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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B46C it is the complementary color #CC4B93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B46C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B46C shade: #38B467, #49C67A, #5AD88D, #6BEAA0 and #7CFCB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B46C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B46C shade: #33B46C, #22A259, #119046, #007E33 and #006C20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B46C shade: #32B36B, #32B349, #3FB332, #62B332 and #84B332

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B46C shade: #32B36B, #32B38E, #32B3B1, #3293B3 and #3270B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B46C shade matches the following richer shades: #32B36B, #20C669 and #0DD867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B46C shade: #32B36B, #45A06D, #588E70, #6A7B72 and #7D6974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B46C shade: #3FB332, #32B348, #32B36A, #32B38C and #32B3AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B46C shade: #207345, #299358, #32B36B, #44CA80 and #65D396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B46C shade: #33B46C, #3262B3 and #B33732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B46C shade: #33B46C, #6A32B3 and #B36A32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B46C shade: #33B46C, #3262B3, #B3327B and #B38432

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B46C shade: #33B46C, #323BB3, #B3327B and #B3AA32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

Complementary color

CMYK 0 / 63 / 28 / 20

HEX #CC4B93

RGB 204 75 147

HSL 326.51, 0.56%, 0.55%

LAB 51.81, 58.01, -12.85

 

CMYK 69 / 0 / 43 / 29

HEX #38B467

RGB 56 180 103

HSL 142.74, 0.53%, 0.46%

LAB 65.33, -51.19, 29.63

 

CMYK 63 / 0 / 38 / 22

HEX #49C67A

RGB 73 198 122

HSL 143.52, 0.52%, 0.53%

LAB 71.7, -51.55, 28.15

 

CMYK 58 / 0 / 35 / 15

HEX #5AD88D

RGB 90 216 141

HSL 144.29, 0.62%, 0.6%

LAB 78, -51.69, 26.78

 

CMYK 54 / 0 / 32 / 8

HEX #6BEAA0

RGB 107 234 160

HSL 145.04, 0.75%, 0.67%

LAB 84.23, -51.7, 25.5

 

CMYK 51 / 0 / 29 / 1

HEX #7CFCB3

RGB 124 252 179

HSL 145.78, 0.96%, 0.74%

LAB 90.4, -51.61, 24.31

 

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

CMYK 79 / 0 / 45 / 36

HEX #22A259

RGB 34 162 89

HSL 145.78, 0.65%, 0.38%

LAB 58.88, -50.29, 28.57

 

CMYK 88 / 0 / 51 / 44

HEX #119046

RGB 17 144 70

HSL 145.04, 0.79%, 0.32%

LAB 52.41, -48.93, 30.32

 

CMYK 100 / 0 / 60 / 51

HEX #007E33

RGB 0 126 51

HSL 144.29, 1%, 0.25%

LAB 45.85, -46.96, 32.12

 

CMYK 100 / 0 / 70 / 58

HEX #006C20

RGB 0 108 32

HSL 137.78, 1%, 0.21%

LAB 39.29, -43.5, 33.87

 

CMYK 72 / 0 / 40 / 30

HEX #32B36B

RGB 50 179 107

HSL 146.51, 0.56%, 0.45%

LAB 64.95, -51.07, 27

 

CMYK 72 / 0 / 59 / 30

HEX #32B349

RGB 50 179 73

HSL 130.7, 0.56%, 0.45%

LAB 64.48, -56.42, 43.5

 

CMYK 65 / 0 / 72 / 30

HEX #3FB332

RGB 63 179 50

HSL 113.95, 0.56%, 0.45%

LAB 64.59, -56.31, 53.46

 

CMYK 45 / 0 / 72 / 30

HEX #62B332

RGB 98 179 50

HSL 97.67, 0.56%, 0.45%

LAB 65.8, -46.84, 55.09

 

CMYK 26 / 0 / 72 / 30

HEX #84B332

RGB 132 179 50

HSL 81.86, 0.56%, 0.45%

LAB 67.56, -34.71, 57.43

 

CMYK 72 / 0 / 40 / 30

HEX #32B36B

RGB 50 179 107

HSL 146.51, 0.56%, 0.45%

LAB 64.95, -51.07, 27

 

CMYK 72 / 0 / 21 / 30

HEX #32B38E

RGB 50 179 142

HSL 162.79, 0.56%, 0.45%

LAB 65.65, -43.47, 9

 

CMYK 72 / 0 / 1 / 30

HEX #32B3B1

RGB 50 179 177

HSL 179.07, 0.56%, 0.45%

LAB 66.59, -34.06, -8.99

 

CMYK 72 / 18 / 0 / 30

HEX #3293B3

RGB 50 147 179

HSL 194.88, 0.56%, 0.45%

LAB 56.88, -17.31, -24.83

 

CMYK 72 / 37 / 0 / 30

HEX #3270B3

RGB 50 112 179

HSL 211.16, 0.56%, 0.45%

LAB 46.34, 2.97, -41.32

 

CMYK 72 / 0 / 40 / 30

HEX #32B36B

RGB 50 179 107

HSL 146.51, 0.56%, 0.45%

LAB 64.95, -51.07, 27

 

CMYK 84 / 0 / 47 / 22

HEX #20C669

RGB 32 198 105

HSL 146.39, 0.72%, 0.45%

LAB 70.67, -60.49, 35.4

 

CMYK 94 / 0 / 52 / 15

HEX #0DD867

RGB 13 216 103

HSL 146.6, 0.89%, 0.45%

LAB 76.18, -67.94, 43.22

 

CMYK 72 / 0 / 40 / 30

HEX #32B36B

RGB 50 179 107

HSL 146.51, 0.56%, 0.45%

LAB 64.95, -51.07, 27

 

CMYK 57 / 0 / 32 / 37

HEX #45A06D

RGB 69 160 109

HSL 146.37, 0.4%, 0.45%

LAB 59.44, -39.2, 18.63

 

CMYK 38 / 0 / 21 / 44

HEX #588E70

RGB 88 142 112

HSL 146.67, 0.23%, 0.45%

LAB 54.65, -24.91, 10.41

 

CMYK 14 / 0 / 7 / 52

HEX #6A7B72

RGB 106 123 114

HSL 148.24, 0.07%, 0.45%

LAB 50.03, -8.17, 2.81

 

CMYK 0 / 16 / 7 / 51

HEX #7D6974

RGB 125 105 116

HSL 327, 0.09%, 0.45%

LAB 46.61, 9.96, -3.18

 

CMYK 65 / 0 / 72 / 30

HEX #3FB332

RGB 63 179 50

HSL 113.95, 0.56%, 0.45%

LAB 64.59, -56.31, 53.46

 

CMYK 72 / 0 / 60 / 30

HEX #32B348

RGB 50 179 72

HSL 130.23, 0.56%, 0.45%

LAB 64.47, -56.55, 43.95

 

CMYK 72 / 0 / 41 / 30

HEX #32B36A

RGB 50 179 106

HSL 146.05, 0.56%, 0.45%

LAB 64.93, -51.26, 27.51

 

CMYK 72 / 0 / 22 / 30

HEX #32B38C

RGB 50 179 140

HSL 161.86, 0.56%, 0.45%

LAB 65.6, -43.95, 10.03

 

CMYK 72 / 0 / 2 / 30

HEX #32B3AF

RGB 50 179 175

HSL 178.14, 0.56%, 0.45%

LAB 66.53, -34.64, -7.97

 

CMYK 72 / 0 / 40 / 55

HEX #207345

RGB 32 115 69

HSL 146.75, 0.56%, 0.29%

LAB 42.76, -35.99, 18.5

 

CMYK 72 / 0 / 40 / 42

HEX #299358

RGB 41 147 88

HSL 146.6, 0.56%, 0.37%

LAB 54.07, -43.7, 22.85

 

CMYK 72 / 0 / 40 / 30

HEX #32B36B

RGB 50 179 107

HSL 146.51, 0.56%, 0.45%

LAB 64.95, -51.07, 27

 

CMYK 66 / 0 / 37 / 21

HEX #44CA80

RGB 68 202 128

HSL 146.87, 0.56%, 0.53%

LAB 72.91, -52.93, 26.61

 

CMYK 52 / 0 / 29 / 17

HEX #65D396

RGB 101 211 150

HSL 146.73, 0.56%, 0.61%

LAB 77.02, -45.41, 20.8

 

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

CMYK 72 / 45 / 0 / 30

HEX #3262B3

RGB 50 98 179

HSL 217.67, 0.56%, 0.45%

LAB 42.26, 11.8, -47.82

 

CMYK 0 / 69 / 72 / 30

HEX #B33732

RGB 179 55 50

HSL 2.33, 0.56%, 0.45%

LAB 42.07, 49.7, 31.71

 

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

CMYK 41 / 72 / 0 / 30

HEX #6A32B3

RGB 106 50 179

HSL 266.05, 0.56%, 0.45%

LAB 35.2, 50.82, -59.03

 

CMYK 0 / 41 / 72 / 30

HEX #B36A32

RGB 179 106 50

HSL 26.05, 0.56%, 0.45%

LAB 51.97, 24.43, 42.73

 

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

CMYK 72 / 45 / 0 / 30

HEX #3262B3

RGB 50 98 179

HSL 217.67, 0.56%, 0.45%

LAB 42.26, 11.8, -47.82

 

CMYK 0 / 72 / 31 / 30

HEX #B3327B

RGB 179 50 123

HSL 326.05, 0.56%, 0.45%

LAB 43.2, 57.76, -11.76

 

CMYK 0 / 26 / 72 / 30

HEX #B38432

RGB 179 132 50

HSL 38.14, 0.56%, 0.45%

LAB 58.34, 9.95, 49.4

 

CMYK 72 / 0 / 40 / 29

HEX #33B46C

RGB 51 180 108

HSL 146.51, 0.56%, 0.45%

LAB 65.3, -51.11, 26.95

 

CMYK 72 / 67 / 0 / 30

HEX #323BB3

RGB 50 59 179

HSL 235.81, 0.56%, 0.45%

LAB 31.94, 37.12, -64.56

 

CMYK 0 / 72 / 31 / 30

HEX #B3327B

RGB 179 50 123

HSL 326.05, 0.56%, 0.45%

LAB 43.2, 57.76, -11.76

 

CMYK 0 / 5 / 72 / 30

HEX #B3AA32

RGB 179 170 50

HSL 55.81, 0.56%, 0.45%

LAB 68.43, -10.61, 59.46

 

Description

Color code: HEX #33B46C | qconv.com Color code: HEX #33B46C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 180 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 180 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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