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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #33B09A it is the complementary color #CC4F65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #33B09A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #33B09A shade: #38B095, #49C2A8, #5AD4BB, #6BE6CE and #7CF8E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #33B09A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #33B09A shade: #33B09A, #229E87, #118C74, #007A61 and #00684E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #33B09A shade: #34B29C, #34B27A, #34B258, #34B236 and #54B234

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #33B09A shade: #34B29C, #34A6B2, #3484B2, #3462B2 and #3440B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #33B09A shade matches the following richer shades: #34B29C, #21C4A8 and #0FD7B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #33B09A shade: #34B29C, #469F90, #598D84, #6B7A78 and #7E686C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #33B09A shade: #34B257, #34B279, #34B29B, #34A7B2 and #3486B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #33B09A shade: #217264, #2A9280, #34B29C, #46C9B2 and #66D2BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #33B09A shade: #33B09A, #3634B2 and #B26834

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #33B09A shade: #33B09A, #9B34B2 and #B29B34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #33B09A shade: #33B09A, #3634B2, #B2344B and #B0B234

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #33B09A shade: #33B09A, #5C34B2, #B2344B and #8AB234

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

Complementary color

CMYK 0 / 61 / 50 / 20

HEX #CC4F65

RGB 204 79 101

HSL 349.44, 0.55%, 0.55%

LAB 51.12, 51.32, 13.66

 

CMYK 68 / 0 / 15 / 31

HEX #38B095

RGB 56 176 149

HSL 166.5, 0.52%, 0.45%

LAB 65.01, -39.51, 4.23

 

CMYK 62 / 0 / 13 / 24

HEX #49C2A8

RGB 73 194 168

HSL 167.11, 0.5%, 0.52%

LAB 71.44, -39.86, 3.14

 

CMYK 58 / 0 / 12 / 17

HEX #5AD4BB

RGB 90 212 187

HSL 167.7, 0.59%, 0.59%

LAB 77.79, -40.06, 2.15

 

CMYK 53 / 0 / 10 / 10

HEX #6BE6CE

RGB 107 230 206

HSL 168.29, 0.71%, 0.66%

LAB 84.06, -40.14, 1.24

 

CMYK 50 / 0 / 9 / 3

HEX #7CF8E1

RGB 124 248 225

HSL 168.87, 0.9%, 0.73%

LAB 90.26, -40.16, 0.39

 

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

CMYK 78 / 0 / 15 / 38

HEX #229E87

RGB 34 158 135

HSL 168.87, 0.65%, 0.38%

LAB 58.55, -38.19, 2.67

 

CMYK 88 / 0 / 17 / 45

HEX #118C74

RGB 17 140 116

HSL 168.29, 0.78%, 0.31%

LAB 51.99, -37.03, 4.04

 

CMYK 100 / 0 / 20 / 52

HEX #007A61

RGB 0 122 97

HSL 167.7, 1%, 0.24%

LAB 45.33, -35.49, 5.57

 

CMYK 100 / 0 / 25 / 59

HEX #00684E

RGB 0 104 78

HSL 165, 1%, 0.2%

LAB 38.64, -32.89, 7.44

 

CMYK 71 / 0 / 12 / 30

HEX #34B29C

RGB 52 178 156

HSL 169.52, 0.55%, 0.45%

LAB 65.73, -39.17, 1.38

 

CMYK 71 / 0 / 31 / 30

HEX #34B27A

RGB 52 178 122

HSL 153.33, 0.55%, 0.45%

LAB 64.94, -47.35, 18.96

 

CMYK 71 / 0 / 51 / 30

HEX #34B258

RGB 52 178 88

HSL 137.14, 0.55%, 0.45%

LAB 64.38, -53.62, 36.11

 

CMYK 71 / 0 / 70 / 30

HEX #34B236

RGB 52 178 54

HSL 120.95, 0.55%, 0.45%

LAB 64.03, -57.81, 51.25

 

CMYK 53 / 0 / 71 / 30

HEX #54B234

RGB 84 178 52

HSL 104.76, 0.55%, 0.45%

LAB 64.94, -50.52, 53.27

 

CMYK 71 / 0 / 12 / 30

HEX #34B29C

RGB 52 178 156

HSL 169.52, 0.55%, 0.45%

LAB 65.73, -39.17, 1.38

 

CMYK 71 / 7 / 0 / 30

HEX #34A6B2

RGB 52 166 178

HSL 185.71, 0.55%, 0.45%

LAB 62.69, -27.21, -15.4

 

CMYK 71 / 26 / 0 / 30

HEX #3484B2

RGB 52 132 178

HSL 201.9, 0.55%, 0.45%

LAB 52.34, -9.02, -31.3

 

CMYK 71 / 45 / 0 / 30

HEX #3462B2

RGB 52 98 178

HSL 218.1, 0.55%, 0.45%

LAB 42.28, 11.73, -47.21

 

CMYK 71 / 64 / 0 / 30

HEX #3440B2

RGB 52 64 178

HSL 234.29, 0.55%, 0.45%

LAB 33.16, 33.86, -61.97

 

CMYK 71 / 0 / 12 / 30

HEX #34B29C

RGB 52 178 156

HSL 169.52, 0.55%, 0.45%

LAB 65.73, -39.17, 1.38

 

CMYK 83 / 0 / 14 / 23

HEX #21C4A8

RGB 33 196 168

HSL 169.69, 0.71%, 0.45%

LAB 71.3, -45.87, 2.85

 

CMYK 93 / 0 / 16 / 16

HEX #0FD7B4

RGB 15 215 180

HSL 169.5, 0.87%, 0.45%

LAB 77.28, -51.59, 5.01

 

CMYK 71 / 0 / 12 / 30

HEX #34B29C

RGB 52 178 156

HSL 169.52, 0.55%, 0.45%

LAB 65.73, -39.17, 1.38

 

CMYK 56 / 0 / 9 / 38

HEX #469F90

RGB 70 159 144

HSL 169.89, 0.39%, 0.45%

LAB 59.99, -30.36, -0.21

 

CMYK 37 / 0 / 6 / 45

HEX #598D84

RGB 89 141 132

HSL 169.62, 0.23%, 0.45%

LAB 54.91, -19.52, -0.7

 

CMYK 12 / 0 / 2 / 52

HEX #6B7A78

RGB 107 122 120

HSL 172, 0.07%, 0.45%

LAB 49.98, -5.96, -0.79

 

CMYK 0 / 17 / 14 / 51

HEX #7E686C

RGB 126 104 108

HSL 349.09, 0.1%, 0.45%

LAB 46.2, 9.46, 1.04

 

CMYK 71 / 0 / 51 / 30

HEX #34B257

RGB 52 178 87

HSL 136.67, 0.55%, 0.45%

LAB 64.37, -53.78, 36.6

 

CMYK 71 / 0 / 32 / 30

HEX #34B279

RGB 52 178 121

HSL 152.86, 0.55%, 0.45%

LAB 64.92, -47.56, 19.48

 

CMYK 71 / 0 / 13 / 30

HEX #34B29B

RGB 52 178 155

HSL 169.05, 0.55%, 0.45%

LAB 65.7, -39.44, 1.89

 

CMYK 71 / 6 / 0 / 30

HEX #34A7B2

RGB 52 167 178

HSL 185.24, 0.55%, 0.45%

LAB 63, -27.7, -14.94

 

CMYK 71 / 25 / 0 / 30

HEX #3486B2

RGB 52 134 178

HSL 200.95, 0.55%, 0.45%

LAB 52.94, -10.16, -30.35

 

CMYK 71 / 0 / 12 / 55

HEX #217264

RGB 33 114 100

HSL 169.63, 0.55%, 0.29%

LAB 43.18, -27.65, 0.73

 

CMYK 71 / 0 / 12 / 43

HEX #2A9280

RGB 42 146 128

HSL 169.62, 0.55%, 0.37%

LAB 54.67, -33.62, 1.05

 

CMYK 71 / 0 / 12 / 30

HEX #34B29C

RGB 52 178 156

HSL 169.52, 0.55%, 0.45%

LAB 65.73, -39.17, 1.38

 

CMYK 65 / 0 / 11 / 21

HEX #46C9B2

RGB 70 201 178

HSL 169.47, 0.55%, 0.53%

LAB 73.73, -40.96, 1.04

 

CMYK 51 / 0 / 9 / 18

HEX #66D2BF

RGB 102 210 191

HSL 169.44, 0.55%, 0.61%

LAB 77.69, -35.7, -0.09

 

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

CMYK 70 / 71 / 0 / 30

HEX #3634B2

RGB 54 52 178

HSL 240.95, 0.55%, 0.45%

LAB 30.53, 41.5, -66.28

 

CMYK 0 / 42 / 71 / 30

HEX #B26834

RGB 178 104 52

HSL 24.76, 0.55%, 0.45%

LAB 51.4, 25.22, 41.07

 

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

CMYK 13 / 71 / 0 / 30

HEX #9B34B2

RGB 155 52 178

HSL 289.05, 0.55%, 0.45%

LAB 42.21, 59.67, -46.77

 

CMYK 0 / 13 / 71 / 30

HEX #B29B34

RGB 178 155 52

HSL 49.05, 0.55%, 0.45%

LAB 64.29, -3, 54.55

 

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

CMYK 70 / 71 / 0 / 30

HEX #3634B2

RGB 54 52 178

HSL 240.95, 0.55%, 0.45%

LAB 30.53, 41.5, -66.28

 

CMYK 0 / 71 / 58 / 30

HEX #B2344B

RGB 178 52 75

HSL 349.05, 0.55%, 0.45%

LAB 41.89, 52.06, 16.2

 

CMYK 1 / 0 / 71 / 30

HEX #B0B234

RGB 176 178 52

HSL 60.95, 0.55%, 0.45%

LAB 70.4, -15.93, 60.54

 

CMYK 71 / 0 / 13 / 31

HEX #33B09A

RGB 51 176 154

HSL 169.44, 0.55%, 0.45%

LAB 65.03, -38.95, 1.47

 

CMYK 48 / 71 / 0 / 30

HEX #5C34B2

RGB 92 52 178

HSL 259.05, 0.55%, 0.45%

LAB 33.87, 47.06, -60.68

 

CMYK 0 / 71 / 58 / 30

HEX #B2344B

RGB 178 52 75

HSL 349.05, 0.55%, 0.45%

LAB 41.89, 52.06, 16.2

 

CMYK 22 / 0 / 71 / 30

HEX #8AB234

RGB 138 178 52

HSL 79.05, 0.55%, 0.45%

LAB 67.64, -31.77, 56.9

 

Description

Color code: HEX #33B09A | qconv.com Color code: HEX #33B09A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 176 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 176 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 13 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 13% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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