114.71, 0.65%, 0.59%

LAB 78.3, -60.03, 55.13

 

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

CMYK 79 / 8 / 0 / 29

HEX #26A7B5

RGB 38 167 181

HSL 185.87, 0.65%, 0.43%

LAB 62.83, -28.4, -16.89

 

CMYK 0 / 79 / 39 / 29

HEX #B5266E

RGB 181 38 110

HSL 329.79, 0.65%, 0.43%

LAB 41.74, 60.69, -5.86

 

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

CMYK 79 / 71 / 0 / 29

HEX #2635B5

RGB 38 53 181

HSL 233.71, 0.65%, 0.43%

LAB 30.14, 40.35, -68.73

 

CMYK 0 / 79 / 71 / 29

HEX #B52635

RGB 181 38 53

HSL 353.71, 0.65%, 0.43%

LAB 40.36, 56.41, 27.98

 

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

CMYK 79 / 8 / 0 / 29

HEX #26A7B5

RGB 38 167 181

HSL 185.87, 0.65%, 0.43%

LAB 62.83, -28.4, -16.89

 

CMYK 8 / 79 / 0 / 29

HEX #A726B5

RGB 167 38 181

HSL 294.13, 0.65%, 0.43%

LAB 42.67, 67.34, -47.71

 

CMYK 0 / 71 / 79 / 29

HEX #B53526

RGB 181 53 38

HSL 6.29, 0.65%, 0.43%

LAB 42.02, 50.66, 38.57

 

CMYK 72 / 0 / 79 / 29

HEX #33B627

RGB 51 182 39

HSL 114.97, 0.65%, 0.43%

LAB 65.2, -60.47, 57.78

 

CMYK 79 / 31 / 0 / 29

HEX #267CB5

RGB 38 124 181

HSL 203.92, 0.65%, 0.43%

LAB 49.69, -5.1, -37.2

 

CMYK 8 / 79 / 0 / 29

HEX #A726B5

RGB 167 38 181

HSL 294.13, 0.65%, 0.43%

LAB 42.67, 67.34, -47.71

 

CMYK 0 / 48 / 79 / 29

HEX #B55F26

RGB 181 95 38

HSL 23.92, 0.65%, 0.43%

LAB 49.68, 30.73, 46.21

 

Description

Color code: HEX #33B627 | qconv.com Color code: HEX #33B627 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 182 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 182 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 79 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 79% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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